The Gruesome Medieval Masquerade That Inspired Edgar Allan Poe

Hulton Archive/Getty Images
Hulton Archive/Getty Images

In March 1849, Edgar Allan Poe published a short story with one of the most macabre dénouements in his entire body of work. Called Hop-Frog, it was the tale of an eponymous court jester who endures repeated humiliations from an abusive king and his ministers before finally exacting his revenge. Like other works of the great horror master, it may have been inspired by historical events—in this case, by a particularly grisly episode from 14th-century France.

In Poe's short story, both Hop-Frog and Trippetta are people with dwarfism stolen from their respective home countries and brought as presents for the king from one of his generals. Hop-Frog is described as having a disability that makes him walk "by a sort of interjectional gait—something between a leap and a wriggle." Forced to be the court's jester, he's the target of the king's practical jokes, and while enduring near-constant humiliations grows close to Trippetta, whose status at the court isn't much better.

One day, the king demands a masquerade, and as the evening draws near, he asks Hop-Frog what to wear. After a scene in which he and Trippetta are abused once again, Hop-Frog sees the perfect chance for revenge. He suggests the monarch and his ministers dress as escaped orangutans chained together, which he calls "a capital diversion—one of my own country frolics—often enacted among us, at our masquerades." The king and his ministers love the idea of scaring their guests, and especially the women. The jester carefully prepares their costumes, saturating tight-fitting fabric with tar and plastering flax on top to resemble the hair of the beasts.

On the evening of the masquerade, the men enter in their special outfits just after midnight. The guests are duly terrified, and amid the hubbub, Hop-Frog attaches the chain that surrounds the group to one hanging from the ceiling that normally holds a chandelier. As the men are drawn upwards, he brings a flame close to their bodies, pretending to the crowd that he's trying to figure out who the disguised men really are. The flax and tar ignite quickly and the noblemen burn to death, suspended above the crowd. "The eight corpses swung in their chains," Poe writes, "a fetid, blackened, hideous, and indistinguishable mass."

Bernard Picart, "Bal des Ardents"
Bernard Picart, "Bal des Ardents"
Rijksmuseum, Europeana // Public Domain

The gruesome scene was likely inspired by a historical event: the Bal des Ardents (literally, "the Ball of the Burning Ones"). This obscure episode took place during the reign of Charles VI of France (1380-1422), known to posterity as "Charles the Mad." His periods of illness are well-documented by contemporary chroniclers, who tell us that he ran through his castle howling like a wolf, failed to recognize his own wife and children, and forbade anyone to touch him because he believed he was made of glass. After his first bout in 1392, when delirium led him to kill several knights, his physician prescribed "amusements, relaxations, sports, and pastimes."

Meanwhile, the royal council was controlled by his brother Louis d'Orléans and his uncle the Duke of Burgundy—who both had their eyes set on the throne. It was also the middle of the Hundred Years' War, and England was seen as a severe threat to national stability. In spite of the unrest, on January 28, 1393, Charles's wife, Queen Isabeau of Bavaria, held a ball in the royal palace of Saint-Pol to celebrate the third marriage of her lady-in-waiting Catherine de Fastaverin. The plan was also to entertain the king, as the royal physician had prescribed. One of the guests, the knight Sir Hugonin (sometimes Huguet) de Guisay, suggested that a group of nobles dress as "wild men" or "wood savages," mythical creatures associated with nature and pagan beliefs. The king liked the idea so much that he decided to join in as one of the masked dancers.

The six noblemen wore garments made of linen covered in pitch and stuck-on clumps of flax, so they appeared "full of hair from the top of the head to the sole of the foot," according to contemporary historian Jean Froissart. Poe preserved these details in Hop-Frog, though his characters weren't dressed as wild men, but as orangutans—an animal he had also used in The Murders in the Rue Morgue (1841) to great effect.

Unlike his fictional counterpart, Charles VI was aware that the costumes were highly flammable, so he ordered all torch-bearers to keep to one side of the room. As they entered the ballroom, five of the wild men were chained to one another. Only the king was free. The men probably humiliated the newlyweds, howling and dancing; some historians believe the wild dance was a charivari, a folk ritual intended to shame newlyweds at "irregular" marriages. (As a widow getting married for the third time, Lady Catherine would have been a target.)

But there was an important guest missing: the king's brother, Louis d'Orléans. He arrived late, carrying his own torch, and joined the dance. While the exact sequence of events is unclear, before long his torch had set fire to one of the wild men's costumes. The fire spread quickly. Two of the knights burned to death in front of the guests, and two more died in agony days later. Court chronicler Michel Pintoin, known as the Monk of St. Denis, describes the dancers' "flaming genitals dropping to the floor … releasing a stream of blood."

Only two of the wild men survived. One of them, named Nantoiullet, had reacted to the blaze by throwing himself into a barrel of water, which spared him a horrid death. The other was the king. He was saved by the Duchess of Berry, who used her gown to extinguish his costume before it was too late.

The event shook French society. It was seen as the height of courtly decadence, causing outrage and further unrest. That the king had engaged in this extravagant amusement, and that his life had been spared only by chance, was further proof that he was unfit for the throne.

