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10 Directors with Major Roles in Other Directors’ Films

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A movie director’s job usually takes place behind the camera, but sometimes, they get in front of the lens. Some directors, like Woody Allen, are involved in the majority of that process, and write, direct, and star in their own films. Others, like Alfred Hitchcock or John Landis, add playful little cameos—sometimes themselves, or sometimes other filmmakers who happened to be on set that day. But what happens when well-known movie directors don’t do any directing at all, and star in other directors’ films in major roles that are more than simple cameos? Here are a few examples.

1. Werner Herzog in Jack Reacher

The first director on the list is German weirdo-auteur Werner Herzog, responsible for films like Aguirre, the Wrath of God; Fitzcarraldo; and the documentary Grizzly Man. Herzog has done his fair share of acting over the years, playing a fictional version of himself in the mockumentary Incident at Loch Ness or the father in the equally weird auteur Harmony Korine’s 1999 film Julien Donkey-Boy, but his most recent acting stint as the villain in last year's Jack Reacher is his most devious role yet.

Herzog plays a shadowy and sadistic Siberian baddie called “The Zec” who has one ominously cloudy eye and, as explained by the character, is missing multiple fingers that he chewed off while in captivity to avoid gangrene from complications of frostbite. If that doesn’t win you over, the villain's ridiculous lines—delivered in Herzog’s iconic accent—definitely steal some scenes.

2. François Truffaut in Close Encounters of the Third Kind

Nouvelle Vague pioneer François Truffaut had helmed 15 films of his own—and starred in two—before he stepped into the role of Claude Lacombe, the scientist trying to get to the bottom of all the UFO activity in Steven Spielberg’s 1977 blockbuster Close Encounters of the Third Kind.

Though he was the lead in his own directorial efforts The Wild Child and Day for Night, Truffaut had never acted in an American film, and had a tough time with his lines in English while filming. When he was to deliver the line “They belong here more than we,” his thick French accent confused Spielberg and costar Bob Balaban into thinking he said “They belong here Mozambique.” The two then had shirts made with the Mozambique line and distributed them to the crew as a prank on the 400 Blows director. His performance, however, was no joke; it would earn Truffaut a BAFTA nomination for best supporting actor.

3. Victor Sjöström in Wild Strawberries

Swedish director Victor Sjöström worked primarily in the silent era, making early cinema classics like The Phantom Carriage—with himself in the lead role—and The Wind—starring notable silent film star Lillian Gish—that influenced such directors as Stanley Kubrick and David Lean.

Despite his long and storied career, perhaps his best effort in front of the camera is as the aging college professor Isak Borg, who ponders the beauty of life and death while travelling through Sweden to receive an honorary degree in director Ingmar Bergman’s heartbreaking 1957 film Wild Strawberries. Though it wasn’t the first time the two worked together—Sjöström appeared as a good-natured orchestra conductor in Bergman’s little-seen 1949 film To Joy—Bergman sought to truly immortalize his mentor with his role as Borg. The two first met when the Swedish production company Svensk Filmindustri brought on the veteran to oversee the young Bergman’s 1946 debut film Crisis, and the two hit it off so well that Sjöström would remain a father figure to Bergman for the rest of his life.

4. John Cassavetes in Rosemary’s Baby

Cassavetes was revered as the father of American independent cinema for directing groundbreaking films like Shadows and Faces, but he was also a fine actor in his own right. He cut his teeth in smaller acting roles for other directors, including Don Siegel’s version of The Killers and Robert Aldrich’s The Dirty Dozen—which garnered him an Academy Award nom for best supporting actor—and would later feature in quite the explosive role in Brian DePalma’s The Fury (if you’ve seen the film, you’ll get the joke). But his leading man status was cleverly tested as Mia Farrow’s husband Guy in Roman Polanski’s 1968 creep-out film Rosemary’s Baby.

The character was originally meant for a blonde-haired, blue-eyed, all-American à la Robert Redford, but Polanski—who himself has acted in his own films, including Chinatown and The Tenant—intentionally cast against type with the shifty looking Cassavetes. The film ended up a rousing and terrifying success, but the two apparently never got along on set. Polanski questioned Cassavetes’ acting ability, saying, “He knows how to play himself best,” while Cassavetes slyly called into question Polanski’s merit with the retort, “You can’t dispute the fact that he’s an artist, but yet you have to say Rosemary’s Baby is not art.” 

