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11 TV Spinoffs You Might Not Have Known Existed

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The greatest testament to a television series’ endearing popularity is the inability of viewers to let its characters say goodbye. Which is why every time a popular show announces its series finale date, rumors begin swirling about the people, places, and things that might provide strong fodder for an entirely new series.

Some of these spinoff ideas go the way of Dwight Schrute and The Farm (read: nowhere). Others buck the spinoff moniker altogether and end up being as successful as the original incarnation (see: Frasier). And then there are those shows that make it to the small screen… only to find the sound of crickets chirping in place of a laugh track.

Though we won't know the fate of Young SheldonThe Big Bang Theory prequel that CBS recently confirmed will premiere in the fall—let’s take a moment to (desperately try and) remember a few spinoffs you might not have known existed.

1. THE GOLDEN PALACE (1992-1993)

Spun off of The Golden Girls (1985-1992)

Bea Arthur was the only main actress from The Golden Girls to not appear in this series, which sees Blanche, Rose, and Sophia becoming hoteliers after purchasing an Art Deco gem known as The Golden Palace Hotel. Despite Don Cheadle and Cheech Marin in supporting roles, The Golden Palace was booking at about 10 percent capacity.

2. THE LONE GUNMEN (2001)

Spun off of The X-Files (1993-2002; 2016-)

Agent Fox Mulder’s favorite trio of conspiracy theorists, better known as The Lone Gunmen, went from recurring characters to leading men in 2001. While the show­—which was co-created by Breaking Bad’s Vince Gilligan (along with Chris Carter, John Shiban, and Frank Spotnitz)—was met with critical praise, audiences simply weren’t tuning in. It was cancelled after just 13 episodes, but had the unusual opportunity to address its (unintentional) finale’s cliffhanger in the ninth season of The X-Files.

3. THE BRADY BRIDES (1981)

Spun off of The Brady Bunch (1969-1974)

Originally created as a television movie called The Brady Girls Get Married, some brilliant television executive somewhere decided that what 1981 really needed was more Marcia, Marcia, Marcia. So they turned the movie into a four-part miniseries, with the final episode serving as the pilot for a new series that sees the sisters fall in love, get married in a joint ceremony, then buy a house and all move in together. Because that’s a totally relatable storyline. NBC divorced the series 10 episodes later.

4. TABITHA (1977-1978)

Spun off of Bewitched (1964-1972)

Little Tabitha Stephens—daughter of Samantha and Darrin—is all grown up. And, like mom, she only needs to wiggle her nose in order to make magical things happen. Sound familiar? Viewers thought so. Not even witchcraft could help Tabitha get renewed for a second season.

5. THE TORTELLIS (1987)

Spun off of Cheers (1982-1993)

While Nick Tortelli—the gross-but-lovable ex-husband of foul-mouthed barmaid Carla in Cheers—was arguably one of that series’ favorite recurring characters (who was not an official bar regular), The Tortellis proved that Nick and his very blonde and very ditzy new wife, Loretta (a.k.a. Lor-ET-ta), worked better in small doses. They continued to make guest appearances on Cheers following their own cancellation.

6. DEADLINE (2000-2001)

Spun off of Law & Order (1990-2010)

Yes, even Law & Order has produced a clunker of a spinoff on occasion, including this one, in which Oliver Platt plays a tabloid journalist for the New York Ledger (a fictional newspaper often used as a prop in the Law & Order series). Despite an impressive cast, including Bebe Neuwirth, Lili Taylor, and Hope Davis, the series’ storyline was killed after 13 episodes.

7. YOUNG AMERICANS (2000)

Spun off of Dawson’s Creek (1998-2003)

Trying to take yet another bite out of the young beautiful people genre, Young Americans began its life on Dawson’s Creek. Lead character Will Krudski was introduced as an old friend of the gang in Dawson’s third season, when he visits during a break from Rawley Summer Academy, a prep school where he hangs out with Kate Bosworth and Ian Somerhalder. Summer lasted for a fleeting eight episodes.

