McCarthy McCarthy

The Working Titles of 14 Popular Movies McCarthy McCarthy

Most Hollywood movies go by a different name—also known as a working title—until the film is released in theaters. These cinematic pseudonyms can be used to hide a film’s production from rampant fans or to keep costs low. Here are 14 working titles for popular Hollywood movies. 

1. Working Title: "Blue Harvest"

Actual Title: Return of the Jedi

By the time filming on Return of the Jedi started in 1982, Star Wars was a gigantic pop culture phenomenon. Lucasfilm decided to use a working title to mask the film’s production from fans and film journalists. “Blue Harvest” was used throughout the film’s production in the United States.

“Blue Harvest” was allegedly a horror film with the tagline “Horror Beyond Imagination.” It was used on almost every facet of the then-titled Revenge of the Jedi, including the crew's t-shirts, shipping crates, and invoices. The title Revenge of the Jedi was later changed to Return of the Jedi when George Lucas realized that a Jedi has no concept for the evils of revenge. 

Another reason why “Blue Harvest” was used for the film’s working title was to keep production costs low: Apparently, locations and services had increased their prices when Lucasfilm was filming The Empire Strikes Back a few years before.

2. Working Title: "Planet Ice"

Actual Title: Titanic

Before the epic film Titanic was announced, director James Cameron began to shoot footage of icebergs off the coast of Nova Scotia under the guise he was making a film called “Planet Ice.” The reasoning behind the working title was to throw off any rival movie studio from making a movie based on Titanic before Cameron’s movie was in theaters.

3. Working Title: "Rory’s First Kiss"

Actual Title: The Dark Knight

When he was filming The Dark Knight in Chicago in 2007, director Christopher Nolan attempted to hide the true identity of the movie using the working title “Rory’s First Kiss." But the fake title wasn't enough to fool Batfans: When a casting call went out for "real police officers, sheriffs, county guards and bagpipers to work in non-speaking roles in August," a film journalist sniffed out the subterfuge after a quick look on, which identified Nolan as the director of “Rory’s First Kiss,” which also starred Christian Bale and Heath Ledger. It was easy to see that Nolan was working on the sequel to the widely popular Batman Begins.

Christopher Nolan used the working title “The Intimidation Game” for Batman Begins and also used the working title “Magnus Rex” for The Dark Knight Rises. For Nolan’s 2010 film Inception, the British director used the working title “Oliver’s Arrow.”

4. Working Title: "Incident on 57th Street"

Actual Title: Harry Potter and the Chamber of Secrets 

To avoid attention from Harry Potter fans, the filmmakers behind Harry Potter and the Chamber of Secrets used the strange working title “Incident on 57th Street” throughout the film’s London shoot. Their inspiration? A Bruce Springsteen song of the same name.

5. Working Title: "How the Solar System Was Won"

Actual Title: 2001: A Space Odyssey

Arguably the greatest film ever made, director Stanley Kubrick and screenwriter Arthur C. Clarke secretly referred to their 1968 science fiction collaboration as “How the Solar System Was Won,” a reference to the 1962 Western from MGM titled How the West Was Won. When Warner Bros officially announced the sci-fi project in 1965, the press release called the film Journey Beyond the Stars.

Kubrick and Clarke eventually decided on the title 2001: A Space Odyssey 11 months into the film’s production. Other titles the pair considered were Universe, Tunnel to the Stars, and Planetfall.

6. Working Title: "Star Beast"

Actual Title: Alien

Screenwriters Dan O’Bannon and Ronald Shusett envisioned a new film that would be a science fiction and horror genre hybrid. Before settling on the title Alien, the pair’s screenplay was titled “Star Beast,” which was named after the terrifying Xenomorph alien in the movie. O’Bannon decided to change the title to simply Alien when he realized how many times the word was used in the screenplay.

7. Working Title: "The Seven Deadly Sins"

Actual Title: Se7en

In 1995, director David Fincher made a thriller called Se7en starring Brad Pitt, Morgan Freeman, and Gwyneth Paltrow. The film was originally titled “The Seven Deadly Sins” because the film featured a serial killer who used the capital vices as a way to murder his victims. The filmmakers changed the name of the film to build mystery and awareness of the movie before it opened in theaters.

8. Working Title: "Paradox"

Actual Title: Back To The Future Part II

“Paradox” was the title of the original pitch for the Back To The Future sequels. Originally, the film was conceived as one movie, but when the film’s budget grew too expensive, the film was split into two separate sequel films. Director Robert Zemeckis continued to use the working title as a way to lessen fan attention while shooting the films simultaneously.

