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3 Fascinating Items in Abraham Lincoln's Newly Released Archives

The Abraham Lincoln collection in the Library of Congress just got a major boost. The 16th president’s full papers are now entirely available online in full color for the first time, giving you high-resolution access to his letters, campaign materials, speeches, and more.

Lincoln’s papers took a roundabout route to the Library of Congress. After his assassination, Lincoln’s son Robert Todd Lincoln sent the president’s papers to one of the former congressman’s associates in Illinois, Judge David Davis, who worked with Lincoln’s presidential secretaries to organize them. Robert Todd Lincoln gave them to the Library of Congress in 1919, and in 1923, deeded them to the archive, mandating that they be sealed until 21 years after his death. They were opened in 1947.

This isn’t the first time some of these documents have been available online—scanned images of them first appeared on the Library of Congress’s American Memory website in 2001—but this 20,000-document collection provides higher-resolution versions, with new additions and features. Previous papers were uploaded as image scans from microfilm, meaning they weren’t particularly high quality. Now, researchers have better access to the information with scans from the original documents that you can zoom in on and actually read.

There are searchable transcriptions for about 10,000 hand-written documents in the collection, including those written in Lincoln’s hand, along with annotations that provide contextual explanations. Here are three items in the collection not to miss:

1. THE EARLIEST VERSION OF THE EMANCIPATION PROCLAMATION

Lincoln read this early version of the Emancipation Proclamation to his cabinet in July 1862, telling them he was going to propose freeing slaves held by Confederate rebels. Secretary of State William Seward convinced him that he should wait until there was a major Union victory to announce the proclamation.

2. A LETTER FROM MRS. LINCOLN

In the fall of 1862, Mary Todd Lincoln wrote her husband during her month-long trip to New York and Boston about her dressmaker and confidant, a former slave named Elizabeth Keckley, asking him for money to give to her to buy blankets for escaped slaves, then referred to as “contrabands.”

3. A DRAFT OF THE GETTYSBURG ADDRESS

This may be the only copy of Lincoln’s famous Gettysburg address that was drafted before he delivered it. There are five known drafts of the speech, but three were written out for people who requested copies afterward. It’s unclear if one of the other copies was made before or after the speech, but this one was definitely drafted beforehand. It belonged to Nicolay Hay, Lincoln’s secretary, who also helped organize his papers after the president’s death. It differs a little from the speech we’re familiar with, so you should definitely read the transcript. (Click “show text” above the image on the Library of Congress page for the text and annotations.)

You can see all the documents here.

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Art
5 Things You Might Not Know About Ansel Adams

You probably know Ansel Adams—who was born on February 20, 1902—as the man who helped promote the National Park Service through his magnificent photographs. But there was a lot more to the shutterbug than his iconic, black-and-white vistas. Here are five lesser-known facts about the celebrated photographer.

1. AN EARTHQUAKE LED TO HIS DISTINCTIVE NOSE.

Adams was a four-year-old tot when the 1906 San Francisco earthquake struck his hometown. Although the boy managed to escape injury during the quake itself, an aftershock threw him face-first into a garden wall, breaking his nose. According to a 1979 interview with TIME, Adams said that doctors told his parents that it would be best to fix the nose when the boy matured. He joked, "But of course I never did mature, so I still have the nose." The nose became Adams' most striking physical feature. His buddy Cedric Wright liked to refer to Adams' honker as his "earthquake nose.

2. HE ALMOST BECAME A PIANIST.

Adams was an energetic, inattentive student, and that trait coupled with a possible case of dyslexia earned him the heave-ho from private schools. It was clear, however, that he was a sharp boy—when motivated.

When Adams was just 12 years old, he taught himself to play the piano and read music, and he quickly showed a great aptitude for it. For nearly a dozen years, Adams focused intensely on his piano training. He was still playful—he would end performances by jumping up and sitting on his piano—but he took his musical education seriously. Adams ultimately devoted over a decade to his study, but he eventually came to the realization that his hands simply weren't big enough for him to become a professional concert pianist. He decided to leave the keys for the camera after meeting photographer Paul Strand, much to his family's dismay.

