15 Facts About Kate Chopin's The Awakening

L Eaton, Flickr // CC BY-SA 2.0
L Eaton, Flickr // CC BY-SA 2.0

Kate Chopin's groundbreaking novel The Awakening is revered for its realism and regularly included in academic reading lists. Set in the late 19th century, its story follows Edna Pontellier, a wife and mother whose flirtation with a young bachelor leads her to desire more from life. This premise elicited widespread scorn when the book was published in 1899—and its author never could have predicted its rocky road to critical acclaim.

1. THE AWAKENING WAS CHOPIN'S SECOND NOVEL.

Her first novel At Fault, privately published in 1890, centered on a Creole widow named Thérèse Lafirme, who unexpectedly finds love with a dashing divorcé. From there, Chopin began writing for well-known magazines, and published more than 100 short stories and essays in Atlantic Monthly, Vogue, The Century Magazine, and The Youth's Companion. Her next two books, both short story collections, were Bayou Folk (published in 1894) and A Night in Acadie (1897). The Awakening, her second novel, was published on April 22, 1899.

2. CHOPIN WAS INSPIRED BY THE WRITING OF GUY DE MAUPASSANT.

The French short story writer is known for his masterpieces of realism. One of his most famous stories, "Boule de Suif," follows the journey of a prostitute during the Franco-Prussian War. Of Maupassant's influence on her work, Chopin said:

"I read his stories and marveled at them. Here was life, not fiction; for where were the plots, the old-fashioned mechanism and stage-trapping that in a vague, unthinkable way I had fancied were essential to the art of story-making. Here was a man who had escaped from tradition and authority, who had entered into himself and looked out upon life through his own being and with his own eyes, and who, in a direct and simple way, told us what he saw."

3. CHOPIN SET MANY OF HER STORIES IN LOUISIANA, INCLUDING THE AWAKENING.

She set At Fault and portions of The Awakening in New Orleans, where Chopin spent many years as a young wife and mother. Chopin reflected the Creole heritage of the area in her characters. Many of her short stories were set in the central Louisiana town of Natchitoches, where she later resided.

4. THE AWAKENING IS CONSIDERED ONE OF THE FIRST FEMINIST WORKS IN AMERICAN LITERATURE.

Chopin's novel arrived during the feminist movement's first wave, when women fought for the right to vote and for increased autonomy. The Awakening's heroine, Edna Pontellier, challenged society's expectations for women by daring to explore romance outside her marriage and gratification outside of motherhood.

5. CHOPIN STRUGGLED AFTER THE DEATH OF HER HUSBAND.

When The Awakening was published, she was a 49-year-old widow who had raised six children. Her husband, Oscar Chopin, had died of malaria in 1882, when Kate was 32. According to biographer Emily Toth, "For a while, the widow Kate ran his business and flirted outrageously with local men." Two years later, she sold the business (a general store and plantation) and moved to St. Louis to be closer to her mother. There, Chopin's obstetrician and family friend, Dr. Frederick Kolbenheyer, suggested writing might pull her out of a growing depression. She found a new passion and purpose.

6. CHOPIN BECAME A RESPECTED WRITER OF REGIONAL STORIES.

Kate Chopin House, Nachitoches, Louisiana
The Kate Chopin House in Nachitoches Parish, Louisiana, circa 1933. The house burned down in 2008.
Library of Congress // Public Domain

Ahead of The Awakening's debut, Chopin was at the height of her popularity. Critics praised both of her short story collections, and heralded A Night in Acadie as "a string of little jewels." She was celebrated for her observations and ability to capture "local color." Posthumously, her works would continue to be revered as grand examples of American realism at the turn of the century. This literary movement depicted the everyday lives of ordinary, contemporary people with keen and humane observations.

7. THE AWAKENING EARNED NEGATIVE REVIEWS ...

Chopin's story of self-discovery and suicide boldly challenged the gender roles of Victorian society. Critics denounced the novel as "morbid," "feeble," and "vulgar." "Miss Kate Chopin is another clever woman, but she has put her cleverness to a very bad use in writing The Awakening," sniffed an anonymous reviewer in the Providence Sunday Journal. "The purport of the story can hardly be described in language fit for publication. We are fain to believe that Miss Chopin did not herself realize what she was doing when she wrote it."

