10 Far Out Facts About Killer Klowns From Outer Space

Metro-Goldwyn-Mayer Studios Inc.
Metro-Goldwyn-Mayer Studios Inc.

Killer Klowns From Outer Space was a cinematic tightrope act. Released in 1988, the film skirted the divide between comedy and chills while also juggling elements of classic B-movies, punk rock, and the Memphis-style art aesthetic. A dream project for its creators, the cult classic looks at science fiction tropes through a funhouse mirror. Plus, it showcases some of the deadliest desserts in film history.

1. IT WAS WRITTEN, PRODUCED, AND DIRECTED BY THREE BROTHERS.

This passion project was a family affair. Bronx natives and special effects artists Charles, Edward, and Stephen Chiodo arrived on the Hollywood scene back in the 1980s. In 1982, they founded their own company, Chiodo Brothers Productions. Since then, a huge array of directors have enlisted the trio’s services. Some of their most iconic works include the “Large Marge” claymation from Pee-wee’s Big Adventure and the monster effects in Critters, a 1986 horror-comedy.

One day, Stephen found himself entertaining a spooky hypothetical: In a thought exercise, the artist tried to come up with the single scariest image that he could devise. “I imagined myself driving up a lonely mountain road and somebody’s passing me on the left, and when I turn to see who it is, it’s a clown,” he recalled in 2011.

When he brought the idea to his brothers, Charles came up with a twist: What if the clown was actually an alien? And what if it wasn’t driving a car but levitating over the ground? The brothers converted this premise into a feature-length movie script. Once TransWorld Entertainment green-lit the film, Stephen stepped up to the plate and directed it.

2. THE CLOWNS' EXPLOSIVE NOSES WERE AN HOMAGE TO ZOMBIE CINEMA.

Every monster needs an Achilles’s heel, and—as Officer Dave learns in the above clip—the space clowns are no exception. Punch, kick, or shoot one of these aliens in its bright red nose and the creature will explode. At the 2011 Spooky Empire horror convention, the Chiodos revealed that this little attribute was inspired by a familiar trope in zombie cinema. “It seemed so logical,” Edward Chiodo said during a panel discussion. “Shoot the nose, kill the clown.” “How do you kill a zombie?” Stephen then asked. “Shoot the brains, kill the zombie. Same idea.”

3. MIKE’S RUBBER RAFT HAS ITS OWN BACKSTORY.

Zombie references are just the beginning. Growing up, the Chiodos were big monster movie fans. Killer Klowns spoofs a lot of their all-time favorites. The cotton candy cocoons, for example, are a riff on the pods from Invasion of the Body Snatchers. And in an obvious wink at The Blob, the first big scene in Killer Klowns finds a pair of teenagers making out in a parked Pinto when, suddenly, a meteorite crashes by their scenic lookout point. The car belongs to Mike (Grant Cramer), who’s using it to romance his girlfriend, Debbie (Suzanne Snyder). For some reason, the young lovers choose to lock lips on top of an inflated yellow raft in the trunk. Why does Mike keep that thing there? A lot of fans have pondered that very question. According to Charles Chiodo, Debbie asks him point blank in the original script. Mike answers her with a story about how he was out rafting on Long Island Sound one night with his good pals, the Terenzi brothers. When his father heard about the incident, he flipped out, so poor Mike now has to hide the inflatable boat in his Pinto. Although this dialogue-heavy scene was shot, it ended up getting cut because, in Charles Chiodo’s words, “we had too much exposition.”

4. THE DRAG RACER CLOWN LITERALLY HAD A FEW TRICKS UP HIS SLEEVE.

Stephen Chiodo’s original thought experiment—the spark which set the whole project into motion—was realized in a heart-racing action sequence, which shows a space clown with headlights on the soles of his giant shoes levitating next to a car and then driving the vehicle off the road. To pull off that visual, a stuntman in a killer klown costume was seated on a mechanical rig that was physically connected to the automobile. A controller in the suit’s wrist enabled the man to move said rig backward and forward as needed. In addition to the stuntman’s work, this scene also uses two shots that were realized with stop-motion animation.

