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6 Creative Uses of Sentence Diagramming

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Sentence diagramming was once a widespread technique for teaching kids how to analyze the structure of a sentence. If you had to do it in school, you either loved it or you hated it. Most kids hated it. But for the kids who loved it, it made language into an orderly puzzle, complicated but solvable, where words clicked into interlocking pairs, groups, and chunks, until a picture of the hidden architecture of sentences emerged. That architecture, when exposed, can be beautiful. It’s no wonder that sentence diagrams have made their way into art. Here are 6 creative uses of sentence diagramming.

1. Our Own Effort (Proust)


Click to enlarge. Image courtesy of Nicholas Knight

Artist Nicholas Knight features sentence diagrams in many of his drawings, collages, and wall installations. He diagrams quotes from famous artists and thinkers that highlight the interplay between meaning and structure. This work, Our Own Effort (Proust), represents Proust’s statement that “what we have not had to decipher and to clarify by our own effort, what was clear before we came, does not belong to us.” You can figure this out, through the clarifying effects of your own effort, if you closely study this print that at first appears to be a colorful subway map.

2. close 

Image courtesy  of Kelly Sherman and Barbara Krakow Gallery.

Artist Kelly Sherman has produced a series of works diagramming lines of original poetry. As she says in her artist’s statement, “reiterating or undermining the sentences’ content, the work in this series addresses the hierarchies, structures and overwhelming eloquence of language.” In this work, close, the modifiers of the adjective “close” in “so close like breath” are obscured to different degrees by layers of vellum, adding another element of visual structure.

3. 9 artists/9 spaces

Photo courtesy of lnkall.com.

In 1970, the Minnesota State Arts Council organized a show of art in public spaces called 9 artists/9 spaces. The invited artists prepared their pieces, but almost none of the works were ever seen because, as Peggy Weil explains in this unbelievable history of the event, “one by one each piece fell victim to controversy or mishap.” One was vandalized, one was dismantled by the FBI, and one was shut down after a giant cache of explosives were discovered in the basement of the building where it was installed. The piece Robert Cummings created, a giant sculpture of diagrammed sentences made up of 1150 painted letters on wooden scaffold, was destroyed when a semi truck crashed into it. As if that wasn’t unlucky enough, the camera of the photographer who was at that very moment photographing the piece was also destroyed, along with the detailed images he was in the middle of capturing for posterity.

4. "Which Sentences Are We Diagramming"

Comic by Kevin Huizenga; image via Austin Kleon. 

In “Which Sentences are We Diagramming,” Kevin Huizenga illustrates the frustration of parsing confusing sentences. He tries to untangle structure through everything from sentence diagrams and lists to base-running and Mad Libs. The full version of this comic is at What Things Do.

5. "a loving heart is the beginning of all knowledge"

Image courtesy of Follow Your Gnose

 

This post from Follow Your Gnose gives instructions for making your own sentence diagram mobile. The sentence pictured here, “a loving heart is the beginning of all knowledge,” is from Thomas Carlyle. With some card stock, wooden dowels, fishing line, and glue you too could set some delicately balanced clauses spinning in the breeze.

 

6. "cross-stitching is contagious"

 

Image courtesy of Embroiderbee

The straight lines of sentence diagrams lend themselves well to anything made on a grid. Embroiderbee offers a huge selection of free needlework patterns, including this cross stitch sentence diagram.

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USPS Is Issuing Its First Scratch-and-Sniff Stamps This Summer
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Summertime smells like sunscreen, barbecues, and—starting June 20, 2018—postage stamps. That's when the United States Postal Service debuts its first line of scratch-and-sniff stamps in Austin, Texas with perfumes meant to evoke "the sweet scent of summer."

The 10 stamps in the collection feature playful watercolor illustrations of popsicles by artist Margaret Berg. If the designs alone don't immediately transport you back to hot summer days spent chasing ice cream trucks, a few scratches and a whiff of the stamp should do the trick. If you're patient, you can also refrain from scratching and use them to mail a bit of summer nostalgia to your loved ones.

Since it was invented in the 1960s, scratch-and-sniff technology has been incorporated into photographs, posters, picture books, and countless kids' stickers.

The first-class mail "forever" stamps will be available in booklets of 20 for $10. You can preorder yours online before they're unveiled at the first-day-of-issue dedication ceremony at Austin's Thinkery children's museum next month.

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15 Things You Didn't Know About The Persistence Of Memory

Salvador Dalì's The Persistence of Memory is the eccentric Spanish painter's most recognizable work. You have probably committed its melting clocks to memory—but you may not know all that went into its making.

1. THE PERSISTENCE OF MEMORY WAS PAINTED IN THE MIDST OF A HALLUCINATION.

Around the time of the painting’s 1931 creation, Dalì perfected his "paranoiac-critical method." The artist would attempt to enter a meditative state of self-induced psychotic hallucinations so that he could make what he called "hand-painted dream photographs."

“I am the first to be surprised and often terrified by the images I see appear upon my canvas," Dalì wrote, referring to his unusual routine. "I register without choice and with all possible exactitude the dictates of my subconscious, my dreams.”

2. IT'S SMALLER THAN YOU MIGHT EXPECT.

The Persistence of Memory is one of Dalì's philosophical triumphs, but the actual oil-on-canvas painting measures only 9.5 inches by 13 inches.

