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A Man-Made Mountain in Finland Serves as an 11,000-Tree Time Capsule

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In 1982, the conceptual artist Agnes Denes set out to make a mountain. After a decade of work, she made it happen. In 1992, the Finnish government announced that it would sponsor Denes’s Tree Mountain—a 125-foot-tall manmade mountain built on top of a former gravel pit, designed to serve as part time capsule, part ecological recovery project.

Tree Mountain — A Living Time Capsule was constructed on the site of a former gravel pit near Ylöjärvi, Finland between 1992 and 1996. The artificially constructed landmass stands 125 feet tall, almost 1400 feet long, and more than 885 feet wide. (The top image of the triptych above shows the mountain in 1992 and the bottom image in 2013.) The forest planted on it forms a precise mathematical pattern Agnes designed based on the golden ratio-derived spirals of sunflowers and pineapples. From above, the oval mountain looks like a giant fingerprint made up of whorls of trees.

The project was never intended to just be aesthetically pleasing. Envisioned as a way to rehab land destroyed by mining, the trees are meant to develop undisturbed for 400 years, creating what will eventually be an Old Growth forest that can reduce erosion, provide wildlife habitats, and boost oxygen production.

And it was a communal effort. The roughly 11,000 pine trees were planted by different individuals who then became the custodians of those trees. Each received a certificate declaring their ownership for the project’s full term of 400 years. They can pass along this ownership to their descendants or to others for as many as 20 generations. These custodians (which include former UK prime minister John Major and former Icelandic president Vigdís Finnbogadóttir) are even allowed to be buried under their trees. But the trees can never be moved, and the mountain itself can’t be owned or sold off for those 400 years.

A triptych of images of Tree Mountain
Tree Mountain - A Living Time Capsule - 11,000 Trees, 11,000 People, 400 Years (Triptych) 1992-1996, 1992/2013
Copyright Agnes Denes, courtesy Leslie Tonkonow Artworks + Projects, New York

“Tree Mountain is the largest monument on earth that is international in scope, unparalleled in duration, and not dedicated to the human ego, but to benefit future generations with a meaningful legacy,” Denes writes. It “affirms humanity's commitment to the future well being of ecological, social and cultural life on the planet.”

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Louvre Abu Dhabi
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Art
The Louvre Abu Dhabi Just Opened the World's First Radio-Guided Highway Art Gallery
Louvre Abu Dhabi
Louvre Abu Dhabi

One way to plan an epic art road trip is to drive from museum to museum, but in the United Arab Emirates, you can take in masterpieces without leaving your car. As Artforum reports, the Louvre Abu Dhabi has lined a stretch of highway with billboards displaying works by Leonardo da Vinci, Vincent Van Gogh, and Piet Mondrian.

The 10 works on display along the E/11 Sheikh Zayed road connecting Dubai to Abu Dhabi are recreations of pieces at or on loan to the Louvre Abu Dhabi, which developed the project in partnership with three radio stations. Dubbed the Highway Gallery, it was "created to reinforce art's role in elevating everyday life into something beautiful and memorable," the museum website reads.

Like in a traditional gallery, the 30-foot-by-23-foot displays along the road are accompanied by a guided audio tour. Drivers can learn the title, artist, technique, and other details about each piece by tuning into a participating local radio station (Radio 1 FM, Classic FM, or Emarat FM). There they will hear descriptions of Leonardo da Vinci’s La Belle Ferronnière, Van Gogh’s Self Portrait, 1887, and Piet Mondrian’s Composition with Blue, Red, Yellow, and Black, as well as the Islamic sculpture Mari-Cha Lion and the sarcophagus of Egyptian princess Henuttawy.

The Highway Gallery will run through mid-March. After that, art lovers can drive their cars to the Louvre Abu Dhabi to see the items in person.

[h/t Artforum]

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Art
5 Things You Might Not Know About Ansel Adams

You probably know Ansel Adams—who was born on February 20, 1902—as the man who helped promote the National Park Service through his magnificent photographs. But there was a lot more to the shutterbug than his iconic, black-and-white vistas. Here are five lesser-known facts about the celebrated photographer.

1. AN EARTHQUAKE LED TO HIS DISTINCTIVE NOSE.

Adams was a four-year-old tot when the 1906 San Francisco earthquake struck his hometown. Although the boy managed to escape injury during the quake itself, an aftershock threw him face-first into a garden wall, breaking his nose. According to a 1979 interview with TIME, Adams said that doctors told his parents that it would be best to fix the nose when the boy matured. He joked, "But of course I never did mature, so I still have the nose." The nose became Adams' most striking physical feature. His buddy Cedric Wright liked to refer to Adams' honker as his "earthquake nose.

2. HE ALMOST BECAME A PIANIST.

Adams was an energetic, inattentive student, and that trait coupled with a possible case of dyslexia earned him the heave-ho from private schools. It was clear, however, that he was a sharp boy—when motivated.

When Adams was just 12 years old, he taught himself to play the piano and read music, and he quickly showed a great aptitude for it. For nearly a dozen years, Adams focused intensely on his piano training. He was still playful—he would end performances by jumping up and sitting on his piano—but he took his musical education seriously. Adams ultimately devoted over a decade to his study, but he eventually came to the realization that his hands simply weren't big enough for him to become a professional concert pianist. He decided to leave the keys for the camera after meeting photographer Paul Strand, much to his family's dismay.

3. HE HELPED CREATE A NATIONAL PARK.

If you've ever enjoyed Kings Canyon National Park in California, tip your cap to Adams. In the 1930s Adams took a series of photographs that eventually became the book Sierra Nevada: The John Muir Trail. When Adams sent a copy to Secretary of the Interior Harold Ickes, the cabinet member showed it to Franklin Roosevelt. The photographs so delighted FDR that he wouldn't give the book back to Ickes. Adams sent Ickes a replacement copy, and FDR kept his with him in the White House.

After a few years, Ickes, Adams, and the Sierra Club successfully convinced Roosevelt to make Kings Canyon a national park in 1940. Roosevelt's designation specifically provided that the park be left totally undeveloped and roadless, so the only way FDR himself would ever experience it was through Adams' lenses.

4. HE WELCOMED COMMERCIAL ASSIGNMENTS.

While many of his contemporary fine art photographers shunned commercial assignments as crass or materialistic, Adams went out of his way to find paying gigs. If a company needed a camera for hire, Adams would generally show up, and as a result, he had some unlikely clients. According to The Ansel Adams Gallery, he snapped shots for everyone from IBM to AT&T to women's colleges to a dried fruit company. All of this commercial print work dismayed Adams's mentor Alfred Stieglitz and even worried Adams when he couldn't find time to work on his own projects. It did, however, keep the lights on.

5. HE AND GEORGIA O'KEEFFE WERE FRIENDS.

Adams and legendary painter O'Keeffe were pals and occasional traveling buddies who found common ground despite their very different artistic approaches. They met through their mutual friend/mentor Stieglitz—who eventually became O'Keeffe's husband—and became friends who traveled throughout the Southwest together during the 1930s. O'Keeffe would paint while Adams took photographs.

These journeys together led to some of the artists' best-known work, like Adams' portrait of O'Keeffe and a wrangler named Orville Cox, and while both artists revered nature and the American Southwest, Adams considered O'Keeffe the master when it came to capturing the area. 

“The Southwest is O’Keeffe’s land,” he wrote. “No one else has extracted from it such a style and color, or has revealed the essential forms so beautifully as she has in her paintings.”

The two remained close throughout their lives. Adams would visit O'Keeffe's ranch, and the two wrote to each other until Adams' death in 1984.

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