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CCAC North Library, Flickr // CC BY-NC 2.0
CCAC North Library, Flickr // CC BY-NC 2.0

16 Surprising Facts About Ray Bradbury's Fahrenheit 451

CCAC North Library, Flickr // CC BY-NC 2.0
CCAC North Library, Flickr // CC BY-NC 2.0

For more than 60 years, Ray Bradbury's science fiction classic Fahrenheit 451 has sparked imagination, debate, and rebellion. The dystopian story of a man who burns books to prevent the dissemination of ideas—and then comes to realize the error of his choices—criticized censorship at the height of the Cold War. The novel remains full of surprises, contradictions, and misconceptions.

1. ADOLF HITLER WAS THE BOOK'S DARK INSPIRATION.

Fahrenheit 451 centers on Guy Montag, a fireman tormented by his job: Instead of putting out fires, he is expected to burn books to keep them out of the hands of the public. In an interview with the National Endowment for the Arts, Bradbury explained how he came up with this concept:

"Well, Hitler, of course. When I was 15, he burned the books in the streets of Berlin. Then along the way I learned about the libraries in Alexandria burning 5000 years ago. That grieved my soul. Since I'm self-educated, that means my educators—the libraries—are in danger. And if it could happen in Alexandria, if it could happen in Berlin, maybe it could happen somewhere up ahead, and my heroes would be killed."

2. THE NOVEL'S TITLE IS MISLEADING.

A popular tagline for the book is "the temperature at which book-paper catches fire, and burns." But 451°F actually refers the auto-ignition point of paper, meaning the temperature at which paper will burn if not exposed to an external flame, like that from Montag's flamethrower. Books can, however, ignite at temperatures between the 440s and 480s, depending the density and type of paper.

3. THE NOVEL WAS ADAPTED FROM BRADBURY'S SHORT STORY "THE FIREMAN."

In 1950, Bradbury published his first book, a collection of short stories called The Martian Chronicles. The following year, he wrote "The Fireman," which was published in Galaxy magazine in 1951. From there, Bradbury would expand the tale to create Fahrenheit 451.

4. BRADBURY DID NOT WRITE FAHRENHEIT 451 IN NINE DAYS.

Author Ray Bradbury signs his new book Bradbury: An Illustrated Life at Barnes & Noble
Jon Kopaloff/Getty Images

A popular apocryphal story is that Bradbury hammered out Fahrenheit 451 in just over a week. That story is wrong: It was the 25,000-word "The Fireman" that he wrote in that time period. The author would later refer to the short story as "the first version" of the eventual novel. But over the years, he would often speak about "The Fireman" and Fahrenheit 451 interchangeably, which has caused some confusion.

5. HE WROTE HIS FIRST VERSION ON A RENTED TYPEWRITER IN A LIBRARY BASEMENT.

Bradbury and wife Marguerite McClure had two children in 1950 and 1951, and he was in need of a quiet place to write but had no money for renting an office. In a 2005 interview, Bradbury said:

"I was wandering around the UCLA library and discovered there was a typing room where you could rent a typewriter for 10 cents a half-hour. So I went and got a bag of dimes. The novel began that day, and nine days later it was finished. But my God, what a place to write that book! I ran up and down stairs and grabbed books off the shelf to find any kind of quote and ran back down and put it in the novel. The book wrote itself in nine days, because the library told me to do it."

6. HE SPENT $9.80 ON TYPEWRITER RENTAL.

Bradbury's nine days in the library cost him, by his own estimate, just under $10. That means he spent about 49 hours writing "The Fireman."

7. THE BOOK IS VIEWED AS A CRITICISM OF McCARTHYISM.

Fahrenheit 451 was published on October 19, 1953 in the midst of the Second Red Scare, an era from the late 1940s to the end of the 1950s characterized by political and cultural paranoia. Many Americans feared Communist infiltration of their values and communities. Because of the context of its publication, some critics have interpreted Montag's story as a challenge to the censorship and conformity that U.S. Senator Joseph McCarthy's witch hunt sparked.

