Before appearing as Marty Funkhouser in Larry David’s improvisational HBO comedy Curb Your Enthusiasm, actor Bob Einstein was familiar to cable audiences as “Super Dave” Osborne, an alter ego created as a parody of reckless daredevils like Evel Knievel. Like a human cartoon, Osborne's bravado would usually get him maimed. With Einstein—a.k.a. Super Dave—turning 75 on November 20, and today marking the 30th anniversary of his Super Dave Showtime series, we thought we’d take a look back at the origins of this unique comic persona.
1. HE’S ALBERT BROOKS’S BROTHER.
No Super Dave primer would be complete without mention of the fact that Einstein vied for attention as a child with younger brother Albert, who went on to become an acclaimed writer, director, and actor with films like 1985’s Lost in America and 1991’s Defending Your Life. Understandably, Albert realized that a show business career might be hindered by his father’s questionable decision to name him “Albert Einstein,” so he changed his name to Albert Brooks. Bob kept the family surname.
2. HE WASN’T DIRECTLY INSPIRED BY EVEL KNIEVEL.
When Einstein came up with the Super Dave character for a 1976 variety show, Van Dyke and Company, Evel Knievel’s popularity was in full swing. The daredevil—who had broken dozens of bones jumping over the fountains at Caesar’s Palace in 1967 and subsequently achieved superstardom doing similarly ill-advised stunts—seemed ripe for parody. But according to Einstein, Super Dave was born more out of the false bravado he had seen exhibited by stuntmen in the movie business. “Where it started was from every a**hole who worked on a movie or worked in athletics or anything and when they were interviewed they were always Mr. Gladhand,” Osborne told the Futon Critic in 2009. ”'This was the best game I ever had!’ ‘This is the best stunt I've ever done!’ But then behind the scenes they said what they really felt. I wanted to create a character where you saw both sides of it. He was happy as sh*t before he got killed and then afterwards you saw the real side of him, so that's where it came from. It didn't really have to do with Evel except that I was a stuntman.”
3. HE MIGHT HAVE BEEN THE FIRST CABLE TV SPINOFF.
Einstein portrayed Super Dave in a Showtime variety series titled Bizarre from 1979 to 1985. In 1987, the cable channel gave the character his own series, Super Dave, which The New York Timesdeclared “cable’s first spin-off series” and a “dubious landmark of sorts.” Super Dave’s first episode featured guest appearances by Ray Charles and Carol Burnett.
4. HE NEARLY GOT HURT FOR REAL.
Super Dave aficionados are familiar with the character’s formula, which involves bragging about his stunt prowess before inevitably getting mangled, crushed, or otherwise maimed after things go awry. (In one sketch, Super Dave plummets to certain death after his bungee cord snaps. His assistant tries to lower an ambulance via bungee cord, which then falls on him.) But for a 1990 episode, Einstein told the Los Angeles Times that he came close to getting decimated for real. Trying to navigate a “bullfight” in a mini-Cooper with a tank, the giant military vehicle advanced after Einstein’s car stalled out, nearly flattening him.
5. HE ENDORSED NIKE.
Super Dave became a cult cable hit in the early 1990s—enough for Nike to invite Einstein to appear in a commercial for Nike Air shoes alongside Reggie Miller and other NBA stars. In the spot, Super Dave tries a slam dunk and winds up breaking the backboard with his face.
6. HE GOT HIS OWN ANIMATED SERIES.
In 1991, Super Dave entered a new dimension—animation—with Super Dave: Daredevil for Hire, a short-lived animated series on Fox that aired for 13 episodes in 1992. Something appeared to get lost in translation, as Osborne was already a cartoon and relegating him to animation seemed somewhat redundant.
7. FRIENDS CALLED BOB “DAVE” IN PUBLIC.
Actors are usually irritated when they’re confused for their onscreen personas, but Einstein and Super Dave became so linked that Einstein’s friend—and Super Dave co-creator—Allan Blye resorted to calling him “Dave” when the two were out in public. “When I call him Bob, people are very confused,” Blye toldThe New York Times in 1995. “Super Dave Osborne, to millions of people, is a real person.”
8. EINSTEIN WON’T LET HIM STAY DEAD.
Following his 1980s heyday, Super Dave was resurrected in several projects. In 1995, Einstein filmed a new series, Super Dave’s Vegas Spectacular, with an actual plot—Super Dave owns and operates a casino—which lasted just one season. In 2000, he released The Extreme Adventures of Super Dave, a direct-to-video film featuring Super Dave attempting one last stunt to earn money for a child’s operation. And in 2009, Spike brought him back for four episodes of botched stunts.
