The Origins of All 32 NFL Team Names

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Here are the stories behind the nicknames of the NFL’s 32 teams—and what they were almost called. All photos via Getty Images.

ARIZONA CARDINALS

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The franchise began play in Chicago in 1898 before moving to St. Louis in 1960 and Arizona in 1988. Team owner Chris O’Brien purchased used and faded maroon jerseys from the University of Chicago in 1901 and dubbed the color of his squad’s new outfits “cardinal red.” A nickname was born. The team adopted the cardinal bird as part of its logo as early as 1947 and first featured a cardinal head on its helmets in 1960.

ATLANTA FALCONS

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Shortly after insurance executive Rankin Smith brought professional football to Atlanta, a local radio station sponsored a contest to name the team. Thirteen hundred people combined to suggest more than 500 names, including Peaches, Vibrants, Lancers, Confederates, Firebirds, and Thrashers. While several fans submitted the nickname Falcons, schoolteacher Julia Elliott of nearby Griffin was declared the winner of the contest for the reason she provided. “The falcon is proud and dignified, with great courage and fight,” Elliott wrote. “It never drops its prey. It is deadly and has great sporting tradition.” Elliott won four season tickets for three years and a football autographed by the entire 1966 inaugural team.

BALTIMORE RAVENS

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Ravens, a reference to Edgar Allan Poe’s famous poem, beat out Americans and Marauders in a contest conducted by the Baltimore Sun. Poe died and is buried in Baltimore.

Of the more than 33,000 voters in the Sun’s phone-in poll, more than 21,000 picked Ravens. “It gives us a strong nickname that is not common to teams at any level, and it gives us one that means something historically to this community,” said team owner Art Modell, who had attempted to buy the Colts nickname back from the franchise that left Baltimore for Indianapolis in 1984. The Marauders nickname referenced a B-26 built during World War II by the Glenn L. Martin Company, a predecessor to Lockheed Martin that was based in Baltimore. Other names considered included the Railers, Bulldogs, Mustangs, and Steamers.

BUFFALO BILLS

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The Bills nickname was suggested as part of a fan contest in 1947 to rename Buffalo’s All-America Football Conference team, which was originally known as the Bisons. The Bills nickname referenced frontiersman Buffalo Bill Cody and was selected over Bullets, Nickels, and Blue Devils. It helped that the team was owned by the president of Frontier Oil, James Breuil. Buffalo was without a team from 1950 to 1959, when owner Ralph Wilson acquired a franchise in the AFL. Wilson solicited potential nicknames from fans for his new franchise and ultimately chose Bills in homage to the city’s defunct AAFC team.

CAROLINA PANTHERS

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Panthers team president Mark Richardson, the son of team owner Jerry Richardson, chose the Panthers nickname because "it's a name our family thought signifies what we thought a team should be—powerful, sleek and strong." Richardson also chose the 1995 expansion team’s color scheme of black, blue, and silver, a choice that initially came under scrutiny from NFL Properties representatives. According to one newspaper report, the concern was raised at the 1993 NFL meetings that a team nicknamed the Panthers that featured black in its color scheme would appeal to street gangs and reflect poorly on the league.

CHICAGO BEARS

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In 1921, the Decatur Staleys, a charter member of the American Professional Football Association, moved to Chicago and kept their nickname, a nod to the team’s sponsor, the Staley Starch Company. When star player George Halas purchased the team the following year, he decided to change the nickname. Chicago played its home games at Wrigley Field, home of baseball’s Cubs, and Halas opted to stick with the ursine theme.

CINCINNATI BENGALS

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Team owner, general manager, and head coach Paul Brown nicknamed Cincinnati’s AFL expansion franchise the Bengals in 1968 in honor of the football team nicknamed the Bengals that played in the city from 1937-1942. According to Brown, the nickname “would provide a link with past professional football in Cincinnati.” Brown chose Bengals over the fans’ most popular suggestion, Buckeyes.

CLEVELAND BROWNS

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There’s some debate about whether Cleveland’s professional football franchise was named after its first coach and general manager, Paul Brown, or after boxer Joe Louis, who was nicknamed the “Brown Bomber.” Team owner Mickey McBride conducted a fan contest in 1945 and the most popular submission was Browns. According to one version of the story, Paul Brown vetoed the nickname and chose Panthers instead, but a local businessman informed the team that he owned the rights to the name Cleveland Panthers. Brown ultimately agreed to the use of his name and Browns stuck.

DALLAS COWBOYS

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The Cowboys, who began play in the NFL in 1960, were originally going to be nicknamed the Steers. The team’s general manager, Texas E. Schramm, decided that having a castrated bovine as a mascot might subject the team to ridicule, so he decided to go with Rangers instead. But fearing that people would confuse the football team with the local minor league baseball team nicknamed the Rangers, Schramm finally changed the nickname to Cowboys shortly before the season began.