8. BRADBURY WAS REALLY WRITING ABOUT THE DANGERS OF TELEVISION.

Ray Bradbury
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Bradbury feared TV would be the death of reading—and perhaps extinguish a crucial part of our collective humanity. "Television gives you the dates of Napoleon," Bradbury lamented, "but not who he was." He also said TV is "mostly trash."

9. BRADBURY'S BIAS TOWARD READING DIDN'T KEEP HIM AWAY FROM TV.

Not only has the prolific author of more than 600 works allowed his short stories and novels to be adapted for TV, but also he's written teleplays for Alfred Hitchcock Presents, The Twilight Zone, and his own anthology series The Ray Bradbury Theater, which ran for six seasons between 1985 and 1992. For his efforts, Bradbury won a string of honors, including the CableAce award for best dramatic series (The Ray Bradbury Theater), an Emmy for The Halloween Tree, and a lifetime achievement honor from the Bram Stoker Awards.

10. FRANÇOIS TRUFFAUT'S MOVIE ADAPTATION MADE A BIG CHANGE TO THE STORY.

Clarisse, the teenage girl who befriends Montag, is unceremoniously killed in a hit-and-run accident in the novel. In the movie, she survives. Far from being put off by this alteration, Bradbury liked it. When he adapted the novel into a stage show, he took a cue from the movie and let Clarisse live.

11. FAHRENHEIT 451 HAS BEEN ADAPTED FOR OTHER MEDIA.

Aside from Truffaut's film and Bradbury's play, the novel has also been reconceived as a BBC radio drama, a video game, a graphic novel, and a 2018 movie starring Michael B. Jordan and Michael Shannon.

12. BRADBURY CONSIDERED FAHRENHEIT 451 HIS ONLY WORK OF SCIENCE FICTION.

Though he is regarded as a master of the science fiction genre, Bradbury viewed the rest of his work as fantasy. He once explained, "I don't write science fiction. I've only done one science fiction book and that's Fahrenheit 451, based on reality. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it's fantasy. It couldn't happen, you see?"

13. FAHRENHEIT 451 IMAGINED EARBUDS.

When the novel came out, headphones were large and cumbersome things. But Bradbury imagined "the little Seashells, the thimble radios," which rested in the ear canal, and played music to Montag's sleeping wife. These "seashells" went from science fiction to science fact in 2001, when Apple designer Jonathan Ive debuted earbuds.

Still, "predicting" wasn't something Bradbury was interested in. "I've tried not to predict, but to protect and to prevent," he said of Fahrenheit 451. "If I can convince people to stop doing what they're doing and go to the library and be sensible, without pontificating and without being self-conscious, that's fine. I can teach people to really know they're alive."

14. FOR YEARS, BRADBURY REFUSED TO LET FARHRENHEIT 451 BE PUBLISHED AS AN E-BOOK.

Fahrenheit 451 e-book on the Kindle
Richard Unten, Flickr // CC BY 2.0

As the novel makes clear, Bradbury treasured the printed word. When asked in 2009 if he'd allow an e-book version of Fahrenheit 451, the author responded to the would-be publishers, "To hell with you and to hell with the internet. It's distracting. It's meaningless; it's not real. It's in the air somewhere."

He went on to declare e-books "smell like burned fuel." But in 2011, 91-year-old Bradbury gave in when Simon & Schuster offered him a seven-figure publishing deal, in which the rights to publish an e-book version were integral. However, Bradbury did win an important concession: Simon & Schuster agreed to make the e-book available for free downloads at public libraries.

15. BRADBURY KNEW WHAT HE WOULD DO IF HE LIVED IN FAHRENHEIT 451'S DYSTOPIA.

In the book, there is an underground band of rebels who attempt to preserve the written word by memorizing great works of literature. Asked which book he'd commit to memory in such a circumstance, Bradbury answered, "It would be A Christmas Carol. I think that book has influenced my life more than almost any other book, because it's a book about life, it's a book about death. It's a book about triumph."