5. John Huston in Chinatown

Six years after Rosemary’s Baby, Roman Polanski continued the practice of casting directors as actors in his films by giving the devious role of wealthy land baron Noah Cross to the legendary John Huston. Like the other directors on this list, Huston dabbled in bit parts in other films prior to Chinatown, including a role in Otto Preminger’s The Cardinal or as “The Lawgiver” in 1973’s Battle for the Planet of the Apes, but, in terms of his acting, the director of The African Queen is best known for this neo-noir classic.

Though he appears in only three scenes in the entire film, his unforgettable performance is the glue that holds the shocking mysteries of the film together. At the time of filming, star Jack Nicholson was in a relationship with Huston’s real life daughter Angelica, which must have given some added tension to the scene where Huston as Cross asks Nicholson as sleuth Jake Gittes “Are you sleeping with her?” in regards to his onscreen daughter Evelyn, played by Faye Dunaway.

6. Spike Jonze in Three Kings

Before he was twice nominated for Best Director for his films The Fighter and Silver Linings Playbook, director David O. Russell made the underrated 1999 satirical war film Three Kings. He recruited A-list talent like George Clooney and Mark Wahlberg and off-the-beaten-path stars like rapper Ice Cube for the film, but he rounded out the cast with an unorthodox choice—Being John Malkovich director Spike Jonze. Since Being John Malkovich and Three Kings were both released in October of 1999, Jonze was primarily known at the time as the genius behind music videos like the Beastie Boys’ “Sabotage,” Weezer’s “Buddy Holly,” Björk’s “It’s Oh So Quiet,” and more, but his role as the naive man-child Conrad Vig in Russell’s film added acting to his unique legacy. Jonze would go on to direct three more films—including Her, which will be released this year—and act in smaller parts in films like Bennett Miller’s Moneyball, but never in as major a role as in Three Kings.  

7. Orson Welles in The Third Man

The renowned director of Citizen Kane eventually went on to have a long and storied acting career—he even had a particularly memorable turn as the voice of the planet-sized robot Unicron in the 1986 animated film The Transformers: The Movie—but his most indelible appearance in another director’s film was as the enigmatic character Harry Lime in Carol Reed’s 1949 film The Third Man.

Much like John Huston’s Noah Cross, Welles’ character only appears in a few scenes in the entire film, yet his character is the driving force behind the overall plot. His most famous scene, where Harry Lime meets Joseph Cotten’s character Holly Martins on the Wiener Riesenrad in Vienna’s Prater amusement park, includes the famous “Swiss cuckoo clock speech” that was largely improvised by Welles: “In Italy for thirty years under the Borgias, they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace—and what did that produce? The cuckoo clock.” Unfortunately for Welles, cuckoo clocks are, in fact, from Germany.

8. Sydney Pollack in Eyes Wide Shut

Prior to Stanley Kubrick’s final film, Tootsie director Sydney Pollack’s feature acting credits included a rarely-seen 1962 war film called War Hunt and as the rational best friend of Woody Allen’s usual neurotic lead character in 1992’s Husbands and Wives. But the director's most haunting and complex character was the intimidating Dr. Victor Ziegler in Eyes Wide Shut, a role that was originally meant for Harvey Keitel until Pollack stepped in to replace him at Stanley Kubrick’s request.

Despite his friend Kubrick’s notorious reputation for demanding numerous takes when shooting ostensibly easy scenes, Pollack estimated that he would be able to complete his own scenes within one week. His first scene wrapped in mere hours but his second scene, which required him to simply walk across a room and answer a door, went on for two days of takes without satisfying Kubrick. When Pollack finally finished a take that was accepted by the director, Kubrick cryptically told him, “I wondered how much longer it would take you.”    

9. Quentin Tarantino in From Dusk till Dawn

In 1994, director Quentin Tarantino rewrote the book on American independent cinema with his modern classic, Pulp Fiction. Despite dabbling in acting in his own films before—he played Mr. Brown in his first feature, Reservoir Dogs, and was the frantic husband Jimmie in “The Bonnie Situation” chapter of Pulp Fiction—his first major role in another director’s film was in his friend Robert Rodriguez’s 1996 horror flick, From Dusk till Dawn, which Tarantino also wrote.

