12 R.L. Stine Quotes

David Livingston, Getty Images
David Livingston, Getty Images

You would never know from his books that Goosebumps and Fear Street author R.L. Stine used to write joke books for kids under the name Jovial Bob Stine. Here's some wit, wisdom, and a few stories from the man himself as he turns 75.

1. ON HIS INTRODUCTION TO HORROR

“[It] was Pinocchio. My mother read it to me every day before naptime when I was three or four. The original Pinocchio is terrifying. First he smashes Jiminy Cricket to death with a wooden mallet. Then he goes to sleep with his feet up on the stove and burns his feet off! I never forgot it!”

From an interview with Harper Collins

2. ON WHAT SCARED HIM AS A KID

"I was afraid of lots of things ... I had this one fear. I'd have to park my bike in the garage after dark, and I always thought something would be lurking in the garage. I used to take my bike and just throw it in so I wouldn't have to go in there. That's a painful way to go through childhood, I think ... But in a way, it's kind of lucky. It helped me out later, because now, when I write these scary books for kids, I can think back to that feeling of panic. I can remember what it felt like, and then I can bring that feeling to my books."

From an interview with Reading Rockets

3. ON WRITING HORROR

“There’s no formula. I think you have to create a very close point of view. You have to be in the eyes of the narrator. Everything that happens, all the smells, all the sounds; then your reader starts to identify with that character and that’s what makes something really scary.”

From an interview with Mediabistro

4. ON BEING SCARED OF THINGS HE READS OR SEES IN MOVIES

"People say, 'Your book keeps giving me chills,' but I don't know what that feeling is. Horror always makes me laugh. Normal adult things scare me, but not things from a book or a movie."

From an interview with the Village Voice

5. ON THE BIGGEST PROBLEM FACING KIDS TODAY

"When I was a kid we had childhoods; we didn't have to be sophisticated and cool. We could just be kids ... I think the biggest problem is that kids are growing up too fast and not having fun just being a kid. It's a very tough job to be a kid."

From an interview with Teen Ink

6. ON HIS WRITING PROCESS

"I think of the titles first. I think I work backwards from most authors. Most authors get an idea for a story and they start to write it, and then later they think of a title. But I think of the title first and then the title sort of leads me to the story ... I know the ending, so then I know I can always get there. I plan out every book first before I write a word. I do a chapter-by-chapter outline of every book. So before I start to write, I know everything that’s going to happen in the book. I have it all planned, and then I can just enjoy the writing. I’ve done all the hard part. I’ve done the thinking before I start to write."

From an interview with The Author Hour

7. ON MEETING RAY BRADBURY

"A few years ago I got to meet Ray Bradbury for the first time, and it’s so hard to meet your heroes! I was so nervous. It was at the LA Times book festival at a campus near UCLA, and he was sitting in a booth eating a hot dog. And I thought, 'I have to say something to him. I have to say how important he was to me.' When I went over, I was shaking. I was so nervous to meet him. I was like one of my kids, you know? And I went over and I shook hands and I said, 'Mr. Bradbury, you’re my hero.' And he was so nice. We shook hands and he said, 'Well, you’re a hero to a lot of other people!' It was such a nice thing to say. I was totally choked up. I couldn’t even talk. It was such a sweet thing."

From an interview with The Strand Magazine

8. ON CATS VERSUS DOGS

"I've always been a dog person. Had one most of my life. You can tell I don't like cats—because I've written so many books with evil cats. It's much harder to imagine an evil dog."

From an interview with Colby Marshall

9. ON THE BEST ADVICE HE HAS EVER GOTTEN

"An editor once wrote on the top of a manuscript I'd written: 'Needs more lore.' MORE LORE is the best advice I ever got."

From an interview with C2E2

10. ON HIS FAVORITE FAN LATTER

"My all-time favorite letter was from a boy who wrote, 'Dear R. L. Stine, I've read 40 of your books and I think they're really boring. ' Isn't that perfect?"

From an interview with Teen Ink

11. ON WRITING FOR ADULTS VERSUS WRITING FOR KIDS

"It’s like a runner who’s used to doing sprints and then decides to do a marathon. When I write for kids it has to be kind of believable, but they also have to know it’s a fantasy. But when you write horror for adults, every detail has to be real. I actually had to do research on things like vegetation on the Outer Banks."

As told to Diane Brady of Bloomberg

12. ON WHAT ADVICE HE WOULD GIVE TO KIDS WHO WANT TO BE WRITERS

"My advice is to read, read, read. Don't just read one author. Read as many different kinds of things as you can. Later, when you start to write seriously, all the things you read before remain in your brain and will help you with your writing."

From a live chat with CNN

This article originally ran in 2013.