16. FAHRENHEIT 451 IS BRADBURY'S MOST POPULAR NOVEL.

It's sold more than 10 million copies, earned critical acclaim, and is considered one of the major novels of the 20th century. Fahrenheit 451 has won several awards, including the American Academy of Arts and Letters Award in Literature, a Prometheus "Hall of Fame" Award, and a Hugo Award. And Bradbury earned a Grammy nomination in the spoken word category for the 1976 audiobook, which he performed himself.

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25 Amazing Books by African-American Writers You Need to Read
Background: iStock. Book Covers for "Invisible Man" and "The Underground Railroad": Amazon. Book Cover for "The Hate U Give": HARPERCOLLINS.
Background: iStock. Book Covers for "Invisible Man" and "The Underground Railroad": Amazon. Book Cover for "The Hate U Give": HARPERCOLLINS.

Black History Month gives us 28 days to honor African Americans and the ever-expanding contributions they make to culture. Literature in particular has been a space for black authors to tell their stories authentically, and bookworms seeking good reads can choose from an array of fiction, poetry, historical texts, essays, and memoirs. From literary icons to fresh, buzzworthy talent, we're highlighting 25 books by African-American authors you should add to your reading list today.

1. KINDRED // OCTAVIA BUTLER

Kindred by Octavia Butler
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Octavia Butler's Kindred (1979) is one of a string of novels she penned centering black female protagonists, which was unprecedented in a white-male dominated science and speculative fiction space. This story centers Dana, a young writer in 1970s Los Angeles, who is unexpectedly whisked away to the 19th century antebellum South where she saves the life of Rufus Weylin, the son of a plantation owner. When Dana’s white husband—initially suspicious of her claims—is transported back in time with her, complicated circumstances follow since interracial marriage was considered illegal in America until 1967. To paint an accurate picture of the slavery era, Butler told In Motion Magazine in 2004, she studied slave narratives and books by the wives of plantation owners.

2. HUNGER: A MEMOIR OF (MY) BODY // ROXANE GAY

Hunger by Roxane Gay
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In the second entry of her divulging 2017 memoir Hunger, Roxane Gay reveals, "… this is a book about disappearing and being lost and wanting so very much, wanting to be seen and understood."  The New York Times best-selling author pinpoints deep-seated emotions from a string of experiences, such as an anxious visit to a doctor's office concerning gastric bypass surgery and turning to food to cope with a boy raping her when she was a girl. In six powerful parts, the daughter of Haitian immigrants and National Book Award finalist reclaims the space necessary to document her truth—and uses that space to come out of the shadows she had once intentionally tried to hide in.

3. THE FIRE NEXT TIME // JAMES BALDWIN

The Fire Next Time by James Baldwin
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James Baldwin is a key figure among the great thinkers of the 20th century for his long range of criticism about literature, film, and culture and his revelations on race in America. One of his most widely known literary contributions was his 1963 book The Fire Next Time, a text featuring two essays: one a letter to his 14-year-old nephew, in which he encourages him not to give in to racist ideas that blackness makes him lesser. The second essay, "Down At The Cross," takes the reader back to Baldwin's childhood in Harlem as he details conditions of poverty, his struggle with religious authorities, and his relationship with his father.

4. BETWEEN THE WORLD AND ME // TA-NEHISI COATES

Between the World and Me by Ta-Nahisi Coates
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After re-reading James Baldwin's The Fire Next Time, Ta-Nehisi Coates was inspired to write a book-long essay to his teenage son about being black in America and forewarns him of the plight that comes with facing white supremacy. The result was the 2015 National Book Award-winning Between the World and Me. New York magazine reported that after reading it, Toni Morrison wrote, "I've been wondering who might fill the intellectual void that plagued me after James Baldwin died. Clearly it is Ta-Nehisi Coates." Throughout the book, Coates recounts witnessing violence in "the streets" and police brutality growing up in Baltimore, reflects on his time studying at historically black Howard University, and asks the hard questions about the past and future of race in America.

