10 Things We Know About The Handmaid’s Tale Season 2

Hulu
Hulu

Though Hulu has been producing original content for more than five years now, 2017 turned out to be a banner year for the streaming network with the debut of The Handmaid’s Tale on April 26, 2017. The dystopian drama, based on Margaret Atwood’s 1985 book, imagines a future in which a theocratic regime known as Gilead has taken over the United States and enslaved fertile women so that the group’s most powerful couples can procreate.

If it all sounds rather bleak, that’s because it is—but it’s also one of the most impressive new series to arrive in years (as evidenced by the slew of awards it has won, including eight Emmy and two Golden Globe Awards). Fortunately, fans left wanting more don’t have that much longer to wait, as season two will premiere on Hulu in April. In the meantime, here’s everything we know about The Handmaid’s Tale’s second season.

1. IT WILL PREMIERE WITH TWO EPISODES.

When The Handmaid’s Tale returns on April 25, 2018, Hulu will release the first two of its 13 new episodes on premiere night, then drop another new episode every Wednesday.

2. MARGARET ATWOOD WILL CONTINUE TO HELP SHAPE THE NARRATIVE.

Fans of Atwood’s novel who didn’t like that season one went beyond the original source material are in for some more disappointment in season two, as the narrative will again go beyond the scope of what Atwood covered. But creator/showrunner Bruce Miller doesn’t necessarily agree with the criticism they received in season one.

“People talk about how we're beyond the book, but we're not really," Miller told Newsweek. "The book starts, then jumps 200 years with an academic discussion at the end of it, about what's happened in those intervening 200 years. We're not going beyond the novel. We're just covering territory [Atwood] covered quickly, a bit more slowly.”

Even more importantly, Miller's got Atwood on his side. The author serves as a consulting producer on the show, and the title isn’t an honorary one. For Miller, Atwood’s input is essential to shaping the show, particularly as it veers off into new territories. And they were already thinking about season two while shooting season one. “Margaret and I had started to talk about the shape of season two halfway through the first [season],” he told Entertainment Weekly.

In fact, Miller said that when he first began working on the show, he sketched out a full 10 seasons worth of storylines. “That’s what you have to do when you’re taking on a project like this,” he said.

3. MOTHERHOOD WILL BE A CENTRAL THEME.

As with season one, motherhood is a key theme in the series. And June/Offred’s pregnancy will be one of the main plotlines. “So much of [Season 2] is about motherhood,” Elisabeth Moss said during the Television Critics Association press tour. “Bruce and I always talked about the impending birth of this child that’s growing inside her as a bit of a ticking time bomb, and the complications of that are really wonderful to explore. It’s a wonderful thing to have a baby, but she’s having it potentially in this world that she may not want to bring it into. And then, you know, if she does have the baby, the baby gets taken away from her and she can’t be its mother. So, obviously, it’s very complicated and makes for good drama. But, it’s a very big part of this season, and it gets bigger and bigger as the show goes on.”

4. THE RESISTANCE IS COMING.

Just because June is pregnant, don’t expect her to sit on the sidelines as the resistance to Gilead continues. “There is more than one way to resist," Moss said. “There is resistance within [June], and that is a big part of this season.”

5. WE’LL GET TO SEE THE COLONIES.

A scene from 'The Handmaid's Tale'
Hulu

Miller, understandably, isn’t eager to share too many details about the new season. “I’m not being cagey!” he swore to Entertainment Weekly. “I just want the viewers to experience it for themselves!” What he did confirm is that the new season will bring us to the Colonies—reportedly in episode two—and show what life is like for those who have been sent there.

It will also delve further into what life is like for the refugees who managed to escape Gilead, like Luke and Moira.

6. MARISA TOMEI WILL APPEAR IN AN EPISODE.

Though she won’t be a regular cast member, Miller recently announced that Oscar winner Marisa Tomei will make a guest appearance in the new season’s second episode. Yes, the one that will show us the Colonies. In fact, that’s where we’ll meet her; Tomei is playing the wife of a Commander.

7. WE’LL LEARN MORE ABOUT THE ORIGINS OF GILEAD.

As a group shrouded in secrecy, we still don’t know much about how and where Gilead began. That will change a bit in season two. When discussing some of the questions viewers will have answered, executive producer Warren Littlefield promised that "How did Gilead come about? How did this happen?” would be two of them. “We get to follow the historical creation of this world,” he said.

8. THERE WILL BE AT LEAST ONE HANDMAID FUNERAL.

A scene from 'The Handmaid's Tale'
Hulu

While Miller wouldn’t talk about who the handmaids are mourning in a teaser shot from season two that shows a handmaid’s funeral, he was excited to talk about creating the look for the scene. “Everything from the design of their costumes to the way they look is so chilling,” Miller told Entertainment Weekly. “These scenes that are so beautiful, while set in such a terrible place, provide the kind of contrast that makes me happy.”

9. ELISABETH MOSS SAYS THE TONE WILL BE DARKER.

Like season one, Miller says that The Handmaid’s Tale's second season will again balance its darker, dystopian themes with glimpses of hopefulness. “I think the first season had very difficult things, and very hopeful things, and I think this season is exactly the same way,” he told the Los Angeles Times. “There come some surprising moments of real hope and victory, and strength, that come from surprising places.”

