If you’re a fan of American Pie, we’ve got some good news and bad news: The good news is that the hit 1999 gross-out teen sex comedy is coming to Netflix on February 1. The bad news is that so is much of the franchise’s direct-to-DVD fare, including American Pie Presents: Band Camp and American Pie Presents: The Naked Mile.
Don’t worry, there’s plenty of other great content to even out the balance, including both Kill Bill movies and Goodfellas plus Netflix-only content like the Queer Eye for the Straight Guy reboot. Here’s every new movie, television series, and special coming to Netflix in February.
3000 Miles to Graceland
American Pie 2
American Pie Presents: Band Camp
American Pie Presents: The Book of Love
American Pie Presents: The Naked Mile
How the Beatles Changed the World
John Mellencamp: Plain Spoken
Kill Bill: Vol. 1
Kill Bill: Vol. 2
Lara Croft: Tomb Raider
Liberated: The New Sexual Revolution
Meet the Fockers
Meet the Parents
Men in Black
National Parks Adventure
Paint It Black
The Hurt Locker
Walk Hard: The Dewey Cox Story
Z Nation: Season 4
Altered Carbon: Season 1
Coach Snoop: Season 1
Kavin Jay: Everybody Calm Down!
Luna Petunia: Return to Amazia: Season 1
On Body and Soul
Fred Armisen: Standup For Drummers
Valor: Season 1
Imposters: Season 1
Queer Eye: Season 1
The Emoji Movie
Fate/Apocrypha: Part 2
My Next Guest Needs No Introduction With David Letterman: George Clooney
The Trader (Sovdagari)
When We First Met
Greenhouse Academy: Season 2
Love Per Square Foot
Deep Undercover Collection: Collection 2
Re:Mind: Season 1
DreamWorks Dragons: Race to the Edge: Season 6
Everything Sucks!: Season 1
First Team: Juventus: Season 1
The Joel McHale Show with Joel McHale
Bates Motel: Season 5
The Frankenstein Chronicles: Season 1 and Season 2
Louisa May Alcott's Little Women is one of the world's most beloved novels, and now—nearly 150 years after its original publication—it's capturing yet another generation of readers, thanks in part to Masterpiece's new small-screen adaptation. Whether it's been days or years since you've last read it, here are 10 things you might not know about Alcott's classic tale of family and friendship.
1. LOUISA MAY ALCOTT DIDN'T WANT TO WRITE LITTLE WOMEN.
Louisa May Alcott was writing both literature and pulp fiction (sample title: Pauline's Passion and Punishment) when Thomas Niles, the editor at Roberts Brothers Publishing, approached her about writing a book for girls. Alcott said she would try, but she wasn’t all that interested, later calling such books “moral pap for the young.”
When it became clear Alcott was stalling, Niles offered a publishing contract to her father, Bronson Alcott. Although Bronson was a well-known thinker who was friends with Ralph Waldo Emerson and Henry David Thoreau, his work never achieved much acclaim. When it became clear that Bronson would have an opportunity to publish a new book if Louisa started her girls' story, she caved in to the pressure.
Alcott began writing the book in May 1868. She worked on it day and night, becoming so consumed with it that she sometimes forgot to eat or sleep. On July 15, she sent all 402 pages to her editor. In September, a mere four months after starting the book, Little Women was published. It became an instant best seller and turned Alcott into a rich and famous woman.
3. THE BOOK AS WE KNOW IT WAS ORIGINALLY PUBLISHED IN TWO PARTS.
The first half was published in 1868 as Little Women: Meg, Jo, Beth, and Amy. The Story Of Their Lives. A Girl’s Book. It ended with John Brooke proposing marriage to Meg. In 1869, Alcott published Good Wives, the second half of the book. It, too, only took a few months to write.
4. MEG, BETH, AND AMY WERE BASED ON ALCOTT'S SISTERS.
Meg was based on Louisa’s sister Anna, who fell in love with her husband John Bridge Pratt while performing opposite him in a play. The description of Meg’s wedding in the novel is supposedly based on Anna’s actual wedding.
Beth was based on Lizzie, who died from scarlet fever at age 23. Like Beth, Lizzie caught the illness from a poor family her mother was helping.
Amy was based on May (Amy is an anagram of May), an artist who lived in Europe. In fact, May—who died in childbirth at age 39—was the first woman to exhibit paintings in the Paris Salon.
Jo, of course, is based on Alcott herself.
5. LIKE THE MARCH FAMILY, THE ALCOTTS KNEW POVERTY.
Bronson Alcott’s philosophical ideals made it difficult for him to find employment—for example, as a socialist, he wouldn't work for wages—so the family survived on handouts from friends and neighbors. At times during Louisa’s childhood, there was nothing to eat but bread, water, and the occasional apple.
