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Flickr user Garret Zeigler

14 Street Art Terms—Illustrated!

Original image
Flickr user Garret Zeigler

Street art has gone mainstream. Artists who started in the street now show in museums and galleries (rather than on them), and their stencils or posters can be worth millions. Cameras watch to catch not bombers putting up tags but people defacing what’s already on the walls. Just about every city in the world—as well as suburbs and deserts—has stickers, murals, and wheatpastes to admire. But what if it’s all graffiti to you? Here are 14 terms to know when it comes to street art.

1. TAG

Wall at 5 Pointz

A stylized name or signature done with various materials, such as a marker or an aerosol spray can, often freehand. Depending on its format or complexity, a tag may be called a throw-up, as in “that throw-up is amazingly detailed,” not as in “this Sharpie scrawl makes me want to throw up my cookies.” A person who tags is known as a writer or bomber.

2. CHARACTER

Sweet Toof

Cute or creepy, cartoonish or realistic, a character serves as a signature or visual shorthand. If you know the character, you know the artist. Some artists take their characters from comic books or television, but many invent wholly original beings. A character can be put up on its own or as part of a larger narrative scene.   

3. WILDSTYLE

Tag on Bogart Street, Brooklyn

Elaborate, interlocking letters or symbols used when tagging. Wildstyle forms a complicated code that excludes non-writers, as generally only experts or practitioners can read the name.

4. PIECE

Kobra

Short for “masterpiece.” The term is frequently used to describe a more labor-intensive work, usually with at least three colors. A street artist might be said to get up a piece or a tag. Pieces are sometimes called burners, as in “this piece is so hot, it’s burning off the wall and onto my retinas.”   

5. ROLLER

Skewville

A work done with a roller brush. Most rollers consist of block-letter tags or phrases, sometimes with drop shadows or intentional drips. The brush’s long handle enables artists to paint in hard-to-reach or tricky spots, such as down the side of a building, or to complete really large pieces.   

6. CREW

Robots Will Kill

A group of artists who regularly get up together. The crew’s collaboration might consist of unified pieces that tell a coherent story, or it may be a series of individual tags done in a concentrated area.

7. LEGAL WALLS

Sheryo, The Yok, Flying Fortress, Never, Nychos, and Most

In recent years, property owners and even entire neighborhoods have allowed artists to bomb their houses or buildings. Legal walls have helped bring about the transformation of graffiti into public art. Because artists don’t have to execute quickly, at night, or with one eye out for police, legal walls allow for bigger or more involved pieces that seek to beautify, moralize, empower, or entertain.

8. MURAL

How & Nosm and RRobots

A huge work, often on a legal wall. It might be done by an individual, an informal group, or a crew. A mural might depict a single scene, or it might be a series of standalone or loosely connected images or characters.  

9. INSTALLATION

Invader

A site-specific work, often 3D or sculptural. Temporary or permanent, an installation may combine several techniques, as when a stenciled scene of a child pulling a wagon includes part of an actual wagon attached to the wall. Some installations have a political bent, such as a street sign that has been altered, and some are optical illusions.     

10. STICKER

Various artists

Easy to make, easy to tote, and easy to place, a sticker is a fast, simple way to disseminate a character, tag, image, or message. The drawing or tag may be done quickly, on a priority mail label from the U.S. Postal Service or a “Hello My Name Is” badge, for example. Or the sticker may be designed and printed in a studio. Regardless, stickers show up on street signs, poles, doors, ATMs, walls, benches, subways, and pretty much every other surface you can think of. As with artisanal coffee shops, the presence of one in the neighborhood somehow beckons many others to follow.   

11. WHEATPASTE

Swoon

An adhesive made from equal parts flour and water; also the name for a type of street art that relies on it. To put up a wheatpaste, an artist covers an area with the paste, then unfurls a poster, drawing, painting, or photo made off site. After smoothing out the paper’s wrinkles and bubbles, another smear of wheatpaste goes on top. The result is sometimes called a paste-up.    

