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10 Fascinating Facts About The Birds

Universal Pictures
Universal Pictures

There’s an old saying in Hollywood: You’re only as good as your last movie. In 1960, Alfred Hitchcock unleashed Psycho, his most financially successful film and a trendsetting horror classic. Just when it seemed as though there was nothing left for him to prove, he climbed right back into the director’s chair. Hitchcock’s next picture was The Birds, a technical marvel against which all creature features—from Jaws to Cujo—are now measured.

1. IT WAS THE THIRD DAPHNE DU MAURIER STORY THAT HITCHCOCK ADAPTED.

Daphne du Maurier's work has been adapted dozens of times for film and television projects, and Alfred Hitchcock was a particular fan of the London-born author and playwright. Over the course of his career, he adapted three of du Maurier's stories, beginning with his 1939 film version of her thrilling novel Jamaica Inn. In 1940, he took Rebecca—du Maurier’s gothic masterwork which continues to sell 50,000 copies a year—and converted it into an Oscar-winning drama starring Laurence Olivier.

In 1952, du Maurier published The Apple Tree: A Short Novel and Some Stories. One of the book’s highlights is a chilling tale called “The Birds.” An environmentally-conscious fable, it’s about a population of birds who start attacking humans after a harsh winter depletes their natural food supply. Hitchcock liked the basic premise and wanted to put “The Birds” on film. However, his adaptation would not be a faithful retelling.

Once Hitchcock bought the rights to du Maurier’s avian yarn, he hired screenwriter Evan Hunter to pen a script. Hunter remembered that, during an early telephone conversation, the director told him “We’re getting rid of the du Maurier story entirely. We’re just keeping the title and the notion of birds attacking people.” The result was a screenplay Hunter described as “a screwball comedy that turns into terror.”

2. AN AVIAN HOSPITAL WAS BUILT ON THE SET.

A scene from The Birds (1963)
Universal Pictures

Through a meticulous positive reinforcement process, animal handler Ray Berwick trained hundreds of live birds for use in Hitchcock’s movie. Most of these were wild-caught crows, ravens, seagulls, and sparrows. Berwick oversaw an entire bird-wrangling team whose members spent a huge amount of time corralling their feathered co-workers between takes. To ensure that none of the animals was harmed, the American Society For the Prevention of Cruelty to Animals (ASPCA) assumed an active role in the production. Under their watchful eye, the crew set up a makeshift avian hospital.

“We actually built an aviary onto the set for birds that had been hurt or injured,” Veronica Cartwright, who played Cathy in the film, said. Another measure taken in the name of animal welfare was the construction of a large net, which the special effects team draped over the living room set; this kept the birds from flying haphazardly through the rest of the studio.

The wrangling team had plenty of other tricks up their sleeves as well. Sometimes, to get their feathered friends to fly toward a camera, the crew would suspend a hunk of meat beneath the lens. In one interview, Hitchcock noted that a lot of prep work went into the shot in which a seagull latches onto a girl at a birthday party, harassing her as she tries to run off. “[We] built a little platform on her shoulder and a gull was put there,” Hitchcock explained. For safety reasons, its beak was bound shut with wire.

3. ONE RAVEN STRONGLY DISLIKED ROD TAYLOR.

Like everyone else in the film, Rod Taylor’s character—Mitch Brenner—had to withstand a barrage of avian attacks. One particular bird really had it in for Taylor. There was a captive raven named Archie who seemingly went out of his way to attack the actor, even when the cameras weren’t rolling.

“Every morning, if we were on the set together, he’d come over and … bite me," Taylor revealed in Universal’s DVD documentary All About the Birds. "I hated him and he hated me.” It got to the point where Taylor started making inquiries about Archie’s whereabouts as part of his daily, on-set ritual. “I’d walk in and say, ‘Is Archie working today?’ And they’d say, ‘Uh, I don’t think so Rod. I think we’re working with seagulls.’ And out of the rafters would come Archie. [He] hated me and would lie in wait for me.”

