10 Fast Facts About Get Out

Universal Pictures
Universal Pictures

Trekking beyond his Key & Peele sketch comedy roots, Jordan Peele surprised a lot of people by making his debut feature a horror film. There are a few uncomfortable laughs to be found in Get Out, but the bulk of the movie is a descent into madness that proves its main character, Chris (Daniel Kaluuya), is right to be paranoid.

The film follows Chris as he visits his girlfriend Rose’s (Allison Williams) wealthy, white parents at their home, where Chris begins to suspect that something’s not right. Spoiler alert: He’s super correct, because the Armitage family is trying to sell his body to the highest bidder.

Here are 10 facts about the terrifying Best Picture nominee.

1. IT WAS INSPIRED BY AN EDDIE MURPHY ROUTINE.

Jordan Peele points to the classic bit in Eddie Murphy: Delirious where Murphy asks why white people don’t just leave a house when a ghost shows up as one generation point for the film. “In The Amityville Horror the ghost told them to get out of the house,” Murphy riffs. “Now that’s a hint and a half for you a**. If a ghost said ‘get the f*** out,’ I would just tip the f**** out the door.”

2. CHANCE THE RAPPER GAVE AWAY FREE TICKETS TO ITS CHICAGO OPENING.

Obviously a massive fan of the movie, Chance the Rapper purchased every ticket for every opening day showing of Get Out at the Chatham Theater on 87th in Chicago, and urged his Twitter followers to claim a ticket at the box office on his dime.

3. THE SUNKEN PLACE REPRESENTS THE MARGINALIZATION OF BLACK AMERICANS.

The metaphor is nuanced and multi-layered, but the main theme of the film’s horror is the real-world concept of a system silencing you no matter how loudly you shout. On the Blu-ray, Peele also explicitly stated that it is “a metaphor for the marginalization of the black horror movie audience. We are a loyal horror movie fan base, and we’re relegated to the theater, not on the screen.”

4. GET OUT IS ALSO ABOUT, NO KIDDING, THE HOLY GRAIL.

In the opening scene when Jeremy (Caleb Landry Jones) abducts Andre (Lakeith Stanfield), he’s got a Knight’s Templar helmet, which is one small element of a detailed backstory Peele gave to The Red Alchemists Society, the secretive group that comes together to bid on black bodies to inhabit.

“They believe they are destined for immortality and deity status,” Peele said. “And over hundreds of years they have worked to figure out through science a way to achieve the power of the Holy Grail.”

5. PEELE DID IMPRESSIONS WHILE DIRECTING.

When you’re known for impersonating President Barack Obama (with an anger interpreter by your side), why not bring that into the mix when you’re giving your actors notes? Peele’s on-set impressions included Obama and comedian Tracy Morgan.

6. PEELE ALSO HAS VOICE CAMEOS AS A DEER AND IN A COMMERCIAL.

As demonstrated in the video above, Peele provided the moan of the dying deer at the beginning of the film, as well as the voice of the narrator for the United Negro College Fund PSA, who keeps insisting that “a mind is a terrible thing to waste.”

7. THE MOVIE IS BEING TAUGHT IN UNIVERSITIES.

In the fall of 2017, author Tananarive Due taught “Sunken Place: Racism, Survival, and Black Horror Aesthetic” at UCLA. Peele even dropped by the class to expand on, among other things, the film’s metaphorical connection to the modern prison industrial complex.

8. YOU SHOULD RE-WATCH THE MOVIE TO SEE WHAT ROSE DOES.

Daniel Kaluuya and Allison Williams in 'Get Out' (2017)
Justin Lubin, Universal Pictures

When Rose stops the cop from checking Chris’s license, it’s not to stand up for him against a racist act; it’s to ensure there’s no paper trail connecting Chris with her family. This is only one of many duplicitous acts Rose pulls off during the story, and Peele encourages fans to watch the movie again to see how Rose’s hidden intent plays.

9. IT’S THE FIRST FEBRUARY RELEASE SINCE THE SILENCE OF THE LAMBS TO SCORE A BEST PICTURE NOMINATION.

And The Silence of the Lambs went on to win. Peele notes the Jonathan Demme classic as partial inspiration for the film, citing the scene where Hannibal Lecter is calmly waiting at the end of the prison hospital hallway as a model for how he introduced Georgina (Betty Gabriel). Want one more Get Out/The Silence of the Lambs connection? They’re two of a very small number of horror films to be nominated for Hollywood’s highest honor.