Tarantino and George Clooney starred as the Gecko Brothers, two crooks on the lam who seek refuge with their hostages in a strip club populated by vampires. The film was originally supposed to be his directorial follow up to Pulp Fiction, but Tarantino instead decided to focus on the screenplay and perfecting his acting chops for his role.

10. Fritz Lang in Contempt

Almost all of director Jean-Luc Godard’s movies are self-contained film schools, each playing with the ideas of what a movie itself can be. Godard was always eager to put his heroes in his films (American hard-boiled director Samuel Fuller had a brief cameo in Godard’s 1965 flick Pierrot le Fou, for example), but in his 1963 film Contempt, he decided to go bigger. Godard cast one of his idols, Austrian director Fritz Lang, who played a version of himself—a film director torn between adapting Homer’s The Odyssey from a small art film to an overblown studio epic.

Lang was the director of such masterpieces as Metropolis and M, and was allegedly the only person that the cantankerous Godard got along with on set. Actor Jack Palance, who played the pompous studio producer who hires a new screenwriter to rework Lang’s Odyssey adaptation, was so miserable working with Godard that he continually called his agent to get him out of his contract for the picture. But Lang, whom Godard worshipped, was made to feel right at home.  

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11 Ridiculously Overdue Library Books (That Were Finally Returned)
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Last week, Massachusetts's Attleboro Public Library received a big surprise when one of its regular patrons returned a copy of T.S. Arthur's The Young Lady at Home ... more than 78 years after it had been checked out. 

The man, whose name was not revealed, was reportedly helping a friend clean out his basement when he came across the tome. He recognized the library's stamp, then noticed its original due date: November 21, 1938. “We were amazed,” said Amy Rhilinger, the library’s assistant director. “I’ve worked here for 15 years, and I’ve never seen anything like this before.”

Because the library charges $.10 per day for overdue books, the total bill for this dusty read would come to about $2800—but the library isn't planning to cash in. “We’re not the library police," Rhilinger said. "We’re not tracking everyone’s things. Everyone returns things a few [days] late, and it’s one thing we joke about here.”

Though it's rare, the decades-overdue book's return is not unprecedented. Here are 11 more tardy returns.

1. The Versatile Grain and the Elegant Bean: A Celebration of the World’s Most Healthful Foods by Sheryl and Mel London

LOANED FROM: The Lawrence Public Library in Lawrence, Kansas
YEARS OVERDUE: 21

In 2014, someone anonymously returned this fitness-friendly cookbook, which had been missing since September 24, 1992. The volume, published that April, contains over 300 recipes—and it’s probably safe to assume that the culprit had plenty of time to try out every single one of them.

2. The Real Book About Snakes by Jane Sherman

LOANED FROM: The Champaign County Library in Urbana, Ohio 
YEARS OVERDUE: 41

Like the previous entry, whoever turned in this musty old field guide declined to reveal his name. But lest anyone question the man’s honesty, he also left the following note: “Sorry I’ve kept this book so long, but I’m a really slow reader! I’ve enclosed my fine of $299.30 (41 years, 2 cents a day). Once again, my apologies!”

3. Days and Deeds: A Book of Verse for Children’s Reading and Speaking compiled by Burton and Elizabeth Stevenson

LOANED FROM: The Kewanee Public Library in Kewanee, Illinois
YEARS OVERDUE: 47

According to Guinness World Records, the $345.14 fee paid by the borrower of this lyrical compilation stands as the highest library fine ever paid.

4. The Fire of Francis Xavier by Arthur R. McGratty

LOANED FROM: The New York Public Library, Fort Washington Branch, in New York, New York
YEARS OVERDUE: 55

In 2013, this one was discreetly mailed in and the perpetrator was never brought to justice (be on guard, Big Apple bibliophiles).

5. The Adventures of Pinocchio by Carlo Collodi

LOANED FROM: The Rugby Library in Warwick, England 
YEARS OVERDUE: 63

The item found its way home during an eight-day “fines amnesty period,” which shielded the guilty patron from a £4000 penalty. “It’s amazing to think how much the library has changed since that book was taken out in 1950,” said librarian Joanna Girdle. 

6. The Picture of Dorian Gray by Oscar Wilde

LOANED FROM: The Chicago Public Library in Chicago, Illinois 
YEARS OVERDUE: 78

Harlean Hoffman Vision found a rare edition of this novel nestled amongst her late mother’s personal effects and vowed to set things right. “She kept saying, ‘You’re not going to arrest me?’” recalled marketing director Ruth Lednicer, “and we said, ‘No, we’re so happy you brought it back.’”

