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12 Cruel Anti-Suffragette Cartoons

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Throughout history, there were people who did not want women to vote. Women would work, they would pay taxes, they would technically be considered citizens... but voting was for men. In America, when the right to vote was extended to include all races, all social positions, and all incomes, women were still not included. It didn't matter if a man was illiterate, had been to jail, or if he was the town drunk. He could vote, and a woman, no matter who she was, could not.

Women suffragists (suffragettes) began campaigning in democratic countries all over the world to change this, starting in the mid-19th century. Their campaigns were largely peaceful and dignified... at least by 21st century standards. But by 19th century standards, these women were abhorrent and indecent, making fools of themselves by demanding to be treated like men.

1. "Did I save my country for this?"

Women's Suffrage Memorabilia

2. "What I Would Do With the Suffragists"

Women's Suffrage Memorabilia

3. "Origin and Development of a Suffragette"

Women's Suffrage Memorabilia

4. "Nobody Loves Me"

Oregon Blue Book

5. "The Suffragette Bar"

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6. "Suffragette Vote Getting"

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7. "For a Suffragette"

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To save you the squinting, this reads: "The Ducking-Stool and a nice deep pool were our fore-fathers plan for a scold, and could I have my way, each Suffragette to-day, Should 'take the chair' and find the water cold."

8. "I want to Vote, but my wife won't let me"

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9. "Afternoon Tea"

Library of Congress

This political cartoon depicts what life was like for imprisoned suffragettes. One big long party for "martyred" socialites. Actual prisoners reported that this was not the case.

10. "Darns her men, but not her sox"

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11. "An Up-to-Date Suffragette"

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Here we see a suffragette assuming another traditionally male duty, much to the erotic delight of the men around her.

12. "No votes. Thank you."

20th Century London

Notice the gawky, frenzied suffragette running behind the poised and graceful pillar of true womanhood. The message being, a real woman wants no part of anything as base as politics.

Some of these cartoons are courtesy of Woman Suffrage Memorabilia, curated by author Kenneth Florey, writer of Women's Suffrage Memorabilia: An Illustrated Historical Study.

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‘American Gothic’ Became Famous Because Many People Saw It as a Joke
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Wikimedia Commons // Public Domain

In 1930, Iowan artist Grant Wood painted a simple portrait of a farmer and his wife (really his dentist and sister) standing solemnly in front of an all-American farmhouse. American Gothic has since inspired endless parodies and is regarded as one of the country’s most iconic works of art. But when it first came out, few people would have guessed it would become the classic it is today. Vox explains the painting’s unexpected path to fame in the latest installment of the new video series Overrated.

According to host Phil Edwards, American Gothic made a muted splash when it first hit the art scene. The work was awarded a third-place bronze medal in a contest at the Chicago Art Institute. When Wood sold the painting to the museum later on, he received just $300 for it. But the piece’s momentum didn’t stop there. It turned out that American Gothic’s debut at a time when urban and rural ideals were clashing helped it become the defining image of the era. The painting had something for everyone: Metropolitans like Gertrude Stein saw it as a satire of simple farm life in Middle America. Actual farmers and their families, on the other hand, welcomed it as celebration of their lifestyle and work ethic at a time when the Great Depression made it hard to take pride in anything.

Wood didn’t do much to clear up the work’s true meaning. He stated, "There is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully—to make them more like themselves than they were in actual life."

Rather than suffering from its ambiguity, American Gothic has been immortalized by it. The country has changed a lot in the past century, but the painting’s dual roles as a straight masterpiece and a format for skewering American culture still endure today.

Get the full story from Vox below.

[h/t Vox]

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“Dissension” by Tobias Rothe. Original image courtesy Fondazione Federico Zeri/Università di Bologna // CC-BY 3.0
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Get Your GIFs Ready for This International Public Domain GIF-Making Competition
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“Dissension” by Tobias Rothe. Original image courtesy Fondazione Federico Zeri/Università di Bologna // CC-BY 3.0

Excellent GIF-making skills can serve you beyond material for your clever tweets. Each year, a group of four digital libraries from across the world hosts GIF IT UP, a competition to find the best animated image sourced from public domain images from their archives.

The competition is sponsored by Europeana, the Digital Public Library of America (DPLA), New Zealand’s DigitalNZ, and the National Library of Australia’s Trove, all of which host millions of public domain works. The requirements are that the source material must be in the public domain, have a 'no known copyright restrictions' statement, or have a Creative Commons license that allows its reuse. The material must also come from one of the sponsored sources. Oh, and judging by the past winners, it helps if it’s a little whimsical.

The image above won the grand prize in 2015. And this was a runner-up in 2016:

via GIPHY

This year’s prizes haven’t been announced yet (although Europeana says there will be a new one for first-time GIF makers), but last year’s grand prize winner got their own Giphoscope, and runners-up got $20 gift cards. (Turns out, there’s not a lot of money in public domain art.)

Not an expert GIFer yet? You can always revisit the audio version of DPLA’s advanced GIF-making tutorial from last year.

The fourth-annual GIF IT UP contest opens to submissions October 1.

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