3. HE HELPED CREATE A NATIONAL PARK.

If you've ever enjoyed Kings Canyon National Park in California, tip your cap to Adams. In the 1930s Adams took a series of photographs that eventually became the book Sierra Nevada: The John Muir Trail. When Adams sent a copy to Secretary of the Interior Harold Ickes, the cabinet member showed it to Franklin Roosevelt. The photographs so delighted FDR that he wouldn't give the book back to Ickes. Adams sent Ickes a replacement copy, and FDR kept his with him in the White House.

After a few years, Ickes, Adams, and the Sierra Club successfully convinced Roosevelt to make Kings Canyon a national park in 1940. Roosevelt's designation specifically provided that the park be left totally undeveloped and roadless, so the only way FDR himself would ever experience it was through Adams' lenses.

4. HE WELCOMED COMMERCIAL ASSIGNMENTS.

While many of his contemporary fine art photographers shunned commercial assignments as crass or materialistic, Adams went out of his way to find paying gigs. If a company needed a camera for hire, Adams would generally show up, and as a result, he had some unlikely clients. According to The Ansel Adams Gallery, he snapped shots for everyone from IBM to AT&T to women's colleges to a dried fruit company. All of this commercial print work dismayed Adams's mentor Alfred Stieglitz and even worried Adams when he couldn't find time to work on his own projects. It did, however, keep the lights on.

5. HE AND GEORGIA O'KEEFFE WERE FRIENDS.

Adams and legendary painter O'Keeffe were pals and occasional traveling buddies who found common ground despite their very different artistic approaches. They met through their mutual friend/mentor Stieglitz—who eventually became O'Keeffe's husband—and became friends who traveled throughout the Southwest together during the 1930s. O'Keeffe would paint while Adams took photographs.

These journeys together led to some of the artists' best-known work, like Adams' portrait of O'Keeffe and a wrangler named Orville Cox, and while both artists revered nature and the American Southwest, Adams considered O'Keeffe the master when it came to capturing the area. 

“The Southwest is O’Keeffe’s land,” he wrote. “No one else has extracted from it such a style and color, or has revealed the essential forms so beautifully as she has in her paintings.”

The two remained close throughout their lives. Adams would visit O'Keeffe's ranch, and the two wrote to each other until Adams' death in 1984.

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presidents
George Washington’s Incredible Hair Routine

America's Founding Fathers had some truly defining locks, but we tend to think of those well-coiffed white curls—with their black ribbon hair ties and perfectly-managed frizz—as being wigs. Not so in the case of the main man himself, George Washington.

As Robert Krulwich reported at National Geographic, a 2010 biography on our first president—Washington: A Life, by Ron Chernow—reveals that the man “never wore a wig.” In fact, his signature style was simply the result of an elaborately constructed coiffure that far surpasses most morning hair routines, and even some “fancy” hair routines.

The style Washington was sporting was actually a tough look for his day. In the late 18th century, such a hairdo would have been worn by military men.

While the hair itself was all real, the color was not. Washington’s true hue was a reddish brown color, which he powdered in a fashion that’s truly delightful to imagine. George would (likely) don a powdering robe, dip a puff made of silk strips into his powder of choice (there are a few options for what he might have used), bend his head over, and shake the puff out over his scalp in a big cloud.

To achieve the actual ‘do, Washington kept his hair long and would then pull it back into a tight braid or simply tie it at the back. This helped to showcase the forehead, which was very in vogue at the time. On occasion, he—or an attendant—would bunch the slack into a black silk bag at the nape of the neck, perhaps to help protect his clothing from the powder. Then he would fluff the hair on each side of his head to make “wings” and secure the look with pomade or good old natural oils.

To get a better sense of the play-by-play, check out the awesome illustrations by Wendy MacNaughton that accompany Krulwich’s post.

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