15 Remarkable Facts About Thornton Wilder's Our Town

Frank Craven (left), Martha Scott, and John Craven in the original Broadway production of Our Town.
Frank Craven (left), Martha Scott, and John Craven in the original Broadway production of Our Town.
Vandamm Studio, Wikimedia Commons // Public Domain

For 80 years, Thornton Wilder's Our Town has awed audiences. The American playwright's delicate tale of small town American families at the turn of the 20th century is alive with humanity and poetry. Yet, there was a time when its content felt downright revolutionary.

1. OUR TOWN IS WILDER'S MOST POPULAR OF HIS MANY NOVELS AND PLAYS.

Today, Wilder is considered a titan of 20th-century American literature—and he's the only person to have won the Pulitzer Prize for both literature and drama. His 1927 novel The Bridge of San Luis Rey was a commercial success and was awarded the Pulitzer Prize for Literature in 1928. Ten years later, Our Town won Wilder his second Pulitzer, and first in the drama category. His third Pulitzer came in 1943, when his play The Skin of Our Teeth won the drama prize.

Wilder also wrote screenplays for silent films. And because Alfred Hitchcock was such an admirer of Our Town, the iconic director hired Wilder to work on the script for his 1943 thriller Shadow of a Doubt.

2. OUR TOWN IS A SIMPLE STORY ABOUT EVERYDAY AMERICANS.

Set in the humble hamlet of Grover's Corners, New Hampshire, the play follows the relationship of young lovers Emily Webb and George Gibbs, who meet, marry, and separate over the course of 1901 to 1913. In his 1992 book Conversations with Thornton Wilder, English professor Jackson R. Bryer wrote, "Wilder presents ordinary people who make the human race seem worth preserving and represent the universality of human existence."

3. THIS FICTIONAL TOWN IS BASED ON A REAL PLACE.

Wilder spent his summers in Peterborough, New Hampshire, and he aimed to capture its simple charms in his characterization of the fictional Grover's Corners. Years later, Peterborough would return the compliment. As part of a dual celebration of the town's 275th and the play's 75th anniversaries, Peterborough dedicated the intersection of Grove and Main streets to Our Town, erecting street signs that read "Grover's Corners."

4. WILDER WROTE OUR TOWN IN PETERBOROUGH AND ZURICH.

Wilder wrote part of Our Town as a fellow of the MacDowell Colony, an artists' retreat established in Peterborough in 1907. He also worked on the play at an isolated hotel in Zurich, Switzerland, where he was the sole guest. "I hate being alone," Wilder once lamented in a letter, "And I hate writing. But I can only write when I’m alone. So these working spells combine both my antipathies."

5. WILDER WAS ALREADY AN ACCLAIMED WRITER WHEN OUR TOWN DEBUTED.

After winning the Pulitzer for his book The Bridge of San Luis Rey, Wilder turned his focus to Broadway, where he debuted his original play The Trumpet Will Sound. Then, ahead of Our Town, he created English-language stage adaptations for French playwright Andre Obey's The Rape of Lucretia (a.k.a. Lucrece) and Norwegian dramatist Henrik Ibsen's A Doll's House. Both played on the Great White Way, in 1932 and 1937 respectively.

6. OUR TOWN BOASTED GROUNDBREAKING STAGING.

The play's directions call for it to be performed on an unadorned stage: "No curtain. No scenery. The audience, arriving, sees an empty stage in half-light." Simple set pieces like ladders and chairs come into play, but the actors use no props, and pantomime as needed to convey the story. The play's narrator is named after an important theatrical crew position: Stage Manager. This crucial character has the power to communicate directly to the audience, but also can interact with the characters. Each metatheatrical element is meant to draw attention to the constructs within the medium of theater.

