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Dark Horse Comics

Wednesday is New Comics Day

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Dark Horse Comics

Every Wednesday, I highlight the five most exciting comic releases of the week. The list may include comic books, graphic novels, digital comics and webcomics. I'll even highlight some Kickstarter comics projects on occasion. There's more variety and availability in comics than there has ever been, and I hope to point out just some of the cool stuff that's out there. If there's a release you're excited about, let's talk about it in the comments.

1. "A Light That Never Goes Out"

By Lucy Knisley

Possibly the most personal and heartwarming comic you'll read this year is a one-page webcomic posted by cartoonist Lucy Knisley this past week. Knisley publishes journal strips twice a month on her webcomic "Stop Paying Attention" and has published two autobiographical books (French Milk and Relish) based on her love of food and her relationship with her parents. This latest journal comic entry, with a title taken from a classic Smiths song, is not about cooking but about her relationship with her ex-boyfriend. I won't get too much into the details here because you should just go and read the comic and let Knisley tell you her story. It's really great.

Beyond the emotional aspect of this comic, what is interesting is Knisley's honesty and reflection within it about the whole idea of writing autobiographical material that I think any of the best memoir writers need to have. She writes about the idea of sharing personal moments in your life with readers and ponders the question of when to edit parts of your life out that are just too painful or even too personal to share. It is often said that all autobiographies are fiction because there is no way to not be selective in what you show. Once you exclude a detail, you are manipulating the "truth." Those reasons for being selective are an interesting part of the storytellng and editing process but they also are rooted in a deeper part of human nature and the needs to share or withhold parts of yourself.

Go read "A Light That Never Goes Out."

2. Fall Guy for Murder And Other Stories by Johnny Craig/Child of Tomorrow and other Stories by Al Feldstein

Collected works from Johnny Craig and Al Feldstein
Fantagraphics

Fantagraphics is dumping a number of reprint collections at once this week and two of the most enticing packages are these volumes, Fall Guy for Murder and Child of Tomorrow, dedicated to the work of two individual cartoonists who were an integral part of the pre-Comics Code days of EC Comics: Johnny Craig and Al Feldstein. 

EC published horror and crime comics that became the focus of congressional committees and concerned parents in the 1950s and led to a self-censorship in the comics industry that persisted through most of the rest of the 20th century. Reprinting those classic comics has become a cottage industry in itself recently with various collections coming out all the time, reintroducing them to audiences that enjoy pulp noir, '50s sci-fi, Twilight Zone-style plot twists, and moral ambiguity. 

Al Feldstein and Johnny Craig were two of the greatest cartoonists working for EC in those years (Feldstein was actually an editor for most of the EC titles as well). Both their inking styles look crisp and clear in these new printings. Craig was on par with the great newspaper strip artists like Al Williamson and Milton Caniff. His brush work is finely detailed and his people are perfect, clean-cut specimens of mid-century America (with of course hints of dark secrets hidden underneath). Feldstein's style is slightly more stylized and weird which was fitting for his stories about aliens and strange creatures, whereas Craig's were more grounded tales of murder and betrayal. These collections show their artwork in black and white as opposed to the originals which were in color allowing you to focus on the beauty of their linework.

Both volumes contain extra material like interviews and historical text.

Read a preview of Child of Tomorrow here.

Read a preview of Fall Guy For Murder here.

3. Sacrifice

Written by Sam Humphries; art by Dalton Rose
Dark Horse

The theme for some of this week's comics appears to be post-punk. With Lucy Knisley taking the title of her comic from a Smiths song, the new graphic novel Sacrifice has a great quote from writer Kieron Gillen describing the story: "What happens when two of history's greatest death cults meet up? Aztecs vs. Joy Division fans." 

Hector is a bit goth, he listens to New Order, wears what looks like probably a Joy Division t-shirt. He also is epileptic, and during one of his seizures he finds himself transported 700 years back to the age of the Aztec empire, just before the fall of their civilization. Sacrifice, written by Sam Humphries and illustrated by Dalton Rose, was a 6 issue series self-published by Humphries and now collected in a hardcover volume by Dark Horse Comics. Since initially writing this, Humphries has risen to major league comics status, now writing Avengers: AI for Marvel. This comic, however, is a very personal one for him. As an epileptic himself who grew up with an obsession with the Aztec civilization, his own life is mirrored a bit here by that of Hector.

Dalton Rose is an artist whose star is also on the rise. His style combines elements of Charles Burns, Marcos Martin, Guy Davis and a dash of Mike Allred. He was right out of college at the Savannah College of Art and Design when Humphries found him to draw Sacrifice. Since then he's been working on his own creator-owned book for Monkeybrain Comics called Phabula. 