5. INVISIBLE MAN // RALPH ELLISON

Invisible Man by Ralph Ellison
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Ralph Ellison's 1952 classic Invisible Man follows one African-American man's quest for identity during the 1920s and 1930s—and decades later, this is a struggle that many continue to encounter. Because of racism, the unnamed protagonist, known as "Invisible Man," does not feel seen by society and narrates the reader through a series of unfortunate and fortunate events to fit in while living in the South and later in Harlem, New York City. In 1953, Invisible Man was awarded the National Book Award, making Ellison the first African-American author to receive the prestigious honor for fiction [PDF].

6. BELOVED // TONI MORRISON

Beloved by Toni Morrison
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Toni Morrison's Pulitzer Prize-winning 1987 novel Beloved puts Sethe, a former slave in 1873 Cincinnati, Ohio, in contact with the supernatural. Before becoming a freed woman, Sethe attempted to kill her children to save them from a life of enslavement. While her sons and one daughter survived, her infant daughter, "Beloved," died. Sethe's family becomes haunted by a spirit believed to be Beloved, and Morrison provides a layered portrayal of the plight of post-slavery black life with a magical surrealism edge as Sethe learns she must confront her repressed memories of trauma and her past life in bondage.

7. ALL ABOUT LOVE: NEW VISIONS // BELL HOOKS

All About Love: New Visions by bell hooks
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In the 2000 book All About Love, feminist scholar Bell Hooks grapples with how people are commonly socialized to perceive love in modern society. She uses a range of examples to delve into the topic, from her personal childhood and dating reflections to popular culture references. This is a powerful, essential text that calls on humans to revise a new, healthier blueprint for love, free of patriarchal gender limitations and dominating behaviors that don't serve humankind's emotional needs.

8. THE AUTOBIOGRAPHY OF MALCOLM X // MALCOLM X, ALEX HALEY

The Autobiography of Malcom X
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In 1963, Malcolm X would drive from his home in Harlem to author Alex Haley's apartment down in New York's Greenwich Village to collaborate on his autobiography. Unfortunately, the minister and activist didn't live to see it in print—The Autobiography of Malcolm X was published in 1965, not long after his assassination in February of that year. The books chronicles the many lessons the young Malcolm (born Malcolm Little in Omaha, Nebraska) learned from witnessing his parents' struggles with racism during his childhood; to his troubled young adulthood with drugs and incarceration; and his later evolution into one of the most iconic voices in the movement for black liberation.

9. THEIR EYES WERE WATCHING GOD // ZORA NEALE HURSTON

Their Eyes Were Watching God by Zora Neale Hurston
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During Zora Neale Hurston's career, she was more concerned with writing about the lives of African Americans in an authentic way that uplifted their existence, rather than focusing on their traumas. Her most celebrated work, 1937's Their Eyes Were Watching God, is an example of this philosophy and brings to light Janie Mae Crawford, a middle-aged woman in Florida, who details lessons she learned about love and finding herself after three marriages. Hurston used black southern dialect in the characters' dialogue, to proudly represent their voices and manner.

10. THE NEW JIM CROW: MASS INCARCERATION IN THE AGE OF COLORBLINDNESS // MICHELLE ALEXANDER

The New Jim Crow by Michelle Alexander
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The Jim Crow laws of the 19th and 20th centuries were intended to marginalize black Americans who, during the Reconstruction period, were establishing their own businesses, entering the labor system, and running for office. Although a series of anti-discrimination rulings, such as Brown vs. Board of Education and the Voting Rights Act, were passed during the Civil Rights Movement, Michelle Alexander's 2010 book argues that mass incarceration is the new Jim Crow impacting black American lives, especially black men. In the text, Alexander explores how the war on drugs, piloted by the Ronald Reagan administration, created a system in which black Americans were stripped of their rights after serving time for nonviolent drug crimes.