Meanwhile, the part that Louis d'Orléans played in the tragedy was subject to some debate. Most chroniclers blamed his youth and recklessness for the terrible accident; some reportedly suggested it was a prank to "frighten the ladies" that got out of hand.

Although it seems that the Bal des Ardents wasn't a planned crime, the king's brother must have felt responsible for the fatal accident, since he founded a chapel in the convent of the Célestins shortly afterwards, hoping it would buy him a place in heaven. It didn't save him from a violent end, however: In 1407, Louis was assassinated on the orders of his cousin and recently minted political rival the Duke of Burgundy, which triggered a civil war that divided France for decades. The Duke of Burgundy justified the murder by accusing Louis of having used sorcery and occultism to attempt regicide on several occasions—one of them, he claimed, during the Bal des Ardents.

Regardless of the truth behind the matter, the horror of the event filtered down through the centuries to inspire one of Poe's most macabre works. (It's not clear where the author first heard about it, but it may have been in the pages of The Broadway Journal, where he was soon to become editor, and where a writer likened it to the accidental onstage burning death of the dancer Clara Webster in London.) Today, the shocking historical event lives on in Poe's story—and in Hop Frog's memorable final line: "I am simply Hop-Frog, the jester—and this is my last jest."

Additional source: Chronique du Religieux de Saint-Denys

A Nellie Bly Memorial Is Being Planned for New York City’s Roosevelt Island

The infamous asylum on Blackwell's Island that Nellie Bly infiltrated in the late 1880s.
The infamous asylum on Blackwell's Island that Nellie Bly infiltrated in the late 1880s.
New York Public Library, Wikimedia Commons // Public Domain

Nellie Bly, the 19th-century journalist renowned for her six-part exposé on Blackwell’s Island’s asylum in New York City—which she infiltrated by feigning insanity—will soon be honored with a memorial on the island itself, now called Roosevelt Island.

Her 1887 investigation, Smithsonian.com reports, uncovered cruel conditions for the female "lunatic" patients, like freezing baths, violence, and solitary confinement in rooms overrun with vermin. Its publication resulted in a series of improvements including increased funding, translator assistance for immigrants, termination of abusive staff, and more. It also facilitated a national discussion about the stigma of mental illness, especially for women.

All we know about the monument so far is that it’ll be some kind of statue—maybe a traditional sculpture, something more modern or even digital—and construction will take place between March and May of next year with a budget of about $500,000. The Roosevelt Island Operating Corporation (RIOC) announced an open call for artists to submit their designs, and by August 2, it will choose five finalists who will then create conceptual proposals for the memorial.

The monument’s precise location is still up in the air, too. It could be around the Octagon, the only remaining portion of the asylum building that now forms the entrance to a luxury apartment complex on the northern half of the island, or in Lighthouse Park, a 3.78-acre space at the island’s northern tip.

Portrait of Nellie Bly
Library of Congress, Wikimedia Commons // Public Domain

Until the mid-20th century, Roosevelt Island, located in the East River between Manhattan and Queens, was a rather undesirable place to visit. Along with the women’s asylum, it housed a prison, a charity hospital, a smallpox hospital, and a workhouse, The New York Times reports.

The city changed the name of the island (originally called Blackwell’s after the family who farmed there for generations) to Welfare Island in 1921. In 1935, it relocated the prison to Rikers Island (where it remains today). And in 1971, the city established a middle-income residential community on the island, renaming it Roosevelt Island, after Franklin Roosevelt.

Though Bly’s work in the island’s asylum may be her most famous, it was far from her only contribution to the worlds of journalism and industry. She also sailed around the world in 72 days, investigated baby trafficking, and ran her late husband’s manufacturing company. You can read more about her here.

“She’s one of our local heroes,” RIOC president Susan Rosenthal told The City about the choice to honor Bly. “The combination of who she was, the importance of investigative journalism and the fact that it happened here just made it perfect for the island.”

[h/t Smithsonian.com]

10 Fascinating Facts About Anne Boleyn

Hulton Archive/Getty Images
Hulton Archive/Getty Images

Anne Boleyn was one of England’s most controversial queens. In 1533, King Henry VIII annulled his first marriage (to Catherine of Aragon) and was in the process of breaking with the Catholic Church to wed the charming noblewoman. But their happiness was not to last: Just three years later, Anne was executed. It’s a compelling story, one that’s been dramatized in plays, novels, movies, and TV shows. But today, we’re setting the pop culture depictions aside to take a look at the real Anne Boleyn.

  1. Anne Boleyn’s formative years were spent in France and Belgium.

Born in the early 16th century (possibly in 1501 or 1507), Anne was the daughter of Thomas Boleyn, an English diplomat. As a child, she went abroad to study in Margaret of Austria’s court, located in present-day Belgium, and later continued her education as a member of Mary Tudor’s elegant household in Paris. By the time she returned to her native England in the early 1520s, Boleyn had mastered the French language—and she carried herself like a Parisian, too. “No one,” wrote one of Boleyn’s contemporaries, “would ever have taken her to be English by her manners, but [instead] a native-born Frenchwoman."