4. HITCHCOCK’S DOGS MADE A CAMEO.

He’s remembered as both the master of suspense and an early adopter of cinematic Easter eggs. Alfred Hitchcock loved to make brief, on-screen appearances in his own films. By 1963, audiences had come to expect these little cameos. The Birds throws one at us when Melanie (Tippi Hedren) ducks into a pet store near the beginning of the picture. As she enters the place, you can see Hitchcock leading a pair of small dogs out. These pooches were Stanley and Geoffrey, the director’s lovable Sealyham Terriers. (An admirer of this breed, he’d previously owned another male named Mr. Jenkins.)

5. ONE OF MICKEY MOUSE’S CO-CREATORS WORKED AS A SPECIAL EFFECTS SUPERVISOR.

Real, flesh-and-blood birds share the screen with a few mechanical ones in the film. Additionally, the movie relied heavily on matte work, a process whereby images from two separate reels of film are combined. This enabled footage of angry birds to be paired with separate shots depicting frightened actors. To help execute these effects, Hitchcock reached out to Ub Iwerks, an animator who’d been working for Walt Disney since 1924 and had helped create the Mickey Mouse character in 1927.

Renowned throughout Hollywood as a visual effects wizard, Iwerks was a self-taught expert on matte techniques. Disney agreed to hire him out to Universal so that he could put his knowledge to good use for Hitchcock’s The Birds. Iwerks was rewarded with an Oscar nod when The Birds was nominated for Best Special Effects in 1964. (It lost to the big-budget epic Cleopatra.)

6. A RESTAURATEUR IN NORTHERN CALIFORNIA LET THE CREW USE HIS BUILDING—ON TWO SMALL CONDITIONS.

While much of the movie was filmed on studio lots, Hitchcock also filmed a large percentage on location in scenic Bodega Bay, California. Located 65 miles north of San Francisco, the small village offered some big advantages. “In order to get the photography of the birds in the air, we needed an area with low land, not high mountains or a lot of trees,” Hitchcock told Cinefantastique. “In a pictorial sense, it was vital to have nothing on the ground but sand, so that we had the entire sky to play with.”

Bodega Bay and the neighboring communities of Bodega and Bodega Head had everything the director was looking for, so Hitchcock employed all three places as locations. Several of the diner scenes were filmed at a Bodega Bay eatery called the Tides Restaurant. Then-owner Mitch Zankich struck a bargain with the filmmakers. “[He] told the locations manager that he would let them film his place for free if they would call the community in the movie Bodega Bay and if the hero was called Mitch,” Hazel Mitchell, who’d worked at the Tides as a waitress in those days, claimed. Zankich’s wishes were granted, and to sweeten the deal, he was given an on-screen appearance with a line of dialogue. “In the scene on the dock, when Tippi Hedren is attacked by the bird when she is in the skiff, a man asks Rod Taylor, ‘What happened, Mitch?’ And that was Mitch Zankich,” Mitchell said.

7. AN ALTERNATE ENDING WOULD’VE INVOLVED THE GOLDEN GATE BRIDGE.

Genre films have been unkind to the California landmark: A giant octopus attacked the Golden Gate Bridge in It Came From Beneath The Sea (1955); Magneto ripped the bridge off its foundation in X-Men: The Last Stand (2006); and a simian revolt broke out on its pavement in Dawn of the Planet of the Apes (2014). If Hitchcock had more money or time at his disposal, The Birds might have subjected the bridge to yet another indignity. Early in pre-production, Hitchcock entertained the idea of closing his film with a shot of several hundred birds perching on the Golden Gate. However, he quickly realized that this proposed visual would have been way too costly to shoot. Hunter’s script also called for a horde of birds to attack the roof of Mitch and Melanie’s car as they drive away from Bodega Bay at the end of the film. That concept was abandoned, too. 