DENVER BRONCOS

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Denver was a charter member of the AFL in 1960 and Broncos, which was submitted along with a 25-word essay by Ward M. Vining, was the winning entry among 162 fans who responded in a name-the-team contest. A Denver team by the same name played in the Midwest Baseball League in 1921.

DETROIT LIONS

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Radio executive George A. Richards purchased and moved the Portsmouth Spartans to Detroit in 1934 and renamed the team the Lions. The nickname was likely derived from Detroit’s established baseball team, the Tigers, who won 101 games and the AL pennant that year. As the team explained it, “The lion is the monarch of the jungle, and we hope to be the monarch of the league.”

GREEN BAY PACKERS

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Team founder Earl “Curly” Lambeau’s employer, the Indian Packing Company, sponsored Green Bay’s football team and provided equipment and access to the field. The Indian Packing Company became the Acme Packing Company and later folded, but the nickname stuck.

HOUSTON TEXANS

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Houston’s 2002 expansion franchise became the sixth professional football team nicknamed the Texans. The Dallas Texans were an Arena Football League team from 1990 to 1993 and Dallas Cowboys owner Jerry Jones revived the team in 2000. He was planning to keep the old nickname, but ultimately renamed the team the Desperados. Houston owner Bob McNair chose Texans over Apollos and Stallions.

INDIANAPOLIS COLTS

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The Baltimore Colts, a member of the All-America Football Conference from 1947-1950, were named in honor of the region’s history of horse breeding. The name remained when a new franchise began play in 1953 and after the team relocated to Indianapolis in 1984.

JACKSONVILLE JAGUARS

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The Jaguars nickname was selected through a fan contest in 1991, 2 years before the city was officially awarded an expansion team and 4 years before the team would begin play. Other names considered included the Sharks and Stingrays. While Jaguars aren’t native to Jacksonville, the oldest living jaguar in North America was housed in the Jacksonville Zoo.

KANSAS CITY CHIEFS

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The Chiefs began play in the AFL in 1960 as the Dallas Texans. When the team moved to Kansas City in 1963, owner Lamar Hunt changed the team’s name to the Chiefs after also considering Mules, Royals, and Stars. Hunt said the name was locally important because Native Americans had once lived in the area. Hunt may have also been swayed by Kansas City mayor H. Roe Bartle, whose nickname was The Chief. Bartle helped lure the team to Kansas City by promising Hunt that the city would meet certain attendance thresholds.

LOS ANGELES CHARGERS

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Team owner Barron Hilton sponsored a name-the-team contest and promised a trip to Mexico City to the winner in 1960. Gerald Courtney submitted “Chargers” and Hilton reportedly liked the name so much that he didn’t open another letter.

There are varying accounts as to why Hilton chose Chargers for his franchise, which spent one year in Los Angeles before relocating to San Diego. (The franchise is back in the Los Angeles area for the 2017 season.) According to one story, Hilton liked the name, in part, for its affiliation with his new Carte Blanche credit card. The owner also told reporters that he was fond of the “Charge!” bugle cry played at the Los Angeles Coliseum.

LOS ANGELES RAMS

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The Rams, who originated in Cleveland in 1936 and spent 1946 through 1994 in the Los Angeles area before moving to St. Louis, came back to LA last season. The team traces their nickname to the college ranks. Principal owner Homer Marshman and general manager Damon “Buzz” Wetzel chose the nickname because Wetzel’s favorite football team had always been the Fordham Rams. Fordham—Vince Lombardi’s alma mater—was a powerhouse at the time.

MIAMI DOLPHINS

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A name-the-team contest drew nearly 20,000 entries and resulted in the nickname for the Miami franchise that entered the AFL as an expansion team in 1966. More than 600 fans suggested Dolphins, but Marjorie Swanson was declared the winner after correctly predicting a tie in the 1965 college football game between Miami and Notre Dame as part of a follow-up contest. Swanson, who won a lifetime season pass to Dolphins games, told reporters she consulted a Magic 8-Ball before predicting the score of the game. Miami owner Joe Robbie was fond of the winning nickname because, as he put it, “The dolphin is one of the fastest and smartest creatures in the sea.”

MINNESOTA VIKINGS

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According to the Vikings’ website, Bert Rose, Minnesota’s general manager when it joined the NFL in 1961, recommended the nickname to the team’s Board of Directors because “it represented both an aggressive person with the will to win and the Nordic tradition in the northern Midwest.” The expansion franchise also became the first pro sports team to feature its home state, rather than a city, in the team name.

NEW ENGLAND PATRIOTS

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Seventy-four fans suggested Patriots in the name-the-team contest that was conducted by the management group of Boston’s original AFL franchise in 1960. “Pat Patriot,” the cartoon of a Minuteman preparing to snap a football drawn by the Boston Globe’s Phil Bissell, was chosen as the team’s logo soon after. While the first part of the team’s name changed from Boston to New England in 1971, Patriots remained.