Moss, however, has a different opinion. “It's a dark season,” she told reporters at TCA. “I would say arguably it's darker than Season 1—if that's possible.”

10. IT WILL ALSO BE BLOODIER.

A scene from 'The Handmaid's Tale'
Hulu

When pressed about how the teaser images for the new season seemed to feature a lot of blood, Miller conceded: “Oh gosh, yeah. There may be a little more blood this season.”

Disney's Most Magical Destinations Have Been Reimagined as Vintage Travel Posters

UpgradedPoints.com
UpgradedPoints.com

Many of the iconic settings of animated Disney movies were modeled after real places around the world. Ussé Castle in France’s Loire Valley, for example, is widely rumored to have been the inspiration behind the original Sleeping Beauty story. (Although the castle in the movie more closely resembles Germany's Neuschwanstein Castle.) Likewise, the fictional island in Moana was made to look like Samoa, and the Sultan’s palace in Aladdin shares some similarities with India's Taj Mahal.

If you’ve ever dreamed of exploring Agrabah or Neverland, then you’ll probably enjoy getting lost in these Disney-inspired travel posters from the designers at UpgradedPoints.com, an online resource that helps individuals maximize their credit card travel rewards. Only one of the posters features a real destination ("Beautiful France"), but these illustrations let you get one step closer to scaling Pride Rock or plumbing the depths of Atlantica.

All of the images are rendered in a vintage style with enticing slogans attached—much like the exotic travel posters that were prevalent in the 1930s.

“A few of our designers wanted to capture that longing to experience the true locations of these fantastic films, and the inner child in all of us couldn’t resist seeing how they interpreted the locations of their favorite films,” UpgradedPoints.com writes. “The results are breathtaking and make us wish we could fall into our favorite Disney movies.”

Keep scrolling to see the posters, and for more travel inspiration, read up on eight real-life locations that inspired Disney places (plus one that didn't).

A Disney-inspired poster of France
UpgradedPoints.com

An Atlantica travel poster
UpgradedPoints.com

A Disney-inspired poster
UpgradedPoints.com

A Disney-inspired poster
UpgradedPoints.com

A Lion King travel poster
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A Neverland travel poster
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11 Memorable Facts About Cats the Musical

Mike Clarke/Getty Images
Mike Clarke/Getty Images

“It was better than Cats!” Decades after Andrew Lloyd Webber's famed musical opened on Broadway on October 7, 1982, this tongue-in-cheek idiom remains a part of our lexicon (thanks to Saturday Night Live). Although the feline extravaganza divided the critics, it won over audiences of all ages and became an industry juggernaut—one that single-handedly generated more than $3 billion for New York City's economy—and that was before it made a return to the Great White Way in 2016. In honor of Andrew Lloyd Webber's birthday on March 22, let’s take a trip down memory lane.

1. The work that Cats the musical is based on was originally going to include dogs.

Old Possum’s Book of Practical Cats, published in 1939, is a collection of feline-themed poems written by the great T. S. Eliot. A whimsical, lighthearted effort, the volume has been delighting cat fanciers for generations—and it could have become just as big of a hit with dog lovers, too. At first, Eliot envisioned the book as an assemblage of canine- and tabby-related poems. However, he came to believe that “dogs don’t seem to lend themselves to verse quite so well, collectively, as cats.” (Spoken like a true ailurophile.) According to his publisher, Eliot decided that “it would be improper to wrap [felines] up with dogs” and barely even mentioned them in the finished product.

For his part, Andrew Lloyd Webber has described his attitude towards cats as “quite neutral.” Still, the composer felt that Eliot’s rhymes could form the basis of a daring, West End-worthy soundtrack. It seemed like an irresistible challenge. “I wanted to set that exciting verse to music,” he explained. “When I [had] written with lyricists in the past … the lyrics have been written to the music. So I was intrigued to see whether I could write a complete piece the other way ‘round.”

2. "Memory" was inspired by a poem that T.S. Eliot never finished.

In 1980, Webber approached T.S. Eliot’s widow, Valerie, to ask for her blessing on the project. She not only said “yes,” but provided the songwriter with some helpful notes and letters that her husband had written about Old Possum’s Book of Practical Cats—including a half-finished, eight-line poem called “Grizabella, the Glamour Cat.” Feeling that it was too melancholy for children, Eliot decided to omit the piece from Practical Cats. But the dramatic power of the poem made it irresistible for Webber and Trevor Nunn, the show’s original director. By combining lines from “Grizabella, the Glamour Cat” with those of another Eliot poem, “Rhapsody on a Windy Night,” they laid the foundation for what became the powerful ballad “Memory.” A smash hit within a smash hit, this showstopper has been covered by such icons as Barbra Streisand and Barry Manilow.

