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Photograph by James Ewing. Courtesy Public Art Fund, NY
Photograph by James Ewing. Courtesy Public Art Fund, NY

A New Exhibit Celebrates New York City's Public Art Legacy

Photograph by James Ewing. Courtesy Public Art Fund, NY
Photograph by James Ewing. Courtesy Public Art Fund, NY

Walking through New York City could be likened to strolling through a smog-filled gallery. For the past 50 years and more, artists have brightened its streets, subways, and buildings with vibrant mosaics, installations, sculptures, and murals. To celebrate their creativity—and the pioneering public art initiatives that made these works possible—the Museum of the City of New York has created a new exhibit, "Art in the Open: Fifty Years of Public Art."

"Art in the Open" features over 125 works by artists such as Kara Walker, Keith Haring, and Roy Lichtenstein, among others, all of which once graced the city's five boroughs. The exhibit explores the social and historical motivation behind outdoor art, and also connects it with overarching urban themes.

“The ubiquity of public art is a big part of what makes New York City so special,” said Museum of the City of New York director Whitney Donhauser in a statement. “From parks to the subways, from Staten Island to the Bronx, creativity is all around us. Experiencing the wide variety of art created for public spaces gathered together within the walls of a museum offers visitors a new lens for appreciating and understanding our city’s extraordinary 50-year commitment to public art.”

The exhibit runs from November 10, 2017 through May 13, 2018. Head to the Museum of the City of New York website for more details, or check out some photos below.

Jane Dickson's 1982 artwork "Untitled," part of "Messages to the Public"

Jane Dickson, Untitled, part of Messages to the Public, Times Square, 1982.

Courtesy Public Art Fund, NY

Ugo Rondinone's 2013 installation "Human Nature"

Ugo Rondinone, Human Nature, Rockefeller Center, 2013. Presented by Nespresso, Organized by Tishman Speyer and Public Art Fund.

Photograph by Bart Barlow. Courtesy Public Art Fund, NY

Subway artwork "Times Square Mural" designed by Roy Lichtenstein,
Times Square Mural (2002) © Roy Lichtenstein, NYCT Times Square-42nd Street Station. Commissioned by MTA Arts & Design.
Courtesy of Museum of the City of New York

Vik Muniz's 2017 subway artwork "Perfect Strangers"

Perfect Strangers (2017) © Vik Muniz, NYCT Second Avenue-72nd Street Station. Commissioned by MTA Arts & Design.

Courtesy of the Museum of the City of New York

Rob Pruitt's 2011 artwork "The Andy Monument"

Rob Pruitt, The Andy Monument, Union Square, 2011.

Photograph by James Ewing. Courtesy Public Art Fund, NY

Laurie Hawkinson, Erika Rothenberg, and John Malpede's 2004 artwork "Freedom of Expression National Monument"

Laurie Hawkinson, Erika Rothenberg, and John Malpede, Freedom of Expression National Monument, 2004, Foley Square.

Photo courtesy of Erika Rothenberg

Artist Kara Walker's 2014 work "A Subtlety, or the Marvelous Sugar Baby"

At the behest of Creative Time Kara E. Walker has confected: A Subtlety, or the Marvelous Sugar Baby, an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant. A project of Creative Time. Domino Sugar Refinery, Brooklyn, NY, May 10 to July 6, 2014. 

Jason Wyche, courtesy of Sikkema Jenkins & Co., New York. Artwork © 2014 Kara Walker.
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Art
5 Things You Might Not Know About Ansel Adams

You probably know Ansel Adams—who was born on February 20, 1902—as the man who helped promote the National Park Service through his magnificent photographs. But there was a lot more to the shutterbug than his iconic, black-and-white vistas. Here are five lesser-known facts about the celebrated photographer.

1. AN EARTHQUAKE LED TO HIS DISTINCTIVE NOSE.

Adams was a four-year-old tot when the 1906 San Francisco earthquake struck his hometown. Although the boy managed to escape injury during the quake itself, an aftershock threw him face-first into a garden wall, breaking his nose. According to a 1979 interview with TIME, Adams said that doctors told his parents that it would be best to fix the nose when the boy matured. He joked, "But of course I never did mature, so I still have the nose." The nose became Adams' most striking physical feature. His buddy Cedric Wright liked to refer to Adams' honker as his "earthquake nose.