10 Amazing Facts About Harriet Beecher Stowe

Public Domain, Wikimedia Commons
Public Domain, Wikimedia Commons

Over 41 issues, Harriet Beecher Stowe’s novel Uncle Tom's Cabin was published as a serial in the abolitionist newspaper The National Era, the first installment on June 5, 1851. It was first followed by a only small group but its audience steadily grew as the story unfolded.

“Wherever I went among the friends of the Era, I found Uncle Tom’s Cabin a theme for admiring remark,” journalist and social critic Grace Greenwood wrote in a travelogue published in the Era. “[E]verywhere I went, I saw it read with pleasant smiles and irrepressible tears.’” The story was discussed in other abolitionist publications, such as Frederick Douglass’s Paper, and helped sell $2 annual subscriptions to the Era.

The popularity of Uncle Tom’s Cabin exploded once it was made available in a more accessible format. Some publishers claim the book edition is the second best-selling title of the 19th century, after the Bible.

1. Harriet Beecher Stowe's father and all seven of her brothers were ministers.

Harriet Elisabeth Beecher was born on June 14, 1811, in Litchfield, Connecticut. Her mother, Roxana Beecher, died five years later. Over the course of two marriages, her father, Calvinist preacher Lyman Beecher, fathered 13 children, 11 of whom survived into adulthood. He preached loudly against slavery. All seven of his sons followed him into the ministry. Henry Ward Beecher carried on his father’s abolitionist mission and according to legend sent rifles to anti-slavery settlers in Kansas and Nebraska in crates marked “Bibles.”

The women of the Beecher family were also encouraged to rise to positions of influence and rally against injustice. Eldest child Catharine Beecher co-founded the Hartford Female Seminary and Isabella Beecher Hooker was a prominent suffragist.

2. The Fugitive Slave Act—and a surprise $100 gift—inspired Uncle Tom's Cabin.

In 1832, Harriet Beecher moved to Cincinnati with her father, who assumed the presidency of Lane Theological Seminary. According to Harriet Beecher Stowe: A Life by Joan D. Hedrick, the Ohio city introduced her to former slaves and African-American freemen and there she first practiced writing, in a literary group called the Semi-Colon Club.

She married Calvin Ellis Stowe, a professor at Lane, and eventually relocated to Brunswick, Maine, when he went to work at Bowdoin College. By then, Stowe had published two books, Primary Geography for Children and the short story collection New England Sketches. She was also a contributor to newspapers supporting temperance and abolitionism, writing “sketches,” brief descriptive stories meant to illustrate a political point.

Following a positive response to her The Freeman’s Dream: A Parable, Gamaliel Bailey, editor of the anti-slavery paper The National Era, sent her $100 to encourage her to continue supplying the paper with material. The 1850 passage of the Fugitive Slave Act, obligating authorities in free states to re-enslave refugees, took the slavery fight northward. It also encouraged Stowe to step up her game.

“I am at present occupied upon a story which will be a much longer one than any I have ever written,” Beecher Stowe wrote in a letter to Bailey, “embracing a series of sketches which give the lights and shadows of the ‘patriarchal institution’ [of slavery], written either from observation, incidents which have occurred in the sphere of my personal knowledge, or in the knowledge of my friends.” For material, she scoured the written accounts belayed by escaped slaves.

3. Uncle Tom's Cabin made her rich and famous.

According to Henry Louis Gate Jr.’s introduction to the annotated edition of Uncle Tom's Cabin, The National Era paid Stowe $300 for 43 chapters. Before the serial’s completion, Stowe signed a contract with John P. Jewett and Co. to publish a two-volume bound book edition, and that’s when it really took off. Released on March 20, 1852, the book sold 10,000 copies in the U.S. in its first week and 300,000 in the first year. In the U.K., 1.5 million copies flew off the shelves in the first year. Stowe was paid 10 cents for each one sold. According to a London Times article published six months after the book’s release, she had already amassed $10,000 in royalties. “We believe [that this is] the largest sum of money ever received by any author, either American or European, from the sales of a single work in so short a period of time,” the Times stated.

4. She went to court to stop an unauthorized translation of Uncle Tom's Cabin ... and lost.

Immediately after Uncle Tom’s Cabin became a literary sensation, a Philadelphia-based German-language paper, Die Freie Presse, began publishing an unauthorized translation. Stowe took the publisher, F.W. Thomas, to court. American copyright laws were notoriously weak at the time, irking British writers whose work was widely pirated. As someone who overnight became America’s favorite author, Stowe had much at stake testing them.

The case put her in the Philadelphia courtroom of Justice Robert Grier, a notorious enforcer of the Fugitive Slave Act. “By the publication of Mrs. Stowe's book, the creations of the genius and imagination of the author have become as much public property as those of Homer or Cervantes,” Grier ruled. The precedent set by Stowe vs. Thomas meant that authors had the right to prevent others from printing their exact words, but almost nothing else. “All her conceptions and inventions may be used and abused by imitators, play-rights and poet-asters,” ruled Grier.

