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Scrap / Paradigm Publicity

Mike Doughty's New Album is Here!

Scrap / Paradigm Publicity
Scrap / Paradigm Publicity

I've been a fan of Mike Doughty since the first Soul Coughing record came out in 1994. Ruby Vroom's mixed-up jazz both confused and entranced me, particularly on tracks like "True Dreams of Wichita" and "Mr. Bitterness," both of which sounded like slam poetry delivered over a bed of jazz, hip-hop, and spooky samples. I ate up each of the band's records as they came out, despite their increasing darkness, then I ate up Doughty's solo work after the band broke up, despite its increasing lightness. Now Doughty has returned to his Soul Coughing tracks after releasing seven solo records that were extremely Soul Coughing-free. No, the band's not back together—and that's actually a good thing, as long as you're willing to let go of the darkness of the '90s.

The new record is titled Circles Super Bon Bon Sleepless How Many Cans? True Dreams of Wichita Monster Man Mr. Bitterness Maybe I'll Come Down St. Louise Is Listening I Miss the Girl Unmarked Helicopters The Idiot Kings So Far I Have Not Found the Science (a collection of all the song titles), though for short, reviewers have been calling it "Circles Super Bon Bon...." I'll suggest an even shorter title: "Circles," since it's one of the best tracks on the new record, and likely the song most people have actually heard.

Doughty's history with Soul Coughing is well-explained his memoir The Book of Drugs. The book is well worth reading for fans, because it adds a huge amount of context to the work Doughty was doing with (and apparently despite) his band in the '90s. The book will make you cringe at points, and it shows pretty much everybody (Doughty included) in a dark mess of drugs, business, and self-involved excess. I only saw Soul Coughing live once, during a pop-radio-sponsored tour that swung through Tallahassee; the audience was talking through the whole set, causing Doughty to call off the performance of "Janine" mid-song and then simply walk off stage, ending the show. At the time, I felt bad for him and the band—the audience was there to hear the radio-friendly single, "Circles," and didn't care about anything else. Long story short, The Book of Drugs explains the internal battles of the band from Doughty's perspective, and paints a clear picture: while in Soul Coughing, Doughty was utterly miserable, drug-addicted, and at war with his own band. It was a dark time for the Empire.

Album cover courtesy of Paradigm Publicity.

Because the history of Soul Coughing is so messy, Doughty avoided playing that material for roughly the past decade (the latest solo performances I've heard of those songs was on a Fox Theatre performance in 2003), despite frequent audience requests to bring it back. After reading his memoir, I get it. When people ask Doughty to play Soul Coughing songs, they're asking him to return to the worst years of his life...and he has put out seven solo records on his own terms, which provide a body of work that can easily fill any live show. So it's a surprise that he returned to this older material, releasing his own solo versions of these songs that were once so laden with darkness. And guess what? There's a pleasant lightness to the songs now. Almost too pleasant.

"Circles" plays like a party record, and I mean that in a good way. (The later Soul Coughing records could also be party records, but only if your party happened in an opium den.) This record has simple beats, solid vocal performances, and enough sampler weirdness to keep things interesting. Catherine Popper's standup bass parts anchor the songs in a way that recalls the original Soul Coughing sound, while keeping things simple and strong. The frequent use of samples is usually fun, but occasionally turns comically annoying, as in "Monster Man," which includes prominent barking dogs among its grab bag of funky samples.

Doughty used crowdfunding to release the record (disclosure: I pitched in $25 for a signed CD), and released videos showing the making of the record over a period of months. Doughty also released a variety of videos showing acoustic performances of the songs (live from his apartment), leading to an unplanned all-acoustic recording of twenty Soul Coughing songs, released separately as an online-only perk for crowdfunding participants. The results there are mixed, but they're basically bonus tracks for mega-fans. (It's interesting that the big-deal single "Soundtrack to Mary," surprisingly absent from the "Circles" record, does show up on the acoustic record. I hope he'll play it on tour.)