The Los Angeles Sunday Times scolded, "It is rather difficult to decide whether Mrs. Kate Chopin, the author of The Awakening, tried in that novel merely to make an intimate, analytical study of the character of a selfish, capricious woman, or whether she wanted to preach the doctrine of the right of the individual to have what he wants, no matter whether or not it may be good for him."

Perhaps harshest of all was Public Opinion's review, which celebrated Edna's eventual drowning. "If the author had secured our sympathy for this unpleasant person it would not have been a small victory, but we are well satisfied when Mrs. Pontellier deliberately swims out to her death in the waters of the gulf," the critic wrote.

8. ... BUT EVEN CRITICS WHO WERE UNNERVED BY CHOPIN'S PLOT PRAISED HER CRAFT.

Frances Porcher, reviewing for The Mirror, lamented that Chopin's novel ultimately left her feeling "sick of human nature," but wrote, "there is no fault to find with the telling of the story; there are no blemishes in its art."

L. Deyo of the St. Louis Post-Dispatch acknowledged The Awakening's subversive elements, but argued that its artistry superseded its shock value. "The theme is difficult, but it is handled with a cunning craft," Deyo wrote. "The work is more than unusual. It is unique. The integrity of its art is that of well-knit individuality at one with itself, with nothing superfluous to weaken the impression of a perfect whole."

9. THE OUTCRY WOUNDED CHOPIN—AND HER CAREER.

Despite all the praise her short stories had earned, the critical response to The Awakening crushed Chopin's spirits. The St. Louis Fine Arts Club, which she sought to join, barred her admission because of the scandal. She wrote more short stories but struggled to find publishers. Toth argues that Chopin's challenge to society's patriarchal status quo in The Awakening "went too far: Edna's sensuality was too much for the male gatekeepers."

10. THE AWAKENING WAS CHOPIN'S LAST NOVEL.

Five years after its publication, the St. Louis-born author died after suffering a cerebral hemorrhage while she was visiting the 1904 St. Louis World's Fair.

11. FOR DECADES, IT SEEMED THAT THE AWAKENING WOULD BE FORGOTTEN.

Following her death, critics and readers remembered her most often for her short stories. Her legacy remained that of a "local colorist"; the regional elements of her short stories were valued more highly than The Awakening's theme of female empowerment.

12. APPRECIATION FOR THE AWAKENING GREW IN THE MID-20TH CENTURY.

By the early 1960s, second-wave feminism was changing the way Americans viewed women and society at large. In 1969, Per Seyersted, a scholar of American literature, secured Chopin's literary legacy by publishing the first edition of her collected works. He also wrote Kate Chopin: A Critical Biography. The former allowed generations of readers to discover her writing, while the latter reconsidered The Awakening, and celebrated "its courageous realism." Both books kicked off a reevaluation of Chopin and her once-notorious novel.

13. THE AWAKENING HAS BEEN BANNED—BUT ONLY ONCE.

Though book jackets like to claim that it's been banned, historians have found of only one verified instance when The Awakening was pulled from library shelves. A popular story claims that a library in Chopin's hometown of St. Louis removed the novel. But in all her research, Toth could not verify this. However, The New York Times reported The Awakening was banned from a public library in Evanston, Illinois in 1902. And its placement was challenged at Georgia's Oconee County Library in 2010. That incident wasn't related to the controversial content of the novel, but to its cover showing a painting of a semi-nude woman, which upset a library patron.

14. THE AWAKENING IS CONSIDERED A CLASSIC.

Contemporary critics and academics recognize that Chopin was ahead of her time by almost 100 years. In Awakenings: The Story of the Kate Chopin Revival, editor and Chopin authority Bernard Koloski summarized the incredible journey of The Awakening's rise to the American literature canon:

"No other American book was so maligned, neglected for so long, and then embraced so quickly and with such enthusiasm as Kate Chopin's 1899 novel The Awakening. And none has been so thoroughly redeemed as The Awakening. Thought vulgar, morbid, and disturbing in Chopin's time, it has for the past quarter of a century been seen as sensitive, passionate, and inspiring. Forgotten for two generations, it is today known by countless people in dozens of countries, and Kate Chopin has become among the most widely read of classic American authors."

