12 R.L. Stine Quotes for His 75th Birthday

David Livingston, Getty Images
David Livingston, Getty Images

You would never know from his books that Goosebumps and Fear Street author R.L. Stine used to write joke books for kids under the name Jovial Bob Stine. Here's some wit, wisdom, and a few stories from the man himself as he turns 75.

1. ON HIS INTRODUCTION TO HORROR

“[It] was Pinocchio. My mother read it to me every day before naptime when I was three or four. The original Pinocchio is terrifying. First he smashes Jiminy Cricket to death with a wooden mallet. Then he goes to sleep with his feet up on the stove and burns his feet off! I never forgot it!”

From an interview with Harper Collins

2. ON WHAT SCARED HIM AS A KID

"I was afraid of lots of things ... I had this one fear. I'd have to park my bike in the garage after dark, and I always thought something would be lurking in the garage. I used to take my bike and just throw it in so I wouldn't have to go in there. That's a painful way to go through childhood, I think ... But in a way, it's kind of lucky. It helped me out later, because now, when I write these scary books for kids, I can think back to that feeling of panic. I can remember what it felt like, and then I can bring that feeling to my books."

From an interview with Reading Rockets

3. ON WRITING HORROR

“There’s no formula. I think you have to create a very close point of view. You have to be in the eyes of the narrator. Everything that happens, all the smells, all the sounds; then your reader starts to identify with that character and that’s what makes something really scary.”

From an interview with Mediabistro

4. ON BEING SCARED OF THINGS HE READS OR SEES IN MOVIES

"People say, 'Your book keeps giving me chills,' but I don't know what that feeling is. Horror always makes me laugh. Normal adult things scare me, but not things from a book or a movie."

From an interview with the Village Voice

5. ON THE BIGGEST PROBLEM FACING KIDS TODAY

"When I was a kid we had childhoods; we didn't have to be sophisticated and cool. We could just be kids ... I think the biggest problem is that kids are growing up too fast and not having fun just being a kid. It's a very tough job to be a kid."

From an interview with Teen Ink

6. ON HIS WRITING PROCESS

"I think of the titles first. I think I work backwards from most authors. Most authors get an idea for a story and they start to write it, and then later they think of a title. But I think of the title first and then the title sort of leads me to the story ... I know the ending, so then I know I can always get there. I plan out every book first before I write a word. I do a chapter-by-chapter outline of every book. So before I start to write, I know everything that’s going to happen in the book. I have it all planned, and then I can just enjoy the writing. I’ve done all the hard part. I’ve done the thinking before I start to write."

From an interview with The Author Hour

7. ON MEETING RAY BRADBURY

"A few years ago I got to meet Ray Bradbury for the first time, and it’s so hard to meet your heroes! I was so nervous. It was at the LA Times book festival at a campus near UCLA, and he was sitting in a booth eating a hot dog. And I thought, 'I have to say something to him. I have to say how important he was to me.' When I went over, I was shaking. I was so nervous to meet him. I was like one of my kids, you know? And I went over and I shook hands and I said, 'Mr. Bradbury, you’re my hero.' And he was so nice. We shook hands and he said, 'Well, you’re a hero to a lot of other people!' It was such a nice thing to say. I was totally choked up. I couldn’t even talk. It was such a sweet thing."

From an interview with The Strand Magazine

8. ON CATS VERSUS DOGS

"I've always been a dog person. Had one most of my life. You can tell I don't like cats—because I've written so many books with evil cats. It's much harder to imagine an evil dog."

From an interview with Colby Marshall

9. ON THE BEST ADVICE HE HAS EVER GOTTEN

"An editor once wrote on the top of a manuscript I'd written: 'Needs more lore.' MORE LORE is the best advice I ever got."

From an interview with C2E2

10. ON HIS FAVORITE FAN LATTER

"My all-time favorite letter was from a boy who wrote, 'Dear R. L. Stine, I've read 40 of your books and I think they're really boring. ' Isn't that perfect?"

From an interview with Teen Ink

11. ON WRITING FOR ADULTS VERSUS WRITING FOR KIDS

"It’s like a runner who’s used to doing sprints and then decides to do a marathon. When I write for kids it has to be kind of believable, but they also have to know it’s a fantasy. But when you write horror for adults, every detail has to be real. I actually had to do research on things like vegetation on the Outer Banks."