NEW ORLEANS SAINTS

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New Orleans was awarded an NFL franchise on All Saints’ Day, November 1, 1966. The nickname was a popular choice in a name-the-team contest sponsored by the New Orleans States-Item, which announced the news of the new franchise with the headline, “N.O. goes pro!” The nickname, chosen by team owner John Mecom, was a nod to the city’s jazz heritage and taken from the popular song, “When the Saints Go Marching In.”

NEW YORK GIANTS

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New York owner Tim Mara borrowed the Giants nickname from John McGraw’s National League baseball team, a common practice by football teams during an era when baseball was the nation’s preeminent team sport.

NEW YORK JETS

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Originally nicknamed the Titans, the team was renamed the Jets in 1963 after Sonny Werblin led an investment group that purchased the bankrupt franchise for $1 million.

According to a contemporary New York Times story, the franchise considered calling itself the Dodgers, but nixed the idea after Major League Baseball didn’t like it. Gothams also got some consideration, but the team didn’t like the idea of having it shortened to the Goths, because “you know they weren’t such nice people.” The last finalist to fall was the New York Borros, a pun on the city’s boroughs; the team worried that opposing fans would make the Borros-burros connection and derisively call the squad the jackasses.

Eventually the team became the Jets since it was going to play in Shea Stadium, which is close to LaGuardia Airport. According to the Pro Football Hall of Fame, the name was supposed to reflect the “modern approach of his team.”

OAKLAND RAIDERS

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Chet Soda, Oakland’s first general manager, sponsored a name-the-team contest in 1960. Helen A. Davis, an Oakland policewoman, submitted the winning entry, Señors, and was rewarded with a trip to the Bahamas. The nickname, an allusion to the old Spanish settlers of northern California, was ridiculed in the weeks that followed, and fans also claimed that the contest was fixed. Scotty Stirling, a sportswriter for the Oakland Tribune who would later become the team’s general manager, provided another reason to abandon the nickname. “That’s no good,” Stirling said. “We don’t have the accent mark for the n in our headline type.” Responding to the backlash, Soda and the team’s other investors decided to change the team’s nickname to Raiders, which was a finalist in the contest along with Lakers.

PHILADELPHIA EAGLES

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In 1933, Bert Bell and Lud Wray purchased the bankrupt Frankford Yellowjackets. The new owners renamed the team the Eagles in honor of the symbol of the National Recovery Act, which was part of President Franklin D. Roosevelt’s New Deal.

PITTSBURGH STEELERS

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Pittsburgh’s football team shared the same nickname as the city’s baseball team, the Pirates, from 1933 to 1940. Before the 1940 season, owner Art Rooney held a rename-the-team contest. A change couldn’t hurt, as Pittsburgh had failed to post a winning season in its first 7 years. Joe Santoni, who worked in a mill for Pittsburgh Steel, was one of several fans who suggested Steelers. Santoni received a pair of season tickets, which he would renew every year until his death in 2003.

SAN FRANCISCO 49ERS

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The 49ers, who began play in the All-America Football Conference in 1946, were named after the settlers who ventured to the San Francisco area during the gold rush of 1849.

SEATTLE SEAHAWKS

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There were 1,700 unique names among the more than 20,000 submitted in a name-the-team contest in 1975, including Skippers, Pioneers, Lumberjacks, and Seagulls. About 150 people suggested Seahawks. A Seattle minor league hockey team and Miami’s franchise in the All-America Football Conference both used the nickname in the 1950s. “Our new name suggests aggressiveness, reflects our soaring Northwest heritage, and belongs to no other major league team,” Seattle general manager John Thompson said. The Seahawks’ helmet design is a stylized head of an osprey, a fish-eating hawk of the Northwest.

TAMPA BAY BUCCANEERS

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A panel of local sportswriters and representatives from the NFL expansion team, including owner Hugh F. Culverhouse, chose Buccaneers from an original list of more than 400 names in 1975. The nickname, which was a popular choice among fans in a name-the-team contest, was a nod to the pirates who raided Florida’s coasts during the 17th century.

TENNESSEE TITANS

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After relocating from Houston to Tennessee in 1995, the team played two seasons as the Oilers before owner Bud Adams held a statewide contest to rename the team. Titans was chosen over nicknames such as Tornadoes, Copperheads, South Stars, and Wranglers. “We wanted a new nickname to reflect strength, leadership and other heroic qualities,'' Adams told reporters.

WASHINGTON REDSKINS

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One year after he acquired an NFL franchise in Boston, George Preston Marshall changed the team’s nickname from Braves to Redskins. According to most accounts, the nickname was meant to honor head coach and Native American William Henry “Lone Star” Dietz, though some question whether Dietz was a Native American. The Redskins kept their controversial nickname when they relocated to Washington, DC, in 1937.