8. THE ATTIC SCENE TOOK AN ENTIRE WEEK TO SHOOT, AND PROVED TO BE TOO MUCH FOR TIPPI HEDREN.

When Cary Grant visited the set, he called Hedren the bravest lady he’d ever met. To put it mildly, she had a rough moviemaking experience. During the telephone booth scene, a pane of so-called “safety-glass” that shattered in her face turned out to be real glass; its shards were then painstakingly extracted from her nose and left cheek. And then there was the attic attack. Hedren’s character in The Birds is Melanie Daniels, a confident blonde who courts Mitch Brenner. One of the movie’s most shocking moments comes when Melanie takes a peek inside the Brenner family’s attic and finds a small army of birds hiding out. The second they see her, they charge Melanie, who’s rendered unconscious by their violent onslaught.

It’s a brutal scene that’s hard to watch and was a nightmare to film. Since this was a complex and emotionally taxing scene, Hedren spent a full week working on it. Hitchcock spent much of it ordering his crewmen to hurl live gulls at her from behind the camera because he thought this would intensify Hedren’s performance. Also, at regular intervals, there’d be a pause in the shooting so the makeup team could apply some new faux injuries. But she also received some real ones; Hedren’s willpower finally collapsed when a bird ripped a hole into her lower eyelid. The injury provoked a full-blown nervous breakdown and, at her doctor’s insistence, production was forced to shut down for a week to allow her to recover.

In the years since the film's release, Hedren has also spoken openly about being subjected to yet another harrowing experience while The Birds was being filmed: According to the actress, she was sexually harassed by Hitchcock. "I think he was an extremely sad character," Hedren said in 2012. "We are dealing with a brain here that was an unusual genius, and evil, and deviant, almost to the point of dangerous, because of the effect that he could have on people that were totally unsuspecting." Hedren's allegations were later dramatized in The Girl, a controversial biopic that premiered in 2012.

9. MATTEL CELEBRATED THE FILM’S 45TH ANNIVERSARY WITH A BARBIE DOLL.

In 2008, the toy company unveiled a commemorative Barbie doll based on Melanie Daniels. The figurine was a dead ringer for Hedren, right down to the green Edith Head suit. It also came with some unusual accessories: Three detachable crows, each one posed in an “attack position” in the original packaging.

10. A MADE-FOR-TV SEQUEL CAME OUT IN 1994.

The Birds II: Land's End premiered on Showtime on March 14, 1994, more than 30 years after the original film debuted in theaters. Hedren makes an appearance in this low-budget sequel, but instead of reprising the role of Melanie, she’s cast as an entirely new character named Helen. Unlike the original film, which took place in California’s Bodega Bay, the setting of this installment is a fictional island on the east coast. It was directed by Rick Rosenthal, who was so dissatisfied with the end product that he used the pseudonym Alan Smithee in place of his real name during the opening credits. Hedren isn’t too crazy about The Birds II either; "It's absolutely horrible," she once said of the film. "It embarrasses me horribly."

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11 Magical Facts About Willow
20th Century Fox Home Entertainment
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Five years after the release of Return of the Jedi (1983) and four years after Indiana Jones and the Temple of Doom (1984), George Lucas gave audiences the story for another film about an unlikely hero on an epic journey, but this time he had three Magic Acorns and a taller friend instead of a whip and gun to help him along. Willow (1988) was directed by Ron Howard and starred former Ewok and future Leprechaun, Warwick Davis.

Over the past few decades, Willow—which was released 30 years ago today—has become a cult classic that's been passed down from generation to generation. Before you sit down to explore that world again (or for the first time), here are 11 things you might not have know about Willow.