Of the "Circles" record, Doughty said in a press release:

"After my memoir, which was full of pain, I picked up an guitar and, by myself, went through the songs I wrote in the '90s—between the ages of 20 and 29—to figure out who I was, where I was, and what I was trying to say. There'll be more of the music I stumbled into, and fell in love with, when I came to New York as an 18-year-old—an explosion of amazing hip-hop and house music. I can use the weirdness I absorbed as a doorman at an avant-garde jazz club, when I was 21, more artfully. I think the songs can be better than they were. I can make the actual songs more hearable. I think I can make them more like what I intended them to be."

The thing about this record is that the darkness of Soul Coughing is conspicuously absent—and that's good, that's honestly a healthy place for Doughty to be now. At times, it succeeds brilliantly, as in "True Dreams of Wichita" (now rendered as a radio-friendly party anthem, formerly an angsty moper) and the snappy "The Idiot Kings" (now a completely straightforward house tune, formerly an overly jammy jazzsplosion). The progress here forces me as a longtime fan to consider what I liked about the Soul Coughing versions of these songs. The answer, to be frank, is that I liked the mixture of (my own) teen angst and (the band's) frequent ability to make catchy-yet-complex music that appealed to that dark place. As an adult, I'm glad Doughty has made a record devoid of darkness, largely because I'm glad he as a person survived his misadventures in the '90s. As a former teenager, I still cling to the angsty versions of many of these songs. But guess what? Now we have both. There is no net loss here, though I can imagine many fans will scoff at such an "up" rendering of these songs that were once so dark, and likely totems of their own dark pasts.

Here's the first video from the record, for "Super Bon Bon." Yes, it's utterly bananas. Yes, it's kind of dumb/funny/ridiculous. Doughty doesn't take himself too seriously at this point, and that's a serious contrast from his overly seriously presentation in videos from two decades ago. Incidentally, I give director Meg Skaff major bonus points for the MC Frontalot cameo here—Front was the subject of my first blog post for Mental Floss, way back in 2007.

If you're curious, compare that to the Soul Coughing video for "Super Bon Bon." Notice a difference in tone?

Where to Get the Record

It's available everywherehit Doughty's site for links to iTunes, Amazon, and local stores...along with nine things he would "like you to know." Doughty is also on tour in the U.S., likely coming to a town near you!

Blogger disclosure:  I received an early listen to the record in MP3 format, but paid for my own copy of the CD. I was not specially compensated to write this review.

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11 Things You Didn't Know About Dolly Parton
Brendon Thorne, Getty Images
Brendon Thorne, Getty Images

Over the past 50-some years, Dolly Parton has gone from a chipper country starlet to a worldwide icon of music and movies whose fans consistently pack a theme park designed (and named) in her honor. Dolly Parton is loved, lauded, and larger than life. But even her most devoted admirers might not know all there is to this Backwoods Barbie.

1. YOU WON'T FIND HER ON A DOLLYWOOD ROLLER COASTER.

Her theme park Dollywood offers a wide variety of attractions for all ages. Though she's owned it for more than 30 years, Parton has declined to partake in any of its rides. "My daddy used to say, 'I could never be a sailor. I could never be a miner. I could never be a pilot,' I am the same way," she once explained. "I have motion sickness. I could never ride some of these rides. I used to get sick on the school bus."

2. SHE ENTERED A DOLLY PARTON LOOK-ALIKE CONTEST—AND LOST.


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Apparently Parton doesn't do drag well. “At a Halloween contest years ago on Santa Monica Boulevard, where all the guys were dressed up like me, I just over-exaggerated my look and went in and just walked up on stage," she told ABC. "I didn’t win. I didn’t even come in close, I don’t think.”

3. SHE SPENT A FORTUNE TO RECREATE HER CHILDHOOD HOME.

Parton and her 11 siblings were raised in a small house in the mountains of Tennessee that lacked electricity and indoor plumbing. When Parton bought the place, she hired her brother Bobby to restore it to the way it looked when they were kids. "But we wanted it to be functional," she recounted on The Nate Berkus Show, "So I spent a couple million dollars making it look like I spent $50 on it! Even like in the bathroom, I made the bathroom so it looked like an outdoor toilet.” You do you, Dolly.

4. SHE WON'T APOLOGIZE FOR RHINESTONE.


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Parton is well-known for her hit movies Steel Magnolias and 9 to 5, less so for the 1984 flop Rhinestone. The comedy musical about a country singer and a New York cabbie was critically reviled and fled from theaters in just four weeks. But while her co-star Sylvester Stallone has publicly regretted the vehicle, Parton declared in her autobiography My Life and Other Unfinished Business that she counts Rhinestone's soundtrack as some of her best work, especially "What a Heartache."