A version of this post originally appeared in 2010.

25 Words You Didn't Know Were in the Dictionary

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With perhaps three-quarters of a million words in the English language, it's fairly reasonable to suggest that you probably won't get around to learning them all, and that there'll be plenty of words hiding away in the dictionary that you’ll never need (or want) to know.

In some cases, that's a real shame: Look closely enough and the dictionary contains dozens of eminently useful words, like euneirophrenia (the pleasant feeling of contentment that comes from waking up after a nice dream), zwodder (a cloudy, befuddled mental state caused by not getting enough sleep), and snollygoster (a disreputable politician). But in other cases—as with the 25 weird and obscure words listed here—not knowing or using them might be totally understandable.

1. ARCHIMIME

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As well as being one of the strangest words in the dictionary, archimime or archmime is also perhaps one of the strangest occupations in history: According to the Oxford English Dictionary, an archimime was "a chief buffoon or jester" whose job involved attending funerals and impersonating the deceased person. (No, really.)

2. AWESOMESAUCE

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Yes, this slang word for anything particularly awesome was added to the dictionary (or at least the online arm of Oxford Dictionaries) in 2015, along with the likes of fur baby, wine o’clock, manspreading, and mkay.

3. BATRACHOMYOMACHY

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If you know your classics, you might know this one already: A batrachomyomachy is a petty quarrel or pointless argument. That might sound straightforward enough, but when you find out that it literally means "a battle between frogs and mice," things take a turn for the unusual. The word batrachomyomachy actually derives from an ancient Greek parody of Homer's Iliad in which a frog accidentally drowned a mouse that was sitting on its back, sparking a brutal war between the two species.

4. BUTTOCKER

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A buttock (in this context at least) is the next portion of a coalface to be broken up and mined out. A buttocker, according to an early 20th century Glossary of the Mining Industry, is someone who does precisely that.

5. CALLIPYGIAN

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Derived from the Greek word callos, meaning "beauty" (as in calligraphy or calisthenics), someone described as callipygian has beautifully shaped buttocks. Originally an architectural term from the early 1800s used to describe the figures of classical sculptures and artworks, the word has been in wider use since the late 1900s.

6. CEPHALOMANCY

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Sages and forecasters have used ever more bizarre methods to tell the future over the centuries, from observing the shapes of the clouds (aeromancy) to the shapes and patterns of the ashes from a fire (tephromancy). Among the strangest of all these fortune-telling practices was cephalomancy—a method of foretelling the future in which a donkey's head would be boiled or roasted on an open fire, and significance taken from the movements or crackling of its bones. One particular use of this kind of divination was in assessing a guilty party: A list of names would be read aloud while the head was cooked, and if the donkey's jaw moved or cracked when someone's name was spoken, they were said to be the guilty party.

7. EUOUAE

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Euouae is actually a mnemonic abbreviation used to memorize the sequence of a particular cadence in a certain hymn (and so the jury is out as to whether it actually constitutes a word). Nevertheless, it's found its way onto the pages of some dictionaries and as such is said to be the longest word in the English language consisting entirely of vowels.

8. FEAGUE

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According to the English lexicographer Francis Grose's aptly-titled Dictionary of the Vulgar Tongue, feague is a verb meaning "to put ginger up a horse's fundament." If that sounds too ridiculous to be true, don't worry: You can always replace the raw ginger with a live eel. Both methods, Grose explained, were apparently once used "to make him lively and carry his tail well," thereby earning his owner a better price at market. Etymologically, the word is something of a mystery­, but one theory suggests that feague might once have meant merely "to agitate" or "to enliven," and the later more specific (and more unpleasant) meaning derived from there.

9. GANDER-PULLING

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Take a live goose. Cover it in grease. Suspend it by its feet from a crossbar. Then ride a horse underneath it and, as you go by, try to pull the goose’s head off. That’s the definition of the sport (if it can be called a sport) of gander-pulling.

10. HIPPANTHROPY

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Coined in the 1800s, hippanthropy is the mental delusion that you are turning into, or have turned into, a horse. Not quite the word you want? Try boanthropy, the delusion that you're an ox. Too specific? Try zoanthropy, the delusion that you are turning into an (unspecified) animal.

11. HOPLOCHRISM

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Derived from a Greek word, hoplon, for a weapon, hoplochrism is an old form of medicine in which the weapon or tool that caused a wound would be treated and anointed in the same way as the wound itself, in the belief that doing so would somehow speed up the healing process. You can decide for yourself whether it ever worked.

12. LANT

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As a noun, lant or leint is stale or aged urine, which was once stored and preserved for its chemical and supposed medicinal properties. As a verb, to lant is to mix urine into beer to make it taste stronger. If ever there was a word you might never want to come across, surely it's this.