11. SISTER OUTSIDER: ESSAYS AND SPEECHES // AUDRE LORDE

Sister Outsider by Audre Lorde
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Originally published in 1984, Sister Outsider is an anthology of 15 essays and speeches written by lesbian feminist writer and poet Audre Lorde. The titles of her works are as intriguing as the content is eye-opening. For example: "Uses of the Erotic: The Erotic as Power" examines the way people, especially women, lose when they block the erotic—or deep passion—from their work and while exploring their spiritual and political desires. In "The Master's Tools Will Never Dismantle the Master's House," Lorde explains how feminism fails by leaving out the voices of black women, queer women, and poor women—which are ideas that are still shaping conversations within feminism today.

12. THE AUDACITY OF HOPE: THOUGHTS ON RECLAIMING THE AMERICAN DREAM // BARACK OBAMA

The Audacity of Hope by Barack Obama
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Barack Obama's The Audacity of Hope was his second book and the No. 1 New York Times bestseller when it was released in the fall of 2006. The title was derived from a sermon he heard by Pastor Jeremiah Wright called "The Audacity to Hope." It was also the title of the keynote speech the then-Illinois State Senator gave at the Democratic National Convention in 2004. Before becoming the 44th president of the United States, Obama's Audacity of Hope outlined his optimistic vision to bridge political parties so that the government could better serve the American people's needs.

13. THE WARMTH OF OTHER SUNS: THE EPIC STORY OF AMERICA'S GREAT MIGRATION // ISABEL WILKERSON

The Warmth of Other Suns by Isabel Wilkerson
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During the Great Migration, millions of African Americans departed the Southern states to Northern and Western cities to escape Jim Crow laws, lynchings, and the failing sharecropping system. Isabel Wilkerson, the first African-American woman to win a Pulitzer Prize in journalism, documented these movements in her 2010 book, which involved 15 years of research and interviews with 1200 people. The book highlights the stories of three individuals and their journeys, from Florida to New York City, Mississippi to Chicago, and Louisiana to Los Angeles. Wilkerson's excellent and in-depth documentation won her a National Book Critics Circle Award for the nonfiction work.

14. BROWN GIRL DREAMING // JACQUELINE WOODSON

Brown Girl Dreaming by Jacqueline Woodson
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Jacqueline Woodson's children's books and YA novels are inspired by her desire to highlight the lives of communities of color—narratives she felt were missing from the literature landscape. In her 2014 National Book Award-winning autobiography, Brown Girl Dreaming, Woodson uses her own childhood story in verse form, to fill those representation voids. The author came of age during the Civil Rights Movement and subsequently the Black Power Movement, and lived between the laid-back lifestyle of South Carolina and the fast-paced New York City. Through her work, we are reminded of how family and community play a role in helping individuals persevere through life's trials.

15. REDEFINING REALNESS: MY PATH TO WOMANHOOD, IDENTITY, LOVE & SO MUCH MORE // JANET MOCK

Redefining Realness by Janet Mock
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Janet Mock, an African-American and Hawaiian transgender activist and writer, began her career in media as a staff editor at People. In 2011, Mock decided to share her story with the world and came out as a transgender woman in a Marie Claire article, and after landing a book deal, she released this New York Times bestselling memoir in 2014. Mock used her platform to speak in full about her upbringing as a young girl of color in poverty and identifying as transgender—a courageous move that set her on a path to being an inspiring voice for those facing difficulty in accepting their identity.