5. SHE IS MILEY CYRUS'S GODMOTHER, SORT OF.

"I'm her honorary godmother. I've known her since she was a baby," Parton told ABC of her close relationship with Miley Cyrus. "Her father (Billy Ray Cyrus) is a friend of mine. And when she was born, he said, 'You just have to be her godmother,' and I said, 'I accept.' We never did do a big ceremony, but I'm so proud of her, love her, and she's just like one of my own." Parton also played Aunt Dolly on Cyrus's series Hannah Montana.

6. SHE RECEIVED DEATH THREATS FROM THE KU KLUX KLAN.

A photo of Dolly Parton on stage
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In the mid-2000s, Dollywood joined the ranks of family amusement parks participating in "Gay Days," a time when families with LGBT members are encouraged to celebrate together in a welcoming community environment. This riled the KKK, but their threats didn't scare Dolly. "I still get threats," she has admitted, "But like I said, I'm in business. I just don't feel like I have to explain myself. I love everybody."

7. TO PROMOTE LITERACY, SHE STARTED HER OWN "LIBRARY."

In 1995, the pop culture icon founded Dolly Parton's Imagination Library with the goal of encouraging literacy in her home state of Tennessee. Over the years, the program—built to mail children age-appropriate books—spread nationwide, as well as to Canada, the UK, and Australia. When word of the Imagination Library hit Reddit, the swarms of parents eager to sign their kids up crashed the Imagination Library site. It is now back on track, accepting new registrations and donations.

8. PARTON'S HOMETOWN HAS A STATUE IN HER HONOR.

A stone's throw from Dollywood, Sevierville, Tennessee is where Parton grew up. Between stimulating tourism and her philanthropy, this proud native has given a lot back to her hometown. And Sevierville residents returned that appreciation with a life-sized bronze Dolly that sits barefoot, beaming, and cradling a guitar, just outside the county courthouse. The sculpture, made by local artist Jim Gray, was dedicated on May 3, 1987. Today it is the most popular stop on Sevierville's walking tour.

9. THE CLONED SHEEP DOLLY WAS NAMED AFTER PARTON.

In 1995 scientists successfully created a clone from an adult mammal's somatic cell. This game-changing breakthrough in biology was named Dolly. But what about Parton inspired this honor? Her own groundbreaking career? Some signature witticism or beloved lyric? Nope. It was her legendary bustline. English embryologist Ian Wilmut revealed, "Dolly is derived from a mammary gland cell and we couldn't think of a more impressive pair of glands than Dolly Parton's."

10. SHE TURNED DOWN ELVIS.

After Parton made her own hit out of "I Will Always Love You," Elvis Presley's manager, Colonel Tom Parker, reached out in hopes of having Presley cover it. But part of the deal demanded Parton surrender half of the publishing rights to the song. "Other people were saying, 'You're nuts. It's Elvis Presley. I'd give him all of it!'" Parton admitted, "But I said, 'I can't do that. Something in my heart says don't do that.' And I didn't do it and they didn't do it." It may have been for the best. Whitney Houston's cover for The Bodyguard soundtrack in 1992 was a massive hit that has paid off again and again for Parton.

11. SHE JUST EARNED TWO GUINNESS WORLD RECORDS.

Parton is no stranger to breaking records. And on January 17, 2018 it was announced that she holds not one but two spot in the Guinness World Records 2018 edition: One for Most Decades With a Top 20 Hit on the US Hot Country Songs Chart (she beat out George Jones, Reba McEntire, and Elvis Presley for the honor) and the other for Most Hits on US Hot Country Songs Chart By a Female Artist (with a total of 107). Parton said she was "humbled and blessed."

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15 Fascinating Facts About David Bowie
BERTRAND GUAY/AFP/Getty Images
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The music industry lost one of its most iconic artists when David Bowie passed away from liver cancer on January 10, 2016. Bowie’s death came as a surprise to music fans around the world, as he kept his diagnosis quiet. Which isn’t all that surprising when you consider the often-elusive nature of Bowie over the years. Here are 15 things you might not have known about David Bowie, on what would have been his 71st birthday.

