A Man-Made Mountain in Finland Serves as an 11,000-Tree Time Capsule

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iStock

In 1982, the conceptual artist Agnes Denes set out to make a mountain. After a decade of work, she made it happen. In 1992, the Finnish government announced that it would sponsor Denes’s Tree Mountain—a 125-foot-tall manmade mountain built on top of a former gravel pit, designed to serve as part time capsule, part ecological recovery project.

Tree Mountain — A Living Time Capsule was constructed on the site of a former gravel pit near Ylöjärvi, Finland between 1992 and 1996. The artificially constructed landmass stands 125 feet tall, almost 1400 feet long, and more than 885 feet wide. (The top image of the triptych above shows the mountain in 1992 and the bottom image in 2013.) The forest planted on it forms a precise mathematical pattern Agnes designed based on the golden ratio-derived spirals of sunflowers and pineapples. From above, the oval mountain looks like a giant fingerprint made up of whorls of trees.

The project was never intended to just be aesthetically pleasing. Envisioned as a way to rehab land destroyed by mining, the trees are meant to develop undisturbed for 400 years, creating what will eventually be an Old Growth forest that can reduce erosion, provide wildlife habitats, and boost oxygen production.

And it was a communal effort. The roughly 11,000 pine trees were planted by different individuals who then became the custodians of those trees. Each received a certificate declaring their ownership for the project’s full term of 400 years. They can pass along this ownership to their descendants or to others for as many as 20 generations. These custodians (which include former UK prime minister John Major and former Icelandic president Vigdís Finnbogadóttir) are even allowed to be buried under their trees. But the trees can never be moved, and the mountain itself can’t be owned or sold off for those 400 years.

A triptych of images of Tree Mountain
Tree Mountain - A Living Time Capsule - 11,000 Trees, 11,000 People, 400 Years (Triptych) 1992-1996, 1992/2013
Copyright Agnes Denes, courtesy Leslie Tonkonow Artworks + Projects, New York

“Tree Mountain is the largest monument on earth that is international in scope, unparalleled in duration, and not dedicated to the human ego, but to benefit future generations with a meaningful legacy,” Denes writes. It “affirms humanity's commitment to the future well being of ecological, social and cultural life on the planet.”

Wish You Could ‘Shazam’ a Piece of Art? With Magnus, You Can

Manuel-F-O/iStock via Getty Images
Manuel-F-O/iStock via Getty Images

While museum artworks are often accompanied by tidy little placards that tell you the basics—title, artist, year, medium, dimensions, etc.—that’s not always the standard for art galleries and fairs. For people who don’t love tracking down a staff member every time they’d like to know more about a particular work, there’s Magnus, a Shazam-like app that lets you snap a photo of an artwork and will then tell you the title, artist, last price, and more.

The New York Times reports that Magnus has a primarily crowdsourced database of more than 10 million art images. Though the idea of creating Shazam for art seems fairly straightforward, the execution has been relatively complex, partially because of the sheer quantity of art in the world. As founder Magnus Resch explained to The New York Times, “There is a lot more art in the world than there are songs.”

Structural diversity in art adds another challenge to the process: it’s difficult for image recognition technology to register 3D objects like sculptures, however famous they may be. Resch also has to dodge copyright violations; he maintains that the Digital Millennium Copyright Act applies to his app, since the photos are taken and shared by users, but he still has had to remove some content. All things considered, Magnus’s approximate match rate of 70 percent is pretty impressive.

Since the process of buying and selling art often includes negotiation and prices can fluctuate drastically, Magnus gives potential purchasers the background information they need to at least decide whether they’re interested in pursuing a particular piece. Just like browsing around a boutique where prices aren’t included on the items, a lack of transparency can be a deterrent for new customers.

Such was the case for Jelena Cohen, a Colgate-Palmolive brand manager who bought her first photograph with the help of Magnus. “I used to go to these art fairs, and I felt embarrassed or shy, because nothing’s listed,” she told The New York Times. “I loved that the app could scan a piece and give you the exact history of it, when it was last sold, and the price it was sold for. That helped me negotiate.” Through Magnus, you can also keep track of artworks you’ve scanned in your digital collection, search for artworks by artist, and share images to social media.

One thing Magnus can’t do, however, is tell you whether an artwork is authentic or not. The truth is that sometimes even art experts have trouble doing that, as evidenced by the long history of notorious art forgeries.

[h/t The New York Times]

'The Far Side' May Be Making a Comeback Online

tilo/iStock, Getty Images Plus
tilo/iStock, Getty Images Plus

For the first time ever, it’s looking increasingly likely that cartoonist Gary Larson’s "The Far Side" will be available in a medium other than book collections or page-a-day calendars. A (slightly ambiguous) announcement on the official "Far Side" website promises that “a new online era” for the strip is coming soon.

From 1980 to 1995, "The Far Side" presented a wonderfully irreverent universe in which hunters had much to fear from armed and verbose deer, cows possessed a rich internal life, scientific experiments often went awry, and irony became a central conceit. In one of the more famous strips frequently pasted to refrigerator doors, a small child could be seen pushing on a door marked “pull.” Above him was a sign marking the building as a school for the gifted. In another strip, a woman is depicted looking nervously around a forest while cradling a vacuum cleaner. The caption: “The woods were dark and foreboding, and Alice sensed that sinister eyes were watching her every step. Worst of all, she knew that Nature abhorred a vacuum.”

Unlike most of his contemporaries, like Berkeley Breathed ("Bloom County") and Bill Watterson ("Calvin and Hobbes"), Larson has resisted reproduction of his work online. He famously circulated a letter to "Far Side" fan sites asking them to stop posting the single-panel strips, writing that the idea of his work being found on random websites was bothersome. “These cartoons are my ‘children,’ of sorts, and like a parent, I’m concerned about where they go at night without telling me,” he wrote.

Many obliged Larson, though the strip could still be found here and there. That he’s seemingly embracing a new method of distribution is good news for fans, but there’s no concrete evidence the now-retired cartoonist will be following in Breathed’s footsteps and producing new strips. ("Bloom County" returned as a Facebook comic in 2015.) The only indication of Larson’s active involvement is a new piece of art on the site’s landing page depicting some familiar "Far Side" characters being unthawed in a block of ice.

Larson’s comments on a return are few and far between. In 1998, he told The New York Times that going back to a strip was unlikely. “I don’t think so,” he said. “Never say never, but there’s a sense of ‘been there, done that.’” In that same profile, it was noted that 33 million "Far Side" books had been sold.

[h/t A.V. Club]

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