5. IT WAS CHRISTOPHER TITUS’S FIRST MOVIE.

Keep an eye out for Christopher Titus during the opening credits sequence: He’s the blonde teen who casually strolls in front of Officer Mooney’s police car while downing a can of beer. Today, this standup comedian is best known for his edgy network sitcom, Titus, and his one-man special Norman Rockwell is Bleeding.

Although most of his scenes were deleted in post, Titus says that he’s been asked to sign loads of Killer Klowns DVDs over the years. “The movie geeks who liked that movie really liked that movie,” he told Westword in 2013.

6. TO KEEP THAT BALLOON ANIMAL FROM POPPING, THE EFFECTS TEAM COATED IT IN LATEX.

Being teenagers in a horror movie, Mike and Debbie can’t help but do some snooping when they discover a circus-themed spaceship. The clowns soon chase them out and then use a balloon dog to track their scent. This gag proved difficult to shoot. In the scene, the inflatable pooch gets dragged over some rough forest floor terrain. As Charles Chiodo explained the DVD bonus documentary Kreating Klowns, their balloons kept popping prematurely on pine cones and other objects. So to get the shot, he gave one of the dogs a protective layer of latex and then solidified it with a hairdryer. That did the trick; Charles’s quick fix kept the balloon from exploding.

7. THE PIE SCENE WAS MORE COMPLEX THAN IT LOOKED.

Pie-in-the-face humor is a time-honored tradition, one that Killer Klowns subverts by having a luckless security guard get pelted to death with highly acidic desserts. For this famous scene, the Chiodos decided to use actual pies instead of the more conventional shaving cream-filled tins. Though more realistic, the approach had some drawbacks. “We needed the colored fillings for our final reveal and we needed the crust. And we found out that getting hit in the face with a pie [at close range] was painful,” Charles Chiodo said.

The crew needed to devise a way for actor David Piel to get repeatedly pied from a nice, safe distance away. They also had to avoid hurling the tins at him because the Chiodos also wanted some gratuitous shots of custard and cream oozing down Piel’s face. If any tins were clinging to him, they’d block all that filling from view. Once again, Charles came up with a novel solution: By feeding their fingers through a wristband on the back of each pie tin, the crew could launch the desserts forward without letting go of their metallic containers. Some actors got in on this fun, too: Cramer remembers getting to toss a pie at Piel during the scene.

8. FOUR PRIMARY “GENERIC CLOWN HEAD” MASK MOLDS WERE BUILT.

At the 2011 Spooky Empire convention, Charles Chiodo told the crowd that Stephen wanted his team to sculpt “four generic head types: one round, one triangular, one inverted triangle, and one peanut-shaped.” Once completed, these were mass-produced, with the effects artists creating two clown characters from each of the four molds. On top of that, an original mask mold was made for Klownzilla, the giant who shows up at the film's climax.

But how did the masks change their facial expressions on camera? That was made possible through a system of built-in, mechanically-controlled cables. By the way, some of the masks were later repurposed as troll heads for the 1991 comedy Ernest Scared Stupid, which the Chiodos also worked on.

9. THE DICKIES WROTE THE KILLER KLOWNS THEME SONG BEFORE THEY SAW THE MOVIE.

Just like The Blob, Killer Klowns From Outer Space opens with an original title song. However, instead of a sax-heavy lounge number, we get an energetic punk rock jam, courtesy of The Dickies. When the band was asked to compose the theme song for Killer Klowns From Outer Space, they wrote one entirely on the basis of their gut reaction to the movie’s title. At the time, the band hadn’t so much as read the script and they wouldn’t see the film until well after their song had been recorded. The Chiodos credit The Dickies with expanding their movie’s cult fan base by prompting punk rockers to check it out.

10. A SEQUEL HAS BEEN IN DEVELOPMENT HELL FOR 29 YEARS.

Will our home world ever be revisited by those murderous space clowns? The Chiodos started toying around with a second Killer Klowns movie very early on. “Look, Hollywood is a very fickle industry,” Stephen Chiodo told The Odd Podcast in 2016. “We’ve been working on a sequel since the day after we made [the first movie]. I mean we have tons of ideas on different directions we can take it.” So what’s with the hold up? The brothers have cited financial and legal setbacks as major roadblocks.