1. HE CHANGED HIS NAME SO HE WOULDN'T BE CONFUSED WITH THE MONKEES’S DAVY JONES.

David Bowie was born in London on January 8, 1947 as David Robert Jones. But as he readied to embark on his musical career as a teen, there was a problem: Davy Jones, the lead singer of The Monkees, was already a known quantity in the music industry, and the aspiring artist was afraid they might be confused. So David Jones changed his name to David Bowie.

In 1967, 14-year-old Sandra Dodd sent Bowie what would be his first fan letter from America, in which she asked him about his name. Bowie quipped: “In answer to your questions, my real name is David Jones and I don’t have to tell you why I changed it. ‘Nobody’s going to make a monkey out of you’ said my manager.”

2. NO, HIS EYES ARE NOT TWO DIFFERENT COLORS.

While people often claim that Bowie had heterochromia, a genetic condition that results in having two different colored eyes, that is incorrect. Both of his eyes are blue; the ocular oddity that you do notice is what is known as aniscoria, or a permanently dilated pupil—which happened when Bowie was 15 years old and got into a fight with his friend, George Underwood, over a girl. "I was so aggrieved I walked over to him, basically, turned him around and went 'whack' without even thinking," Underwood explained. (His fingernail sliced into Bowie’s eye.)

Fortunately, there were no hard feelings; the two later collaborated on an album as The King Bees and Underwood went on to design the album covers for some of Bowie’s most famous records, including The Rise and Fall of Ziggy Stardust and the Spiders from Mars.

3. THAT WASN’T THE ONLY TIME BOWIE'S EYE TOOK A BEATING.

In 2004, while performing in Oslo, Norway, a “fan” threw a lollipop onto the stage, which somehow managed to strike Bowie in the eye—and get stuck. A member of his crew was able to remove it, and Bowie went on with the concert. Rebel rebel indeed.

4. HE WAS BOYHOOD FRIENDS WITH PETER FRAMPTON.

Despite Bowie being more than three years older than Peter Frampton, the two struck up a friendship as youngsters. Both attended Bromley Technical High School, where Frampton’s dad was Bowie’s art teacher. The two shared a unique bond over music, and remained close friends until Bowie’s death. "He really introduced me, along with George Underwood, to Buddy Holly and Eddie Cochran, people I wasn't aware of at that age," Frampton once said of his childhood friend. The two would collaborate a number of times over the years.

5. BOWIE AND ELTON JOHN WERE PALS AS TEENS, TOO.

Back in their teens—when Bowie was still known as David Jones and Elton John went by Reginald Kenneth Dwight—the two future rock icons became quick friends and would frequently get together to talk about music. But shortly after Bowie’s death, John admitted that they had a falling out and hadn’t talked much in about 40 years.

“David and I were not the best of friends towards the end,” John said. “We started out being really good friends. We used to hang out together with Marc Bolan, going to gay clubs, but I think we just drifted apart. He once called me ‘rock ’n’ roll’s token queen’ in an interview with Rolling Stone, which I thought was a bit snooty. He wasn’t my cup of tea. No; I wasn’t his cup of tea.”

6. AS A TEEN, HE FOUNDED THE SOCIETY FOR THE PREVENTION OF CRUELTY TO LONG-HAIRED MEN.

In 1964, when he was just 17 years old, Bowie formed The Society for the Prevention of Cruelty to Long-Haired Men, an organization aimed at protesting the treatment that he and other men with long hair received on the streets of London. He took the matter seriously, as you can see from the BBC interview above.

That BBC spot led to an interview with the London Evening News, where Bowie explained that the organization was “really for the protection of pop musicians and those who wear their hair long. Anyone who has the courage to wear their hair down to his shoulders has to go through hell. It’s time we were united and stood up for our curls.”

7. HIS FIRST HIT, “SPACE ODDITY,” WAS PERFECTLY TIMED.

On July 11, 1969, Bowie released the single “Space Oddity.” The timing could not have been more perfect. Nine days after its release, the BBC ran the song over its coverage of Apollo 11’s lunar landing. It would end up being his first big hit in the UK.