13. POGONOLOGY

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First used in English in the 18th century, a pogonology is a treatise on or written description of a beard.

14. PTOMATIS

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If ever you needed an incentive to drink, owning a ptomatis might be it. Derived via Latin from Ancient Greek, a ptomatis is a cup or similar drinking vessel that needs to be emptied before it can be put down, as it is shaped in such a way that it won't stand upright open-end up.

15. QUOMODOCUNQUIZE

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Q-words are always a bit on the unusual side, but quomodocunquize is in a field of its own. Derived from a Latin word, quomodocunque, meaning "in whatever way possible," to quomodocunquize is to make money or earn a living by any possible means.

16. RUNNING-BUTTOCK

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Thankfully not as unpleasant as it sounds: A running-buttock is the name of a wrestling move dating from the 17th century.

17. SHIVVINESS

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A shive is a tiny splinter or fragment of something. Derived from that—in the sense that a loose thread or tag in a garment might be unpleasantly scratchy—shivviness is the uncomfortable feeling caused by wearing new underwear.

18. SMELLFUNGUS

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In his A Sentimental Journey through France and Italy (1768), the author Laurence Sterne invented a character named Smelfungus (albeit with one L) who was habitually unimpressed with everything he cast his eyes on during his travels. Sterne based the character on fellow travel writer (and chronic nitpicker) Tobias Smollett, and in doing so gave the English language a brilliant word for a dour, pessimistic faultfinder.

19. SOOTERKIN

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As definitions go, that of sooterkin is probably among the strangest of all in the dictionary: It refers to a monstrous part-human creature said to be given birth to by Dutch women who sat on stove tops to keep warm.

20. SPANGHEW

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According to a quotation in the English Dialect Dictionary, spanghewing was the name of "a cruel custom" that involved "blowing up a frog by inserting a straw under the skin at the anus." The inflated frog was then bowled across the surface of a pond, and whoever could toss or spanghew their frog the furthest won the game. Thankfully, nobody goes around spanghewing anymore and so the word—on the rare occasion it is used—is typically used to mean "to hurl violently into the air."

21. SYPHILOMANIA

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Should you ever need a word for it, the tendency of doctors "to overdiagnose syphilis, or to treat patients for syphilis unnecessarily," is syphilomania according to the Oxford English Dictionary.

22. TATTARRATTAT

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James Joyce invented this word for the sound of someone knocking on a door in his novel Ulysses (1922). As well as being just a particularly strange word, it also has the distinction of being the longest palindrome in the OED.

23. THUMB-BUMPER

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In addition to being a term from pinball, a thumb-bumper is 'one who closing his fist firmly but with the thumb sticking out fiercely drives it against the buttocks of another." Why you would have to do that, and why it happened frequently enough to warrant a definition in the English Dialect Dictionary, is a mystery. And probably best kept that way.

24. TYROTOXISM

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Should you ever need a word specifically to describe being poisoned by cheese, here it is.

25. WHIPPERSNAP

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To behave like a whippersnapper? That's to whippersnap.

The 20 Best Horror Movies of All Time

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Paramount Home Video

From creature features to haunted house capers, the horror genre has been giving audiences the willies since the dawn of film. Here are our picks for the 20 best of all time. (If you’re bemoaning the lack of, say, Alien or The Fly, check out our list of the Best Sci-Fi Movies of All Time first—there are just too many excellent films to justify any duplicate entries.)

1. FREAKS (1932)

Director Tod Browning’s best-known work of horror is doubtless Dracula—but his best is Freaks, about a group of sideshow performers who vow vengeance on the beautiful trapeze artist who’s married to one of their own for his money. The film was controversial upon its release, due in large part to Browning’s casting of actual “freaks”(credited in the film as “Siamese Twin,” “Half Woman-Half Man,” “Human Skeleton,” “The Living Torso,” “Human Skeleton” etc). MGM demanded extensive cuts to the film, which were insufficient to keep it from being banned in the U.K. until 1963. According to Freaks’s production manager, a woman “tried to sue the studio, claiming the film had induced a miscarriage.”

2. THE BRIDE OF FRANKENSTEIN (1935)

Universal, under the guidance of producer Carl Laemmle Jr., had a whole raft of brilliant horror films in the 1930s: Dracula, Frankenstein, The Invisible Man, The Mummy, The Old Dark House. The list goes on. But raised high up above its companions—as high as its eponymous character’s hair—is James Whale’s The Bride of Frankenstein. Whale was initially reluctant to direct a sequel to his blockbuster success but was convinced by the promise of increased creative freedom. It was a good thing, too; if Whale hadn’t been able to tell his superiors at Universal what was what, we may have ended up with something like an early treatment for the film, where Dr. Frankenstein and his wife Elizabeth literally run off and join the circus. Frankenstein’s Monster finds them, demands a bride, and is later eaten by circus lions.