7. WILDER HAD USED SOME OF THESE TECHNIQUES BEFORE.

His one-act plays The Happy Journey to Trenton and Camden (1931) and Pullman Car Hiawatha (1932) both had Stage Manager characters. Both also called for minimalistic set designs. Happy Journey used four chairs and a low platform to stand in for a family car; Pullman Car Hiawatha employed chalk lines and chairs to create train cars. But only Pullman Car Hiawatha has the Stage Manager address the audience directly as he does in Our Town.

8. OUR TOWN WAS A RESPONSE TO WHAT WILDER FELT CONTEMPORARY THEATER LACKED.

Before writing Our Town, Wilder expressed his disappointment with the quality of American theater. He feared the opulent costumes and spectacular sets of Broadway did a disservice to the written word. "I felt that something had gone wrong," he wrote. "Finally my dissatisfaction passed into resentment. I began to feel that the theatre was not only inadequate, it was evasive; it didn't not wish to draw upon its deeper potentialities."

9. OUR TOWN WON INSTANT ACCLAIM.

The show made its Broadway debut to positive reviews. Some critics were puzzled, however, by its deceptive minimalism. "Sometimes, as it skips through the lives in a small New Hampshire town, it soars; but again it is earthbound by its folksy attention to humdrum detail. However it may add up, it is an intelligent and rewarding theatrical experiment," wrote John Chapman in the New York Daily News.

The New York Times theatre critic Brooks Atkinson was more effusive in his praise. "Our Town is, in this column's opinion, one of the finest achievements of the current stage," he wrote.

Our Town's success transformed Wilder from a lauded writer to a critical darling. "He was now not merely a successful writer but a sage, a spokesman—a role that he seems to have relished, or at least tolerated," Robert Gottlieb wrote in The New Yorker in 2013.

10. A POSTWAR PRODUCTION OF OUR TOWN IN GERMANY WAS SHUT DOWN.

The Christian Science Monitor reported in its February 13, 1946 issue that the Soviet Union had put a stop to a production of Our Town in the Russian sector of Berlin. The play was canceled "on the grounds that the drama is too depressing and could inspire a German suicide wave," the magazine stated.

Wilder's sister Isabel later offered an alternate explanation. "[Our Town] was the first foreign play to be done in Berlin shortly after the occupation. The Russian authorities stopped it in three days. Rumor gave the reason that it was 'unsuitable for the Germans so soon—too democratic.'"

11. THE PLAY'S GENRE IS HARD TO PIN DOWN.

In theater, comedies often end in weddings, while dramas frequently end in death. Our Town offered a bit of both and in an introspective manner that celebrates the grace and frustrations common to the human experience. In 1956, theater historian Arthur Ballet and playwright George Stephens had an academic debate about whether the play was a tragedy. Ballet declared it a "great American drama" because the Stage Manager is born from the Greek chorus tradition. But Stephens rejected this categorization, calling it “gentle nostalgia or, to put it another way, sentimental romanticism."

12. WILDER BRIEFLY APPEARED IN OUR TOWN.

For two weeks in its original 1938 run on Broadway, Wilder himself played the role of the Stage Manager, though Frank Craven originated the role in its debut production. The actor of stage and screen appeared in a long list of movies, including the Will Rogers drama State Fair (1933), the Howard Hawks-helmed adventure Barbary Coast (1935), and the horror movie Son of Dracula (1943). However, Craven is best remembered for his portrayal as Our Town's Stage Manager, a role he reprised in the 1940 film adaptation.

13. OUR TOWN CONTINUED TO WIN AWARDS.

Broadway revivals were mounted in 1944, 1969, 1988, and 2002. The 1988 revival starring Eric Stoltz and Penelope Anne Miller as George and Emily garnered the most acclaim. It earned five Tony nominations, including those for Best Featured Actor (Stoltz), Featured Actress in a Play (Miller), Costume Design, Direction of a Play, and Revival, as well as four Drama Desk nods for Outstanding Featured Actor in a Play (Stoltz), Featured Actress in a Play (Miller), Lighting Design, and Revival. This production won the Tony and Drama Desk awards in the Best Revival category.