8. WOMEN OF THE HOUSE (1995)

Spun off of Designing Women (1986-1993)

Call it “Designing Women Goes to Washington.” Delta Burke reprised her role as Suzanne Sugarbaker (surprising, given her very public battles with the original show’s producers), this time as a widow who decides to fill her husband’s congressional seat following his passing. She is surrounded, of course, by a group of sitcom stereotypes who weren’t nearly well-developed enough to get a greenlight for season two.

9. MODELS INC. (1994-1995)

Spun off of Melrose Place (1992-1999)

Models Inc. is technically a spinoff-squared, as it’s a spinoff of Melrose Place, which is a spinoff of Beverly Hills, 90210. The show’s only real purpose was to capitalize on the fact that supermodels like Cindy Crawford and Naomi Campbell were taking over the world in the mid-1990s. But Models Inc.’s only real contribution to the pop culture conversation was that it introduced the woman who would become Trinity—Carrie-Anne Moss—to the world.

10. A MAN CALLED HAWK (1989)

Spun off of Spenser: For Hire (1985-1988)

Poor Avery Brooks. After playing the badass sidekick to Spenser for three seasons, he headed off to Washington D.C. to be a hero to those in need. But he couldn’t hack it as top banana and his show was cancelled after its first season. Still, that didn’t stop Brooks from reprising his role in four made-for-television Spenser movies between 1993 and 1995.

11. AFTERMASH (1983-1984)

Spun off of M*A*S*H (1972-1983)

To be fair, attempting to replicate even a modicum of the success of M*A*S*H—one of the most beloved television shows of all time—would be akin to creating a show around The Drake following Seinfeld’s finale. It’s not that it couldn’t be entertaining; it’s just too soon (and unnecessary). Which is exactly what audiences thought of AfterMASH, which chronicles the lives of Colonel Potter, Klinger, and Father Mulcahy after the Korean War. Though AfterMASH did make it to a second season, it was cancelled nine episodes in and later called one of the 10 worst television shows of all time by TV Guide.

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6 Times There Were Ties at the Oscars
getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards' near-90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. BEST ACTOR // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde (female writer Frances Marion won Best Screenplay for the film), and Beery won for The Champ, which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. BEST DOCUMENTARY SHORT SUBJECT // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. BEST ACTRESS // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. BEST DOCUMENTARY FEATURE // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. BEST SHORT FILM (LIVE ACTION) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars Richard E. Grant (Girls, Withnail & I) as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. BEST SOUND EDITING // 2013

The latest Oscar tie happened only three years ago, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg said to the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

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11 Haunting Facts About Beloved

Toni Morrison—who was born on February 18, 1931—made a name for herself with The Bluest Eye, Sula and Song of Solomon, but it wasn’t until 1987’s Beloved, about a runaway slave haunted by the death of her infant daughter, that her legacy was secured. The book won the Pulitzer Prize and was a key factor in the decision to award Morrison the Nobel Prize in 1993. All the awards aside, Beloved is a testament to the horrors of slavery, with its narrative of suffering and repressed memory and its dedication to the more than 60 million who died in bondage. Here are some notable facts about Morrison’s process and the novel’s legacy.

1. IT’S BASED ON A TRUE STORY.

While compiling research for 1974's The Black Book, Morrison came across the story of Margaret Garner, a runaway slave from Kentucky who escaped with her husband and four children to Ohio in 1856. A posse caught up with Garner, who killed her youngest daughter and attempted to do the same to her other children rather than let them return to bondage. Once apprehended, her trial transfixed the nation. "She was very calm; she said, 'I’d do it again,'" Morrison told The Paris Review. "That was more than enough to fire my imagination."

