10 Fabulous Facts About Absolutely Fabulous


In the early 1990s, long before it was acceptable for women on TV to act in a juvenile manner, BBC scored a major hit with Absolutely Fabulous, a.k.a. Ab Fab, which featured two British women who behaved badly—chain-smoking and abusing drugs and alcohol. Jennifer Saunders played Edina, a publicist who said “sweetie darling” a lot and raised a mature-for-her-age daughter, Saffy (Julia Sawalha). Edina’s best friend was Patsy (Joanna Lumley), a model-turned-fashion magazine director who donned a beehive hairdo and came out as transgender (and also said “sweetie darling” a lot). She also enjoyed the booze, and asked important questions like, “Who dies in their own vomit these days? Nobody.” Edina’s nameless mother (June Whitfield) and Eddy’s personal assistant, Bubble (Jane Horrocks), also added flavor to the show.

The story began in 1990 when Saunders and Dawn French were a part of sketch TV show French and Saunders. Saunders did an eight-minute skit as Edina and French played Saffy. A few years later, while on hiatus from the show, Saunders jotted down the idea for what would become the pilot for Ab Fab. “At the beginning it was all about Saffy and Edina, because when I first wrote it, Patsy was a sort of add-on character who supported Edina in her awfulness,” Saunders told Out Magazine. “But actually I just love working in a double act.” 

The series originally aired off and on between 1992 and 2003, with a total of eight specials sprinkled between 1996 and 2012 (including a 2012 Summer Olympics special). In 2016, Fox Searchlight distributed Absolutely Fabulous: The Movie, written by Saunders. The film revived the debauched antics of the friends and included an opening sequence in which Edina accidently killed Kate Moss. Here are 10 fabulous facts about the series.


By the time Saunders created the sketch on French and Saunders, designer fashion was becoming more widespread, and she knew a fashion publicist. “I thought, ‘That’s a genius job for a sitcom character,’ so we did her as a sketch,” Saunders told Lena Dunham during an interview with Lenny. “We also had another friend who had an absolutely bonkers mother who was eccentric and wild, and me and Dawn just combined the two.” Patsy was originally a “low-life journalist,” but Lumley’s background as a model helped shaped the character into someone who was more polished.



When discussing the series, Saunders told V Magazine that the reason the show was such a hit with the gay community is because "[gay people] refused to be offended—and I admire them for that. Thank God you’re hanging on in there.” Looking back on the series, Lumley said that all the gay references seemed normal to her. “It’s really normal that one of [Edina’s] ex-husbands now lives with his young boyfriend,” she said. “It’s completely normal that [Edina] wants Saffy to be a lesbian or that Serge [Edina’s long lost son] is gay and living in New York. It’s completely normal that Patsy is transgender.” Lumley also said she thinks Patsy makes a good drag queen, “because Patsy’s quite tall,” she said. “You just want to get your good yellow wig on.”


When Vanity Fair asked Saunders if Ab Fab would air today with the same jokes intact, she said: “I think it’s a tricky time for comedy, because people are now so aware of not offending, and everyone is quite precious now about their identity. I don’t think we could make half the jokes we did then.”

In fact, Saunders admitted that she did run into some issues while working on the 2016 feature version of the series. “If you write a movie, you have raft of lawyers telling you who you can offend and who you can’t offend, and who’s going to sue you and who won’t,” she said. “So, it was quite an issue, I have to say.”


In 2009, James Burrows directed a U.S. version of the show, which was set in L.A. It starred Kathryn Hahn as Edina, Kristen Johnston as Patsy, and Zosia Mamet as Saffy. Fox jettisoned the pilot, and Jon Plowman, executive producer of British Ab Fab, knew why. “The trouble with doing Ab Fab in America is that it will have to end with Edina and Saffy hugging, Patsy giving up drink and drugs, and them all hugging mum,” he said. “It won’t work. It’ll be too nice.”