3. THE PAINTING MADE THE 28-YEAR-OLD ARTIST FAMOUS.

Dalì began painting when he was 6 years old. As a young man, he flirted with fame, working with Spanish filmmaker Luis Buñuel on his groundbreaking shorts Un Chien Andalou and L'Age d'Or. But Dalì’s big break didn’t come until he created his signature surrealist work. The press and the public went mad for him when The Persistence of Memory was shown at the Julien Levy Gallery in New York City in 1932.

4.THE PERSISTENCE OF MEMORY STAYED IN NEW YORK THANKS TO AN ANONYMOUS DONOR.

After its gallery show, a patron bought the piece and donated it to the Museum of Modern Art in 1934. It’s been a highlight of MoMA's collection for more than 80 years.

5. OTHER SURREALISTS PUT HIM ON TRIAL.

Though Dalì had become the most famous surrealist painter in the world, André Breton, the founder of surrealism, gave him the boot over concerns about Dalì’s alleged support of fascism. At his ousting from the Bureau for Surrealist Research, the loose network of surrealist artists and philosophers headed by Breton, Dalì declared, "I myself am surrealism."

6. EINSTEIN'S THEORIES MAY HAVE INFLUENCED DALÌ.

The Persistence of Memory has sparked considerable academic debate as scholars interpret the painting. Some critics believe the melting watches in the piece are a response to Albert Einstein's theory of relativity. In her book Dalì and Surrealism, critic Dawn Ades writes, "the soft watches are an unconscious symbol of the relativity of space and time."

7. DALÌ'S EXPLANATION WAS CHEESIER.

Dalì declared that his true muse for the deformed clocks was a wheel of Camembert cheese that had melted in the sun. As Dalì considered himself and his persona an extension of his work, the truthfulness of his response is also up for debate.

8. ITS LANDSCAPE COMES FROM DALÌ'S CHILDHOOD.

Dalì's native Catalonia had a major influence on his works. His family's summer house in the shade of Mount Pani (also known as Mount Panelo) inspired him to integrate its likeness into his paintings again and again, like in View of Cadaqués with Shadow of Mount Pani. In The Persistence of Memory, the shadow of Mount Pani drapes the foreground, while Cape Creus and its craggy coast lie in the background.

9. THE PAINTING HAS A SEQUEL (SORT OF).

In 1954, Dalì revisited the composition of The Persistence of Memory for a new work, The Disintegration of the Persistence of Memory. Alternately known as The Chromosome of a Highly-coloured Fish's Eye Starting the Harmonious Disintegration of the Persistence of Memory, the oil-on-canvas piece is believed to represent Dalì's prior work being broken down to its atomic elements.

10. BETWEEN PAINTING THESE TWO WORKS, DALÌ'S OBSESSIONS SHIFTED.

Though the subjects of The Persistence of Memory and The Disintegration of the Persistence of Memory are the same, their differences illustrated the shifts that took place between periods of Dalì's career. The first painting was created in the midst of his Freudian phase, when Dalì was fascinated by the dream analysis pioneered by Sigmund Freud. By the 1950s, when the latter was painted, Dalì's dark muse had become the science of the atomic age.

"In the surrealist period, I wanted to create the iconography of the interior world—the world of the marvelous, of my father Freud," Dalì explained. "I succeeded in doing it. Today the exterior world—that of physics—has transcended the one of psychology. My father today is [theoretical physicist] Dr. Heisenberg."

11. FREUD RECIPROCATED DALÌ'S ADMIRATION.

Sigmund Freud, the father of psychoanalysis, was not a fan of the surrealists, whom he felt were too conscious of the art they were making and didn't understand his theories. Dalì was the exception. When the two met in 1938, Dalì was giddily sketching a portrait of his 82-year-old idol when Freud whispered, "That boy looks like a fanatic." The comment delighted Dalì, as did Freud's suggestion that his The Metamorphosis of Narcissus would be of value to the study of psychoanalysis. Freud later said, "I have been inclined to regard the surrealists as complete fools, but that young Spaniard with his candid, fanatical eyes and his undeniable technical mastery, has changed my estimate."

12.THE PERSISTENCE OF MEMORY MAY BE A SELF-PORTRAIT.

The floppy profile at the painting's center might be meant to represent Dalì himself, as the artist was fond of self-portraits. Previously painted self-portraits include Self-Portrait in the Studio, Cubist Self-Portrait, Self-Portrait with "L' Humanité" and Self-Portrait (Figueres).

13. THERE WERE MORE MELTING CLOCKS TO COME.

In the 1970s, Dalì revisited his squishy timepieces in sculptures like Dance of Time I, II, & III; Nobility of Time, and Profile of Time. He also included them in lithographs.

14. THE PERSISTENCE OF MEMORY HAS ALIASES.

The masterpiece is also known as Soft Watches, Droopy Watches, The Persistence of Time, and Melting Clocks.

15. THE PAINTING HAS BECOME INGRAINED IN POP CULTURE.

The Persistence of Memory has been referenced on television in The Simpsons, Futurama, Hey Arnold, Doctor Who, and Sesame Street. Likewise, it's been alluded to in the animated movie Looney Tunes: Back in Action, in the comic strip The Far Side, and in videogames like EarthBound and Crash Bandicoot 2: N-Tranced. It was even parodied to mock the NFL’s DeflateGate scandal.

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