1. IT WAS WRITTEN FOR WARWICK DAVIS.

In an interview with The A.V. Club, Warwick Davis revealed that George Lucas first mentioned the idea for the film to Davis’s mother during the filming of one of the Ewok TV specials in 1983, in which he was reprising his role as Wicket. Lucas had been developing the idea for more than a decade at that point, but working with Davis on Return of the Jedi helped him realize the vision. “George just simply said that he had this idea, and he was writing this story, with me in mind,” Davis said. “He didn't say at that time that it was going to be called Willow. He said, 'It's not for quite yet; it's for a few years ahead, when Warwick is a bit older.'" The role was Davis’s first time not wearing a mask or costume on screen.

2. IT WAS ORIGINALLY CALLED MUNCHKINS.

Five years after he mentioned the idea, Lucas was ready to make his film with Ron Howard directing and a then-17-year-old Davis as the lead. The original title was presumably inspired by the characters from L. Frank Baum's The Wonderful Wizard of Oz, and the subsequent Victor Fleming film.

3. IT WAS CRITICIZED FOR BEING A COPY OF STAR WARS.

Having thought of the two worlds simultaneously, Lucas may have cribbed some of his own work and other well-known stories a little too much for Willow, and some critics noticed. “Without anything like [Star Wars’s] eager, enthusiastic tone, and indeed with an understandable weariness, Willow recapitulates images from Snow White, The Wizard of Oz, Gulliver's Travels, Mad Max, Peter Pan, Star Wars itself, The Hobbit saga, Japanese monster films of the 1950s, the Bible, and a million fairy tales," wrote Janet Maslin of The New York Times. "One tiny figure combines the best attributes of Tinkerbell, the Good Witch Glinda, and the White Rock Girl.”

Later in her review, Maslin continued to point out the similarities between the two films: “When the sorcerer tells Willow to follow his heart, he becomes the Obi-Wan Kenobi of a film that also has its Darth Vader, R2-D2, C-3P0 and Princess Leia stand-ins. Much energy has gone into the creation of their names, some of which (General Kael) have recognizable sources and others (Burglekutt, Cherlindrea, Airk) have only tongue-twisting in mind. Not even the names have anything like Star Wars-level staying power.”

4. IT WAS THE LARGEST CASTING CALL FOR LITTLE PEOPLE IN MOVIE HISTORY.

Lucas has previously cast several little people for roles in Return of the Jedi, and there were more than 100 actors hired to portray Munchkins in The Wizard of Oz. But, according to Davis, the casting call for Willow was the largest ever at the time with between 225 and 240 actors hired for the film.

5. THE DEATH DOGS WERE REAL DOGS IN COSTUME.

The big bad in the film, Bavmorda, has demon dogs that terrorize Willow’s village. The dogs are more boar-like than canine, but they were portrayed by Rottweilers. The prop team outfitted the dogs with rubber masks and used animatronic heads for close-up scenes.

6. IT WAS THE FIRST USE OF MORPHING IN A FILM.

While trying to use magic to turn an animal back into a human, Willow fails several times before eventually getting it right, but he does succeed in turning the animal into another animal, which is shown in stages. To achieve this, the visual effects teamed used a technique known as "morphing."

The film’s visual effects supervisor, Dennis Muren of Industrial Light & Magic, explained the technique to The Telegraph:

The way things had been up till that time, if a character had to change at some way from a dog into a person or something like that it could be done with a series of mechanical props. You would have to cut away to a person watching it, and then cut back to another prop which is pushing the ears out, for example, so it didn't look fake ... we shot five different pieces of film, of a goat, an ostrich, a tiger, a tortoise, and a woman and had one actually change into the shape of the other one without having to cut away. The technique is much more realistic because the cuts are done for dramatic reasons, rather than to stop it from looking bad.”

7. THE STORY WAS CONTINUED IN SEVERAL NOVELS.

Willow has yet to receive a sequel, but fans of the story can return to the world in a trilogy of books that author Chris Claremont wrote in collaboration with Lucas between 1995 and 2000. According to the Amazon synopsis of Shadow Moon, the first book picks up 13 years after the events of the film, and baby Elora Danan’s friendless upbringing has turned her into a “spoiled brat who seemingly takes joy in making miserable the lives around her. The fate of the Great Realms rests in her hands, and she couldn't care less. Only a stranger can lead her to her destiny.”