On the heels of last week's Netflix release of El Camino: A Breaking BadMovie, fans of Breaking Bad have another treat on tap. Sneaker brand K-Swiss just announced a special edition sneaker modeled after the now-iconic RV camper where unlikely drug kingpin Walter White and his sidekick Jesse Pinkman cooked batches of the finest methamphetamine New Mexico had ever seen.
The Classic 2000 x Breaking Bad Recreational Vehicle sneakers sport the same distinctive striped pattern as the camper and feature the show’s logo on the tongue. Inside is a lining that resembles the upholstery of the camper’s interior. The shoebox even has a few bullet holes to mimic the ones on the camper’s door.
Unlike Walt's meth, the sneakers are available only in limited quantities. K-Swiss plans on launching the shoe beginning at 6 p.m. PST on Thursday, October 17, at a pop-up store at 7100 Santa Monica Boulevard in West Hollywood, California. (The “store” is actually the screen-used RV from the series, and fans are welcome to stop by to take pictures with it.) The company will release 50 pairs at the pop-up, with another 250 through K-Swiss.com and through Greenhouse, a designer and collectible shoe app from Foot Locker.
The shoes retail for $80, but unless you’re one of the lucky few able to grab a pair through the routes above, you’ll probably have to consider a marked-up eBay sale. As Walter White well knows, quality comes at a heavy price.
In the late 1960s, George A. Romero changed horror cinema forever with Night of the Living Dead, an instant classic that defined zombie storytelling on the big and small screens for decades to come. Over the next decade, Romero—who was reluctant to revisit the creepy world of shambling corpses he’d brought to life—tried other things. But then a chance encounter with a shopping mall and a little help from a fellow horror master changed his mind. The result was Dawn of the Dead, an over-the-top horror comic book for the big screen that remains, for many fans, the greatest zombie film ever made.
It’s been more than 40 years since Dawn of the Dead first arrived in theaters, and the film remains a wickedly fun piece of horror satire full of exploding heads, mischievous bikers, and one very dangerous helicopter. In celebration of four decades of terror at the mall, here are 10 facts about the making of Dawn of the Dead.
1. We can thank the mall (and Dario Argento) for Dawn of the Dead.
When Night of the Living Dead became a massive hit after its release in 1968, Romero began fielding various offers to potentially revisit the world of ghouls that he had created. Romero, who’d made a living making TV commercials in Pittsburgh before Night of the Living Dead was made, was "paranoid" about the idea of returning for a second film, and left it alone for years until an idea unexpectedly came to him.
As Romero explained on Anchor Bay’s Dawn of the Dead commentary track, the idea for the film initially came to him when he touring Pennsylvania's Monroeville Mall, which was owned by some friends of his. During the tour, he was shown some crawlspace within the mall where various supplies were stored, and started thinking about what might happen if people holed up in the mall to try and ride out a zombie apocalypse.
The second big ingredient that led to Dawn of the Dead was Dario Argento, the acclaimed Italian director best known for Suspiria and Deep Red. Argento offered to help Romero get financing for a Night of the Dead sequel, and even invited him to Rome to work on the script.
“They got us a little apartment, I sat in Rome and banged this out,” Romero said.
2. George A. Romero came up with the most famous line while drinking.
Vittorio Zunino Celotto, Getty Images
The most famous line in Dawn of the Dead—a line so famous it became the movie's tagline and was later reused in Zack Snyder’s 2004 remake—belongs to the character of Peter: “When there’s no more room in hell, the dead will walk the Earth.” As catchy and unforgettable as it is, Romero doesn’t recall any grand moment of inspiration. He was just drunk one night, trying to get the script finished.
“I just made that up. Truly. On a drunken night when I was really crashing to ﬁnish the script and I thought that was kind of nice. It was from something Dario Argento told me,” Romero toldRolling Stone in 1978. “My family is Cuban and Dario said, ‘Well you have a Caribbean background and that’s why you’re into the zombie thing; zombies originated in Haiti.’ I said, well, all right, and I just ﬁgured that’s something a voodoo priest might say. Whee! I’m just having fun, man.”
3. Multiple versions of Dawn of the Dead exist.
Argento helped Romero find financing for Dawn of the Dead and served as a “script consultant” on the film. In exchange, Argento retained the right to recut the film for various foreign markets, while Romero retained final cut for North and South America. As a result, the Italian version of the film was shorter than Romero’s U.S. version, as Argento trimmed certain jokes he felt Italian audiences wouldn’t get. This increased the darkness of the film, which led to certain content cuts in other foreign markets. This is why several different cuts of the film wound up existing around the world, including an R-rated re-release that was re-cut for drive-in theaters in 1982.