You can read a preview of Sacrifice here.

4. Witchling

By Renee Nault
www.reneenault.com

Renee Nault is a Canadian illustrator who paints beautifully rich watercolors. Her paintings are often fantasy-inspired and usually focused on a pretty woman or a young girl as the central figure. There is a solemn, languid, introspective feel to the scenes she creates and she pulls a lot, stylistically, from children's fantasy books and 17th century Japanese Ukiyo-e prints.

Nault has been working on her first graphic novel, Witchling, about a young girl named Jane who has strange dreams about mythical animals and a mysterious man with white hair and black blood dripping from his eyes. When she isn't dreaming, Jane's real life seems just as strange. She can talk to cats and lives in a palace with her adopted royal parents in a world that is not quite our own.

Despite the sound of it, Witchling is a little too grown up to be a children's story, but it seems like it would perfectly appeal to a female teen audience. Jane is an outcast with a mysterious past brought up in a life that is part princess tale, part grown up Eloise (complete with nanny). There are also plenty of horror elements inspired by Japanese film, manga and anime. With Nault's watercolors pulling it all together it's an appealing story so far.

The first chapter of the book is complete and available to read online. New updates will be coming in September. You can also buy a print edition of the first volume for $10 on Nault's website.

Go read Witchling here.

5. Green Lantern Sector 2814 Vol. 2

By Len Wein, Dave Gibbons and others
DC Comics

A new trade collection from DC reprints some classic stories from the early '80s that showcased John Stewart as the new Green Lantern of Earth (known as Sector 2814 to the Guardians of the Universe). Stewart had been previously introduced in the late '70s as a temporary replacement for Earth's usual Green Lantern, Hal Jordan, and continued to pop up here and there as a supporting character in the Green Lantern series. In issue #182 he officially replaces Jordan for a regular stint, mostly collected here, that lasts somewhere around 10 issues, which doesn't sound like much, does it?

It took a little longer than these issues for Stewart to get his due as a strong, African American superhero character. Over the years, he has become more and more of a major character in the DC Universe. In fact, the popular Justice League cartoon that ran on TV from 2001 until 2004 (and then thru 2006 after it changed names to Justice League Unlimited) featured him as the team's GL rather than Jordan. To many people who grew up with that show as their introduction to DC Superheroes, John Stewart is the one and only Green Lantern.

The comics collected here are mostly written by DC and Marvel veteran writer Len Wein and feature artwork from Dave (Watchmen) Gibbons. The last set of stories mark the beginning of Steve Englehart and Joe Staton's run on the series. Shortly after this, the comic would relaunch as Green Lantern Corps with John Stewart working alongside Hal Jordan and a cast of other GLs from other sectors. Being a comics kid from the '80s, Joe Staton's fun, cartoony renderings are actually my definitive version of these characters.

A little more info here.

HONORABLE MENTIONS

Why limit myself to just listing 5 comics each week? There's so much else out there.

The Children of Palomar
This collects stories that originally appeared in Gilbert Hernandez' New Tales of Old Palomar which was published in Fantagraphics' oversized "Ignatz" format. It features characters that have appeared or are related to characters that have appeared in various Hernandez stories from Love & Rockets over the last 30 years.
Preview here

Outliers
This comic about a mute 11 year old and his woodland giant friend has been receiving some strong praise for its artwork and print design. It's the first book by illustrator Erik T. Johnson and it looks pretty impressive.
Preview it here.

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15 Powerful Quotes From Margaret Atwood
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MICHAL CIZEK/AFP/Getty Images

It turns out the woman behind such eerily prescient novels as The Handmaid’s Tale and Oryx and Crake is just as wise as her tales are haunting. Here are 15 of the most profound quips from author, activist, and Twitter enthusiast Margaret Atwood, who was born on this day in 1939.

1. On her personal philosophy

 “Optimism means better than reality; pessimism means worse than reality. I’m a realist.”

— From a 2004 interview with The Guardian

2. On the reality of being female

“Men often ask me, Why are your female characters so paranoid? It’s not paranoia. It’s recognition of their situation.”

— From a 1990 interview with The Paris Review

3. On limiting how her politics influence her characters

“You know the myth: Everybody had to fit into Procrustes’ bed and if they didn’t, he either stretched them or cut off their feet. I’m not interested in cutting the feet off my characters or stretching them to make them fit my certain point of view.”

— From a 1997 interview with Mother Jones

4. On so-called “pretty” works of literature

“I don’t know whether there are any really pretty novels … All of the motives a human being may have, which are mixed, that’s the novelists’ material. … We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.”