16. FIRE SHUT UP IN MY BONES // CHARLES M. BLOW

Fire Shut Up in My Bones by Charles M. Blow
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In his 2014 memoir Fire Shut Up in My Bones, New York Times columnist Charles M. Blow opens up about growing up in a segregated Louisiana town during the 1970s as the youngest of five brothers. In 12 chapters, Blow offers an extensive look at his path to overcoming the odds of poverty, the trauma of being a victim of childhood rape, and his gradual understanding of his bi-sexuality. Although these are hard truths to tell, Blow told NPR in 2014, he wrote this book especially for those who are going through similar experiences and need to know their lives are still worth living, despite their painful circumstances.

17. I KNOW WHY THE CAGED BIRD SINGS // MAYA ANGELOU

I Know Why the Caged Bird Sings by Maya Angelou
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If you read anything by the late, great, prophetic poet Maya Angelou, her 1969 I Know Why the Caged Bird Sings should be at the top of your list: It provides an in-depth look at the obstacles that shaped her early life. Angelou's childhood and teenage years were nomadic, as her separated parents moved her and her brother from rural Arkansas to St. Louis, Missouri, and eventually to California, where at different times she lived in Los Angeles, San Francisco, and Oakland. Besides the blatant racism she saw unfold around her in the South, a young Maya also faced childhood rape, and as a teen, homelessness and pregnancy. Angelou, who was at first reluctant to write the book, achieved much success with the text as she became the first African-American woman to have a non-fiction bestseller.

18. BABEL-17 // SAMUEL R. DELANY

Babel-17 by Samuel R. Delany
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In 2015, Samuel R. Delany told The Nation that when he first began attending science fiction conferences in the 1960s, he was one of only a few black writers and enthusiasts present. Over the years, with his contributions and the work of others like Octavia Butler, whom he mentored, he opened doors for black writers in the genre. If you're looking for a sci-fi thriller taking place in space and centering a woman leader protagonist, Delany's 1967 Nebula Award-winning Babel-17 is the one. Rydra Wong, a spaceship captain, is intrigued by a mysterious language called Babel-17 that has the power to alter a person's perception of themselves and others, and possibly brainwash her to betray her government.

19. SPLAY ANTHEM // NATHANIEL MACKEY

Splay Anthem by Nathaniel Mackey
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Readers of Nathaniel Mackey's poetry are often intrigued by his ability to merge the worlds of music (particularly jazz) and poetry to create soul-grabbing rhythmic prose. Splay Anthem is a masterful work exhibiting his style, and the 2006 collection includes two poems Mackey had been writing for more than 20 years: "Song of the Andoumboulou," a ritual funeral song from the Dogon people of modern-day Mali; and "Mu." Splay Anthem is woven into three sections, "Braid," "Fray," and "Nub," in which two characters travel through space and time and whose final destinations are unclear. Mackey's nonlinear form is deliberate: "There's a lot of emphasis on movement in the poems, and there's a lot of questions about ultimate arrival, about whether there is such a state or place," he said in an excerpt from A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area.

20. THE HATE U GIVE // ANGIE THOMAS

The Hate U Give by Angie Thomas
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Angie Thomas is part of a new crop of African-American authors bringing fresh new storytelling to bookshelves near you. Her 2017 debut young adult novel, The Hate U Give, was inspired by the protests of the Black Lives Matter movement. It follows Starr Carter, a 16-year-old who has witnessed the police-involved shooting of her best friend Khalil. The book, which topped the New York Times bestseller chart, is a timely fictional tale which humanizes the voices behind one of the largest movements in present times.

21. NOT WITHOUT LAUGHTER // LANGSTON HUGHES

Not Without Laughter by Langston Hughes
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Take it back to where Harlem Renaissance legend Langston Hughes began his novelistic bibliography. In 1930's Not Without Laughter, Sandy Rogers is an African-American boy growing up in Kansas during the early 1900s—a story loosely based on Hughes's own experiences living in Lawrence and Topeka, Kansas. Hughes vividly paints his characters based on the "typical Negro family in the Middle West" he grew up around, he explained in his autobiography The Big Sea. In this way, Hughes paved the way for more storytelling about black life outside of urban, big city settings.