3. CAT PEOPLE (1942)

Producer Val Lewton, who worked at RKO throughout the 1940s, is famed for a style of horror film that prizes atmosphere over spectacle. You rarely see the monsters in films like The Leopard Man or Isle of the Dead, because Lewton just plain didn’t have the budget for it. The first—and best—of the films Lewton produced is director Jacques Tourneur’s Cat People, in which a woman (Simone Simon) is subject to a family curse where strong feelings of anger or sexual arousal turn her into, well, a Cat Person. A classy and subtle (as per Lewton’s style) look at the way society villainizes female sexuality, the film was remade in 1982 by Paul Schrader, who abandoned the previous film’s nuance for BDSM, incest, and a scenery-chewing Malcolm McDowell.

4. DIABOLIQUE (1955)

Psycho is to showers as Henri-Georges Clouzot’s masterpiece Diabolique is to bathtubs. The film, about the goings-on in a rundown French boarding school, is widely cited as having influenced Hitchcock’s Psycho. Certainly, Psycho’s “no late admittance” policy—unusual at the time—had been applied to Diabolique years before. In addition, Hitchcock tried to get his hands on the rights to Pierre Boileau and Thomas Narcejac’s Celle Qui n’etait Plus (She Who Was No More), which would become Diabolique, but Clouzot beat them to the punch and proceeded to “[block] those rights for a year, thus effectively preventing Alfred Hitchcock from getting his hands on the story.” Hitchcock instead acquired the rights to later novel by the pair, D’entre les morts (From the Dead), which would become Vertigo.

5. PSYCHO (1960)

With Psycho, Hitchcock broke new ground in a lot of ways. For one, he changed the way film was exhibited. Prior to Psycho, it was a generally accepted practice that moviegoers could enter a theater at any point during a screening. Hitch, determined that people wouldn’t wander in halfway into the movie and wonder where mega-star Janet Leigh (killed off in the famous shower sequence in the film’s first third) was, had theaters put up notices to the effect that late admittance was not allowed. And speaking of: In Alexandre O. Philippe’s doc 78/52, which is all about Psycho’s shower scene, horror director Richard Stanley posits that the film “might have also started the rather negative trend of victims undressing before they’re butchered, which is something that’s haunted slasher cinema throughout the '70s.”

6. BLACK SUNDAY (1960)

Icon of the Italian giallo movement Mario Bava made his official feature debut (he’d done uncredited work saving other people’s pictures before) with Black Sunday, loosely based on Nikolai Gogol’s short story Viy. Barbara Steele starred in two roles: Asa, a witch killed in the 17th century, and her descendent Katia, whose life Aja plans to take for herself from beyond the grave. Following her work on Black Sunday, Steele made other horror films and became an icon of the genre … which got her some pretty wicked admirers.

Per a Diabolique Magazine profile, “When she was at the height of her fame in Italy an invitation arrived by messenger from the newly appointed dictator of Libya, Muammar Gaddafi to join him for an informal brunch. Barbara recalled that the entire affair was lavish but a bit off-putting since each chair had an armed guard stationed by it fully equipped with submachine guns.” Years later, she received a request for a signed photograph (which she consented to) from a young man named Jeffrey Dahmer.

7. EYES WITHOUT A FACE (1960)

Pierre Boileau and Thomas Narcejac, who penned the books upon which Diabolique and Vertigo are based, were hired by director Georges Franju to adapt a novel by Jean Redon for the big screen. The film was developed by producer Jules Borkon specifically as a way to get into the horror genre that French audiences liked so much when it was American films—specifically, the Gothic horror films of the late ‘50s—being imported. A practical man, Borkon advised Franju to avoid excessive blood and animal torture, which the English and French censors, respectively, did not like. Ditto mad scientists, because, wrote David Kalat in his Criterion Collection essay on the film, “the Germans are touchy on about the whole Nazi doctor thing. This Borkon said while handing Franju a project about a mad doctor who tortures animals while cutting off women’s faces.”

Boileau and Narcejac got around this potentially very thorny (and bloody) problem by focusing the story on the mad doctor’s daughter, Christiane—though a moment near the end of the film was still shocking enough that it reportedly caused seven viewers at the Edinburgh Film Festival to faint and many others to leave the theater early. (Franju’s response: “Now I know why Scotsmen wear skirts.”)

In the United States, Eyes Without a Face was given the campy title The Horror Chamber of Dr. Faustus and paired in a double bill with The Manster (“Half Man – Half Monster – All Terror!”), which might explain why it took several years for American audiences to discover it for the haunting arthouse horror masterpiece it is.