9. Working Title: "Black Mask"

Actual Title: Pulp Fiction

When Quentin Tarantino and Roger Avery were working on the screenplay for Pulp Fiction, they originally titled the film “Black Mask,” as a way to pay homage to the hardboiled crime fiction magazine that popularized the pulp fiction genre in the 1930s and '40s. Later, the pair changed the name to emphasize the genre rather than a particular magazine. 

10. Working Title: "Everybody Comes To Rick’s"

Actual Title: Casablanca 

The film Casablanca was based on a then-unproduced stage play called “Everybody Comes To Rick’s.” While the authors of the stage play, Murray Burnett and Joan Alison, couldn’t find funding to produce the play on Broadway, Warner Bros bought the film rights for $20,000 in 1942. The title was changed to Casablanca as a way to imitate the 1938 smash-hit film Algiers.

11. Working Title: "Group Hug"

Actual Title: The Avengers

Marvel has special codenames or working titles for all of their films (the codename of Captain America: The First Avenger, for example, was “Frostbite”—because Captain America was encased in ice at the end of the film). For The Avengers, Joss Whedon chose the working title “Group Hug” to throw off  eager fans. Tom Hiddleston told Elle magazine that the working title was fitting. “The Avengers was 'Group Hug,'" he said. "It felt very much like a group hug on set." 

12. Working Title: "A Boy’s Life"

Actual Title: E.T. The Extra-Terrestrial

During the production of E.T., director Steven Spielberg used the working title “A Boy’s Life” in order to keep the film’s premise a secret—he didn’t want a competing film to beat him to the market. Actors had to be supervised when reading the script and everyone on set had to wear security ID cards to make sure the film shoot was secure.

13. Working Title: "Corporate Headquarters"

Actual Title: Star Trek

J.J. Abrams has a penchant for secrecy and mystery. During the production of the first Star Trek reboot, he used the working title “Corporate Headquarters” to throw off the scent of any snooping film journalists or fans. Security during production was extremely tight; each actor was under supervision while reading the film’s script or rehearsing scenes. But when a suspicious casting call asking for actors who had a “Vulcan-type eyebrow shape” emerged, reporters and fans soon found out that J.J. Abrams' new film was, in fact, Star Trek.    

14. Working Title: "Changing Seasons"

Actual Title: Lord of the Rings: The Fellowship of the Ring

In 1998, it was no secret that Peter Jackson was adapting J.R.R. Tolkien’s sprawling epic of Middle Earth with the Lord of the Rings film trilogy. Jackson and his production team in New Zealand spent two long years making three movies simultaneously for the first film’s Christmas 2001 release date. When Fellowship of the Ring arrived at movie theaters around the world, the film canisters had the title “Changing Seasons” attached to them, so hardcore Tolkien fans would be fooled into thinking it was a different movie.

For the subsequent films—Two Towers and Return of the King—Peter Jackson used the titles “Grand Tour” and “Til Death, For Glory” respectively.

Universal Pictures Home Entertainment
The 10 Wildest Movie Plot Twists
Laura Harring in Mulholland Drive (2001)
Laura Harring in Mulholland Drive (2001)
Universal Pictures Home Entertainment

An ending often makes or breaks a movie. There’s nothing quite as satisfying as having the rug pulled out from under you, particularly in a thriller. But too many flicks that try to shock can’t stick the landing—they’re outlandish and illogical, or signal where the plot is headed. Not all of these films are entirely successful, but they have one important attribute in common: From the classic to the cultishly beloved, they involve hard-to-predict twists that really do blow viewers’ minds, then linger there for days, if not life. (Warning: Massive spoilers below.)

1. PSYCHO (1960)

Alfred Hitchcock often constructed his movies like neat games that manipulated the audience. The Master of Suspense delved headfirst into horror with Psycho, which follows a secretary (Janet Leigh) who sneaks off with $40,000 and hides in a motel. The ensuing jolt depends on Leigh’s fame at the time: No one expected the ostensible star and protagonist to die in a gory (for the time) shower butchering only a third of the way into the running time. Hitchcock outdid that feat with the last-act revelation that Anthony Perkins’s supremely creepy Norman Bates is embodying his dead mother.


No, not the botched Tim Burton remake that tweaked the original movie’s famous reveal in a way that left everyone scratching their heads. The Charlton Heston-starring sci-fi gem continues to stupefy anyone who comes into its orbit. Heston, of course, plays an astronaut who travels to a strange land where advanced apes lord over human slaves. It becomes clear once he finds the decrepit remains of the Statue of Liberty that he’s in fact on a future Earth. The anti-violence message, especially during the political tumult of 1968, shook people up as much as the time warp.