3. Dame Judi Dench left the cast of Cats when her Achilles tendon snapped.

One of Britain’s most esteemed actresses, Dench was brought in to play Grizabella for Cats’s original run on the West End. Then, about three weeks into rehearsals, she was going through a scene with co-star Wayne Sleep (Mr. Mistoffelees) when disaster struck. “She went, ‘You kicked me!’” Sleep recalls in the above video. “And I said, ‘I didn’t, actually, are you alright?’” She wasn’t. Somehow, Dench had managed to tear her Achilles tendon. As a last-minute replacement, Elaine Paige of Evita fame was brought aboard. In an eerie coincidence, Paige had heard a recorded version of “Memory” on a local radio station less than 24 hours before she was asked to play Grizabella. Also, an actual black cat had crossed her path that day. Spooky.

4. To finance the show, Andrew Lloyd Webber ended up mortgaging his house.

Although Andrew Lloyd Webber had previously won great acclaim as one of the creative minds behind Jesus Christ Superstar and other hit shows, Cats had a hard time finding investors. According to choreographer Gillian Lynne, “[it] was very, very difficult to finance because everyone said ‘A show about cats? You must be raving mad.’” In fact, the musical fell so far short of its fundraising goals that Webber ended up taking out a second mortgage on his home to help get Cats the musical off the ground.

5. When Cats the musical came to Broadway, its venue got a huge makeover.

Cats made its West End debut on May 11, 1981. Seventeen months later, a Broadway production of the musical launched what was to become an 18-year run at the Winter Garden Theatre. But before the show could open, some major adjustments had to be made to the venue. Cats came with an enormous, sprawling set which was far too large for the theatre’s available performing space. To make some more room, the stage had to be expanded. Consequently, several rows of orchestra seats were removed, along with the Winter Garden’s proscenium arch. And that was just the beginning. For Grizabella’s climactic ascent into the Heaviside Layer on a giant, levitating tire, the crew installed a hydraulic lift in the orchestra pit and carved a massive hole through the auditorium ceiling. Finally, the theater’s walls were painted black to set the proper mood. After Cats closed in 2000, the original look of the Winter Garden was painstakingly restored—at a cost of $8 million.

6. Cats the musical set longevity records on both sides of the Atlantic.

The original London production took its final bow on May 11, 2002, exactly 21 years after the show had opened—which, at the time, made Cats the longest-running musical in the West End’s history. (It would lose that title to Les Miserables in 2006.) Across the pond, the show was performed at the Winter Garden for the 6138th time on June 19, 1997, putting Cats ahead of A Chorus Line as the longest-running show on Broadway. To celebrate, a massive outdoor celebration was held between 50th and 51st streets, complete with a laser light show and an exclusive after-party for Cats alums.

7. One theatergoer sued the show for $6 million.

Like Hair, Cats involves a lot of performer-audience interaction. See it live, and you might just spot a leotard-clad actor licking himself near your seat before the curtain goes up. In some productions, the character Rum Tum Tugger even rushes out into the crowd and finds an unsuspecting patron to dance with. At a Broadway performance on January 30, 1996, Tugger was played by stage veteran David Hibbard. That night, he singled out one Evelyn Amato as his would-be dance partner. Mildly put, she did not appreciate his antics. Alleging that Hibbard had gyrated his pelvis in her face, Amato sued the musical and its creative team for $6 million.

8. Thanks to Cats the musical, T.S. Eliot received a posthumous Tony.

Because most of the songs in Cats are almost verbatim recitations of Eliot’s poems, he’s regarded as its primary lyricist—even though he died in 1965, long before the show was conceived. Still, Eliot’s contributions earned him a 1983 Tony for Best Book of a Musical. A visibly moved Valerie Eliot took the stage to accept this prize on her late spouse’s behalf. “Tonight’s honor would have given my husband particular pleasure because he loved the theatre,” she told the crowd. Eliot also shared the Best Original Score Tony with Andrew Lloyd Webber.

9. The original Broadway production used more than 3000 pounds of yak hair.

Major productions of Cats use meticulously crafted yak hair wigs, which currently cost around $2300 apiece and can take 40 hours or more to produce. Adding to the expense is the fact that costumers can’t just recycle an old wig after some performer gets recast. “Each wig is made specifically for the actor,” explains wigmaker Hannah McGregor in the above video. Since people tend to have differently shaped heads, precise measurements are taken of every cast member’s skull before he or she is fitted with a new head of hair. “[Their wigs] have to fit them perfectly,” McGregor adds, “because of the amount of jumping and skipping they do as cats.” Perhaps it should come as no surprise that, over its 18-year run, the first Broadway production used 3247 pounds of yak hair. (In comparison, the heaviest actual yaks only weigh around 2200 pounds.)

10. A recent revival included hip hop.

In December 2014, Cats returned to the West End with an all-new cast and music. “The Rum Tum Tugger,” a popular Act I song, was reimagined as a hip hop number. “I’ve come to the conclusion, having read [Old Possum’s Book of Practical Cats] again, that maybe Eliot was the inventor of rap,” Webber told the press.

11. Another revival featured an internet-famous feline for one night only.

On September 30, Grumpy Cat made her Broadway debut in Cats, briefly taking the stage with the cast. Despite being named Honorary Jellicle Cat, she hated every minute of it.

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