22. SALVAGE THE BONES // JESMYN WARD

Salvage the Bones by Jesmyn Ward
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Jesmyn Ward's 2011 novel Salvage the Bones merges fiction with her real life experience surviving Hurricane Katrina as a native of a rural Mississippi town. Ward tells a new story through the eyes of Esch, a pregnant teenage girl who lives in poverty with her three brothers and a father who is battling alcoholism, in a fictional town called Bois Sauvage. Through this National Book Award-winning tale, Ward writes an emotionally intense and deep account about a family who must find a way to overcome differences and stick together to survive the passing storm.

23. DON'T CALL US DEAD // DANEZ SMITH

Don't Call Us Dead by Danez Smith
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Don’t Call Us Dead is a cathartic series of poems that imagine an afterlife where black men can fully be themselves. Danez Smith's poignant words take heartbreaking imagery of violence upon the bodies of black men, and juxtapose them with scenes of a new plane, one that is much better than the existence they lived before. Upon arrival, it's a celebration, as men and boys are embraced by their fellow brothers and are able to truly experience being "alive." Smith's prose sticks, and you will think more deeply about the delicacy of life and death, long after you've put the book back on the shelf.

24. THE UNDERGROUND RAILROAD // COLSON WHITEHEAD

The Underground Railroad by Colson Whitehead
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Colson Whitehead brings a bit of fantasy to historical fiction in his 2016 novel The Underground Railroad. Historically, the underground railroad was a network of safe houses for runaways on their journey to reaching the freed states. But Whitehead invents a literal secret underground railroad with real tracks and trains in his novel. This system takes his main character, Cora, a woman who escaped a Georgia plantation, to different states and stops. Along her journey, she faces a new set of horrific hurdles that could hold her back from obtaining freedom.

25. DEVIL IN A BLUE DRESS // WALTER MOSLEY

Devil in a Blue Dress by Walter Mosley
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If you're into mystery but don't know Walter Mosley, it's time to catch up. The crime-fiction author has published more than 40 books, with his Ezekiel "Easy" Rawlins series being his most popular. Mosley's 1990 debut (and Easy's debut as well) Devil in a Blue Dress takes the reader to 1940s Watts, a Los Angeles neighborhood where we are first introduced to Easy, who has recently relocated to the City of Angels after losing his job in Houston. He finds a new line of work as a detective when a man at a bar wants him to track down a woman named Daphne Monet.

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12 Facts About Joseph Conrad's Heart of Darkness
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Joseph Conrad’s 1899 novella about venturing into the moral depths of colonial Africa is among the most frequently analyzed literary works in college curricula.

1. ENGLISH WAS THE AUTHOR’S THIRD LANGUAGE.

It’s impressive enough that Conrad wrote a book that has stayed relevant for more than a century. This achievement seems all the more impressive when considering that he wrote it in English, his third language. Born Józef Teodor Konrad Korzeniowski in 1857, Conrad was a native Polish speaker. French was his second language. He didn’t even know any English—the language of his literary composition—until age 21.

2. HEART OF DARKNESS BEGINS AND ENDS IN THE UK.

Though it recounts Marlow's voyage through Belgian Congo in search of Kurtz and is forever linked to the African continent, Conrad’s novella begins and ends in England. At the story’s conclusion, the “tranquil waterway” that “seemed to lead into the heart of an immense darkness” is none other than the River Thames.

3. THE PROTAGONIST MARLOW IS CONRAD.

The well-traveled Marlow—who appears in other Conrad works, such as Lord Jim—is based on his equally well-traveled creator. In 1890, 32-year-old Conrad sailed the Congo River while serving as second-in-command on a Belgian trading company steamboat. As a career seaman, Conrad explored not only the African continent but also ventured to places ranging from Australia to India to South America.

