10 Surprising Facts About Cloverfield

Paramount Pictures
Paramount Pictures

On February 4, 2018, football fans (and casual watchers) got an unexpected surprise during Super Bowl LII when Netflix announced that it was dropping The Cloverfield Paradox—the third film in the Cloverfield anthology—that very same night. 

It was just over 10 years ago, on January 18, 2008, that Paramount released the original Cloverfield, a low-budget, found-footage monster film produced by J.J. Abrams, written by Drew Goddard, and directed by Matt Reeves. In the movie, "Cloverfield" was the case name the government gave to the monster that’s destroying New York.

During the summer of 2007, while the movie was still being filmed, the studio released Cloverfield’s first trailer, which was attached to screenings of Transformers. The teaser concluded with the release date—1-18-2008—but the name of the film was withheld. Because people now knew a secret Abrams project was in the works, the filmmakers had to give code names to the movie, like Slusho! and Cheese.

With a budget of $25 million, the film grossed an impressive $170.7 million worldwide, with $40 million of that accumulating during its opening weekend. (At the time it was the biggest opening for a film released in January, but today, 10 years later, it ranks fourth.) In 2016, Abrams resurrected Cloverfield—this time in what he called “a blood relative.”

Paramount released 10 Cloverfield Lane on March 11, 2016, after announcing it two months earlier. It didn’t have much to do with the original film, but was still connected to the burgeoning Cloverfield universe. “It’s like Cloverfield is the amusement park, and each of these movies is a different ride in that park,” Abrams told Vanity Fair of the film's connections. (The Cloverfield Paradox is the latest film in the anthology.) Here are 10 things you might not have known about the movie that started it all.

1. IT WAS INSPIRED BY GODZILLA.

J.J. Abrams had wanted to make a monster movie for a while. He was in Japan with his son, who dragged him to toy stores. “We saw all these Godzilla toys and I thought, we need our own monster, and not King Kong,” Abrams said during a Comic-Con panel. “King Kong’s adorable. I wanted something that was just insane and intense.”

2. GODZILLA DID NOT INFLUENCE THE CLOVER MONSTER’S DESIGN.

Neville Page had the task of designing the 250-foot-tall Cloverfield monster, known as Clover. “I am not recalling being told to not do Godzilla-like designs," Page said. "It was more implicit. Since it was not a Godzilla movie, it would have been a huge mistake to do things like it.”

Realizing the monster needed to be a water creature, Page decided to add a tail to it. The monster is covered with deadly parasites known as HSP (human scale parasites). “I knew that I wanted something thin and vertical and light. Kinda like a flea,” he said about designing the other creatures.

3. THE MONSTER WAS SLIGHTLY CLUMSY, AND THAT WAS ON PURPOSE.

In an interview with io9, Page shared that if the monster seemed a little bit clumsy, there was a reason for that: It's supposed to be a baby. "I would have preferred that it be even clumsier," Page said. "But then it can get comical. Yes, it was the intention that it is a baby and it is not only developing its strength, but also its land legs. The proportions are intended to feel a little like a newborn deer or horse. Long, thin and slightly awkward."

4. LIZZY CAPLAN HAD NO IDEA WHAT SHE SIGNED ON FOR.

When the actors auditioned for the movie, they weren’t told what the film was, and they weren’t given a full script. In fact, the cast read sides from Alias. Lizzy Caplan agreed to star in the film because she was a fan of Lost.

“I was kind of relieved that it wasn’t Star Trek, not because I think Star Trek is going to be anything less than awesome, but just because I think that would be really strange to have no idea and then be in such a recognizable franchise,” she told MovieWeb.

The producers didn’t give her much of a backstory to work with, either. “I just try to think about like how much it would suck to be in a city being attacked by a monster and how much it would really suck to do it with a group of friends you barely knew and you weren’t with your own friends, trying to figure it out,” she said.

5. IT WAS A METAPHOR FOR 9/11.

Lizzy Caplan, Jessica Lucas, and Michael Stahl-David in Cloverfield (2008)
Paramount Pictures

Even though the film was released several years after the terror attacks of September 11, 2001, having a real monster attack New York City became a metaphor for 21st-century anxieties. “[It works] in the same way that Godzilla was really a metaphor for its time, and was a sort of movie about the A-bomb and Hiroshima and all of that,” director Matt Reeves told IGN.

“We wanted to let people live through their wildest fears but be in a safe place where the enemy is the size of a skyscraper instead of some stateless, unseen cowardly terrorist,” Abrams told TIME.