As told to Diane Brady of Bloomberg

12. ON WHAT ADVICE HE WOULD GIVE TO KIDS WHO WANT TO BE WRITERS

"My advice is to read, read, read. Don't just read one author. Read as many different kinds of things as you can. Later, when you start to write seriously, all the things you read before remain in your brain and will help you with your writing."

From a live chat with CNN

This article originally ran in 2013.

11 Chilling Facts About Shirley Jackson's The Haunting of Hill House

Can a house be born bad? That’s the question Shirley Jackson asks in her classic novel, The Haunting of Hill House. Released in 1959, the gothic novel follows four strangers who converge on a purportedly haunted house to “scientifically” seek out evidence of the paranormal. Things rapidly devolve and the characters—in particular, the novel’s lonely protagonist, Eleanor—realize, too late, that they’re in over their heads.

Upon its release, the novel sold briskly, earning Jackson a National Book Award nomination and high praise from critics. In its review, The New York Times called the story “caviar for connoisseurs of the cryptic” and described Jackson as “the finest master currently practicing in the genre of the cryptic, haunted tale.” It also caught the attention of Hollywood, and within four years MGM released a film adaptation, directed by Robert Wise. Since then, the novel has been made into a play and into a widely panned 1999 movie. On October 12, the first ever television series based on the novel will be released by Netflix.

Whether you’re getting ready to dig into the horrors of Hill House on Netflix or a fan of the original novel, here are 11 facts about The Haunting of Hill House you should know.

1. IT WAS INSPIRED BY REAL-LIFE PARANORMAL INVESTIGATORS

A photo of a ghost in the 1890s
The National Archives UK // Public Domain

Jackson was inspired to write the novel after reading about a group of 19th century “psychic researchers” who rented a house they believed to be haunted in order to study paranormal phenomena. The researchers studiously recorded their experiences in the house, and presented them in the form of a treatise to the Society for Psychic Research. In her essay “Experience and Fiction,” Jackson explained that she was most intrigued by the way the researchers revealed their own personalities and backgrounds throughout the study. “They thought they were being terribly scientific and proving all kinds of things,” she explained. “And yet the story that kept coming through their dry reports was not at all the story of a haunted house, it was the story of several earnest, I believe misguided, certainly determined people, with their differing motivations and backgrounds.”

2. JACKSON HAD A TERRIFYING SLEEPWALKING EXPERIENCE WHILE WRITING THE NOVEL ...

Early on in the writing process, Jackson awoke one morning to find something terrifying atop her writing desk: A note, with the words “DEAD DEAD” scrawled upon it, written in her own handwriting. Jackson, who loved ghost stories but did not believe in ghosts, brushed the strange discovery off as sleepwalking. In “Experience and Fiction,” she wrote that she used the strange note to motivate her, explaining, “I decided that I had better write the book awake, which I got to work and did.”

3. ... AND MADE AN UNSETTLING DISCOVERY WHILE RESEARCHING HAUNTED HOUSES.

A haunted house on a hill
iStock.com/DNY59

Before she began writing The Haunting of Hill House, Jackson scoured magazines and newspapers for photos of houses that seemed haunted. During her research, she stumbled upon a photo of a house in California that had a particular air of “disease and decay.” She was so struck by it, she asked her mother, who lived in California, if she could find any additional information about the house. Her mother’s response shocked Jackson: Not only was she familiar with the house, but Jackson's own great-grandfather had built it. After standing empty for many years, the house had been set on fire—possibly by a group of townspeople.

4. THERE WAS ORIGINALLY MORE THAN ONE VERSION OF ELEANOR.

In A Rather Haunted Life, Shirley Jackson biographer Ruth Franklin writes that Jackson initially struggled to decide what kind of character her protagonist, Eleanor, would be. Jackson wrote three different iterations of Eleanor before settling on her final version. One, according to Franklin, was “a spinster with a swagger”—a far cry from the introverted Eleanor of the finished novel.

5. IT'S A GHOST STORY WITHOUT GHOSTS.

Jackson often referred to the novel as a “good ghost story” despite the fact that it doesn't have any overt ghosts. Instead, it’s the house itself that seems to do the haunting. In her notes for the novel, Jackson explained, “The House is the haunting.” While much of the novel is left ambiguous, Jackson was clear about the connections between Hill House and her protagonist, Eleanor. “Jackson clearly intended the external signs of haunting to be interpreted as manifestations of Eleanor’s troubled psyche,” Franklin explains in A Rather Haunted Life. At the same time, Franklin notes, “The novel makes it clear that something in the house brings out the disturbance in Eleanor.”