5. Beecher Stowe visited Abraham Lincoln.

Though Stowe had criticized what she saw as his slowness in emancipation and willingness to seek compromise to prevent succession, Stowe visited President Abraham Lincoln at the White House in 1862, during the early days of the Civil War. Reportedly, Lincoln greeted her with, “So this is the little woman who brought on this big Civil War,” but scholars have dismissed the quote as Stowe family legend spread after her death.

Details of their conversation are limited to vague entries in their respective diaries. Lincoln may have bantered with her over his love of open fires (“I always had one to home,” he reportedly said), while Stowe got down to business and quizzed him: “Mr. Lincoln, I want to ask you about your views on emancipation.”

6. Beecher Stowe wrote a lot of things that weren't Uncle Tom's Cabin.

Stowe wrote more than 30 books, both fiction and nonfiction, plus essays, poems, articles, and hymns.

7. The Stowes wintered in the former slave state of Florida.

The influx of wealth from Uncle Tom’s Cabin and the end of the Civil War allowed the Stowes to purchase a winter home in Mandarin, Florida, in 1867. It may have seemed strange—and perilous—for a famous anti-slavery crusader to buy 30 acres in a former slave state so soon after the war, yet six years after the purchase, she wrote to a local newspaper, “In all this time I have not received even an incivility from any native Floridian.”

8. Beecher Stowe and Mark Twain were neighbors.

The Stowes’ primary residence, beginning in 1864, was a villa in the Nook Farm section of Hartford, Connecticut, a neighborhood populated by prominent citizens, including Mark Twain. The homes of Nook Farm had few fences, and doors stayed open in sunny weather, creating an air of gentility. That did not prevent Twain from writing a somewhat unflattering portrait of Stowe, as she gave way to what was probably Alzheimer’s disease, in his autobiography:

“Mrs. Harriet Beecher Stowe who was a near neighbor of ours in Hartford, with no fence between. In those days she made as much use of our grounds as of her own in pleasant weather. Her mind had decayed, and she was a pathetic figure. She wandered about all the day long in the care of a muscular Irishwoman, assigned to her as a guardian.”

9. Beecher Stowe outlived four of her seven children.

While continuing a lucrative and prolific writing career, Stowe birthed and cared for seven children. When she passed away in 85 in 1896, she had outlived four of them, as bad fortune seemed to follow their offspring.

Their third, Henry, drowned in a swimming accident in 1857. The fourth, Frederick, mysteriously disappeared en route to California in 1870. The fifth, Georgiana, died from septicemia, probably related to morphine in 1890. (She was an addict.) The sixth, Samuel, died from cholera in infancy in 1849. These losses informed several of Stowe’s works.

10. There are several Harriet Beecher Stowe houses you can visit.

The Harriet Beecher Stowe House of Cincinnati is where she lived after following her father to Lane. The Harriet Beecher Stowe House on the campus of Bowdoin in Brunswick, Maine, is where she wrote Uncle Tom’s Cabin. It became a restaurant from 1946 to 1998 and is now a faculty office building, but one room is open to the public and dedicated to Stowe. The Harriet Beecher Stowe Center preserves her home in Hartford. Her home in Florida is gone but is marked by a plaque.

Letters by Otto Frank, Anne Frank's Father, Are Being Digitized for the First Time

Spencer Platt, Getty Images
Spencer Platt, Getty Images

Decades after his family was ousted from their attic hiding space, Otto Frank began corresponding with a pen pal named Ryan Cooper. Throughout the 1970s, Frank and Cooper exchanged letters, with Frank offering perspectives on his time in seclusion and captivity during World War II. His daughter Anne’s famous diary was written while the family was hiding from German forces in Amsterdam.

Now, the United States Holocaust Memorial Museum is making those letters available digitally for the first time to commemorate what would have been Anne’s 90th birthday on June 12.

Cooper, an artist in California who was then in his 20s, struck up a pen pal relationship with Frank. In addition to garnering advice on a variety of topics, Cooper was able to learn more about the young woman whose Diary of Anne Frank went on to become one of the best-known chronicles of the war and who tragically died of typhus while being held in a concentration camp in 1945. The letters also reveal more about Otto Frank, who appeared determined to keep the memory of his daughter alive even as his own health began to deteriorate. Frank died in 1980 at the age of 91 as the family's only survivor of the war.

Cooper amassed more than 80 letters in total, including some from Miep Gies, who protected Anne’s writings until the war ended. The museum is expected to make all of it accessible online in the near future.

[h/t Smithsonian]

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