8. HIS BROTHER WAS A MAJOR INSPIRATION FOR HIS MUSIC.

In 1985, Bowie’s half-brother Terry Burns, who battled mental health issues throughout his life, escaped from the hospital where he had been admitted and killed himself. In Nicholas Pegg's The Complete David Bowie, the writer reveals that Burns had quite an impact on Bowie’s writing. He was reportedly the inspiration for a number of his songs, including “Aladdin Sane,” “All the Madmen,” and “Jump They Say.”

9. BEING ZIGGY STARDUST LED HIM TO QUESTION HIS SANITY.

3rd July 1973: David Bowie performs his final concert as Ziggy Stardust at the Hammersmith Odeon, London. The concert later became known as the Retirement Gig
Express/Getty Images

Though Bowie had many alter egos over the years, Ziggy Stardust was the most famous of them. From 1972 to 1973 he toured in character as the glam rock persona until he abruptly announced that he would be retiring Ziggy during a concert in 1973. “Not only is this the last show of the tour, but it's the last show that we'll ever do,” Bowie said of Ziggy Stardust and the Spiders from Mars.

He later admitted that Ziggy “wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity."

10. FOR A TIME, HE FEARED A WIZARD MIGHT STEAL HIS URINE.

Four years after his Ziggy Stardust period, Bowie became the Thin White Duke. It was during this period that he struggled with both drug and emotional problems. In David Buckley’s book, Strange Fascination: David Bowie—The Definitive Story, the author wrote that by 1975, Bowie was "living a cocooned existence [in Los Angeles], disconnected from the real world.” He was apparently subsisting on a diet of peppers and milk, and exhibited some truly strange behaviors—like keeping his urine in his refrigerator so that "no other wizard could use it to enchant him.”

11. HE WAS A BIT OF A FUTURIST.

Not only was Bowie ahead of his time when it came to his art, but he also seemed to foretell the rise of the internet. In 1999, while discussing a newfangled invention known as the world wide web with Jeremy Paxman of the BBC, the host suggests that the internet’s potential has been “hugely exaggerated.” Bowie was quick to make it clear that he didn’t agree. “I really embrace the idea that there’s a new demystification process between the artist and the audience,” Bowie said “The interplay between the user and the provider will be so in sympatico it’s going to crush our ideas of what mediums are all about.”

12. HE WAS A PIONEER OF MUSIC STREAMING.

In September 1996, Bowie became the first major artist to release a single via internet download only with “Telling Lies.” It took about 11 minutes to download. (Times have changed.) That was just the beginning: In 1998, Bowie announced that he’d be launching his own internet service provider, known as BowieNet.

13. HE WAS A VORACIOUS READER.

May 1973: In a black and white horizontally striped jacket with wide lapels glam rock star David Bowie
Hulton Archive/Getty Images

While he was mostly known for his musical output, Bowie was a major bookworm who often read a book a day. In 2013, the curators at the Art Gallery of Ontario compiled a list of the artist’s 100 favorite books as part of an exhibition, “David Bowie Is.” It was an eclectic list, encompassing everything from Alfred Döblin’s Berlin Alexanderplatz to Gustave Flaubert's Madame Bovary to Michael Chabon’s Wonder Boys.

14. HIS SON RECENTLY CREATED A BOOK CLUB IN BOWIE’S HONOR.

In late December, Bowie’s son—filmmaker Duncan Jones—announced via Twitter that he would be paying tribute to his father’s love of reading with an online-based book club.

The club will kick off with Peter Ackroyd’s Hawksmoor, and the conversation will begin on February 1.

15. A LOCK OF HIS HAIR SOLD FOR $18,750.

In June 2016, just a few months after the singer’s passing, a lock of Bowie’s hair—which had been snipped in 1983 by a wig mistress at Madame Tussauds in London—went up for auction as part of Entertainment & Music Memorabilia Signature Auction held by Heritage Auctions and sold for a hair-raising $18,750.

“David Bowie changed music forever and fans are hungry for related precious objects that bring them closer to their favorite musician," Margaret Barrett, Heritage’s director of entertainment and music auctions, said at the time. "What brings you closer than a lock of hair?" (The bidding started at $2000 and early estimates thought it might only go as high as $4000.)

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