4. Dawn of the Dead was released unrated in America.
Dawn of the Dead was released first in international markets, arriving in Italian theaters in the fall of 1978, months before it would land in the United States. In just a few weeks, the film was a commercial success overseas without ever playing to American audiences. So, when Romero and company ran into MPAA demands that they cut the film down or get an X rating, they doubled down and released the film unrated without any cuts to the gore.
5. The zombies didn’t get a lot of direction.
Though he’s renowned among horror fans as the man responsible for building zombies into one of the most effective movie monsters, Romero didn’t spend too much time guiding his undead ghouls. The director felt that if he tried to offer detailed direction in terms of zombie behavior, the zombies would all start acting one way instead of like a group of individuals. So, direction was kept to a minimum.
“You just have to say, ‘Be dead,’” he later recalled.
The Monroeville Mall was not a Romero invention. It was a real, working shopper’s paradise, owned by friends of his, which meant that it wasn’t just going to be shut down for weeks at a time so a zombie movie crew could come in and wreck it. Though Romero and his wife Chris later recalled having to stay out of the mall while the Christmas decorations were up (which is when scenes set elsewhere were shot), once the crew did get into the mall they could only shoot at night.
To make that easier, the crew replaced many of the lights in the mall with color-corrected lighting, so they could essentially shoot wherever they chose. At 7 a.m. each morning the mall’s Muzak would automatically start playing, which meant shooting was done for the day, and the cast and crew could shamble home for a little rest. (The Monroeville Mall, which is located about 10 miles from Pittsburgh, is still in operation today.)
7. Many of Dawn of the Dead's gore effects were improvised.
Though he would eventually become known as one of horror’s great gore wizards, at the time of Dawn of the Dead Tom Savini’s career as a special effects artist was still quite young. As he recalled later, he was doing a play in North Carolina when Romero called him and said: “We got another gig. Think of ways to kill people.”
Savini later recalled that he was given a great deal of freedom to play with different ideas for the many, many gore effects in Dawn of the Dead, so much so that many of the most memorable effects were made up on the day of shooting, including the scene in which a zombie takes a screwdriver through the ear and the exploding head during the SWAT raid on the housing project near the beginning of the film. Savini’s knack for improvisation also served him well in another capacity: The character of Blades the biker, which Savini plays, was not in the original script. He was simply added during shooting.
“George let us go play,” Savini recalled.
8. Dawn of the Dead is packed with cameos.
Like many of Romero’s films, Dawn of the Dead’s production was based in his native Pittsburgh, which meant that getting people to be in the movie was often as simple as contacting friends and family and inviting them to appear on camera. Romero makes a cameo in the film himself, alongside his future wife and producer Chris, in the film’s opening sequence at the TV station, where the couple is sitting side by side at a control panel (Romero, Savini noted on the commentary track, is also wearing his “lucky scarf”). Other cameos scattered throughout the film include Chris Romero’s brother Cliff Forrest as the man who leans over a sleeping Francine in the opening shot, and Tom Savini’s niece and nephew as the two zombie children who burst out of a closet at the landing strip and attack Peter.
9. The bikers were not actors.
As with some of the smaller speaking roles, getting extras to show up in Dawn of the Dead was often a matter of simply asking around Pittsburgh for the right people. As a result, the National Guardsmen present in the film, as well as some of the police officers, were real National Guardsmen and real cops.
For the legendary sequence in which a biker gang stages a raid on the mall, the production also managed to find real bikers in form of a group called The Pagans, who brought their own motorcycles for the shoot.
“I don’t remember who contacted them, but they just showed up,” Chris Romero later recalled.
10. Dawn of the Dead almost featured a darker ending.
During production on Dawn of the Dead, George Romero toldRolling Stone writer Chet Flippo that the film had, in Flippo’s words “no beginning and two endings.” Romero explained that this was because he was working “moment to moment” on the film. He eventually figured the beginning of the film out, of course, and went with an ending in which Peter and Francine fight their way out of the mall and onto the roof, where they escape in the helicopter. So, what was the other ending?
On the film’s commentary track, George and Chris Romero and Tom Savini all discuss a much darker concept to close the film, in which Peter would have shot himself (which he contemplates doing in the final cut) while Francine would have leapt into the spinning blades of the helicopter, mirroring one of the most famous zombie deaths earlier in the film. That ending would have followed in the footsteps of Night of the Living Dead’s dark ending, but Romero ultimately decided on something lighter.
Still, the original plan didn’t go to waste: Savini had already made a cast of actress Gaylen Ross’s head to use for Francine’s death scene, so he repurposed it—with the help of some makeup and a wig—for the famous exploding head shot during the housing project raid.
Additional Sources: Shock Value by Jason Zinoman (The Penguin Press, 2011) Dawn of the Dead DVD Commentary (Anchor Bay, 2004)