  1. Anne Boleyn played the lute.

Even Boleyn’s harshest critics had to admit that she was a good dancer. She was also fond of music, and reportedly played the lute (a guitar-like instrument popular at Tudor gatherings) quite well. A songbook that bears her inscription can be found at London’s Royal College of Music. It’s unclear if Boleyn ever owned this book, but its selection of tunes is historically significant.

  1. Anne Boleyn almost married someone other than King Henry VIII.

In 1522, Thomas Boleyn and his cousin, Sir Piers Butler, were both trying to claim some Irish land holdings that had belonged to one of their mutual ancestors. To settle the dispute, Anne's uncle suggested marrying Anne to Butler’s son, James, so that the factions could be unified in the future. By the time Anne returned to England, the marriage was already in the works. King Henry VIII—whose mistress at that time was Anne's sister Mary—supported the match, but the marriage never went through. Anne also had a romantic relationship with one Henry Percy, a future Earl of Northumberland who wound up marrying the Lady Mary Talbot.

  1. Anne Boleyn was pregnant at her coronation.

King Henry VIII’s marriage to his first wife, Catherine of Aragon, was annulled on May 23, 1533. He’d been courting Anne Boleyn for years; many of his love letters survive to this day. As the king’s infatuation grew, so did his desire for a healthy male heir—which Catherine never gave him. But Pope Clement VII refused to dissolve the royal marriage. So the Archbishop of Canterbury went ahead and annulled it. Henry VIII would soon be declared “Supreme Head of the Church of England,” severing its ties with the Vatican. Boleyn was crowned queen on June 1, 1533. Her first child, Princess Elizabeth, was born a little over three months later.

  1. Anne Boleyn’s emblem was a white falcon.

The Boleyns took a white falcon from the traditional Butler family crest. For Anne’s coronation ceremony, poet Nicholas Udall wrote a ballad that likened the new queen to this elegant bird of prey. “Behold and see the Falcon White!” declared one verse. “How she beginneth her wings to spread, and for our comfort to take her flight” [PDF]. The new queen also used a white falcon badge as her personal emblem; at some point, a graffitied version of this was carved into the Tower of London.

  1. Anne Boleyn’s religious views are hard to pin down, but she appeared to sympathize with reformers.

At a time when Latin-language Bibles were the norm in Catholic Europe, Boleyn consistently supported the publication of English translations—a controversial notion at the time. As queen, she and her husband arranged for the release of Nicholas Bourbon, a French humanist whose criticisms of saint-worship and other theological matters had landed him in jail. Bourbon went to England, where he tutored Boleyn’s nephew (at her request).

  1. Anne Boleyn was the first of Henry VIII’s queens to get beheaded.

Like Catherine before her, Anne Boleyn failed to deliver Henry VIII’s long-sought male heir. In 1536, she found herself on trial, accused of high treason, adultery, and incest. (Rumors circulated that she was having an affair with her brother, George.) Though many historians dismiss these allegations, they sealed her fate nevertheless. Boleyn was beheaded on May 19, 1536. Henry VIII wed his third wife, Jane Seymour, that same month. Two spouses later, history repeated itself when the king had queen number five—Catherine Howard—decapitated in 1542.

  1. It has been claimed that Anne Boleyn had 11 fingers.

When you replace a popular monarch and spur the change of the religious fabric of an entire country, you're bound to make enemies. One of Boleyn’s detractors claimed that she had a “devilish spirit,” while another famously called her a “goggle-eyed whore.”

And then there’s Catholic propagandist Nicholas Sander, who wrote an unflattering description of the former queen many years after she died. According to him, Boleyn had “a large wen [wart or cyst] under her chin,” a “projecting tooth under the upper lip” and “six fingers” on her right hand. But his claims are highly suspect. There’s no proof that Sander ever laid eye on Boleyn—plus, her contemporaries didn’t mention any of these physical traits in their own writings about the queen. At worst, she might have had a second nail on one finger—which is a far cry from saying she possessed an extra digit.

  1. Anne Boleyn’s daughter, Queen Elizabeth I, ruled England for decades.

Coronated at age 25 on January 15, 1559, Queen Elizabeth I defeated the Spanish Armada, promoted exploration, and foiled multiple assassination plots during her 44-year reign. She held the throne right up until her death in 1603.

  1. There’s only one surviving portrait of Anne Boleyn (that we know of).

When Henry VIII executed her, most Anne Boleyn likenesses were intentionally destroyed—and now, there's just one contemporary image of the queen known to exist: a lead disc—crafted in 1534—with Boleyn’s face etched on one side, which is held at the British Museum in London. It’s the only verified portrait of the former queen that was actually produced during her lifetime.

But there may be at least one more image of the queen out there: In 2015, facial recognition software was used to compare the image on the disc to a 16th-century painting currently housed at the Bradford Art Galleries and Museums. The picture’s subject, a young woman, has never been identified, but according to the program, the figure looks an awful lot like Boleyn’s portrait in that lead disc—though the researchers cautioned that their results were inconclusive due to insufficient data.

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