14. OUR TOWN GOT A HAPPY ENDING WHEN IT WENT HOLLYWOOD.

The play's first film adaptation hit theaters in the spring of 1940. Martha Scott, who made her Broadway debut originating the role of Emily Webb, reprised the part in this movie. Major changes were made in the film version, like the inclusion of sets and props—but most noticeably, Emily lives, turning the play's third act into a dream sequence. Perhaps surprisingly, Wilder argued for the change.

He wrote to Sol Lesser, the film's producer, "Emily should live … in a movie you see the people so close 'to' that a different relation is established. In the theatre, they are halfway abstractions in an allegory, in the movie they are very concrete … It is disproportionately cruel that she die. Let her live."

15. ITS SIMPLE STAGING HAS HELPED MAKE OUR TOWN A VERY POPULAR REVIVAL.

Thanks to the play's minimal stage design requirements, community theaters and high school drama clubs can take on this American classic with meager budgets. And they often have. "Our Town goes on and on and on and on. Is there a high school in America that hasn’t staged it?" Gottlieb wondered in The New Yorker. Its accessibility, along with the play's universal themes about love and mortality, have made Wilder's contemplative classic a staple for new generations of theater lovers.

26 Amazing Books by LGBTQ+ Authors You Should Add to Your Bookshelf

iStock/Mitshu
iStock/Mitshu

With the 50th anniversary of the Stonewall Riots coming up on June 28, it seems like the entire country is celebrating LGBTQ+ Pride. But what happens on July 1, when all the rainbow logos and flags get put away for the year? Don't worry—we've got a list of incredible books by LGBTQ+ authors to keep you occupied all year long. Like the queer community itself, this reading list is diverse and exciting, representing a wide variety of genres, time periods, and identities. Here are 26 great books to add to your bookshelf.

1. Fingersmith // Sarah Waters

The cover of 'Fingersmith'
Riverhead Books

Sarah Waters is the reigning queen of lesbian historical mysteries, and Fingersmith is her answer to Oliver Twist—only with more, well, twists. So-called "genre" stories rarely get recognized for major literary prizes, but Fingersmith not only won the Crime Writers Association's 2002 Historical Dagger award, and it was also shortlisted for the Man Booker Prize that year.

Find it: Amazon

2. Eighty-Sixed // David Feinberg

The cover of 'Eighty-Sixed'
Grove Press

In the last few years, a host of historical novels have delved into the first wave of the AIDS crisis, from Rebecca Makkai's The Great Believers to Joseph Cassara's House of Impossible Beauties. But no retrospective look captures the unknowability of the queer community's sudden descent into the plague years as well as David Feinberg's seminal Eighty-Sixed, which blends humor, fear, loss, and anger into a genuinely fun—if incredibly harrowing and sad—chronicle of the 1980s.

Find it: Amazon

3. Stone Butch Blues // Leslie Feinberg

The cover of 'Stone Butch Blues'
Alyson Books

Winner of the 1994 Stonewall Book Award, Stone Butch Blues is one of the earliest American novels told from the point of view of a genderqueer, trans-masculine person—a “stone butch,” in the parlance of the 1970s (when the majority of the book is set). Leslie Feinberg’s last words were “remember me as a revolutionary Communist,” and in that spirit, the 20th-anniversary edition of the book is free to download on hir website. (Feinberg used the pronouns ze/hir.)

Find it: Amazon

4. [insert] Boy // Danez Smith

The cover of '[insert] Boy'
YesYes Books

This first poetry collection from queer, black, nonbinary Midwesterner Danez Smith shows that the best spoken word poetry can also light up the page. Showing the true breadth of their talent and appeal, in the years since [insert] Boy (2015) was published, Smith has appeared on The Late Show with Stephen Colbert and won a number of awards, including a nomination for the National Book Award for their 2017 collection Don't Call Us Dead.