2. MORRISON CAME UP WITH THE CHARACTER BELOVED AFTER SHE STARTED WRITING.

The book was originally going to be about the haunting of Sethe by her infant daughter, who she killed (just as Garner did) rather than allow her to return to slavery. A third of the way through writing, though, Morrison realized she needed a flesh-and-blood character who could judge Sethe’s decision. She needed the daughter to come back to life in another form (some interpret it as a grief-driven case of mistaken identity). As she told the National Endowment for the Arts’ NEA Magazine: "I thought the only person who was legitimate, who could decide whether [the killing] was a good thing or not, was the dead girl."

3. SHE WROTE THE ENDING EARLY IN THE WRITING PROCESS.

Morrison has said she likes to know the ending of her books early on, and to write them down once she does. With Beloved, she wrote the ending about a quarter of the way in. "You are forced into having a certain kind of language that will keep the reader asking questions," she told author Carolyn Denard in Toni Morrison: Conversations.

4. MORRISON BECAME FASCINATED WITH SMALL HISTORICAL DETAILS.

To help readers understand the particulars of slavery, Morrison carefully researched historical documents and artifacts. One particular item she became fascinated with: the "bit" that masters would put in slaves' mouths as punishment. She couldn’t find much in the way of pictures or descriptions, but she found enough to imagine the shame slaves would feel. In Beloved, Paul D. tells Sethe that a rooster smiled at him while he wore the bit, indicating that he felt lower than a barnyard animal.

5. SHE ONLY RECENTLY READ THE BOOK HERSELF.

In an appearance on The Colbert Report last year, Morrison said she finally got around to reading Beloved after almost 30 years. Her verdict: "It’s really good!"

6. THE BOOK INSPIRED READERS TO BUILD BENCHES.

When accepting an award from the Unitarian Universalist Association in 1988, Morrison observed that there is no suitable memorial to slavery, "no small bench by the road." Inspired by this line, the Toni Morrison Society started the Bench by the Road Project to remedy the issue. Since 2006, the project has placed 15 benches in locations significant to the history of slavery and the Civil Rights movement, including Sullivan’s Island, South Carolina, which served as the point of entry for 40% of slaves brought to America.

7. WHEN BELOVED DIDN’T WIN THE NATIONAL BOOK AWARD IN 1987, FELLOW WRITERS PROTESTED.

After the snub, 48 African-American writers, including Maya Angelou, John Edgar Wideman and Henry Louis Gates, Jr., signed a letter that appeared in the New York Times Book Review. "For all of America, for all of American letters," the letter addressing Morrison read, "you have advanced the moral and artistic standards by which we must measure the daring and the love of our national imagination and our collective intelligence as a people."

8. IT’S ONE OF THE MOST FREQUENTLY CHALLENGED BOOKS.

Between 2000 and 2009, Beloved ranked 26th on the American Library Association’s list of most banned/challenged books. A recent challenge in Fairfax County, Virginia, cited the novel as too intense for teenage readers, while another challenge in Michigan said the book was, incredibly, overly simplistic and pornographic. Thankfully, both challenges were denied.

9. MORRISON ALSO WROTE AN OPERA BASED ON GARNER’S LIFE.

Ten years ago, Morrison collaborated with Grammy-winning composer Richard Danielpour on Margaret Garner, an opera about the real-life inspiration behind Beloved. It opened in Detroit in 2005, and played in Charlotte, Chicago, Philadelphia and New York before closing in 2008.

10. MORRISON DID NOT WANT IT MADE INTO A MOVIE.

Although she publicly claims otherwise, according to a New York magazine story, Morrison told friends she didn’t want Beloved made into a movie. And she didn’t want Oprah Winfrey (who bought the film rights in 1988) to be in it. Nevertheless, the film came out in 1998 and was a total flop.

11. THERE'S AN ILLUSTRATED VERSION.

The Folio Society, a London-based company that creates fancy special editions of classic books, released the first-ever illustrated Beloved in 2015. Artist Joe Morse had to be personally approved by Morrison for the project. Check out a few of his hauntingly beautiful illustrations here.

This article originally appeared in 2015.

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