3. DEEP RED (1975)

It’s not rare for a horror movie to flip the script when it comes to unmasking its killer, but it’s much rarer that such a film causes a viewer to question their own perception of the world around them. Such is the case for Deep Red, Italian director Dario Argento’s (Suspiria) slasher masterpiece. A pianist living in Rome (David Hemmings) comes upon the murder of a woman in her apartment and teams up with a female reporter to find the person responsible. Argento’s whodunit is filled to the brim with gorgeous photography, ghastly sights, and delirious twists. But best of all is the final sequence, in which the pianist retraces his steps to discover that the killer had been hiding in plain sight all along. Rewind to the beginning and you’ll discover that you caught an unknowing glimpse, too.


Sleepaway Camp is notorious among horror fans for a number of reasons: the bizarre, stilted acting and dialogue; hilariously amateurish special effects; and ‘80s-to-their-core fashions. But it’s best known for the mind-bending ending, which—full disclosure—reads as possibly transphobic today, though it’s really hard to say what writer-director Robert Hiltzik had in mind. Years after a boating accident that leaves one of two siblings dead, Angela is raised by her aunt and sent to a summer camp with her cousin, where a killer wreaks havoc. In the lurid climax, we see that moody Angela is not only the murderer—she’s actually a boy. Her aunt, who always wanted a daughter, raised her as if she were her late brother. The final animalistic shot prompts as many gasps as cackles.


The Usual Suspects has left everyone who watches it breathless by the time they get to the fakeout conclusion. Roger "Verbal" Kint (Kevin Spacey), a criminal with cerebral palsy, regales an interrogator in the stories of his exploits with a band of fellow crooks, seen in flashback. Hovering over this is the mysterious villainous figure Keyser Söze. It’s not until Verbal leaves and jumps into a car that customs agent David Kujan realizes that the man fabricated details, tricking the law and the viewer into his fake reality, and is in fact the fabled Söze.

6. PRIMAL FEAR (1996)

No courtroom movie can surpass Primal Fear’s discombobulating effect. Richard Gere’s defense attorney becomes strongly convinced that his altar boy client Aaron (Edward Norton) didn’t commit the murder of an archbishop with which he’s charged. The meek, stuttering Aaron has sudden violent outbursts in which he becomes "Roy" and is diagnosed with dissociative identity disorder, leading to a not guilty ruling. Gere’s lawyer visits Aaron about the news, and as he’s leaving, a wonderfully maniacal Norton reveals that he faked the multiple personalities.

7. FIGHT CLUB (1999)

Edward Norton is no stranger to taking on extremely disparate personalities in his roles, from Primal Fear to American History X. The unassuming actor can quickly turn vicious, which led to ideal casting for Fight Club, director David Fincher’s adaptation of the Chuck Palahniuk novel. Fincher cleverly keeps the audience in the dark about the connections between Norton’s timid, unnamed narrator and Brad Pitt’s hunky, aggressive Tyler Durden. After the two start the titular bruising group, the plot significantly increases the stakes, with the club turning into a sort of anarchist terrorist organization. The narrator eventually comes to grips with the fact that he is Tyler and has caused all the destruction around him.


Early in his career, M. Night Shyamalan was frequently (perhaps a little too frequently) compared to Hitchcock for his ability to ratchet up tension while misdirecting his audience. He hasn’t always earned stellar reviews since, but The Sixth Sense remains deservedly legendary for its final twist. At the end of the ghost story, in which little Haley Joel Osment can see dead people, it turns out that the psychologist (Bruce Willis) who’s been working with the boy is no longer living himself, the result of a gunshot wound witnessed in the opening sequence.

9. THE OTHERS (2001)

The Sixth Sense’s climax was spooky, but not nearly as unnerving as Nicole Kidman’s similarly themed ghost movie The Others, released just a couple years later. Kidman gives a superb performance in the elegantly styled film from the Spanish writer-director Alejandro Amenábar, playing a mother in a country house after World War II protecting her photosensitive children from light and, eventually, dead spirits occupying the place. Only by the end does it become clear that she’s in denial about the fact that she’s a ghost, having killed her children in a psychotic break before committing suicide. It’s a bleak capper to a genuinely haunting yarn.