7. Master of Men by E. Phillips Oppenheim

Amazon, Public Domain

LOANED FROM: The Leicester County Library in Leicester, England
YEARS OVERDUE: 79

Oppenheim was born in the surrounding region and, hence, the Leicestershire County Council was thrilled to reclaim this piece of their literary heritage after it turned up in a nearby house—even though the library branch it originally belonged to had shut down decades earlier.

8. Facts I Ought to Know About the Government of My Country by William H. Bartlett

Amazon, Public Domain

LOANED FROM: The New Bedford Public Library in New Bedford, Massachusetts
YEARS OVERDUE: 99

Stanley Dudek of Mansfield, Massachusetts claims that his mother—a Polish immigrant—decided to brush up on American politics by borrowing this volume from the New Bedford Library in 1910. “For a person who was just becoming a citizen, it was the perfect book for her,” says Dudek.

9. Insectivorous Plants by Charles Darwin

LOANED FROM: The Camden School of Arts Lending Library in Sydney, Australia
YEARS OVERDUE: 122

An Australian copy of Darwin’s treatise on bug-eating flora was borrowed in 1889. After two World Wars, Neil Armstrong’s moon landing, and the birth of the internet, it was finally returned on July 22, 2011.

10. The Ancient History of the Egyptians, Carthaginians, Assyrians, Babylonians, Medes and Persians, Macedonians, and Grecians (volume II) by Charles Rollin

LOANED FROM: The Grace Doherty Library in Danville, Kentucky
YEARS OVERDUE: 150 (approximately)

In 2013, this tome was discovered at a neighboring school for the deaf, where it had presumably been stored since 1854 (as evidenced by a note written inside dating to that year). The library owns no records from this period, so exactly how long it was gone is anybody’s guess, but, said librarian Stan Campbell, “It’s been out of the library for at least 150 years."

11. The Law of Nations by Emmerich de Vattel

LOANED FROM: The New York Society Library in New York City
YEARS OVERDUE: 221

Five months into his first presidential term, George Washington borrowed this legal manifesto from the historic New York Society Library. For the next 221 years, it remained stowed away at his Virginia home, and organization officials wondered if they’d ever see it again. “We’re not actively pursuing overdue fines,” joked head librarian Mark Bartlett. “But we would be very happy to see the book returned.” His wish was granted when Mount Vernon staff finally sent it back in 2010 (luckily, they dodged a whopping $300,000 late fee).

An earlier version of this post appeared in 2014.

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11 Popular Quotes Commonly Misattributed to F. Scott Fitzgerald
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F. Scott Fitzgerald wrote a lot of famous lines, from musings on failure in Tender is the Night to “so we beat on, boats against the current” from The Great Gatsby. Yet even with a seemingly never-ending well of words and beautiful quotations, many popular idioms and phrases are wrongly attributed to the famous Jazz Age author, who was born on this day in 1896. Here are 11 popular phrases that are often misattributed to Fitzgerald. (You may need to update your Pinterest boards.)

1. “WRITE DRUNK, EDIT SOBER.”

This quote is often attributed to either Fitzgerald or his contemporary, Ernest Hemingway, who died in 1961. There is no evidence in the collected works of either writer to support that attribution; the idea was first associated with Fitzgerald in a 1996 Associated Press story, and later in Stephen Fry’s memoir More Fool Me. In actuality, humorist Peter De Vries coined an early version of the phrase in a 1964 novel titled Reuben, Reuben.

2. “FOR WHAT IT’S WORTH: IT’S NEVER TOO LATE OR, IN MY CASE, TOO EARLY TO BE WHOEVER YOU WANT TO BE.”

It’s easy to see where the mistake could be made regarding this quote: Fitzgerald wrote the short story “The Curious Case of Benjamin Button” in 1922 for Collier's Magazine, and it was adapted into a movie of the same name, directed by David Fincher and starring Brad Pitt and Cate Blanchett, in 2008. Eric Roth wrote the screenplay, in which that quotation appears.

3. “OUR LIVES ARE DEFINED BY OPPORTUNITIES, EVEN THE ONES WE MISS.”