15. BECAUSE OF THE AWAKENING, CHOPIN'S WORK CAN BE READ AROUND THE WORLD.

Her writings have been translated into many other languages, including, according to the Kate Chopin International Society, "Albanian, Arabic, Chinese, Czech, Danish, Dutch, French, Galician, German, Hungarian, Italian, Japanese, Korean, Malayalam, Polish, Portuguese, Serbian, Spanish, Swedish, Turkish, and Vietnamese."

House Boasting a ‘Harry Potter Room’ Under the Stairs Hits the Market in San Diego

Cupboard under the stairs featured on the Warner Bros. Studio Tour: The Making of Harry Potter in London.
Cupboard under the stairs featured on the Warner Bros. Studio Tour: The Making of Harry Potter in London.
Matt Robinson, Flickr // CC BY 2.0

When Harry Potter fans dream of living like the boy wizard, they may picture Harry's cozy quarters in the Gryffindor dormitory at Hogwarts. One home owner in San Diego, California is trying to spin one of Harry's much less idyllic living situations as a magical feature. As The San Diego Union-Tribune reports, a listing of a three-bedroom house for sale in the city's Logan Heights neighborhood boasts a "Harry Potter room"—a.k.a storage room under the stairs.

In the Harry Potter books, the cupboard under the stairs of the Dursley residence served as Harry's bedroom before he enrolled in Hogwarts. Harry was eager to escape the cramped, dusty space, but thanks to the series' massive success, a similar feature in a real-world home may be a selling point for Harry Potter fans.

Kristin Rye, the seller of the San Diego house, told The Union-Tribune she would read Harry Potter books to her son, though she wouldn't describe herself as a super fan. As for why she characterized her closet as a “large ‘Harry Potter’ storage room underneath stairs" in her real estate listing, she said it was the most accurate description she could think of. “It’s just this closet under the stairs that goes back and is pretty much like a Harry Potter room. I don’t know how else to describe it," she told the newspaper.

Beyond the cupboard under the stairs, Rye's listing doesn't bear much resemblance to the cookie-cutter, suburban home of 4 Privet Drive. Nearly a century old, the San Diego house has the same cobwebs and a musty smells you might expect from the Hogwarts dungeons, the newspaper reports. But there are some perks, including a parking spot and backyard space for a garden or pull-up bar. The 1322-square-foot home is listed at $425,000—cheaper than the median price of $620,000 for a resale single-family home in the area.

If you want to live like a wizard, you don't necessarily need to start by moving under a staircase. In North Yorkshire, England, a cottage modeled after Hagrid's Hut is available to rent on a nightly basis.

[h/t The San Diego Union-Tribune]

10 Surprising Facts About E.B. White

Born on July 11, 1899 in Mount Vernon, New York, E.B. White wrote books, essays, and poems for both children and adults. Although you’ve probably read (and re-read) his books Charlotte’s Web and Stuart Little, there’s so much more to learn about White. In honor of his birthday, here are 10 things you might not know about the author of some of the most beloved children’s books of all time.

1. E.B. White went by "Andy."

Although children around the world know him as E.B. White, his friends and family called him Andy for most of his life. Born Elwyn Brooks White on July 11, 1899, he got the nickname Andy while he was a student at Cornell University. He shared a last name with Andrew Dickson White, the co-founder and first president of Cornell, and Cornell tradition dictated that all students with the last name White were given the nickname Andy. This suited Elwyn just fine; he once said, "I never liked Elwyn. My mother just hung it on me because she'd run out of names. I was her sixth child." It stuck, and he went by Andy for the rest of his life.

2. White wrote an obituary his dog for The New Yorker.

White’s love of animals is evident in his writing, and his dog Daisy was no exception. In 1932, he wrote an obituary for Daisy after a New York City cab hit her in front of a florist’s shop on University Place. Published in The New Yorker, the obituary describes Daisy’s life, from her birth to her untimely death at 3 years old: “Her life was full of incident but not of accomplishment … Once she slipped her leash and chased a horse for three blocks through heavy traffic, in the carking belief that she was an effective agent against horses … She died sniffing life, and enjoying it.”