Abrams and the rest of the team looked at handheld videos shot in Iraq as a way to base the film in reality. “In many of these Iraq videos, we felt like we were just missing the most terrifying thing,” Abrams said. However, he said the film was “entertainment” and a throwback to monster movies from his youth. “I hadn’t seen anything that felt that way for many years,” he said. “I felt like there had to be a way to do a monster movie that’s updated and fresh. So we came up with the YouTube-ification of things, the ubiquity of video cameras [and] cell phones with cameras. The age of self-documentation felt like a wonderful prism through which to look at the monster movie.”

6. MATT REEVES DIDN'T UNDERSTAND WHY THEY WANTED HIM TO DIRECT IT. 

At this point in his career, Reeves had mainly written and directed character-based projects, including co-creating Felicity with Abrams and writing and directing the film The Pallbearer.

Drew Goddard and Abrams wrote an outline of the film and asked Reeves to direct it. “I was very taken with it, but I was like, ‘This is huge, it’s visual effects. It’s a monster movie. Why are you thinking of me?’” Reeves told IGN. “They were like, ‘Look, there’s no question, we know you love movies and you can get the monster part. We’re interested in what you would do in terms of the tone, in how you would do that and what you would do with the characters.’ And then I got very excited because the idea of doing sort of an outrageous idea, but doing it sort of naturalistically with a real aesthetic, was a real exciting idea. So that got me hooked. I jumped in.”

7. THERE WAS A NOD TO ESCAPE FROM NEW YORK.

A scene from 'Cloverfield' (2008)
Paramount Pictures

In the film and in the trailer, the monster knocks the Statue of Liberty’s head into the street. Reeves said the idea came from the poster for John Carpenter's Escape from New York.

“The poster had an image on it of the head of the Statue of Liberty and that image was nowhere in the movie! And it’s an incredibly provocative image,” Reeves told IGN. “And that was the source that inspired J.J. to say, ‘Now this would be an interesting idea for a movie.’”

8. A LOT OF MOVIEGOERS VOMITED.

Because the film featured shaky, handheld images, many viewers experienced vertigo and got sick, similar to what happened during The Blair Witch Project’s theatrical run. Theaters had to post signs saying: “Due to the filming method used for Cloverfield, guests viewing this film may experience side effects associated with motion sickness, similar to riding a roller coaster.” AMC offered to refund those audience members who found the experience too unpleasant to watch.

Thankfully, 10 Cloverfield Lane was not filmed in the same manner. 

9. NOT ALL OF THE ACTORS WERE CONVINCED THE MOVIE WOULD BE ANY GOOD.

In an interview with The A.V. Club, T.J. Miller revealed that both he and co-star Lizzy Caplan weren't confident the concept would pan out. “Even when we were filming, I kept talking to Lizzy Caplan, and she and I would be like, ‘I don’t think this is going to work. I don’t think this is going to be good,’” he said. “We knew there was buzz around it, and J.J. was good at that, and as it got closer to the release date, we started to watch the fan boards and hear what they had to say about everything, and it was pretty amazing. I’d never seen anybody position a movie like that.”

10. 10 CLOVERFIELD LANE COINCIDENTALLY ALIGNED WITH CLOVERFIELD.

John Gallagher Jr. and Mary Elizabeth Winstead in 10 Cloverfield Lane (2016)
Michele K. Short, Paramount Pictures

Josh Campbell and Matthew Stucken wrote a script entitled The Cellar, and Abrams’s production company bought it. “We began developing the story, and we came upon some things where it became clear to us that we were in a very interesting place, because the story was wholly original, a very different situation, different characters from anything we’ve done,” Abrams told Entertainment Weekly. "But the spirit of it, the genre of it, the heart of it, the fear factor, the comedy factor, the weirdness factor—there were so many elements that felt like the DNA of this story were of the same place that Cloverfield was born out of."

Despite the shared DNA, Abrams didn’t want it to be a sequel. “We very intentionally didn’t call this movie Cloverfield 2, but we realized that there was enough of a connection, and the movie was good enough that it warranted this association in a way that we think is justified and exciting,” he said.

Disney's Most Magical Destinations Have Been Reimagined as Vintage Travel Posters

UpgradedPoints.com
UpgradedPoints.com

Many of the iconic settings of animated Disney movies were modeled after real places around the world. Ussé Castle in France’s Loire Valley, for example, is widely rumored to have been the inspiration behind the original Sleeping Beauty story. (Although the castle in the movie more closely resembles Germany's Neuschwanstein Castle.) Likewise, the fictional island in Moana was made to look like Samoa, and the Sultan’s palace in Aladdin shares some similarities with India's Taj Mahal.