Lumley and Saunders were guests on The Graham Norton Show and Lumley said in the ’80s, she and Dawn French used to party with the group. “Bananarama were the hardest drinking girls I’d ever met in the ’80s,” Saunders said. “I never met girls who drunk so hard. They drunk so much vodka. I remember one of them opening a cab door and coming out ass first, and I thought it most brilliant thing I’d ever seen.”  


Edina wears clothing that are two sizes too small because she refuses to wear anything that fits her. “Edina gets to wear some extraordinary costumes but they’re always so painful,” Saunders told Elle. “When I think of Edina, I think of painful shoes and painful clothes.”


“It’s never been about them finding a relationship, or defining themselves by having to have a man,” Saunders told Vanity Fair. “They live life entirely on their own terms as women, and to be honest, men don’t really affect them much. I mean, occasionally they want sex, but who doesn’t? They’re not defined by normality. They create their own normality.”


BuzzFeed asked Sawalha, who played Edina’s daughter, what the funniest scene she had to shoot was. She said it was the moment when Edina asked her if she wanted to nibble on some Bombay mix. “It was my most painful scene moment,” she said. “It took about half an hour, because she had to come up behind me and say [puts on accent] ‘Bombay mix.’ And for a week she did it and for a week in rehearsals I couldn’t hold it together, and on the night it had that thing of I know it’s coming, and it just went on and on and on.”


Twenty years ago, Patsy mentioned Ivana Trump in an episode. As Lumley told Vanity Fair, Trump got wind of it and invited Lumley to a party in London. “He was with Marla Maples then, and first she came and was the sweetest little character: ‘Oh, I think you’re so gorgeous, you look so beautiful,’” Lumley said. “And then the Donald came along, with that Brillo Pad hair stretched across his head, and gave me a very odd look, as if he was sizing up a horse or something. And after examining me, he muttered, ‘Yes, she’s quite good-looking, she’s a bit like Ivana.’”



In an interview with Lena Dunham, Lumley stated that Edina and Patsy were “really vile and dreadful” people. However, Lumley had fans coming up to her saying the characters reminded them of people they knew. “And some people would queue up to say, ‘My mother and my aunt are just like you and Eddy, and this is a picture of them.’ And you go, ‘Oh, no, how great. Well done, you. But oh my God, we are awful.’ And they went, ‘Oh, yeah, they love it. They go out, they get drunk.’ And you go, ‘Oh my God, we weren’t trying to teach people to get drunk.’”

Lumley further explained they didn’t set out to do that. “I don’t think we had expected that, because we painted them with such broad brushstrokes. We were trying to be high satire.”

Disney's Most Magical Destinations Have Been Reimagined as Vintage Travel Posters


Many of the iconic settings of animated Disney movies were modeled after real places around the world. Ussé Castle in France’s Loire Valley, for example, is widely rumored to have been the inspiration behind the original Sleeping Beauty story. (Although the castle in the movie more closely resembles Germany's Neuschwanstein Castle.) Likewise, the fictional island in Moana was made to look like Samoa, and the Sultan’s palace in Aladdin shares some similarities with India's Taj Mahal.

If you’ve ever dreamed of exploring Agrabah or Neverland, then you’ll probably enjoy getting lost in these Disney-inspired travel posters from the designers at UpgradedPoints.com, an online resource that helps individuals maximize their credit card travel rewards. Only one of the posters features a real destination ("Beautiful France"), but these illustrations let you get one step closer to scaling Pride Rock or plumbing the depths of Atlantica.

All of the images are rendered in a vintage style with enticing slogans attached—much like the exotic travel posters that were prevalent in the 1930s.

“A few of our designers wanted to capture that longing to experience the true locations of these fantastic films, and the inner child in all of us couldn’t resist seeing how they interpreted the locations of their favorite films,” UpgradedPoints.com writes. “The results are breathtaking and make us wish we could fall into our favorite Disney movies.”

Keep scrolling to see the posters, and for more travel inspiration, read up on eight real-life locations that inspired Disney places (plus one that didn't).