8. THERE IS A MISSING SCENE CONCERNING THE MAGIC ACORNS.

Hardcore fans of the film have noticed that there is a continuity error that involves the Magic Acorns Willow was given by the High Aldwin. During an interview with The Empire Podcast, Davis explained that in a scene near the end of the film, he throws a second acorn and is inexplicably out after having only used two of the three Magic Acorns he had been given earlier in the film. Included in the Blu-ray release is the cut scene, in which Willow uses an acorn (his second) in a boat during a storm and accidentally turns the boat to stone. Davis says that his hair is wet in the next scene that did make it into the original version of the film, but the acorn is never referenced.

9. JOHN CUSACK AUDITIONED FOR THE PART OF MADMARTIGAN.

Val Kilmer in 'Willow' (1988)
20th Century Fox Home Entertainment

Val Kilmer famously played the role of the reluctant hero two years after played Iceman in Top Gun (1986), but he was not the only big name to audition for the role. Davis revealed in a commentary track that he once read with John Cusack, who in 1987 had already starred in Sixteen Candles (1984), Stand by Me (1986), and Hot Pursuit (1987).

10. THERE IS A NOD TO SISKEL AND EBERT.

During a battle scene later in the film, Willow and his compatriots have to fight a two-headed beast outside of the castle. The name of the stop motion beast is the Eborsisk, which is a combination of the names of famed film critics, Roger Ebert and Gene Siskel.

11. THE BABY NEVER ACTED AGAIN.

A scene from 'Willow' (1988)
20th Century Fox Home Entertainment

As is the case with most shows and films, the role of the baby Elora was played by twins, in this case Kate and Ruth Greenfield. The IMDb pages for both actresses only has the one credit. In 2007, Davis shared a picture of him posing with a woman named Laura Hopkirk, who said that she played the baby for the scenes shot in New Zealand, but she is not credited online.

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30 Things You Might Not Know About Cheers
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On May 20, 1993—25 years ago today—television audiences said farewell to Sam Malone, the fictional Red Sox pitcher-turned-proprietor of Cheers. Though it's the Boston bar where everybody knows your name, there’s plenty you probably don’t know about the classic sitcom, which spent 11 seasons on the air.

1. CHEERS ALMOST DIDN’T MAKE IT THROUGH SEASON ONE.

Like many of television’s greatest success stories (e.g. Seinfeld), Cheers was not an immediate hit. It premiered on September 30, 1982 to dismal ratings—77th place out of 100 shows that week, according to Nielsen. It was NBC’s entertainment president at the time, Brandon Tartikoff, who saved the show from cancellation during its first season.

2. THE BULL & FINCH PUB, ON WHICH CHEERS IS MODELED, IS NOW CALLED CHEERS

Talk about life imitating art. After it was decided that the series would be set in a bar instead of a hotel, co-creators Glen and Les Charles decided the locale should be moved to New England. “Boston was chosen partially because only five short-lived television shows claimed the city and the East Coast pubs were real neighborhood hangouts,” wrote Dennis A. Bjorklund in his book, Toasting Cheers.

As the show’s popularity rose, it didn’t take long for word to spread that the Beacon Hill tavern was the “real” Cheers (though only the exterior shots were filmed there), turning the neighborhood hangout into a tourist attraction. To satisfy the masses, a second location—this one was actually called "Cheers" and featuring a replica of the bar viewers were used to—was opened in nearby Faneuil Hall in 2001. One year later, the Bull & Finch officially changed its name to Cheers.

