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10 High-Profile TV Pilots That Didn’t Get Picked Up

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The start of the summer television season finds all the new shows created for the fall season either going to series or being dropped from a network’s lineup. Many pilots have a lot of star power behind them, either in front of or behind the camera. But just because a pilot has some clout to it doesn’t mean it will be picked up for an entire season run. Here are 10 high-profile TV pilots that didn’t make it to series. 

1. Zombieland (2013, Amazon.com)

Originally conceived as a TV series in 2005, Zombieland was re-tooled and re-written as a feature film in 2009. The movie was a smash hit with an all-star cast, including Woody Harrelson, Jesse Eisenberg, Emma Stone, and Abigail Breslin. Instead of a sequel, the film’s writers, Rhett Reese and Paul Wernick, re-developed Zombieland for the online retailer Amazon.com’s new video streaming service Amazon Instant in 2013.

As part of Amazon’s original programming, viewers would choose TV shows based on their pilot episodes' strength. But with negative ratings and comments from its audience, Zombieland failed to get Amazon’s attention. It was eventually dropped from the online retailer’s emerging online roster.

Reese took to Twitter when he got word that Amazon passed on Zombieland. He blamed the fans for the series’ demise, as he believed that they “successfully hated it out of existence.”

2. Locke & Key (2011, Fox)

Based on horror author Joe Hill’s best-selling graphic novel, Locke & Key followed three siblings who became the caretakers of a New England mansion full of secrets and magic. With award-winning director Mark Romanek, writing duo Alex Kurtzman and Roberto Orci, and super producer Steven Spielberg at the center of its production, most assumed that Locke & Key would be picked up for Fox’s 2011 fall TV season—but the network opted not to buy the series due to its rising production cost.

3. Mulaney (2013, NBC)

Former Saturday Night Live writer John Mulaney left the late night variety show to pursue Mulaney, a semi-autobiographical series that followed a struggling young stand-up comedian living in New York City with his two roommates (stand-up Griffin Newman and SNL’s Nasim Pedrad), while dealing with his game show host boss (Martin Short) and his gay neighbor (Elliott Gould). With SNL producer Lorne Michaels and 30 Rock producers Robert Carlock and David Miner behind the scenes, Mulaney had an impressive cast and crew—but all that talent couldn't make NBC pick up the comedy after its pilot episode.

4. Black Market Music (2003, HBO)

After the Judd Apatow-created Freaks & Geeks and Undeclared were canceled, Seth Rogan and Jason Segel, along with Jack Black, co-created a comedy about two best friends who open a hip record store in Los Angeles. The series incorporated real musicians making cameo appearances and performing in the trendy record store. Although HBO passed on the series, its creators and stars Seth Rogen and Jason Segel went on to Hollywood stardom in the movie The 40-Year-Old Virgin and the TV series How I Met Your Mother, respectively.

5. Delirium (2013, Fox)

Based on science fiction author Lauren Oliver’s best-selling young adult book series, Delirium is set in a dystopian future where romantic love is seen as a disease. Fox ordered a pilot of Delirium based on its passionate fan base, and Emma Roberts was cast as the lead, Lena Haloway—but the network ultimately passed on the series.

6. Sick in the Head (1999, Fox)  

Created and developed by Judd Apatow and Paul Feig at the same time as Freaks & Geeks, Sick in the Head followed actors David Krumholtz as an inexperienced therapist, Kevin Corrigan as his loser roommate, and Amy Poehler as his spunky suicidal patient. Freaks & Geeks was picked up by NBC, but Fox passed on Sick in the Head.

Sick in the Head was just one of five failed or short-lived series that Apatow developed with DreamWorks Entertainment: Life on Parole and North Hollywood never aired, while Freaks & Geeks and Undeclared lasted for only one season each.

7. Beverly Hills Cop (2013, CBS)

Based on the popular film series from the 1980s, Beverly Hills Cop was an almost surefire hit. Shawn Ryan (The Shield) was helming the series, Barry Sonnenfeld (Men In Black) was directing the pilot episode, and Eddie Murphy was making a cameo appearance as his character Axel Foley. Actor Brandon T. Jackson would star in the series as Foley’s detective son Aaron. CBS dropped Beverly Hills Cop from their fall TV lineup, but Sony is still looking to find a home for the show on another network.

