Kate MccGwire is a British sculptor with an unusual medium: feathers. Her surreal, undulating works often take the form of installations—the feathers spilling out of a drain, a stove, a crypt wall—or stand-alone sculptures in which antique bell jars, cabinets, or trunks contain otherworldly shapes.
MccGwire developed her obsession with feathers after moving to a studio barge on the Thames in 2006, as she explains in a video from Crane.tv recently spotlighted by Boing Boing. The barge was near a large shed full of feral pigeons, whose feathers she would spot on her way to work. "I started picking them up and laying them out, collecting them," she remembers. "And after about two weeks I had like 300 feathers." At the time, concerns about bird flu were rife, which made the feathers seem "dangerous as well as beautiful."
When not supplied by her own next-door menagerie, the feathers for her artwork come from a network of racing pigeon societies all over the UK, who send her envelopes full every time the birds molt. Farmers and gamekeepers also send her fallen feathers from birds such as magpies, pheasants, and roosters.
The cultural associations around birds are a big part of what inspires MccGwire. “The dove is the symbol of peace, purity, and fertility," she told ArtNews in 2013, "but it’s exactly the same species as a pigeon—which everyone regards as being dirty, foul, a pest.”
The same duality is present in her own work, which she frequently shares on her Instagram account. “I want to seduce by what I do—but revolt in equal measure. It’s really important to me that you’ve got that rejection of things you think you know for sure.”
You can see some pictures of MccGwire's work, and watch the video from Crane.tv, below.
One of the newest true crime podcasts gathering buzz doesn't involve a murder or kidnapping—instead, it investigates one of the most infamous art heists in history. Last Seen, a collaboration between WBUR and The Boston Globe, looks at the Isabella Stewart Gardner Museum theft, a case that has gone unsolved for 28 years.
The story begins on March 18, 1990, when two thieves posing as policemen infiltrated the Boston art museum and stole 13 paintings off the walls. The works are from such master artists as Rembrandt, Vermeer, and Manet, and are estimated to have a cumulative value exceeding $600 million.
The scope of the heist alone would have made it historically significant, but the story became even more interesting after the crime was committed. The case never moved forward, despite a drawn-out investigation and a $10 million reward for the return of the stolen pieces. That didn't mean there weren't suspects: Two unnamed men were identified, but they were killed shortly after the theft, and according to the popular theory, information regarding the location of the stolen artworks died with them.
The Isabella Stewart Gardner Museum case is still filled with mysteries, but the new podcast aims to make the story a little clearer. Hosted by WBUR producers and reporters Kelly Horan and Jack Rodolico, and with contributions from Stephen Kurkjian, who spent years covering the heist for The Boston Globe, Last Seen follows the saga from the night the crime was committed to today. It features interviews with investigators who worked on the case and people who were employed by the museum in the early 1990s, some of whom have never before agreed to speak publicly on the subject.
The first episode of Last Seen debuted on WBUR September 17, and the series will include 10 episodes in total.
As any Play-Doh aficionado knows, September 16th is National Play-Doh Day! Let's pay tribute to your favorite modeling clay with some fun facts about the childhood play staple that began life as a cleaning product.
1. IT WAS FIRST SOLD AS WALLPAPER CLEANER.
Before kids were playing with Play-Doh, their parents were using it to remove soot and dirt from their wall coverings by simply rolling the wad of goop across the surface.
2. IF IT WEREN'T FOR CAPTAIN KANGAROO, PLAY-DOH MIGHT NEVER HAVE TAKEN OFF.
When it was just a fledgling company with no advertising budget, inventor Joe McVicker talked his way in to visit Bob Keeshan, a.k.a. Captain Kangaroo. Although the company couldn’t pay the show outright, McVicker offered them two percent of Play-Doh sales for featuring the product once a week. Keeshan loved the compound and began featuring it three times weekly.
3. MORE THAN 3 BILLION CANS OF PLAY-DOH HAVE BEEN SOLD.
Since 1956, more than 3 billion cans of Play-Doh have been sold. That’s enough to reach the Moon and back a total of three times. (Not bad for a wallpaper cleaner.)
4. IT USED TO COME IN JUST ONE COLOR.
Back when it was still a household product, Play-Doh came in just one dud of a color: off-white. When it hit stores as a toy in the 1950s, red, blue, and yellow were added. These days, Play-Doh comes in nearly every color of the rainbow—more than 50 in total—but a consumer poll revealed that fans' favorite colors are Rose Red, Purple Paradise, Garden Green, and Blue Lagoon.
5. FOR QUITE SOME TIME, DR. TIEN LIU HAD A JOB SKILL NO ONE ELSE IN THE WORLD COULD CLAIM: PLAY-DOH EXPERT.
Dr. Tien Liu helped perfect the Play-Doh formula for the original company, Rainbow Crafts, and stayed on as a Play-Doh Expert when the modeling compound was purchased by Kenner and then Hasbro.
6. YOU CAN SMELL LIKE PLAY-DOH.
Want to smell like Play-Doh? You can! To commemorate the compound’s 50th anniversary, Demeter Fragrance Library worked with Hasbro to make a Play-Dohfragrance, which was developed for “highly-creative people, who seek a whimsical scent reminiscent of their childhood.”
7. HASBRO TRADEMARKED THE SCENT.
Anyone who has ever popped open a fresh can of Play-Doh knows that there’s something extremely distinctive about the smell. It’s so distinctive that, in early 2017, Hasbro filed for federal protection in order to trademark the scent, which the company describes as “a unique scent formed through the combination of a sweet, slightly musky, vanilla-like fragrance, with slight overtones of cherry, and the natural smell of a salted, wheat-based dough.”
8. IT CAN CREATE A PRETTY ACCURATE FINGERPRINT.
When biometric scanners were a bit more primitive, people discovered that you could make a mold of a person’s finger, then squish Play-Doh in the mold to make a replica of the finger that would actually fool fingerprint scanners. Back in 2005, it was estimated that Play-Doh could actually fool 90 percent of all fingerprint scanners. But technology has advanced a lot since then, so don’t go getting any funny ideas. Today's more sophisticated systems aren’t so easily tricked by the doughy stuff.
9. IT HOLDS A PLACE IN THE NATIONAL TOY HALL OF FAME.
Unsurprisingly, Play-Doh holds a coveted place in the National Toy Hall of Fame at The Strong National Museum of Play in Rochester, New York. It was inducted in 1998. According to the Hall of Fame, “recent estimates say that kids have played with 700 million pounds of Play-Doh."
10. YOU CAN TURN YOUR PLAY-DOH CREATIONS INTO ANIMATED CHARACTERS.
While Play-Doh may be a classic toy, it got a state-of-the-art upgrade in 2016, when Hasbro launched Touch Shape to Life Studio, an app that lets kids turn their Play-Doh creations into animated characters.