3. SAM MALONE WAS ORIGINALLY A PROFESSIONAL FOOTBALL PLAYER.

In the script’s earliest incarnations, Sam Malone was an ex-football player, which made sense considering that Fred Dryer—the former NFL defensive end who would go on to star in Hunter—was a top choice to play the role of Sam (opposite Julia Duffy as Diane; William Devane was also a strong contender). Ultimately, it was the chemistry between Ted Danson and Shelley Long that led to them getting the gigs. Once the casting was finalized, the creators swapped out football for baseball, based on Danson’s body type.

4. TED DANSON ATTENDED BARTENDING SCHOOL.

Danson spent two weeks at a bartending school in Burbank, California as part of his training to play Sam.

5. NORM AND CLIFF WEREN’T INTENDED TO BE REGULAR CHARACTERS.

Both George Wendt and John Ratzenberger auditioned for the same role in the pilot, a minor character named George who had a single line: “Beer!” The character’s name was changed to Norm Peterson when Wendt was cast. But Ratzenberger wasn’t about to give up so easily. “As I was leaving the office after the audition, I turned around and asked them, ‘Do you have a bar know-it-all?,’” the Bridgeport, Connecticut-born Ratzenberger recalled to Ability Magazine. “None of the creators was from New England. They were all Hollywood-centered. And I said, ‘Well, every local bar in New England has got a know-it-all—someone who pretends to have the knowledge of all mankind between his ears and is not shy about sharing it.’” Thus, Cliff Clavin was born.

6. NORM PETERSON IS BASED ON A REAL GUY.

In 2012, co-creator Les Charles told GQ that Norm was based on a real person. “I worked at a bar after college, and we had a guy who came in every night. He wasn't named Norm, [but he] was always going to have just one beer, and then he'd say, ‘Maybe I'll just have one more.’ We had to help him out of the bar every night. His wife would call, and he'd always say, ‘Tell her I'm not here.’”

7. NORM’S NEVER-SEEN WIFE VERA IS VOICED BY GEORGE WENDT’S REAL WIFE.

Though she’s only credited in one episode, George Wendt’s wife, Bernadette Birkett, provided the voice for Norm’s wife, Vera. Birkett did make one appearance on the show—as a love interest of Cliff’s—in season three.

8. JOHN RATZENBERGER IMPROVISED MANY OF CLIFF’S FUN FACTS.

Many of the random (and untrue) facts that Cliff Clavin offers up were ad libbed by Ratzenberger. “After a couple of years on the show they realized they could trust me not to mess it up,” Ratzenberger told Deseret News in 1993. “So little by little they've let me just sort of run off. Because I know when to stop … It's easy to improvise comedy. It really is. But the art is knowing when to shut up and let other people talk. That's a hard thing to learn.”

9. SOME OF THE DIALOGUE CAME FROM REAL BAR CONVERSATIONS.

In order to nail the bar talk aspect of the series, the creators regularly visited bars in the Los Angeles area to eavesdrop on patrons’ conversations. In the series premiere, there’s an argument about the sweatiest movie ever made, which was lifted from one of these overheard conversations.

10. CHEERS WASN’T AFRAID TO TACKLE SOCIAL ISSUES.

Cheers’ writers never shied away from taboo topics such as alcoholism or homosexuality, through they always had a sense of humor about them. The season one episode “The Boys in the Bar,” in which one of Sam’s former teammates announces that he is gay, earned writers Ken Levine and David Isaacs a GLAAD Media Award.

11. PLANS FOR AN HIV SCARE FOR SAM HAD TO BE ABANDONED.

In 1988, the Writers Guild of America went on strike, which meant that several planned episodes of the series were never filmed. Among them was a season six cliffhanger in which Sam learns that a former girlfriend is HIV positive.

12. RHEA WASN’T THE ONLY PERLMAN ON THE SET.

Rhea Perlman wasn’t the only member of her family to grace the set of Cheers. Her younger sister, Heide, produced more than two dozen episodes between 1985 and 1986 and wrote several episodes throughout the show’s run. Perlman’s father, Phil, played one of the bar regulars (named Phil).