If you’ve ever dreamed of exploring Agrabah or Neverland, then you’ll probably enjoy getting lost in these Disney-inspired travel posters from the designers at UpgradedPoints.com, an online resource that helps individuals maximize their credit card travel rewards. Only one of the posters features a real destination ("Beautiful France"), but these illustrations let you get one step closer to scaling Pride Rock or plumbing the depths of Atlantica.

All of the images are rendered in a vintage style with enticing slogans attached—much like the exotic travel posters that were prevalent in the 1930s.

“A few of our designers wanted to capture that longing to experience the true locations of these fantastic films, and the inner child in all of us couldn’t resist seeing how they interpreted the locations of their favorite films,” UpgradedPoints.com writes. “The results are breathtaking and make us wish we could fall into our favorite Disney movies.”

Keep scrolling to see the posters, and for more travel inspiration, read up on eight real-life locations that inspired Disney places (plus one that didn't).

A Disney-inspired poster of France
UpgradedPoints.com

An Atlantica travel poster
UpgradedPoints.com

A Disney-inspired poster
UpgradedPoints.com

A Disney-inspired poster
UpgradedPoints.com

A Lion King travel poster
UpgradedPoints.com

A Neverland travel poster
UpgradedPoints.com

11 Memorable Facts About Cats the Musical

Mike Clarke/Getty Images
Mike Clarke/Getty Images

“It was better than Cats!” Decades after Andrew Lloyd Webber's famed musical opened on Broadway on October 7, 1982, this tongue-in-cheek idiom remains a part of our lexicon (thanks to Saturday Night Live). Although the feline extravaganza divided the critics, it won over audiences of all ages and became an industry juggernaut—one that single-handedly generated more than $3 billion for New York City's economy—and that was before it made a return to the Great White Way in 2016. In honor of Andrew Lloyd Webber's birthday on March 22, let’s take a trip down memory lane.

1. The work that Cats the musical is based on was originally going to include dogs.

Old Possum’s Book of Practical Cats, published in 1939, is a collection of feline-themed poems written by the great T. S. Eliot. A whimsical, lighthearted effort, the volume has been delighting cat fanciers for generations—and it could have become just as big of a hit with dog lovers, too. At first, Eliot envisioned the book as an assemblage of canine- and tabby-related poems. However, he came to believe that “dogs don’t seem to lend themselves to verse quite so well, collectively, as cats.” (Spoken like a true ailurophile.) According to his publisher, Eliot decided that “it would be improper to wrap [felines] up with dogs” and barely even mentioned them in the finished product.

For his part, Andrew Lloyd Webber has described his attitude towards cats as “quite neutral.” Still, the composer felt that Eliot’s rhymes could form the basis of a daring, West End-worthy soundtrack. It seemed like an irresistible challenge. “I wanted to set that exciting verse to music,” he explained. “When I [had] written with lyricists in the past … the lyrics have been written to the music. So I was intrigued to see whether I could write a complete piece the other way ‘round.”

2. "Memory" was inspired by a poem that T.S. Eliot never finished.

In 1980, Webber approached T.S. Eliot’s widow, Valerie, to ask for her blessing on the project. She not only said “yes,” but provided the songwriter with some helpful notes and letters that her husband had written about Old Possum’s Book of Practical Cats—including a half-finished, eight-line poem called “Grizabella, the Glamour Cat.” Feeling that it was too melancholy for children, Eliot decided to omit the piece from Practical Cats. But the dramatic power of the poem made it irresistible for Webber and Trevor Nunn, the show’s original director. By combining lines from “Grizabella, the Glamour Cat” with those of another Eliot poem, “Rhapsody on a Windy Night,” they laid the foundation for what became the powerful ballad “Memory.” A smash hit within a smash hit, this showstopper has been covered by such icons as Barbra Streisand and Barry Manilow.

3. Dame Judi Dench left the cast of Cats when her Achilles tendon snapped.

One of Britain’s most esteemed actresses, Dench was brought in to play Grizabella for Cats’s original run on the West End. Then, about three weeks into rehearsals, she was going through a scene with co-star Wayne Sleep (Mr. Mistoffelees) when disaster struck. “She went, ‘You kicked me!’” Sleep recalls in the above video. “And I said, ‘I didn’t, actually, are you alright?’” She wasn’t. Somehow, Dench had managed to tear her Achilles tendon. As a last-minute replacement, Elaine Paige of Evita fame was brought aboard. In an eerie coincidence, Paige had heard a recorded version of “Memory” on a local radio station less than 24 hours before she was asked to play Grizabella. Also, an actual black cat had crossed her path that day. Spooky.