8. THE HAUNTING (1963)

The gold standard in haunted house movies, Robert Wise’s The Haunting is based on Shirley Jackson’s 1959 novel The Haunting of Hill House, in which a paranormal investigator enlists a team of strangers to document their experiences living in a purportedly haunted mansion. (Not to be confused with the Vincent Price-starring House on Haunted Hill.) The favorite horror film of no less than Martin Scorsese, The Haunting adopts the show-don’t-tell ethos of Wise’s mentor, Val Lewton, who was famous for his highly atmospheric, low-budget horror movies where you frequently don’t see the monster in question. To that end, the supernatural forces in The Haunting are rarely visualized, with the emphasis more on the deteriorating mental state of the fragile, frazzled Eleanor (Julie Harris). Harris suffered from depression on-set and isolated herself from her co-stars, the result of not feeling that they took the film as seriously as she did. Wise followed up The Haunting with a decidedly more peppy film: 1965’s The Sound of Music.

9. NIGHT OF THE LIVING DEAD (1968)

One of the reasons that George Romero’s Night of the Living Dead became such a touchstone of the horror genre is, well, it’s a damn good movie. But a more minor reason has to do with a copyright fluke that put the film in the public domain. (The theatrical distributor changed the title prior to the film’s release, but when they updated the title card, they forgot to add the required copyright notice.) No copyright means no royalty fees, which in turn meant that Night of the Living Dead got more play on TV and a larger home video release than it would have had otherwise. It also meant that other filmmakers could create their own twists on Romero’s zombie classic without having to pay the man for the privilege, helping to give rise to the robust zombie sub-genre that’s been eating brains ever since.

10. ROSEMARY’S BABY (1968)

Though directed by one film legend, Roman Polanski, Rosemary’s Baby was at one point going to be helmed by a director of a different sort: William Castle. An icon of B-movie, gimmick-heavy horror—his most famous film is House on Haunted Hill, in which Vincent Price kills someone using an elaborate skeleton puppet, and for another of his movies, The Tingler, buzzers were installed in theater seats to gently zap moviegoers—Castle bought the rights to Ira Levin’s unpublished novel with an eye toward rehabilitating his image. (“We used to sit around our dining room table at night and instead of saying grace, my father would practice his Academy Award acceptance speech,” his daughter, Terry Castle, remembered.) Alas, it was not to be: Paramount, which co-financed Rosemary’s Baby with Castle, insisted that the film be directed by the more respectable Polanski, who was fresh off the success of his Euro horror hit Repulsion.

Though he initially found Polanski “cocky and vain,” Castle was won over by the younger director’s vision for the film, which basically boiled down to “Do it exactly like the book. Barely change anything.” Paramount won the fight, and Polanski signed on as Rosemary’s Baby’s director, with Castle producing. Some other Hollywood icons were involved behind the scenes, as well; Tony Curtis has an uncredited cameo as the voice of Donald Baumgart, and a cameo with Joan Crawford and Van Johnson playing themselves was filmed but later cut. (Johnson calling Polanski “Pinocchio” probably didn’t help.)

11. THE EXORCIST (1973)

The Silence of the Lambs’s route to Oscar success was paved by William Friedkin’s The Exorcist, which was the first horror film to be nominated for Best Picture. It received nine other nominations, too, including one for teenaged Linda Blair, playing the possessed Regan MacNeil. The nomination was met with controversy at the time, given the fact that Regan’s “possessed” voice was actually another actress: Mercedes McCambridge, who had to fight to receive on-screen credit. The Exorcist eventually won two Oscars: Best Adapted Screenplay and Best Sound.

12. CARRIE (1976)

Between film and TV, there have been over 100 adaptations of the work of Stephen King—but Carrie, directed by Brian De Palma, was the first. Sissy Spacek got a rare-for-horror Oscar nomination for playing the title character, a telekinetic teen bullied by her fellow students and her mother. De Palma initially thought that Spacek, at 25, was too old to play the teenage Carrie, even going so far as to encourage her to skip her final screen test in favor of a big commercial she had booked. Thankfully, Spacek ignored the director’s advice; she showed up to the screen test with Vaseline rubbed into her hair “to make it all greasy and yucky. I didn’t brush my teeth … I had a little dress since junior high school that was all ratty and old, and when the hair and make up people saw me coming, they raced to me to fix me up and I was like, ‘No! Stay away!’ Then I raced over to a corner and sulked and got ready for my screen test." Recalled De Palma: “she made everyone else look silly.”

13. HOUSE (1977)

In the 1970s, the Japanese movie market was being overtaken by fun, action-heavy Hollywood imports. Wanting a piece of the action themselves, Toho Studios hired Nobuhiko Ôbayashi, who had directed a series of experimental shorts and television commercials, to come up with a Japanese answer to Jaws. What they got was … er … not that. There wasn’t a human-eating piano in Jaws, or a demon cat, or a teenage girl who’s attacked by a bunch of futon mattresses. Ôbayashi’s psychedelic, bizarre horror comedy—about a group of seven teenage girls who go on vacation to one of the girl’s aunt’s house, only to realize the aunt is a witch and the house likes to eat people—proved a success among Japanese youth. It achieved cult status and was finally released in the United States in 2010.