When she got older, Alcott worked as a paid companion and governess, like Jo does in the novel, and sold “sensation” stories to help pay the bills. She also took on menial jobs, working as a seamstress, a laundress, and a servant. Even as a child, Alcott wanted to help her family escape poverty, something Little Women made possible.
Alcott, who never married herself, wanted Jo to remain unmarried, too. But while she was working on the second half of Little Women, fans were clamoring for Jo to marry the boy next door, Laurie. “Girls write to ask who the little women marry, as if that was the only aim and end of a woman’s life," Alcott wrote in her journal. "I won’t marry Jo to Laurie to please anyone.”
As a compromise—or to spite her fans—Alcott married Jo to the decidedly unromantic Professor Bhaer. Laurie ends up with Amy.
7. THERE ARE LOTS OF THEORIES ABOUT WHO LAURIE WAS BASED ON.
People have theorized Laurie was inspired by everyone from Thoreau to Nathaniel Hawthorne’s son Julian, but this doesn’t seem to be the case. In 1865, while in Europe, Alcott met a Polish musician named Ladislas Wisniewski, whom Alcott nicknamed Laddie. The flirtation between Laddie and Alcott culminated in them spending two weeks together in Paris, alone. According to biographer Harriet Reisen, Alcott later modeled Laurie after Laddie.
How far did the Alcott/Laddie affair go? It’s hard to say, as Alcott later crossed out the section of her diary referring to the romance. In the margin, she wrote, “couldn’t be.”
8. YOU CAN STILL VISIT ORCHARD HOUSE, WHERE ALCOTT WROTE LITTLE WOMEN.
Orchard House in Concord, Massachusetts was the Alcott family home. In 1868, Louisa reluctantly left her Boston apartment to write Little Women there. Today, you can tour this house and see May’s drawings on the walls, as well as the small writing desk that Bronson built for Louisa to use.
9. LITTLE WOMEN HAS BEEN ADAPTED A NUMBER OF TIMES.
In addition to a 1958 TV series, multiple Broadway plays, a musical, a ballet, and an opera, Little Women has been made into more than a half-dozen movies. The most famous are the 1933 version starring Katharine Hepburn, the 1949 version starring June Allyson (with Elizabeth Taylor as Amy), and the 1994 version starring Winona Ryder. Later this year, Clare Niederpruem's modern retelling of the story is scheduled to arrive in movie theaters. It's also been adapted for the small screen a number of times, most recently for PBS's Masterpiece, by Call the Midwife creator Heidi Thomas.
10. IN 1980, A JAPANESE ANIME VERSION OF LITTLE WOMEN WAS RELEASED.
In 1987, Japan made an anime version of Little Women that ran for 48 half-hour episodes. Watch the first two episodes above.
Tribeca Film Festival/Screenvision Media/Universal Pictures
Pop culture history was forever altered on December 9, 1983, when Scarface arrived in movie theaters across America. A loose remake of Howard Hawks's classic 1932 gangster film, Brian De Palma's F-bomb-laden story of a Cuban immigrant who becomes the king of Miami's drug scene by murdering anyone in his path is still being endlessly dissected, and quoted, today. To celebrate the film's place in cinema history, the Tribeca Film Festival is teaming up with Screenvision Media and Universal Pictures to bring the film back into theaters next month.
Just last month, Scarface screened at New York City's Tribeca Film Festival as part of a 35th anniversary celebration. The film's main cast and crew—including De Palma and stars Al Pacino, Michelle Pfeiffer, and Steven Bauer—were on hand to discuss the making of the film and why it has endured as a contemporary classic. (Yes, that's the same conversation that left the panel momentarily speechless when moderator Jesse Kornbluth asked Pfeiffer how much she weighed during filming.) That post-screening Q&A will be part of the upcoming screenings.
"Scarface is a timeless film that has influenced pop culture in so many ways over the last 35 years. We're thrilled to partner with Universal Pictures and Tribeca Film Festival to bring it back to the big screen in celebration of its anniversary," Darryl Schaffer, executive vice president of operations and exhibitor relations at Screenvision Media, said in a press statement. "The Tribeca Film Festival talk was an important commemoration of the film. We're excited to extend it to the big screen and provide fans a behind-the-scenes insight into what production was like in the 1980s."
Scarface will screen at select theaters nationwide on June 10, June 11, and June 13, 2018. Visit Scarface35.com to find out if Tony Montana and his little friend will be coming back to a cinema near you.