4. To finance the show, Andrew Lloyd Webber ended up mortgaging his house.

Although Andrew Lloyd Webber had previously won great acclaim as one of the creative minds behind Jesus Christ Superstar and other hit shows, Cats had a hard time finding investors. According to choreographer Gillian Lynne, “[it] was very, very difficult to finance because everyone said ‘A show about cats? You must be raving mad.’” In fact, the musical fell so far short of its fundraising goals that Webber ended up taking out a second mortgage on his home to help get Cats the musical off the ground.

5. When Cats the musical came to Broadway, its venue got a huge makeover.

Cats made its West End debut on May 11, 1981. Seventeen months later, a Broadway production of the musical launched what was to become an 18-year run at the Winter Garden Theatre. But before the show could open, some major adjustments had to be made to the venue. Cats came with an enormous, sprawling set which was far too large for the theatre’s available performing space. To make some more room, the stage had to be expanded. Consequently, several rows of orchestra seats were removed, along with the Winter Garden’s proscenium arch. And that was just the beginning. For Grizabella’s climactic ascent into the Heaviside Layer on a giant, levitating tire, the crew installed a hydraulic lift in the orchestra pit and carved a massive hole through the auditorium ceiling. Finally, the theater’s walls were painted black to set the proper mood. After Cats closed in 2000, the original look of the Winter Garden was painstakingly restored—at a cost of $8 million.

6. Cats the musical set longevity records on both sides of the Atlantic.

The original London production took its final bow on May 11, 2002, exactly 21 years after the show had opened—which, at the time, made Cats the longest-running musical in the West End’s history. (It would lose that title to Les Miserables in 2006.) Across the pond, the show was performed at the Winter Garden for the 6138th time on June 19, 1997, putting Cats ahead of A Chorus Line as the longest-running show on Broadway. To celebrate, a massive outdoor celebration was held between 50th and 51st streets, complete with a laser light show and an exclusive after-party for Cats alums.

7. One theatergoer sued the show for $6 million.

Like Hair, Cats involves a lot of performer-audience interaction. See it live, and you might just spot a leotard-clad actor licking himself near your seat before the curtain goes up. In some productions, the character Rum Tum Tugger even rushes out into the crowd and finds an unsuspecting patron to dance with. At a Broadway performance on January 30, 1996, Tugger was played by stage veteran David Hibbard. That night, he singled out one Evelyn Amato as his would-be dance partner. Mildly put, she did not appreciate his antics. Alleging that Hibbard had gyrated his pelvis in her face, Amato sued the musical and its creative team for $6 million.

8. Thanks to Cats the musical, T.S. Eliot received a posthumous Tony.

Because most of the songs in Cats are almost verbatim recitations of Eliot’s poems, he’s regarded as its primary lyricist—even though he died in 1965, long before the show was conceived. Still, Eliot’s contributions earned him a 1983 Tony for Best Book of a Musical. A visibly moved Valerie Eliot took the stage to accept this prize on her late spouse’s behalf. “Tonight’s honor would have given my husband particular pleasure because he loved the theatre,” she told the crowd. Eliot also shared the Best Original Score Tony with Andrew Lloyd Webber.

9. The original Broadway production used more than 3000 pounds of yak hair.

Major productions of Cats use meticulously crafted yak hair wigs, which currently cost around $2300 apiece and can take 40 hours or more to produce. Adding to the expense is the fact that costumers can’t just recycle an old wig after some performer gets recast. “Each wig is made specifically for the actor,” explains wigmaker Hannah McGregor in the above video. Since people tend to have differently shaped heads, precise measurements are taken of every cast member’s skull before he or she is fitted with a new head of hair. “[Their wigs] have to fit them perfectly,” McGregor adds, “because of the amount of jumping and skipping they do as cats.” Perhaps it should come as no surprise that, over its 18-year run, the first Broadway production used 3247 pounds of yak hair. (In comparison, the heaviest actual yaks only weigh around 2200 pounds.)

10. A recent revival included hip hop.

In December 2014, Cats returned to the West End with an all-new cast and music. “The Rum Tum Tugger,” a popular Act I song, was reimagined as a hip hop number. “I’ve come to the conclusion, having read [Old Possum’s Book of Practical Cats] again, that maybe Eliot was the inventor of rap,” Webber told the press.

11. Another revival featured an internet-famous feline for one night only.

On September 30, Grumpy Cat made her Broadway debut in Cats, briefly taking the stage with the cast. Despite being named Honorary Jellicle Cat, she hated every minute of it.

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