A Disney-inspired poster of France

An Atlantica travel poster

A Disney-inspired poster

A Disney-inspired poster

A Lion King travel poster

A Neverland travel poster

11 Memorable Facts About Cats the Musical

Mike Clarke/Getty Images
Mike Clarke/Getty Images

“It was better than Cats!” Decades after Andrew Lloyd Webber's famed musical opened on Broadway on October 7, 1982, this tongue-in-cheek idiom remains a part of our lexicon (thanks to Saturday Night Live). Although the feline extravaganza divided the critics, it won over audiences of all ages and became an industry juggernaut—one that single-handedly generated more than $3 billion for New York City's economy—and that was before it made a return to the Great White Way in 2016. In honor of Andrew Lloyd Webber's birthday on March 22, let’s take a trip down memory lane.

1. The work that Cats the musical is based on was originally going to include dogs.

Old Possum’s Book of Practical Cats, published in 1939, is a collection of feline-themed poems written by the great T. S. Eliot. A whimsical, lighthearted effort, the volume has been delighting cat fanciers for generations—and it could have become just as big of a hit with dog lovers, too. At first, Eliot envisioned the book as an assemblage of canine- and tabby-related poems. However, he came to believe that “dogs don’t seem to lend themselves to verse quite so well, collectively, as cats.” (Spoken like a true ailurophile.) According to his publisher, Eliot decided that “it would be improper to wrap [felines] up with dogs” and barely even mentioned them in the finished product.

For his part, Andrew Lloyd Webber has described his attitude towards cats as “quite neutral.” Still, the composer felt that Eliot’s rhymes could form the basis of a daring, West End-worthy soundtrack. It seemed like an irresistible challenge. “I wanted to set that exciting verse to music,” he explained. “When I [had] written with lyricists in the past … the lyrics have been written to the music. So I was intrigued to see whether I could write a complete piece the other way ‘round.”

2. "Memory" was inspired by a poem that T.S. Eliot never finished.

In 1980, Webber approached T.S. Eliot’s widow, Valerie, to ask for her blessing on the project. She not only said “yes,” but provided the songwriter with some helpful notes and letters that her husband had written about Old Possum’s Book of Practical Cats—including a half-finished, eight-line poem called “Grizabella, the Glamour Cat.” Feeling that it was too melancholy for children, Eliot decided to omit the piece from Practical Cats. But the dramatic power of the poem made it irresistible for Webber and Trevor Nunn, the show’s original director. By combining lines from “Grizabella, the Glamour Cat” with those of another Eliot poem, “Rhapsody on a Windy Night,” they laid the foundation for what became the powerful ballad “Memory.” A smash hit within a smash hit, this showstopper has been covered by such icons as Barbra Streisand and Barry Manilow.

3. Dame Judi Dench left the cast of Cats when her Achilles tendon snapped.

One of Britain’s most esteemed actresses, Dench was brought in to play Grizabella for Cats’s original run on the West End. Then, about three weeks into rehearsals, she was going through a scene with co-star Wayne Sleep (Mr. Mistoffelees) when disaster struck. “She went, ‘You kicked me!’” Sleep recalls in the above video. “And I said, ‘I didn’t, actually, are you alright?’” She wasn’t. Somehow, Dench had managed to tear her Achilles tendon. As a last-minute replacement, Elaine Paige of Evita fame was brought aboard. In an eerie coincidence, Paige had heard a recorded version of “Memory” on a local radio station less than 24 hours before she was asked to play Grizabella. Also, an actual black cat had crossed her path that day. Spooky.

4. To finance the show, Andrew Lloyd Webber ended up mortgaging his house.

Although Andrew Lloyd Webber had previously won great acclaim as one of the creative minds behind Jesus Christ Superstar and other hit shows, Cats had a hard time finding investors. According to choreographer Gillian Lynne, “[it] was very, very difficult to finance because everyone said ‘A show about cats? You must be raving mad.’” In fact, the musical fell so far short of its fundraising goals that Webber ended up taking out a second mortgage on his home to help get Cats the musical off the ground.