In 2012, Cramer said that one proposed sequel idea would take his character in a tragic new direction. “[One] of the Chiodos … came up with the idea that everybody thinks Mike Tobacco is crazy,” Cramer said. Set long after the events of the original movie, this hypothetical follow-up would portray Mike Tobacco as the town drunk whom everyone else believes to be crazy—until the clowns return. The Chiodos have also discussed the possibility of a four-part “trilogy” that’d be part sequel and part remake and produced for cable television.

6 Times There Were Ties at the Oscars

getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards's more than 90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. Best Actor // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde, and Beery won for The Champ (writer Frances Marion won Best Screenplay for the film), which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. Best Documentary Short Subject // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. Best Actress // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. Best Documentary Feature // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. Best Short Film (Live Action) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars current Oscar nominee Richard E. Grant as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. Best Sound Editing // 2013

The latest Oscar tie happened in 2013, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg told the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

10 Game of Thrones Fan Theories About How the Series Will End

HBO
HBO

Our faces are longer than Jon Snow’s right now. It's been more than a year since the last season of Game of Thrones ended, but season 8—the series's final one—is coming back on April 14, 2019. To tide you over until then, we’ve collected some of the most plausible as well as the most bonkers fan theories about what could go down in the final episodes. They predict everything from a new contender for the Iron Throne to a new species classification for a major character. On the bright side, we'll all have plenty of time to debate these before the first episode airs.

1. Jon Snow will kill Daenerys.

Almost since the series began, fans have been predicting that Jon Snow is the Prince Who Was Promised—a reincarnation of the legendary hero Azor Ahai. But most predictions have overlooked a central piece of the Azor Ahai legend, which may spell doom for Daenerys: Azor Ahai, a lousy metallurgist, had a tough time forging his fabled flaming sword Lightbringer. Then he realized he needed to temper the blade by plunging it into the heart of his wife, Nissa Nissa, to imbue it with her power. (Because in the logic of this legend, killing a powerful woman turns a mediocre man into a hero.) If Jon Snow is Azor Ahai, the theory goes, then Daenerys will be his Nissa Nissa—the one true love he must kill in order to save the realm.

2. The Lannisters' repaid debt will be their downfall.

Lena Headey in 'Game of Thrones'
HBO

You know the family creed: A Lannister always pays his debts. In season 7, Cersei stayed true to her family name when she paid off a large debt to the Iron Bank. Most viewers read this as a play to buy the loyalty of the bank and its mercenary soldiers, but one Machiavellian Redditor has predicted that paying off the debt will have the opposite effect. "While the Lannisters were in debt to the Bank, the Bank had a vested interest in their success," one Redditor wrote. Now that the debt is paid, the Iron Bank will invest in the side that seems to have the best chance of winning—and right now, that doesn't look like Cersei's.

3. Euron Greyjoy is the father of Cersei's child.

Somehow this seems more disturbing than Jaime being the baby's incestuous father. PopSugar rolled out this hot take based on some circumstantial evidence. First, Euron and Cersei cooked up a plan to betray Jon and Daenerys without telling Jaime, which "raises the question about what else Cersei was doing with Euron behind Jaime's back." Then there's the fact that Cersei just let Jaime ride north to fight the White Walkers, which doesn't seem like a risk you'd want your unborn child's father to take. She has no idea when or if he'll be back. But on the other hand, she knows exactly where Euron will be. Perhaps she's keeping an eye on her baby's true father.

4. Daenerys will die beyond the wall.

Redditor Try_Another_NO reached all the way back to season 2 to substantiate this theory about Daenerys's demise. While Daenerys is in the House of the Undying, she has a series of possibly prophetic visions. She walks through the throne room in Kings Landing, which is damaged and filled with snow. Before she can touch the Iron Throne, she's called away by a sound and suddenly finds herself walking beyond the wall. There she meets Khal Drogo who says he has resisted death to wait for her. According to the theory, these were clues about the series's end: The White Walkers will threaten Kings Landing. Daenerys will turn away from the throne to fight the White Walkers. Death awaits her beyond the wall.