Find it: Amazon

5. I’ve Got a Time Bomb // Sybil Lamb

The cover of 'I've Got a Time Bomb'
Topside Press

In this whacked-out road novel, Sybil Lamb borrows deeply from her own experiences as an underground, always-on-the-move, crust punk trans artist—including the time she was beaten and left for dead after a gay wedding in New Orleans, causing her permanent brain damage. The result is surreal and disturbing, yet somehow still hopeful.

Find it: Amazon

6. The Color Purple // Alice Walker

The cover of 'The Color Purple'
Open Road Media

The Color Purple is a timeless American classic that has won accolades in print, on film, and on the Broadway stage. Yet it's not often recognized for the queer sexuality and unconventional family structures at its heart. If you haven’t read this book since it was assigned to you in school, come back to it with adult eyes to find a beautiful story of queer resilience.

Find it: Amazon

7. Sketchtasy // Mattilda Bernstein Sycamore

The cover of 'Sketchtasy'
Arsenal Pulp Press

Young queer people might be prone to wax nostalgic about the 1990s (as many of us do). But Mattilda Bernstein Sycamore’s third novel, Sketchtasy, presents a different perspective on the decade, delving into the dangerous and confusing side of being a young queer outsider in Boston, America’s most parochial city, in the mid-1990s.

Find it: Amazon

8. I, the Divine // Rabih Alameddine

The cover of 'I, the Divine'
W. W. Norton & Company

Rabih Alameddine’s sumptuous prose would make a to-do list mesmerizing, but the real delight of I, the Divine is its experimental structure: The book takes the form of a series of attempted first chapters of the memoir of its protagonist. Alameddine is a master of using nonlinear forms to build powerful and unexpected narratives, and I, the Divine is one of his best.

Find it: Amazon

9. Blackwater: The Complete Caskey Family Saga // Michael McDowell

The cover of 'Blackwater'
Valancourt Books

Michael McDowell was only 49 years old when he died of AIDS in 1999, but he was already the “finest writer of paperback originals in America today,” as Stephen King put it. Although you may not know his name, you almost certainly know some of his writing, such as the script for Beetlejuice. Blackwater is McDowell’s six-part serial Southern gothic horror epic, which follows decades of one family’s haunted life along the Perdido River in Alabama.

Find it: Amazon

10. We the Animals // Justin Torres

The cover of 'We the Animals'
Mariner Books

Justin Torres’s loosely autobiographical first novel follows three brothers growing up in upstate New York in the 1980s in a family that is at turns loving and violent. A beautiful coming-of-age story about being queer, brown, and working class, Torres fills his pages with gorgeous sentences that linger in your mouth, like, “We were six snatching hands, six stomping feet; we were brothers, boys, three little kings locked in a feud for more.”

Find it: Amazon

11. Outline of My Lover // Douglas Martin

The cover of 'Outline of My Lover'
Soft Skull Press

Douglas Martin's exquisite, short, experimental roman a clef shines a queer light in an unexpected place: the indie music scene of Athens, Georgia, circa the late 1980s and early 1990s. Following a fey young man's limerent crush on a closeted rock star, Outline of My Lover was published by Soft Skull Press, a New York City underground institution whose earliest books were printed on pirated Kinko's copiers.

Find it: Amazon

12. This Bridge Called My Back // Cherrie Moraga & Gloria Anzaldua

The cover of 'This Bridge Called My Back'
SUNY Press

If you love the concept of intersectionality, This Bridge Called My Back is the throwback read you need. Combining everything from poetry to memoir to theory, this slim anthology is one of the ur-texts that brought an explicitly anti-racist, women-of-color-centered, feminist lens to queer studies—without being so full of academic jargon you’ll want to throw it across the room.

Find it: Amazon

13. Conflict Is Not Abuse // Sarah Schulman

The cover of 'Conflict Is Not Abuse'
Arsenal Pulp

Sarah Schulman is one of the queer community's fiercest public intellectuals, with a critical eye that has tackled topics as diverse as Palestinian liberation and American gentrification. With Conflict Is Not Abuse, she examines the “supremacist thinking” that undergirds everything from our current presidential administration to that Twitter fight you got in last week.