14. SUSPIRIA (1977)

A surreal, gory, Technicolor extravaganza of witches, ballet, and murder, Dario Argento’s Suspiria is generally considered one of the finest examples—if not the finest example—of Italian horror. But one party involved in Suspiria wasn’t too keen on being associated with it: American distributor 20th Century Fox, which released the film under little-known subsidiary International Classics Inc. so as to avoid having its name attached to the film. Per Alexandra Heller-Nicholas’ Suspiria, there were “concerns about the impact [Suspiria] might have to its recently boosted industry reputation on the back of the success of George Lucas’ Star Wars.”

15. HALLOWEEN (1978)

John Carpenter’s Halloween, which begins with a six-year-old Michael Myers stabbing his nude sister, remains the only slasher film to date on the Library of Congress’s National Film Registry. Upon its 2006 induction, the Library of Congress’s Steve Leggett noted that the film “launched Carpenter’s career and started the slasher genre.”

Despite its status as the godfather of a particularly gory genre, Halloween is a film without any (literal) blood. That was intentional; writes David Konow in his book Reel Terror, it was Halloween cinematographer Dean Cundey’s belief that “even before the mad slasher craze, the feeling was that too much gore and special effects can call too much attention to itself, take the audience out of the movie, and make the story less realistic. ‘We actually spoke specifically about it,’ [said] Cundey. ‘I think part of what was so effective about Halloween is you could say any of this could happen.’”

16. AN AMERICAN WEREWOLF IN LONDON (1981)

John Landis's horror-comedy An American Werewolf in London is a groundbreaking bit of filmmaking for, among other things, its werewolf makeup effects. Practical FX guru Rick Baker won the first-ever Best Makeup Oscar for his work on the film; he was subsequently nominated for 10 Best Makeup Oscars and won seven. Baker’s work on American Werewolf particularly impressed Michael Jackson who, after seeing the film, contacted Landis and Baker to direct and do makeup design, respectively, for the music video for “Thriller.”

17. THE SILENCE OF THE LAMBS (1991)

The Academy of Motion Picture Arts and Sciences loves its biopics and its period dramas ... but horror movies? Not so much. Jonathan Demme’s The Silence of the Lambs is to date the only horror film to win the Best Picture Oscar. And it won a lot more than that: it’s only the third film in Oscar history to take home wins in the Big Five categories, a.k.a. Best Picture, Best Director, Best Screenplay (Adapted Screenplay, in Silence’s case), Best Actor (Anthony Hopkins), and Best Actress (Jodie Foster.) The other two Big Five victors are It Happened One Night (1934) and One Flew Over the Cuckoo’s Nest (1975).

18. SCREAM (1996)

Where Halloween invented the slasher genre, Scream reinvented it for a new generation, combining horror with meta comedy that skewers years of slasher movie tropes. Scream also revitalized the career of Wes Craven, a founding father of horror who made a name for himself with films like The Last House on the Left, The Hills Have Eyes, and A Nightmare on Elm Street. Still, in the mid-‘90s Craven was trying to move away from the dark, violent cinema he was associated with in an effort to avoid being pigeonholed. As such, he initially turned Scream down.

“The turning point was when a kid came up to me at a film conference or a panel I was on,” Craven later recalled. “The kid said, ‘You know, you should really do a movie like The Last House on the Left again. You really kicked ass back then, and you haven’t done it since.’ I went home and I thought, ‘Am I getting soft?’ I’ve always had this ambivalence about doing violent films, and I’ve also had this other side that says, ‘This is your voice, this is what comes naturally to you. You do it really well, go do it.’ So I called Bob [Weinstein, producer] and off we went.”

19. RINGU (1998)

One of the most influential international horror films of all time, the success of Hideo Nakata’s Ringu helped Japanese horror “[break] out of its cult status” in the West, subsequently kicking off a wave of American remakes of Japanese horror films. Ringu was remade in 2002 by Gore Verbinski as The Ring, which made more money in Japan than its source material—though not much more; Ringu made approximately $13 million in Japan, compared to The Ring’s $14.1 million. Subsequent American remakes of Asian horror hits included The Grudge (originally Ju-On), Dark Water, and Pulse.

20. GET OUT (2017)

The most recent entry on this list, Get Out has already knocked out a few milestones. Two other horror films on this list, The Silence of the Lambs and The Exorcist, won the Oscar for Best Adapted screenplay, but Get Out is the only horror film to win for Best Original Screenplay; on top of that, writer/director Jordan Peele is to date the only black writer to win that award. Other Oscar noms for this scrappy horror underdog are Best Director (Peele), Best Lead Actor (Daniel Kaluuya) and Best Film.

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