This is a similar case to the previous quotation; this quote is attributed to Benjamin Button’s character in the film adaptation. It’s found in the script, but not in the original short story.

4. “YOU’LL UNDERSTAND WHY STORMS ARE NAMED AFTER PEOPLE.”

There is no evidence that Fitzgerald penned this line in any of his known works. In this Pinterest pin, it is attributed to his novel The Beautiful and Damned. However, nothing like that appears in the book; additionally, according to the National Atmospheric and Oceanic Association, although there were a few storms named after saints, and an Australian meteorologist was giving storms names in the 19th century, the practice didn’t become widespread until after 1941. Fitzgerald died in 1940.

5. “A SENTIMENTAL PERSON THINKS THINGS WILL LAST. A ROMANTIC PERSON HAS A DESPERATE CONFIDENCE THAT THEY WON’T.”

This exact quote does not appear in Fitzgerald’s work—though a version of it does, in his 1920 novel This Side of Paradise:

“No, I’m romantic—a sentimental person thinks things will last—a romantic person hopes against hope that they won’t. Sentiment is emotional.” The incorrect version is widely circulated and requoted.

6. “IT’S A FUNNY THING ABOUT COMING HOME. NOTHING CHANGES. EVERYTHING LOOKS THE SAME, FEELS THE SAME, EVEN SMELLS THE SAME. YOU REALIZE WHAT’S CHANGED IS YOU.”

This quote also appears in the 2008 The Curious Case of Benjamin Button script, but not in the original short story.

7. “GREAT BOOKS WRITE THEMSELVES; ONLY BAD BOOKS HAVE TO BE WRITTEN.”

There is no evidence of this quote in any of Fitzgerald’s writings; it mostly seems to circulate on websites like qotd.org, quotefancy.com and azquotes.com with no clarification as to where it originated.

8. “SHE WAS BEAUTIFUL, BUT NOT LIKE THOSE GIRLS IN THE MAGAZINES. SHE WAS BEAUTIFUL FOR THE WAY SHE THOUGHT. SHE WAS BEAUTIFUL FOR THE SPARKLE IN HER EYES WHEN SHE TALKED ABOUT SOMETHING SHE LOVED. SHE WAS BEAUTIFUL FOR HER ABILITY TO MAKE OTHER PEOPLE SMILE, EVEN IF SHE WAS SAD. NO, SHE WASN’T BEAUTIFUL FOR SOMETHING AS TEMPORARY AS HER LOOKS. SHE WAS BEAUTIFUL, DEEP DOWN TO HER SOUL.”

This quote may have originated in a memoir/advice book published in 2011 by Natalie Newman titled Butterflies and Bullshit, where it appears in its entirety. It was attributed to Fitzgerald in a January 2015 Thought Catalog article, and was quoted as written by an unknown source in Hello, Beauty Full: Seeing Yourself as God Sees You by Elisa Morgan, published in September 2015. However, there’s no evidence that Fitzgerald said or wrote anything like it.

9. “AND IN THE END, WE WERE ALL JUST HUMANS, DRUNK ON THE IDEA THAT LOVE, ONLY LOVE, COULD HEAL OUR BROKENNESS.”

Christopher Poindexter, the successful Instagram poet, wrote this as part of a cycle of poems called “the blooming of madness” in 2013. After a Twitter account called @SirJayGatsby tweeted the phrase with no attribution, it went viral as being attributed to Fitzgerald. Poindexter has addressed its origin on several occasions.

10. “YOU NEED CHAOS IN YOUR SOUL TO GIVE BIRTH TO A DANCING STAR.”

This poetic phrase is actually derived from the work of philosopher Friedrich Nietzsche, who died in 1900, just four years after Fitzgerald was born in 1896. In his book Thus Spake ZarathustraNietzsche wrote the phrase, “One must have chaos within to enable one to give birth to a dancing star.” Over time, it’s been truncated and modernized into the currently popular version, which was included in the 2009 book You Majored in What?: Designing Your Path from College to Career by Katharine Brooks.

11. “FOR THE GIRLS WITH MESSY HAIR AND THIRSTY HEARTS.”

This quote is the dedication in Jodi Lynn Anderson’s book Tiger Lily, a reimagining of the classic story of Peter Pan. While it is often attributed to Anderson, many Tumblr pages and online posts cite Fitzgerald as its author.

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