— From a 2010 interview with The Progressive

5. On the artist’s relationship with her fans

“The artist doesn’t necessarily communicate. The artist evokes … [It] actually doesn’t matter what I feel. What matters is how the art makes you feel.”

— From a 2004 interview with The Guardian

6. On the challenges of writing non-fiction

“When I was young I believed that ‘nonfiction’ meant ‘true.’ But you read a history written in, say, 1920 and a history of the same events written in 1995 and they’re very different. There may not be one Truth—there may be several truths—but saying that is not to say that reality doesn’t exist.”

— From a 1997 interview with Mother Jones

7. On poetry

“The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation.”

— From a 1990 interview with The Paris Review

8. On being labeled an icon

“All these things set a standard of behavior that you don’t necessarily wish to live up to. If you’re put on a pedestal you’re supposed to behave like a pedestal type of person. Pedestals actually have a limited circumference. Not much room to move around.”

— From a 2013 interview with The Telegraph

9. On how we’re all born writers

“[Everyone] ‘writes’ in a way; that is, each person has a ‘story’—a personal narrative—which is constantly being replayed, revised, taken apart and put together again. The significant points in this narrative change as a person ages—what may have been tragedy at 20 is seen as comedy or nostalgia at 40.”

— From a 1990 interview with The Paris Review

10. On the oppression at the center of The Handmaid's Tale

“Nothing makes me more nervous than people who say, ‘It can’t happen here. Anything can happen anywhere, given the right circumstances.” 

— From a 2015 lecture to West Point cadets

11. On the discord between men and women

“‘Why do men feel threatened by women?’ I asked a male friend of mine. … ‘They’re afraid women will laugh at them,’ he said. ‘Undercut their world view.’ … Then I asked some women students in a poetry seminar I was giving, ‘Why do women feel threatened by men?’ ‘They’re afraid of being killed,’ they said.”

— From Atwood’s Second Words: Selected Critical Prose, 1960-1982

12. On the challenges of expressing oneself

“All writers feel struck by the limitations of language. All serious writers.”

— From a 1990 interview with The Paris Review

13. On selfies

“I say they should enjoy it while they can. You’ll be happy later to have taken pictures of yourself when you looked good. It’s human nature. And it does no good to puritanically say, ‘Oh, you shouldn’t be doing that,’ because people do.”

— From a 2013 interview with The Telegraph

14. On the value of popular kids' series (à la Harry Potter and Percy Jackson)

"It put a lot of kids onto reading; it made reading cool. I’m sure a lot of later adult book clubs came out of that experience. Let people begin where they are rather than pretending that they’re something else, or feeling that they should be something else."

— From a 2014 interview with The Huffington Post

15. On why even the bleakest post-apocalyptic novels are, deep down, full of hope

“Any novel is hopeful in that it presupposes a reader. It is, actually, a hopeful act just to write anything, really, because you’re assuming that someone will be around to [read] it.”

— From a 2011 interview with The Atlantic 

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China's New Tianjin Binhai Library is Breathtaking—and Full of Fake Books
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FRED DUFOUR/AFP/Getty Images

A massive new library in Tianjin, China, is gaining international fame among bibliophiles and design buffs alike. As Arch Daily reports, the five-story Tianjin Binhai Library has capacity for more than 1 million books, which visitors can read in a spiraling, modernist auditorium with floor-to-ceiling bookshelves.

Several years ago, municipal officials in Tianjin commissioned a team of Dutch and Japanese architects to design five new buildings, including the library, for a cultural center in the city’s Binhai district. A glass-covered public corridor connects these structures, but the Tianjin Binhai Library is still striking enough to stand out on its own.

The library’s main atrium could be compared to that of the Frank Lloyd Wright-designed Guggenheim Museum in New York City. But there's a catch: Its swirling bookshelves don’t actually hold thousands of books. Look closer, and you’ll notice that the shelves are printed with digital book images. About 200,000 real books are available in other rooms of the library, but the jaw-dropping main room is primarily intended for socialization and reading, according to Mashable.

The “shelves”—some of which can also serve as steps or seating—ascend upward, curving around a giant mirrored sphere. Together, these elements resemble a giant eye, prompting visitors to nickname the attraction “The Eye of Binhai,” reports Newsweek. In addition to its dramatic main auditorium, the 36,000-square-foot library also contains reading rooms, lounge areas, offices, and meeting spaces, and has two rooftop patios.

Following a three-year construction period, the Tianjin Binhai Library opened on October 1, 2017. Want to visit, but can’t afford a trip to China? Take a virtual tour by checking out the photos below.

A general view of the Tianjin Binhai Library
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman taking pictures at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A man visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman looking at books at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

[h/t Newsweek]

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