4. LIKE KURTZ AND MARLOW, CONRAD GOT SICK ON HIS VOYAGE.

Illness claimed Kurtz, an ivory trader who has gone mysteriously insane. It nearly claimed Marlow. And these two characters almost never existed, owing to their creator’s health troubles. Conrad came down with dysentery and malaria in Belgian Congo, and afterwards had to recuperate in the German Hospital, London, before heading to Geneva, Switzerland, to undergo hydrotherapy. Though he survived, Conrad suffered from poor health for many years afterward.

5. THERE HAVE BEEN MANY ALLEGED KURTZES IN REAL LIFE.

The identity of the person on whom Conrad based the story’s antagonist has aroused many a conjecture. Among those suggested as the real Kurtz include a French agent who died on board Conrad’s steamship, a Belgian colonial officer, and Welsh explorer Henry Morton Stanley.

6. COLONIZING WAS ALL THE RAGE WHEN HEART OF DARKNESS APPEARED.

Imperialism—now viewed as misguided, oppressive, and ruthless—was much in vogue when Conrad’s novella hit shelves. The "Scramble for Africa" had seen European powers stake their claims on the majority of the continent. Britain’s Queen Victoria was even portrayed as the colonies' "great white mother." And writing in The New Review in 1897, adventurer Charles de Thierry (who tried and failed to establish his own colony in New Zealand) echoed the imperialistic exuberance of many with his declaration: “Since the wise men saw the star in the East, Christianity has found no nobler expression.”

7. CHINUA ACHEBE WAS NOT A FAN OF THE BOOK.

Even though Conrad was no champion of colonialism, Chinua Achebe—the Nigerian author of Things Fall Apart and other novels—delivered a 1975 lecture called “An Image of Africa: Racism in Conrad’s Heart of Darkness” that described Conrad as a “thoroughgoing racist” and his ubiquitous short classic as “an offensive and deplorable book.” However, even Achebe credited Conrad for having “condemned the evil of imperial exploitation.” And others have recognized Heart of Darkness as an indictment of the unfairness and barbarity of the colonial system.

8. THE BOOK WASN’T SUCH A BIG DEAL—AT FIRST.

In 1902, three years after its initial serialization in a magazine, Heart of Darkness appeared in a volume with two other Conrad stories. It received the least notice of the three. In fact, not even Conrad himself considered it a major work. And during his lifetime, the story “received no special attention either from readers or from Conrad himself,” writes Gene M. Moore in the introduction to Joseph Conrad's Heart of Darkness: A Casebook. But Heart of Darkness managed to ascend to immense prominence in the 1950s, after the planet had witnessed “the horror”—Kurtz's last words in the book—of WWII and the ramifications of influential men who so thoroughly indulged their basest instincts.

9. T.S. ELIOT BORROWED AN IMPORTANT LINE.

Though Heart of Darkness wasn’t an immediate sensation, it evidently was on the radar of some in the literary community. The famous line announcing the antagonist’s demise, “Mistah Kurtz—he dead,” serves as the epigraph to the 1925 T.S. Eliot poem “The Hollow Men.”

10. THE STORY INSPIRED APOCALYPSE NOW.

Eighty years after Conrad’s novella debuted, the Francis Ford Coppola film Apocalypse Now hit the big screen. Though heavily influenced by Heart of Darkness, the movie’s setting is not Belgian Congo, but the Vietnam War. And though the antagonist (played by Marlon Brando) is named Kurtz, this particular Kurtz is no ivory trader, but a U.S. military officer who has become mentally unhinged.

11. HEART OF DARKNESS HAS BEEN MADE INTO AN OPERA.

Tarik O'Regan’s Heart of Darkness, an opera in one act, opened in 2011. Premiering at London’s Royal Opera House, it was reportedly the first operatic adaptation of Conrad’s story and heavily inspired by Apocalypse Now.

12. THE BOOK ALSO SPARKED A VIDEO GAME.

In a development not even Conrad’s imagination could have produced, his classic inspired a video game, Spec Ops: The Line, which was released in 2012.

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