12. STENCIL

Icy and Sot

A design cut into heavy paper or cardboard, then spray-painted onto a wall. A stencil may be a phrase, an image, or a combination thereof. Some stencils are one-offs; others are repeated throughout a geographic area or around the world. Blek le Rat, the so-called father of stencil graffiti, popularized the form via images of rats he began putting up in Paris in the early 1980s.

13. YARN BOMBING

Olek

In 2005, Magda Sayeg knitted a cozy for a doorknob at her Houston boutique, and spawned a movement. Since then, knit bombers have covered statues, buses, signs, trees, grocery carts, telephone poles, benches, and other objects both sentient and non. Also called “grandma graffiti,” yarn bombing brings an element of domesticity into the streets, counterbalancing the traditionally male world of street art with a traditionally female art form.

14. POST-GRAFFITI

Hellbent

Another name for street art. The lines between graffiti, street art, and public art have begun to blur. As legal walls have proliferated, street artists are no longer marginalized, but are lauded for their creativity and craftsmanship. Perhaps in response, they have pushed past spray paint, stickers, and other common approaches. Today, work on the street encompasses a fantastic range of materials and styles from LED throwies and light projections to skywriting to abstract collage.

All photos by Flickr user Garrett Ziegler.

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Art
Artist Makes Colorful Prints From 1990s VHS Tapes

A collection of old VHS tapes offers endless crafting possibilities. You can use them to make bird houses, shelving units, or, if you’re London-based artist Dieter Ashton, screen prints from the physical tape itself.

As Co.Design reports, the recent London College of Communication graduate was originally intrigued by the art on the cover of old VHS and cassette tapes. He planned to digitally edit them as part of a new art project, but later realized that working with the ribbons of tape inside was much more interesting.

To make a print, Ashton unravels the film from cassettes and VHS tapes collected from his parents' home. He lets the strips fall randomly then presses them into tight, tangled arrangements with the screen. The piece is then brought to life with vibrant patterns and colors.

Ashton has started playing with ways to incorporate themes and motifs from the films he's repurposing into his artwork. If the movie behind one of his creations isn’t immediately obvious, you can always refer to its title. His pieces are named after movies like Backdraft, Under Siege, and that direct-to-video Mary-Kate and Ashley Olsen classic Passport to Paris.

Screen print made from an old VHS tape.

Screen print made from an old VHS tape.

Screen print made from an old VHS tape.

Screen print made from an old VHS tape.

Screen print made from an old VHS tape.

Screen print made from an old VHS tape.

[h/t Co.Design]

All images courtesy of Dieter Ashton

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photography
This Is What Flowers Look Like When Photographed With an X-Ray Machine
Original image
Dr. Dain L. Tasker, “Peruvian Daffodil” (1938)

Many plant photographers choose to showcase the vibrant colors and physical details of exotic flora. For his work with flowers, Dr. Dain L. Tasker took a more bare-bones approach. The radiologist’s ghostly floral images were recorded using only an X-ray machine, according to Hyperallergic.

Tasker snapped his pictures of botanical life while he was working at Los Angeles’s Wilshire Hospital in the 1930s. He had minimal experience photographing landscapes and portraits in his spare time, but it wasn’t until he saw an X-ray of an amaryllis, taken by a colleague, that he felt inspired to swap his camera for the medical tool. He took black-and-white radiographs of everything from roses and daffodils to eucalypti and holly berries. The otherworldly artwork was featured in magazines and art shows during Tasker’s lifetime.

Selections from Tasker's body of work have been seen around the world, including as part of the Floral Studies exhibition at the Joseph Bellows Gallery in San Diego in 2016. Prints of his work are also available for purchase from the Stinehour Wemyss Editions and Howard Greenberg Gallery.

Dr. Dain L. Tasker, “Philodendron” (1938)
Dr. Dain L. Tasker, “Philodendron” (1938)

X-ray image of a rose.
Dr. Dain L. Tasker, “A Rose” (1936)

All images courtesy of Joseph Bellows Gallery.

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