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YouTube / WIRED
YouTube / WIRED

Codefellas

YouTube / WIRED
YouTube / WIRED

So there's an animated YouTube series satirizing the NSA. Yes, really. It's called Codefellas, and it's written by David Rees, of Get Your War On fame. In classic Rees style it's all about the dialogue, though this time the pictures do move a bit (they're rotoscoped). If you're a fan of NSA satire, or John Hodgman (who plays Agent Topple), or you like shows like Archer -- this is for you.

Nine of the twelve planned episodes have been posted. Here you go!

When Topple Met Winters

"As your mentor, I'm going to bludgeon you with some hard-won wisdom."

Meet Big Data

"How did you have time to read all those emails? Are you a witch??"

How to Hack a Website

"Your password is: password123."

The Antisocial Network

"I ate a fax machine in Guam!"

Spy vs. Spy

"I wasn't invited to your top-secret briefing, so I've been catching up on my telenovelas."

Blackmail at 4:20

"All my AmTrak Rewards Points are gone...."

25 Reasons the NSA Should Hire Buzzfeed Staffers

"Lists! It's the only way young people read these days, or so I read in a charticle."

How to Kill Your Boss

"Hey, let's order pizza like the hackers on TV do!"

How to Hack a Telegram

"My policy is to never attend a function where I've done LSD with more than 20 people there. MKUltra was a weird time."

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Amy Meredith, Flickr // CC BY-ND 2.0
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travel
You Can Still Visit This Forgotten Flintstones Theme Park in Arizona
Amy Meredith, Flickr // CC BY-ND 2.0
Amy Meredith, Flickr // CC BY-ND 2.0

Like many pop culture institutions of the 20th century, Hanna-Barbera’s The Flintstones hasn’t been relegated to just one medium. The animated cast of America's favorite modern Stone Age family sold cigarettes, starred in a live-action 1994 film, and inspired all sorts of merchandise, including video games and lunchboxes. In 1972, it also got the theme park treatment.

Bedrock City, located 30 minutes from the Grand Canyon in Williams, Arizona, was the brainchild of Linda and Francis Speckels, a married couple who bought the property and turned it into a 6-acre tourist attraction. Concrete houses were built to resemble the Flintstone and Rubble residences and are furnished with props; a large metal slide resembles a brontosaurus, so kids can mimic the show’s famous title credits sequence; and statues of the characters are spread all over the premises. The site also doubles as an RV campground and parking site.

A Flintstones theme park house
Matthew Dillon, Flickr // CC BY 2.0

A statue of Bam-Bam at the Flintstones park in Arizona
Matthew Dillon, Flickr // CC BY 2.0

A statue of Wilma Flintstone at Bedrock City in Arizona
Matthew Dillon, Flickr // CC BY 2.0

When it first opened, Bedrock City employed actors to stay in character, but the remote location proved challenging to retain both employees and visitors. Over the past four decades, it's had a steady stream of tourists, but not enough to turn a huge profit. Atlas Obscura reports the attractions are in various stages of disrepair.

Linda Speckels put the property up for sale in 2015 with an asking price of $2 million, but it has yet to sell. One possible hold-up: The new owner would have to negotiate a fresh licensing deal with Hanna-Barbera and Warner Bros. for the right to continue using the show’s trademarks. (A separate Flintstones park in South Dakota, owned by another member of the Speckels family, was sold and closed in 2015.) With its proximity to the Canyon, the 30 total acres could be converted into almost anything, from a mall to a golf course. For Flintstones enthusiasts, the hope is that the park’s unique attractions won’t be reduced to rubble.

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Carlo Allegri/Getty Images
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holidays
Watch Terry Gilliam's 1968 Animated Christmas Card
Carlo Allegri/Getty Images
Carlo Allegri/Getty Images

In 1968, future Monty Python member Terry Gilliam was kicking around London, working as an animator. He was asked to put together an animated segment for a Christmas show, so he hopped over to the Tate and photocopied a bunch of Victorian Christmas cards for inspiration. The resulting film, The Christmas Card, is brilliant, bizarre, and delightful. Enjoy some pre-Python madness from the master:

If you liked that, check out Terry Gilliam explaining his animation technique in 1974.

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