2. HE ALMOST BECAME A PIANIST.

Adams was an energetic, inattentive student, and that trait coupled with a possible case of dyslexia earned him the heave-ho from private schools. It was clear, however, that he was a sharp boy—when motivated.

When Adams was just 12 years old, he taught himself to play the piano and read music, and he quickly showed a great aptitude for it. For nearly a dozen years, Adams focused intensely on his piano training. He was still playful—he would end performances by jumping up and sitting on his piano—but he took his musical education seriously. Adams ultimately devoted over a decade to his study, but he eventually came to the realization that his hands simply weren't big enough for him to become a professional concert pianist. He decided to leave the keys for the camera after meeting photographer Paul Strand, much to his family's dismay.

3. HE HELPED CREATE A NATIONAL PARK.

If you've ever enjoyed Kings Canyon National Park in California, tip your cap to Adams. In the 1930s Adams took a series of photographs that eventually became the book Sierra Nevada: The John Muir Trail. When Adams sent a copy to Secretary of the Interior Harold Ickes, the cabinet member showed it to Franklin Roosevelt. The photographs so delighted FDR that he wouldn't give the book back to Ickes. Adams sent Ickes a replacement copy, and FDR kept his with him in the White House.

After a few years, Ickes, Adams, and the Sierra Club successfully convinced Roosevelt to make Kings Canyon a national park in 1940. Roosevelt's designation specifically provided that the park be left totally undeveloped and roadless, so the only way FDR himself would ever experience it was through Adams' lenses.

4. HE WELCOMED COMMERCIAL ASSIGNMENTS.

While many of his contemporary fine art photographers shunned commercial assignments as crass or materialistic, Adams went out of his way to find paying gigs. If a company needed a camera for hire, Adams would generally show up, and as a result, he had some unlikely clients. According to The Ansel Adams Gallery, he snapped shots for everyone from IBM to AT&T to women's colleges to a dried fruit company. All of this commercial print work dismayed Adams's mentor Alfred Stieglitz and even worried Adams when he couldn't find time to work on his own projects. It did, however, keep the lights on.

5. HE AND GEORGIA O'KEEFFE WERE FRIENDS.

Adams and legendary painter O'Keeffe were pals and occasional traveling buddies who found common ground despite their very different artistic approaches. They met through their mutual friend/mentor Stieglitz—who eventually became O'Keeffe's husband—and became friends who traveled throughout the Southwest together during the 1930s. O'Keeffe would paint while Adams took photographs.

These journeys together led to some of the artists' best-known work, like Adams' portrait of O'Keeffe and a wrangler named Orville Cox, and while both artists revered nature and the American Southwest, Adams considered O'Keeffe the master when it came to capturing the area. 

“The Southwest is O’Keeffe’s land,” he wrote. “No one else has extracted from it such a style and color, or has revealed the essential forms so beautifully as she has in her paintings.”

The two remained close throughout their lives. Adams would visit O'Keeffe's ranch, and the two wrote to each other until Adams' death in 1984.

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Dan Bell
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Design
A Cartographer Is Mapping All of the UK’s National Parks, J.R.R. Tolkien-Style
Peak District National Park
Peak District National Park
Dan Bell

Cartographer Dan Bell makes national parks into fantasy lands. Bell, who lives near Lake District National Park in England, is currently on a mission to draw every national park in the UK in the style of the maps in J.R.R. Tolkien’s The Lord of the Rings, Kottke.org reports.

The project began in September 2017, when Bell posted his own hand-drawn version of a Middle Earth map online. He received such a positive response that he decided to apply the fantasy style to real world locations. He has completed 11 out of the UK’s 15 parks so far. Once he finishes, he hopes to tackle the U.S. National Park system, too. (He already has Yellowstone National Park down.)

Bell has done various other maps in the same style, including ones for London and Game of Thrones’s Westeros, and he commissions, in case you have your own special locale that could use the Tolkien treatment. Check out a few of his park maps below.

A close-up of a map for Peak District National Park
Peak District National Park in central England
Dan Bell

A black-and-white illustration of Cairngorms National Park in the style of a 'Lord of the Rings' map.
Cairngorms National Park in Scotland
Dan Bell

A black-and-white illustration of Lake District National Park in the style of a 'Lord of the Rings' map.
Lake District National Park in England
Dan Bell

You can buy prints of the maps here.

[h/t Kottke.org]

All images by Dan Bell

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