David Lynch’s surrealist movies may follow dream logic, but that doesn’t mean their plots can’t be readily discerned. Mulholland Drive is his most striking work precisely because, in spite of its more wacko moments, it adds up to a coherent, tragic story. The mystery starts innocently enough with the dark-haired Rita (Laura Elena Harring) waking up with amnesia from a car accident in Los Angeles and piecing together her identity alongside the plucky aspiring actress Betty (Naomi Watts). It takes a blue box to unlock the secret that Betty is in fact Diane, who is in love with and envious of Camilla (also played by Harring) and has concocted a fantasy version of their lives. The real Diane arranges for Camilla to be killed, leading to her intense guilt and suicide. Only Lynch can go from Nancy Drew to nihilism so swiftly and deftly.

Jesse Grant, Getty Images for AMC
5 Bizarre Comic-Con News Stories from Years Past
Jesse Grant, Getty Images for AMC
Jesse Grant, Getty Images for AMC

At its best, San Diego Comic-Con is a friendly place where like-minded people can celebrate their pop culture obsessions, and each other. And no one can make fun of you, no matter how lazy your cosplaying might be. You might think that at its worst, it’s just a series of long lines of costumed fans and small stores crammed into a convention center. But sometimes, throwing together 100,000-plus people from around the world in what feels like a carnival-type atmosphere where anything goes can have less than stellar results. Here are some highlights from past Comic-Con-tastrophes.


In 2010, two men waiting for a Comic-Con screening of the Seth Rogen alien comedy Paul got into a very adult argument about whether one of them was sitting too close to the other. Unable to come to a satisfactory conclusion with words, one man stabbed the other in the face with a pen. According to CNN, the attacker was led away wearing handcuffs and a Harry Potter T-shirt. In the aftermath, some Comic-Con attendees dealt with the attack in an oddly fitting way: They cosplayed as the victim, with pens protruding from bloody eye sockets.


Since its founding in 2006, New York Comic Con has attracted a few sticky-fingered attendees. In 2010, a man stole several rare comics from vendor Matt Nelson, co-founder of Texas’s Worldwide Comics. Just one of those, Whiz Comics No. 1, was worth $11,000, according to the New York Post. A few years later, in 2014, someone stole a $2000 “Dunny” action figure, which artist Jon-Paul Kaiser had painted during the event for Clutter magazine. And those are just the incidents that involved police; lower-scale cases of toys and comics disappearing from booths are an increasingly frustrating epidemic, according to some. “Comic Con theft is an issue we all sort of ignore,” collector Tracy Isenhour wrote on the blog of his company, Needless Essentials, in 2015. “I am here to tell you no more. It’s time for this garbage to stop."


John Sciulli/Getty Images for Xbox

Adrianne Curry, winner of the first cycle of America’s Next Top Model, has made a career of chasing viral fame. Ironically, it was at Comic-Con in 2014 that Curry did something truly worthy of attention—though there wasn’t a camera in sight. Dressed as Catwoman, she was posing with fans alongside her friend Alicia Marie, who was dressed as Tigra. According to a Facebook post Marie wrote at the time, a fan tried to shove his hands into her bikini bottoms. She screamed, the man ran off, and Curry jumped to action. She “literally took off after dude WITH her Catwoman whip and chased him down, beat his a**,” Marie wrote. “Punched him across the face with the butt of her whip—he had zombie blood on his face—got on her costume.”


The lines at Comic-Con are legendary, so one Utah man came up with a novel way to try and skip them altogether. In 2015, Jonathon M. Wall tried to get into Salt Lake Comic Con’s exclusive VIP enclave (normally a $10,000 ticket) by claiming he was an agent with the Air Force Office of Special Investigations, and needed to get into the VIP room “to catch a fugitive,” according to The San Diego Union Tribune. Not only does that story not even come close to making sense, it also adds up to impersonating a federal agent, a crime to which Wall pleaded guilty in April of 2016 and which carried a sentence of up to three years in prison and a $250,000 fine. Just a few months later, prosecutors announced that they were planning to reduce his crime from a felony to a misdemeanor.


Michael Buckner/Getty Images for Disney

In 2015, Kevin Doyle walked 645 miles along the California coast to honor his late wife, Eileen. Doyle had met Eileen relatively late in life, when he was in his 50s, and they bonded over their shared love of Star Wars (he even proposed to her while dressed as Darth Vader). However, she died of cancer barely a year after they were married. Adrift and lonely, Doyle decided to honor her memory and their love of Star Wars by walking to Comic-Con—from San Francisco. “I feel like I’m so much better in the healing process than if I’d stayed home,” he told The San Diego Union Tribune.


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