A Man-Made Mountain in Finland Serves as an 11,000-Tree Time Capsule

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iStock

In 1982, the conceptual artist Agnes Denes set out to make a mountain. After a decade of work, she made it happen. In 1992, the Finnish government announced that it would sponsor Denes’s Tree Mountain—a 125-foot-tall manmade mountain built on top of a former gravel pit, designed to serve as part time capsule, part ecological recovery project.

Tree Mountain — A Living Time Capsule was constructed on the site of a former gravel pit near Ylöjärvi, Finland between 1992 and 1996. The artificially constructed landmass stands 125 feet tall, almost 1400 feet long, and more than 885 feet wide. (The top image of the triptych above shows the mountain in 1992 and the bottom image in 2013.) The forest planted on it forms a precise mathematical pattern Agnes designed based on the golden ratio-derived spirals of sunflowers and pineapples. From above, the oval mountain looks like a giant fingerprint made up of whorls of trees.

The project was never intended to just be aesthetically pleasing. Envisioned as a way to rehab land destroyed by mining, the trees are meant to develop undisturbed for 400 years, creating what will eventually be an Old Growth forest that can reduce erosion, provide wildlife habitats, and boost oxygen production.

And it was a communal effort. The roughly 11,000 pine trees were planted by different individuals who then became the custodians of those trees. Each received a certificate declaring their ownership for the project’s full term of 400 years. They can pass along this ownership to their descendants or to others for as many as 20 generations. These custodians (which include former UK prime minister John Major and former Icelandic president Vigdís Finnbogadóttir) are even allowed to be buried under their trees. But the trees can never be moved, and the mountain itself can’t be owned or sold off for those 400 years.

A triptych of images of Tree Mountain
Tree Mountain - A Living Time Capsule - 11,000 Trees, 11,000 People, 400 Years (Triptych) 1992-1996, 1992/2013
Copyright Agnes Denes, courtesy Leslie Tonkonow Artworks + Projects, New York

“Tree Mountain is the largest monument on earth that is international in scope, unparalleled in duration, and not dedicated to the human ego, but to benefit future generations with a meaningful legacy,” Denes writes. It “affirms humanity's commitment to the future well being of ecological, social and cultural life on the planet.”

Bob Dylan's Lyrics, Poetry, and Prose Showcased at Chicago's American Writers Museum

A collection of Bob Dylan poems that was auctioned off by Christie's in 2005.
A collection of Bob Dylan poems that was auctioned off by Christie's in 2005.
Stephen Chernin, Getty Images

Like a Rolling Stone, Tangled Up in Blue, Blowin’ in the Wind, and The Times They Are a-Changin’ are among Bob Dylan’s best songs, but the 77-year-old singer’s writing isn’t limited to lyrics. Dylan has also penned poems, prose, an autobiography, and a nearly four-hour movie (that got terrible reviews).

An ongoing showcase at Chicago’s American Writers Museum is paying homage to Dylan the writer. The "Bob Dylan: Electric" exhibit, which will remain on view though April 30, 2019, highlights dozens of items from Dylan’s expansive career.

“The world knows Bob Dylan as a prolific songwriter,” museum president Carey Cranston said in a statement. “'Bob Dylan: Electric’ gives the public a chance to see how his writing shaped more than just American music, but American literature as a whole.”

The period covers Dylan’s “electric” career, beginning with the time he made his electric guitar debut at the 1965 Newport Folk Festival. The exact instrument he played at the festival—a 1964 sunburst Fender Stratocaster—is naturally one of the items on display.

Visitors can also check out Dylan’s personal copy of The Catcher in the Rye, which he read in the summer of 1961. He jotted down notes and drew doodles in the back of the book, including a bottle of rye and the words “good book.” (Interestingly enough, a talent agent approached Dylan the following year and asked if he’d play Holden Caulfield in a movie adaptation of the book. For better or worse, that never came to fruition.)

Dylan’s writing was recognized with a Nobel Prize in Literature in 2016. At the time, the committee's decision to award a songwriter rather than a novelist was a controversial one. The New York Times dubbed it a “disappointing choice,” while Scottish novelist Irvine Welsh (author of Trainspotting) was a little more blunt, calling it “an ill-conceived nostalgia award wrenched from the rancid prostates of senile, gibbering hippies.”

Nonetheless, Dylan accepted the award, eventually releasing a video detailing his literary influences. Moby-Dick, All Quiet on the Western Front, and The Odyssey are just a few of the singer-songwriter’s many inspirations.

Vinnie Ream: The Teen Who Met With Abraham Lincoln for 30 Minutes Every Day

Library of Congress // Public Domain, Wikimedia Commons
Library of Congress // Public Domain, Wikimedia Commons

Some of the most important people in the world have trouble getting even a few minutes of the president’s time. But in 1864, 17-year-old Lavinia “Vinnie” Ream managed to steal half an hour with Abraham Lincoln every day—for five months.

Ream made a name for herself as an artist at a young age. Word of the teen prodigy’s painting prowess quickly spread, and in 1863, Missouri Congressman James Rollins introduced her to sculptor Clark Mills. Through Mills, Ream discovered her talents included molding clay.

After creating small, medallion-sized likenesses of General Custer and many Congressmen, including Thaddeus Stevens, several senators commissioned Ream to create a marble bust—and this was just over a year after she had picked up the skill. The senators allowed Ream to choose her subject, and she picked the president—Abraham Lincoln.

Ream's friends in the Senate personally asked Lincoln to pose for the sculpture, but he declined. After hearing that she was a struggling artist from a Midwestern background not dissimilar to his own, however, Lincoln relented. “He granted me sittings for no other reason than that I was in need,” she later wrote. “Had I been the greatest sculptor in the world I am quite sure I would have been refused.”

Not only did the president agree to the sitting, he gave her a half-hour of his time every day for five months—no small sum of time for a man in such demand. “It seemed that he used this half-hour as a time for relaxation, for he always left instructions that no one was to be admitted during that time,” Ream said. “He seemed to find a strange sort of companionship in being with me, although we talked but little.” He occasionally talked about his son Willie, who had died two years before. The stories sometimes moved him to tears, and he told Vinnie that she reminded him of Willie. Lincoln "never told a funny story to me. He rarely smiled," Ream later recalled.

After Lincoln's fateful night at Ford's Theatre, Congress hired Ream to create a memorial statue of the fallen president, making her the youngest artist—and the first woman—to receive a commission from the U.S. government.

Though she had already proved that she could create a remarkable likeness of Lincoln in bust form, not everyone on the commission was convinced she would be up to the task of sculpting a full-length version. “Having in view the youth and inexperience of Miss Ream, and I will go further, and say, having in view her sex, I shall expect a complete failure in the execution of this work,” Senator Jacob Merritt Howard said.

But Ream had the last laugh: Her work still graces the Capitol Rotunda today.

Vinnie Ream's sculpture of Abraham Lincoln still stands in the Capital Rotunda
USCapitol via Flickr // Public Domain, Wikimedia Commons

This article originally ran in 2016.

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