5. When Cats the musical came to Broadway, its venue got a huge makeover.

Cats made its West End debut on May 11, 1981. Seventeen months later, a Broadway production of the musical launched what was to become an 18-year run at the Winter Garden Theatre. But before the show could open, some major adjustments had to be made to the venue. Cats came with an enormous, sprawling set which was far too large for the theatre’s available performing space. To make some more room, the stage had to be expanded. Consequently, several rows of orchestra seats were removed, along with the Winter Garden’s proscenium arch. And that was just the beginning. For Grizabella’s climactic ascent into the Heaviside Layer on a giant, levitating tire, the crew installed a hydraulic lift in the orchestra pit and carved a massive hole through the auditorium ceiling. Finally, the theater’s walls were painted black to set the proper mood. After Cats closed in 2000, the original look of the Winter Garden was painstakingly restored—at a cost of $8 million.

6. Cats the musical set longevity records on both sides of the Atlantic.

The original London production took its final bow on May 11, 2002, exactly 21 years after the show had opened—which, at the time, made Cats the longest-running musical in the West End’s history. (It would lose that title to Les Miserables in 2006.) Across the pond, the show was performed at the Winter Garden for the 6138th time on June 19, 1997, putting Cats ahead of A Chorus Line as the longest-running show on Broadway. To celebrate, a massive outdoor celebration was held between 50th and 51st streets, complete with a laser light show and an exclusive after-party for Cats alums.

7. One theatergoer sued the show for $6 million.

Like Hair, Cats involves a lot of performer-audience interaction. See it live, and you might just spot a leotard-clad actor licking himself near your seat before the curtain goes up. In some productions, the character Rum Tum Tugger even rushes out into the crowd and finds an unsuspecting patron to dance with. At a Broadway performance on January 30, 1996, Tugger was played by stage veteran David Hibbard. That night, he singled out one Evelyn Amato as his would-be dance partner. Mildly put, she did not appreciate his antics. Alleging that Hibbard had gyrated his pelvis in her face, Amato sued the musical and its creative team for $6 million.

8. Thanks to Cats the musical, T.S. Eliot received a posthumous Tony.

Because most of the songs in Cats are almost verbatim recitations of Eliot’s poems, he’s regarded as its primary lyricist—even though he died in 1965, long before the show was conceived. Still, Eliot’s contributions earned him a 1983 Tony for Best Book of a Musical. A visibly moved Valerie Eliot took the stage to accept this prize on her late spouse’s behalf. “Tonight’s honor would have given my husband particular pleasure because he loved the theatre,” she told the crowd. Eliot also shared the Best Original Score Tony with Andrew Lloyd Webber.

9. The original Broadway production used more than 3000 pounds of yak hair.

Major productions of Cats use meticulously crafted yak hair wigs, which currently cost around $2300 apiece and can take 40 hours or more to produce. Adding to the expense is the fact that costumers can’t just recycle an old wig after some performer gets recast. “Each wig is made specifically for the actor,” explains wigmaker Hannah McGregor in the above video. Since people tend to have differently shaped heads, precise measurements are taken of every cast member’s skull before he or she is fitted with a new head of hair. “[Their wigs] have to fit them perfectly,” McGregor adds, “because of the amount of jumping and skipping they do as cats.” Perhaps it should come as no surprise that, over its 18-year run, the first Broadway production used 3247 pounds of yak hair. (In comparison, the heaviest actual yaks only weigh around 2200 pounds.)

10. A recent revival included hip hop.

In December 2014, Cats returned to the West End with an all-new cast and music. “The Rum Tum Tugger,” a popular Act I song, was reimagined as a hip hop number. “I’ve come to the conclusion, having read [Old Possum’s Book of Practical Cats] again, that maybe Eliot was the inventor of rap,” Webber told the press.

11. Another revival featured an internet-famous feline for one night only.

On September 30, Grumpy Cat made her Broadway debut in Cats, briefly taking the stage with the cast. Despite being named Honorary Jellicle Cat, she hated every minute of it.