6. JACKSON'S HUSBAND WAS TOO AFRAID TO READ IT.

Jackson’s husband Stanley Edgar Hyman was a well-known literary critic and professor who enthusiastically read all of his wife’s books—but not The Haunting of Hill House. According to Franklin, “For the first time he refused to read her manuscript: He found the concept of ghosts too frightening.”

7. THE NOVEL HAS EARNED COMPARISONS TO THE TURN OF THE SCREW.

Since its release, critics and fans have drawn comparisons between The Haunting of Hill House and the writings of everyone from Edgar Allan Poe to Hilary Mantel. But the comparison that comes up the most is to Henry James’s classic novel The Turn of the Screw. In her introduction to The Haunting of Hill House, Laura Miller explains that the two novels share common themes, including “a lonely, imaginative young woman” and “a big isolated house.” In his 1981 book Danse Macabre, Stephen King writes, “It seems to me that [The Haunting of Hill House] and James’s The Turn of the Screw are the only two great novels of the supernatural in the last hundred years.”

8. IT WAS JACKSON'S FIRST PROFITABLE NOVEL.

The Haunting of Hill House wasn’t just Jackson’s most popular novel: It was her first profitable novel. “Hill House was a financial and critical triumph," Franklin writes. “For the first time, a novel of [Jackson’s] had finally earned back its advance and was even making a profit.”

9. SHE SOLD THE FILM RIGHTS FOR $67,500—AND USED THE MONEY TO BUY A WASHING MACHINE.

When Jackson sold the movie rights to Hill House for $67,500 (“an astronomical fee for the time,” notes Miller), it propelled her family into true financial stability for the first time. They used the money from the film to pay off their mortgage and all other debts, and to buy living room drapes, a player piano, and a washing machine and dryer.

10. ROALD DAHL SENT JACKSON A LETTER AFTER READING IT.

Roald Dahl
Carl Van Vechten, Library of Congress // Public Domain

Legendary children’s author Roald Dahl was so struck by The Haunting of Hill House, he wrote to Jackson suggesting she write for television. According to Jackson biographer Lenemaja Friedman, Dahl asked her to “consider writing a script for a television show that Ellyn Williams was doing in Britain.” It’s unclear whether Dahl himself was working on the show (his TV series Way Out premiered in 1961, two years after the publication of Hill House), but Jackson ultimately refused his request.

11. THE NOVEL HAS A LOT OF FAMOUS FANS.

Stephen King, Neil Gaiman, Guillermo del Toro, and Carmen Maria Machado are all huge fans. Del Toro included Hill House in a series of six classic horror novels he curated for Penguin, Maria Machado called it “the scariest novel I’ve ever read,” and Neil Gaiman has written that, while plenty of novels have scared him, Hill House “beats them all.” Stephen King, meanwhile, has written that Hill House has one of the best openings he’s ever read, calling it “the sort of quiet epiphany every writer hopes for.”

JK Rowling's Newest Obsession? A Teenager's 350-Year-Old Math Notebook

Angela Weiss, AFP/Getty Images
Angela Weiss, AFP/Getty Images

Inspiration can be found in surprising places—including the math notebook of an 18th-century farm boy. As the BBC reports, a collection of 350-year-old doodles posted on Twitter recently went viral, and now they've caught the attention of author JK Rowling.

The Museum of English Rural Life shared pages pulled from its archives in a Twitter thread on Saturday, October 6. The book, dating from 1784, belonged to a 13-year-old boy named Richard Beale from Biddenden in the English county of Kent. It was primarily a math notebook, but the owner also apparently used it to explore his artistic side.

Beale scribbled some elaborate drawings around his equations. In one doodle, a pair of triangles spans the width of a city street. In another, an angle overlaps with a mountain with a burning fortress at its peak.

One figure, a black-and-white dog, appears throughout the book, leading the museum to believe it may have been the teen's family pet. Beale also sketched a picture of a chicken wearing trousers.

J.K. Rowling retweeted the thread on Sunday, to which the museum responded with a request for her to make the pants-clad chicken the protagonist of her next book series.

She responded: "Way ahead of you. He's best friends with a duck in a balaclava."

The notebook is part of a collection of farm diaries that was donated to the Museum of Rural English Life a few years ago. Researchers looking to appreciate Beale's detailed doodles in person can access them through the museum's reading room.

[h/t BBC]

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