5. Cleganebowl will finally happen.

For years fans have eagerly awaited a fight between Sandor and Gregor Clegane, which has been affectionately dubbed "Cleganebowl." In the season 7 finale, the Hound hinted that the much-hyped fight is coming when he told his brother, "You know who's coming for you." The cryptic message also spawned a fan theory about the real origin of the Clegane brothers' beef. Our only version of the tale comes from noted liar/sleazebag Littlefinger, who claimed Ser Gregor burned his brother's face over a stolen toy. But Redditor 440k11 thinks the Hound has always had a talent for reading the future in the flames. In fact, the theory goes, the Hound saw his brother's death foretold in a fire and told him about it. Enraged, young Gregor pushed his brother's face into the fire he was reading, burning Sandor and cementing their lifelong enmity.

6. Varys is actually a merman.

The case for this one is watertight. The books make several mentions of merlings living alongside dragons, giants, and White Walkers—mythical creatures we know exist in Essos. Varys, meanwhile, constantly covers his lower body in long robes. What is he hiding? According to Redditor nightflyer, it's his freaky fish body. In the books, it would explain his cryptic response when Tyrion threatened to have him thrown off a ship: "You might be disappointed by the result." In the show, it might explain how Varys traveled from Dorne to Daenerys's ship in Mereen seemingly overnight in the middle of season 7. (It wasn't lazy writing—he swam there!) In general, it might explain why he's such a slimy weirdo.

7. The maesters are colluding with Cersei to beat Daenerys.

Finally, a fan theory fit for our political age! According to this theory, the maesters are natural enemies of magic. The strange forces that bring the dead back to life, reveal the future in fire, and allow Arya to wear many faces are beyond the maesters' powers of rational explanation. But if magic were eliminated, the maesters' monopoly on knowledge would continue unchallenged. It follows, then, that the maesters would feel comfortable with Cersei's cruel reign but threatened by Daenerys's magical dragons. Maybe that explains why a former maester built Cersei a weapon meant to kill dragons. And maybe the maesters will intervene in the conflict more directly in the next season.

8. Arya will kill Cersei ... wearing Jaime's face.

Maisie Williams in 'Game of Thrones'
HBO

Predicting that Jaime will kill Cersei is so mainstream. Seeing Jaime kill Cersei for the good of the realm would reprise his role as the Kingslayer (or Queenslayer). It would neatly fulfill the Volanqar prophecy—the prediction a witch made to a young Cersei, that she would be killed by a volanqar (which translates to "younger sibling" in High Valyrian). And it would be so easy. Reasoning that George R.R. Martin would never do something so obvious, and that Arya's assassin character arc has to led to a more consequential target than Walder Frey, Redditor greypiano predicts that Arya will be Cersei's killer. If she first kills Jaime and uses his face to catch Cersei unaware, then the volanqar prophecy will be confirmed (even if it's on a technicality).

9. Viserion will come back to life.

Here's a fan theory for moms, from a mom. Redditor Cornholio_the_white wrote that after the season 7 finale, their mom called to say she was sad about Viserion's death. But she had a prediction: "I think it's going to remember its mother." She explained that Daenerys's love would free Viserion from the Night King's spell. Cornholio_the_white scoffed. That wasn't possible. The dragon was dead. But then Mom dropped a compelling counterargument: "Not if the Red Woman brings it back. They're keeping her around for something."

10. Gendry is the legitimate child of Cersei and Robert Baratheon.

This theory throws another contender for the Iron Throne into the mix. It maintains that Gendry was not Robert Barathean's bastard son—in fact, he was the only legitimate child of the king. We know that Cersei and Robert had a child—a "black-haired beauty"—who supposedly died shortly after birth. Curiously, Cersei says she never visited her firstborn child in the crypt, even though we know she is a fiercely devoted mother. Perhaps that's because she knew her son was actually in Fleabottom as a blacksmith's apprentice. And perhaps it was Cersei all along who was looking out for Gendry, securing his apprenticeship and protecting him from Joffrey's purge of Robert’s bastards. Gendry, for his part, remembers only that his mother had yellow hair. If that yellow-haired woman was Cersei, Gendry would have the most legitimate claim to the Iron Throne of anyone in Westeros.

SECTIONS

arrow
LIVE SMARTER