13. JAY THOMAS MURDERED EDDIE LEBEC.


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When character actor Jay Thomas wasn’t portraying Carla’s Bruin-turned-ice-show-performer husband Eddie LeBec, he was the host of a popular morning radio show in Los Angeles. Which is exactly what led to his character being killed off rather prematurely by way of Zamboni. “A few episodes of recurring bliss and then one day on Jay’s radio show, a caller asked him what it was like to be on Cheers,” recounted writer Ken Levine. “He said something to the effect of, ‘It’s brutal. I have to kiss Rhea Perlman.’ Well, guess who happened to be listening ... Jay Thomas was never seen on Cheers again.”

14. A CHEERS MINI-EPISODE WAS PRODUCED FOR THE U.S. TREASURY.

Early in Cheers’ run, its creators were contracted by the U.S. Treasury to create a special mini-episode to promote the purchase of U.S. savings bonds. Titled “Uncle Sam Malone,” the episode never aired on television nor is it included on any of the DVDs; it was intended to be screened for promotional purposes at savings bond drives only.

15. A “LOST” SCENE ALSO AIRED AS PART OF THE 1983 SUPER BOWL XVII PREGAME SHOW.

Back in early 1983, writers Ken Levine and David Isaacs wrote a special one-off scene to air before Super Bowl XVII in which Sam, Diane, Carla, Norm, Cliff, and NBC announcer Pete Axthelm bet on who will win the big game. “They ran it just before game time and it was seen by 80,000,000 people,” Levine recalled of the spot on his blog. “Nothing we've ever written before or since has been seen by that many eyeballs at one time. But the scene was never repeated. It never appeared on any DVDs. It just disappeared.” (Until now: You can watch it at the link above.)

16. TED DANSON WORE A HAIRPIECE TO PLAY HAIR-OBSESSED SAM


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A fact that became apparent when he accepted the Emmy—sans hairpiece—in 1990. In the 1993 episode “It’s Lonely on the Top,” Sam shares his follicular challenge with Carla.

17. VIEWERS FREQUENTLY COMPLAINED ABOUT THE VOLUME OF THE LAUGH TRACK, EVEN THOUGH THERE WAS NO LAUGH TRACK.

In 1983, a quick disclaimer—spoken by one of the regular cast members—was added to the beginning of each episode: “Cheers was filmed before a live studio audience.” This was a direct response to viewer complaints that the “laugh track” was too loud.

18. THE PART OF FRASIER WAS WRITTEN FOR JOHN LITHGOW.


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After recent roles in All That Jazz, Blow Out, and The World According to Garp (for which he received his first of two consecutive Oscar nominations), Lithgow was not interested in working on the small screen. “I just said, 'No,’” Lithgow recalled to The Hollywood Reporter. “I barely even remembered that … It was like swatting away a fly … I just wasn’t going to do a series.”

19. KELSEY GRAMMER PLAYED FRASIER CRANE FOR 20 YEARS.

Grammer made his Cheers debut in the third season premiere in 1984. Though he was intended to be a short-lived character, Crane’s popularity with audiences led to him becoming a series regular. Four months after Cheers ended in May of 1993, Frasier made its debut (on the redesigned Cheers stage, no less) and ran for its own 11 seasons. Grammer’s two-decade run as the pretentious psychiatrist is a record-breaking one for an American comedy actor.

20. TONY SOPRANO'S MOM PLAYED FRASIER'S MOM, TOO.


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Nancy Marchand's character threatened to kill Diane. The role of Frasier's mom was played by Tom Hanks' wife Rita Wilson in a 2001 Frasier flashback.

21. KIRSTIE ALLEY IS THE ONLY MAIN CHARACTER WHO DIDN’T MAKE A GUEST APPEARANCE ON FRASIER.

Throughout Frasier’s 11-season run, Kirstie Alley was the only one of Cheers’ main actors to not make an appearance on the popular spinoff, possibly because the psychiatric profession conflicts with her beliefs as a Scientologist. “Kirstie once said ... she'd never do a show about a psychiatrist,” Kelsey Grammer told Entertainment Weekly in 2002.