10. THE ORIGINAL ENDING WAS A DOWNER.

Daniel Kaluuya in 'Get Out' (2017)
Justin Lubin, Universal Pictures

The ending we all feared was initially the one Peele wanted for the film. He planned on having the police show up to arrest Chris for the carnage at the Armitage house, with Rod (LilRel Howery) visiting Chris in jail and hinting that he’d get life in prison with the system stacked against him.

11 Illuminating Facts About Netflix’s GLOW

Erica Parise, Netflix
Erica Parise, Netflix

GLOW is a brilliant show, and the way we know it’s brilliant is that it highlights a perfect tension between comedy and drama amid dozens of different personalities all trying to seriously find themselves in an activity no one takes seriously. Also, it had a drug-dispensing, '80s-style talking robot without devolving into pure silliness.

With Alison Brie and Betty Gilpin leading the ensemble, the show about an amateur women’s wrestling squad vying for a large enough paycheck to make all the training and ointment worth it is an absolute gem (as its six Emmy nominations prove). Here are 11 facts about Netflix’s comedic cage match.

1. PRODUCERS DIDN’T WANT ALISON BRIE IN THE CAST.

Alison Brie in 'GLOW'
Erica Parise, Netflix

Like her character, Ruth, Alison Brie got rejected a lot before getting the role, enduring a grueling casting process for producers and a casting director who wanted an unknown for the part. “I cried in my car after every audition,” she said. “I would sit in my care like Ruth and sob. And we were both listening to the same Ultimate ‘80s mix while [we] audition[ed], so Flock of Seagulls was playing.”

2. THE CAST’S TRAINER IS THE NEPHEW OF THE GUY WHO TRAINED THE REAL-LIFE GORGEOUS LADIES OF WRESTLING.

Professional wrestler Armando “Mando” Guerrero took on the task of teaching the motley crew of women who made up the real-life Gorgeous Ladies of Wrestling back in 1985. He was reportedly an intense coach, putting at least one woman in a headlock until she cried on the first day of training. All these years later, it’s his nephew, Chavo Guerrero Jr., who has the privilege of training the fictional wrestlers of GLOW, as well as choreographing their fights and acting in two episodes.

3. KIA STEVENS IS A WRESTLER IN REAL LIFE.

Kia Stevens and Betty Gilpin in 'GLOW'
Beth Dubber, Netflix

The cast is full of actresses who all work with trainers to catch up on all the chiropractor-defying moves they have to do, but Kia Stevens (who plays Tammé “The Welfare Queen” Dawson) has been making those moves for decades. Wrestling under the name Awesome Kong and Amazing Kong, she’s a five-time Women’s Champion. Stevens has also wrestled in the WWE as Kharma.

4. BRIE SEES RUTH AS “SEXLESS."

One of the catalysts of the show’s plot is Ruth having an affair with her best friend Debbie’s (Betty Gilpin) husband (Rich Sommer), but the rest of the show is hardly romantic for Ruth, which is probably why Brie views the character as “sexless.”

“I don’t think she thinks of herself as being very sexual,” Brie told The A.V. Club. “It’s a major difference between my character and Betty Gilpin’s character, who has been a successful actress and has a bombshell body, and every time you see her she’s in full hair and makeup ... I don’t think that Ruth is not having sex with guys every once in a while. I’m sure she does. I just don’t think it’s a main part of her life goals.” Even the adultery that kicks off the show is less about sex than it is about someone who feels invisible and rejected being seen and accepted by someone else.

5. WORKING WITH WOMEN BOSSES MADE BETTY GILPIN REFLECT ON HER ENTIRE CAREER.

Rich Sommer and Betty Gilpin in 'GLOW'
Erica Parise, Netflix

GLOW is rare for having so many women in the cast and behind the camera, something that the actors have noted affected the shooting environment as a “protected, feminist bubble.” For Gilpin, it also raised some questions about herself.

“Being on a set with female bosses [co-showrunners Liz Flahive and Carly Mensch], the level of comfort and bravery I felt really made me reflect back on my whole career," Gilpin told The Hollywood Reporter. "I’d always known about things that men did that made me shut down creatively, but I was surprised to reflect on things that I did to myself as a result of being in a male-dominated environment ... I felt a level of fear and anxiety that if I didn’t behave like the quiet Barbie I was playing, they wouldn’t let me play a quiet Barbie again."

6. IT ALSO MADE GILPIN FIGHT HARDER AGAINST THE MALE GAZE.

Since Gilpin doesn’t have a stunt double, and she’s doing the wrestling moves herself, GLOW has forced her to reexamine how she views her body while acting. Specifically, she’s gotten a lot less self-conscious and unshackled her movements from fear of the male gaze.