Find it: Amazon

14. I’ll Give You the Sun // Jandy Nelson

The cover of 'I'll Give You the Sun'
Speak

This beautiful young adult novel proves that writing for teens can be as poetic and lyrical as writing for adults—without losing the unputdownable quality that animates the best YA books. In alternating chapters, Nelson’s twin brother-sister narrators slowly circle the devastating secrets that transformed them from best friends into virtual strangers. We dare you not to cry at the end.

Find it: Amazon

15. 7 Miles a Second // David Wojnarowicz

The cover of '7 Miles a Second'
Fantagraphics Books

Following his 2018 retrospective at the Whitney Museum in New York, the late artist and activist David Wojnarowicz has exploded back into cultural relevance. This posthumous graphic novel (illustrated by Wojnarowicz’s friend, James Romberger, and originally published by DC Comics), turns his autobiographical stories of homelessness, sexual abuse, and AIDS into a fever dream of stream-of-consciousness prose and hallucinatory images.

Find it: Amazon

16. Trash // Dorothy Allison

The cover of 'Trash'
Penguin Books

Dorothy Allison is rightly famous for her novel Bastard Out of Carolina, which drew on her experiences growing up poor, Southern, queer, and sexually abused. But the novel’s protagonists, Bone and Shannon, made their debut in this early collection of Allison’s short stories, which won multiple Lambda Literary Awards in 1989.

Find it: Amazon

17. Written on the Body // Jeanette Winterson

The cover of 'Written on the Body'
Vintage International

The unnamed, ungendered protagonist of Jeanette Winterson’s magical novel Written on the Body is both philosopher and seducer, approaching love as a conundrum to be sorted and a prize to be won. The result is a genderless eroticism that is both intellectual and physical. This one is best read with your lover(s).

Find it: Amazon

18. Long Live the Tribe of Fatherless Girls // T Kira Madden

The cover of 'Long Live the Tribe of Fatherless Girls'
Bloomsbury Publishing

T Kira Madden’s lush, wild, and disturbing memoir seems to take every insane “Florida woman” Internet meme and explode it, revealing the tenderness, love, fear, pain, anger, and joy that nestle within stories of crazy nights and lost days. But Madden’s lyric prose and unique voice are what truly make this autobiography shine.

Find it: Amazon

19. Go Tell It on the Mountain // James Baldwin

The cover of 'Go Tell It on the Mountain'
Vintage International

James Baldwin is one of the lions of 20th-century literature, renowned for his gorgeous writing, his gripping narratives, and his ability to grapple with some of the major social issues of his time. Go Tell It On the Mountain is his first book, the one that years later he would call “the book I had to write if I was ever going to write anything else.” Start here, and then read everything Baldwin wrote after.

Find it: Amazon

20. No Ashes in the Fire // Darnell Moore

The cover of 'No Ashes in the Fire'
Bold Type Books

Darnell Moore’s memoir of coming of age queer and black in Camden, New Jersey, is equal parts harrowing and beautiful. His ability to interweave his personal journey with the larger story of the structural racism and disenfranchisement faced by Camden residents makes No Ashes in the Fire fascinating on both a personal and political level.

Find it: Amazon

21. Confessions of the Fox // Jordy Rosenberg

The cover of 'Confessions of the Fox'
One World

Transgender writer Jordy Rosenberg’s stunning debut novel ping-pongs back and forth between a lost 18th-century manuscript that purports to be the true autobiography of Jack Sheppard (an infamous historical figure and thief) and the story of the beleaguered academic who finds the book in a library sale at his second-rate university. Rosenberg himself teaches 18th-century literature as well as gender and sexuality studies at the University of Massachusetts Amherst, and for anyone who’s spent too long in academic circles, the present-day parts of this book will feel all too realistic.