22. FRASIER’S DAD WAS MAGICALLY RESURRECTED FOR THE SPINOFF.

When Frasier talked about his family on Cheers, he noted that his father—also a well-respected psychiatrist—had passed away. Yet his ex-cop dad, played by John Mahoney, is a main character in Frasier. Incidentally, Mahoney made a one-off appearance in Cheers’ eleventh season, as a fast-talking jingle writer named Sy Flembeck:

23. NORM’S FIRST NAME IS HILLARY.

His full name is Hillary Norman Peterson.

24. THAT WOODY PLAYED WOODY WAS A TOTAL COINCIDENCE.

Though many of the non-regular bar patrons’ real names were used in filming, that Woody Harrelson ended up playing Woody Boyd is by sheer coincidence. The character’s name was written into the script long before any actors had auditioned for the role.

25. NORM DRANK “NEAR BEER.”

The bar on the set may have been fully functional, but that doesn’t mean the cast got to spend the day throwing back cold ones. Norm may have had it the worst. As the bar’s resident lush, he’s rarely seen without a sudsy glass of beer in his hand. But what’s really in that glass is “near beer,” a weakened strain of ale mixed with a bit of salt to keep a perfect head on the glass at all times. Which Wendt unfortunately had to consume on more than one occasion.

26. THE SHOW HELPED PROMOTE THE IDEA OF A DESIGNATED DRIVER.

It was important to the producers of Cheers that no tipsy bar patron ever drove him or herself home, so there are frequent references to calling cabs and designated drivers. The Harvard Alcohol Project had a hand in spreading this message.

27. SAM AND DIANE DID GET MARRIED AT THE END OF SEASON FIVE.

Because Cheers was filmed in front of a live studio audience, the producers had to occasionally trick the audience so that show developments weren’t leaked. In order to keep Shelley Long’s departure from the series a secret, the live audience saw Sam and Diane get married at the end of season five. The real ending—which sees Diane leaving for six months to finish her book, only to return for a guest appearance in the final season—was filmed on a closed set.

28. CHEERS HABLA ESPAÑOL.

In September 2011, a Spanish version of the series—also called Cheers—made its debut. It starred Alberto San Juan as a former soccer player turned Irish pub owner and ran for just one season.

29. THE END OF THE SHOW IS ALL TED DANSON’S FAULT.

Though understandably so. When Danson announced that he’d be leaving the series at the end of the 1992-1993 season, producers decided that Woody could take over the bar. But Woody Harrelson wasn’t interested in continuing the show without Danson, and so its series finale was set.

30. THE CAST AND CREW GOT REALLY, REALLY DRUNK FOR THEIR SENDOFF.

NBC made a major event of the series finale, with cast and crew celebrating at Boston’s Bull & Finch Pub, where thousands of fans gathered outside to watch the show on two Jumbotrons. Then the drinks started flowing … and flowing … and flowing. “The show ended at eleven,” Ken Levine wrote in a 2013 remembrance of the evening for Vulture. “The next half-hour was an emotional tsunami. Everyone was hugging and crying and doing a lot of drinking. We were all completely wrecked.”

Then it was time for the cast to make an appearance on The Tonight Show. “The cast, in no condition to face anybody, much less 40 million people, dutifully trooped downstairs to do the live show,” Levine continued. “Us non-celeb types stayed back and watched on TV … in horror. They were so drunk they needed designated walkers. They giggled like schoolgirls over nothing, fired spitballs into each other’s mouths, squirted water guns, Woody Harrelson implied he gave oral sex to both Ted Danson and Oliver Stone, and Kirstie Alley sang a song where the only lyric was ‘dick, dick, dick.’”

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