“The way we think about our bodies is completely changing,” Gilpin told The Huffington Post. Where she used to take workout classes designed to avoid bulking up, now she can lift some heavy weights. “I think that it’s our job to band together and say, ‘Okay, what are ways the male gaze has seeped into your brain and is affecting the way you treat yourself? Let’s work together to eliminate that.’”

7. THE SHOW CHANGED ONE IMPORTANT ELEMENT TO HOME IN ON THE CAMARADERIE.

Jackie Tohn, Jessica Gardner, Kimmy Gatewood, Rebekka Johnson, Alison Brie, Kia Stevens, Kate Nash, Ellen Wong, Shakira Barrera, Brigid Ryan, Becki Dennis, Gayle Rankin in 'GLOW'
Erica Parise, Netflix

They fight in the ring, they fight outside of it, they lift each other up, they undercut each other. It’s all part of the show’s drama and grounded realness. It’s a family, and to develop that sensibility, GLOW borrowed from the conditions the real-life women trained under. That includes staying two-to-a-room at a shabby motel, but the show dropped the forced separation of the good wrestler from the heels (the villains) during travel that the real GLOW athletes experience. They also didn’t make the characters call each other by their wrestling names outside the ring.

8. BROOKE HOGAN MADE A CAMEO.

Hulk Hogan's daughter made a brief appearance as a theater owner who rents her space to the ragtag production. She’s not nearly the only person from the wrestling world to make a cameo appearance, either.

9. WORKING ON GLOW IS LIKE BOARDING SCHOOL.

Marianna Palka, Jackie Tohn, Kimmy Gatewood, Rebekka Johnson, Kia Stevens, Betty Gilpin, Kate Nash, Ellen Wong, Shakira Barrera, Britney Young, Sunita Mani, and Gayle Rankin in 'GLOW'
Erica Parise, Netflix

Too often, shows have one spot in the cast for a woman. GLOW initially had 15. According to Gilpin, “I went to boarding school, and being on GLOW reminds me of that. When your call is 5:45 a.m., and there’s a group of 14 women all talking at once, it can be a little much, but it’s also the greatest gift. It’s constant happiness and support all day, every day. I love it.”

10. THE MATCH BASH RECALLS SEEING IN SEASON 2 IS REAL.

There’s a moment in season 2 where Bash (Chris Lowell) described a personal memory of watching a match between Stan Hansen and Bruno Sammartino where the former busted the latter’s neck. The match is real. So is the injury.

At Madison Square Garden, on April 26, 1976, Sammartino was defending his world title against Hansen when Hansen failed to properly execute a body slam and cracked one of Sammartino’s vertebrae. They were back in the ring two months later in a rematch.

11. THE SERIES WILL BE COMING BACK FOR A THIRD SEASON.

On August 20, 2018—more than two months after GLOW's second season dropped on Netflix—entertainment outlets began reporting that the series had officially been renewed by Netflix for a third season. The decision may not have been an easy one to make, however; as Variety reported: "Industry sources claim that the series is not among Netflix’s most watched, but is valued by the streaming service for its creative execution and status as an awards contender."

GIPHY Is Launching the World's First All-GIF Film Festival

iStock
iStock

Think you’re a GIF master? GIPHY is looking to showcase the best in extremely short films with what it calls the world’s first GIF-only film festival, according to It’s Nice That. The GIF database and search engine company is teaming up with Squarespace to launch a contest dedicated to finding the best GIF-makers in America—the GIPHY Film Fest.

To enter your work for consideration in the festival, you’ll need an 18-second-or-less, looping film that tells a “compelling, creative, entertaining, professional-grade story,” according to the contest details. U.S.-based GIF artists can enter up to three mini-films in each of five categories: Narrative, Stop-Motion, Animated, Experimental, and Wild Card/Other. The films can have music (as long as you have the rights to use it) or be silent. All that matters is that they're between one and 18 seconds long.

The grand prize winner will receive $10,000, a five-year subscription to Squarespace (to host that amazing GIF on your website), and the chance to guest-curate an official Spotify playlist. All entries will be judged by a panel of professionals from across several creative industries, including film, animation, illustration, and design.

The GIPHY Film Fest is not the first uber-short film festival in existence. In 2013 and 2014, back when Vine still existed (RIP), the Tribeca Film Festival held a competition each year to find the best six-second films—a time limit that will make 18 seconds feel practically feature length.

Enter GIPHY’s contest here before the entry window closes on September 27, 2018. The winner will be announced on November 8, during a special New York City screening of each of the top films in each category.

[h/t It’s Nice That]

SECTIONS

arrow
LIVE SMARTER