Find it: Amazon

22. Dancer from the Dance // Andrew Holleran

The cover of 'Dancer From the Dance'
Harper Perennial

Nothing can recreate the hothouse nature of post-Stonewall, pre-AIDS urban gay male life, with its heady mix of liberation and oppression all set to a throbbing disco beat—but Dancer from the Dance certainly comes close. It’s a portrait of shallow hedonism filled with unexpected depth and pathos.

Find it: Amazon

23. Leaves of Grass // Walt Whitman

The title page of a 19th-century copy of 'Leaves of Grass'
Rare Book Division, The New York Public Library

If the last time you tried to read Leaves of Grass was in a high school English class, it deserves a second look. Whitman’s poems are queer, erotic, sensual, sexual, and sometimes downright dirty. As the poet himself wrote, “I am for those who believe in loose delights—I share the midnight orgies of young men.”

Find it: Amazon

24. SCUM Manifesto // Valerie Solanas

The cover of 'SCUM Manifesto'
AK Press

If you only know Valerie Solanas from her attempt to shoot Andy Warhol or her recent cameo on American Horror Story, you’re missing out on one of the most outrageous feminist texts of the mid-20th century. Is SCUM Manifesto a Swiftian satire of Freudian misogyny, or actual propaganda for the violent overthrow of the patriarchy? Unclear. But either way, it's hard to put down a book that begins like this:

"'Life' in this 'society' being, at best, an utter bore and no aspect of 'society' being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and eliminate the male sex."

Find it: Amazon

25. The Queen of the Night // Alexander Chee

The cover of 'The Queen of the Night'
Mariner Books

Like the arias sung by Alexander Chee’s protagonist—a 19th-century opera diva with a hidden past—The Queen of the Night is lush, dramatic, passionate, and melodramatic (in the best way). This book is a confection for opera queens and Francophiles, but even tone-deaf readers will revel in its murders, affairs, intrigues, and mysteries. We've previously put Chee on our list of great Asian American authors to read, so suffice it to say we're big fans.

Find it: Amazon

26. Complete Poems // Marianne Moore

The cover of Marianne Moore's 'Complete Poems'
Penguin Classics

We might think of the terms asexual and aromantic as modern identity labels only recently recognized under the queer umbrella, but throughout history, there have been people who have lived queer lives very much in those modes—like the extraordinary poet Marianne Moore, one of the most talented (and longest lasting) of the Modernist poets of the early 20th century. Complete Poems gives readers a broad overview of her work, from her early, dense, Imagist pieces (often drawn from scientific sources, like 1936's "The Pangolin"), to her later, more accessible and popular work (like 1961's "Baseball and Writing").

Find it: Amazon

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Joy Harjo Named First Native American Poet Laureate

Carlo Allegri/Getty Images
Carlo Allegri/Getty Images

Since 1985, the United States has appointed poet laureates to promote the reading and writing of poetry among the public. As The New York Times reports, poet Joy Harjo now holds the prestigious title, making her the first Native American poet laureate in the country's history.

A member of the Muscogee Creek Nation, Harjo was born on Native land in Tulsa, Oklahoma in 1951. She was introduced to poetry as a college student in New Mexico, and she further honed her skills as a graduate student in the distinguished creative writing program at the University of Iowa. Today she's the author of eight volumes of poetry, including She Had Some Horses, How We Became Human, and In Mad Love and War. She's also taught classes at UCLA and the University of Tennessee.

In her work, Harjo grapples with themes of tradition, loss, and myth-making. Her Native heritage has had a major influence on her poetry. She spoke of the honor of being named poet laureate in a statement: "I share this honor with ancestors and teachers who inspired in me a love of poetry, who taught that words are powerful and can make change when understanding appears impossible, and how time and timelessness can live together within a poem."

Harjo will take over the position of poet laureate from Tracy K. Smith, who held it for two years. As the United States' new poet laureate, Harjo will be responsible for raising "the national consciousness to a greater appreciation of the reading and writing of poetry," according to the Library of Congress, which bestows the title. Official duties are kept to a minimum so poets can work on their own special projects that boost the medium's profile.

[h/t The New York Times]

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