3. White married his editor.

White began writing for The New Yorker in the mid 1920s. In 1926, he met Katharine Sergeant Angell, the magazine's fiction editor. Reminiscing about his first meeting with Katharine in the lobby of the magazine, he told The New York Times that she "had a lot of black hair and was very beautiful." Six years older than White, Katharine was a divorced mother with two kids, but the couple married in 1929 and eventually moved to a farmhouse in Maine.

"I soon realized I had made no mistake in my choice of a wife," White later said. "I was helping her pack an overnight bag one afternoon when she said, 'Put in some tooth twine.' I knew then that a girl who called dental floss tooth twine was the girl for me." Katharine continued to work remotely for The New Yorker, and the two were married until her death in 1977.

4. White's style guide for writers became a huge success.

The Elements of Style, a book that teaches people how to write effectively, clearly, and succinctly, is arguably the most famous writer’s bible in America. White’s English professor at Cornell, William Strunk Jr., originally wrote the book’s rules of grammar and composition in 1918. In 1959, White revised the book, and it has since sold millions of copies. In an interview with The Paris Review, White said: "My role in the revival of Strunk’s book was a fluke—just something I took on because I was not doing anything else at the time. It cost me a year out of my life, so little did I know about grammar."

5. White was a hypochondriac.

Throughout his life, White was a hypochondriac who worried that, for example, his sunburn was a brain tumor or an ant bite was fatal. In a piece for The New Yorker, his stepson, Roger Angell, posited that White’s anxieties were due to his childhood. White was the youngest of six kids (his parents were in their 40s when he was born), so minor ailments—such as a cough or stomachache—would likely elicit more parental attention and nurturing as the cherished baby of the family.

6. White struggled with anxiety.

In addition to his hypochondria, White suffered from a general anxiety that began in childhood. He described himself as "frightened but not unhappy … I lacked for nothing except confidence." As an adult, he was anxious about subways crashing, meeting new people, and speaking in public. At restaurants, he was overly cautious about accidentally eating clams (he claimed one had poisoned him once). He skipped weddings, parties, his Presidential Medal of Freedom awards ceremony, and even his wife’s (private) burial service, describing his anxiety as a "peculiar kind of disability."

7. White was an avid sailor.

Despite his massive success as a writer, White disliked reading indoors, much preferring outdoor activities. "I am restless and would rather sail a boat than crack a book," he remarked. That is, unless that book was about one of his favorite topics: sailing. “But when I latch onto a book like They Live by the Wind, by Wendell P. Bradley, I am glued tight to the chair. It is because Bradley wrote about something that has always fascinated (and uplifted) me—sailing." White injected his love of sailing into his book Stuart Little, which contains a sailboat race, and his son Joel became a world-renowned boat designer. Once, Joel made a boat named in honor of his daughter Martha, and White carved four dolphins on each side of the bow and sailed it afterward.

8. White fought to keep Hollywood's adaptation of Charlotte's Web true to the book.

In 1973, the animation studio Hanna-Barbera released an animated musical film version of Charlotte’s Web. The studio wanted to change the book’s ending by not having Charlotte die, but White pushed back against a happier ending. Although the studio obliged, White and his wife reportedly hated the animated Charlotte’s Web, regretting that it was made and calling it a travesty.

9. White was a major procrastinator.

White was open about his struggles with writing and procrastination. In an interview, he revealed that he would walk around his house, straightening picture frames and rugs, before sitting down to write. "Delay is natural to a writer," White admitted. But he cautioned that writers have to somehow conquer procrastination: "A writer who waits for ideal conditions under which to work will die without putting a word on paper."

10. White fought Alzheimer's disease with grace and humor.

Before White died in October 1985, he suffered from Alzheimer’s disease. His son read his father’s books and essays aloud, and White usually enjoyed hearing his writing. Because he didn’t remember that he was the author of the words, he would pooh-pooh some passages, saying that the writing wasn’t good enough. But when he liked other passages, he would ask his son, Joel, who wrote the words. "You did, Dad," Joel said. White replied, "Well, not bad."

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