8. Hey Neighbor (2000, Fox)

After the sketch comedy troupe The State broke up in 1995, four of its members—Thomas Lennon, Ben Garant, Kerry Kenney, and Michael Ian Black—created Hey Neighbor, a comedy that focused on a wealthy family who were forced to live in a poor neighborhood when they entered into the FBI’s Witness Relocation Program.

The show would’ve been a mix between sitcom narratives with various sketches. After Fox passed on Hey Neighbor, Michael Ian Black went on to star in Ed for NBC, while Lennon, Garant, and Kenney created Reno911! for Comedy Central.

9. Lookwell (1991, NBC)

One of the most well known TV pilots, Lookwell starred Adam West as an aged actor who used to be the star of a popular police procedural in the 1970s. Created by writers Conan O’Brien and Robert Smigel, Lookwell aired during the summer TV season on NBC in 1991. Although it was NBC Chairman Brandon Tartikoff’s personal favorite TV pilot of the year, the TV comedy was not picked up for series.

O’Brien and Smigel would go on to host and write, respectively, Late Night with Conan O’Brien, but not before O’Brien took a two-year stint as a writer on The Simpsons from 1991 to 1993. Lookwell is celebrated for Adam West’s brilliant deadpan humor as a washed-up TV action hero.

10. Heat Vision & Jack (1999, Fox)

Created by Dan Harmon and Rob Schrab, Heat Vision and Jack starred Jack Black as Jack Austin—a former astronaut who gains super-intelligence after being exposed to an inappropriate level of solar energy—and Owen Wilson as Heat Vision, Jack’s talking motorcycle sidekick. Ron Silver, Christine Taylor, and Vincent Schiavelli also starred in the comedy, and Ben Stiller directed the show's pilot episode. Still, Fox didn't pick up the show.

In 2007, talks of a Heat Vision & Jack movie surfaced—Schrab mentioned a full-length feature film screenplay was in the works during an interview with Wizard Magazine. So far, nothing has been made official about the film’s production.

Jack Black and Owen Wilson would go on to become among the most successful comic actors in the following decade, while Ben Stiller became a notable actor and film director. Rob Schrab later directed episodes of Children's Hospital, Parks and Recreation, and all three seasons of The Sarah Silverman Program, while Dan Harmon created the cult-hit comedy Community for NBC. 

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8 Gonzo Facts About Hunter S. Thompson
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Hunter S. Thompson in Gonzo: The Life and Work of Hunter S. Thompson (2008)
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Like any real-life legend, there are many myths surrounding the life and work of Hunter S. Thompson. But in Thompson’s case, most of those stories—particularly the more outlandish ones—are absolutely true. The founder of the “Gonzo journalism” movement is one of the most fascinating figures of the 20th century. In celebration of what would have been his 80th birthday, here are some things you might not have known about the eccentric writer.

1. HE WAS NAMED AFTER A FAMOUS SCOTTISH SURGEON.

Hunter S. Thompson was reportedly named after one of his mother’s ancestors, a Scottish surgeon named Nigel John Hunter. But Hunter wasn't just your run-of-the-mill surgeon. In a 2004 interview with the Independent, Thompson brought along a copy of The Reluctant Surgeon, a Biography of Nigel John Hunter, a biography of his namesake, which read: "A gruff Scotsman, Hunter has been described as the most important naturalist between Aristotle and Darwin, the Shakespeare of medicine and the greatest man the British ever produced. He was the first to trace the lymphatic system. He performed the first human artificial insemination. He was the greatest collector of anatomical specimens in history. He prescribed the orthopaedic shoe that allowed Lord Byron to walk."

When pressed about what that description had to do with him, Thompson responded: "Well, I guess that might be the secret of my survival. Good genes."

2. HE MISSED HIS HIGH SCHOOL GRADUATION … BECAUSE HE WAS IN JAIL.

Just a few weeks before he was set to graduate from high school, at the age of 17, Thompson was charged as an accessory to robbery and sentenced to 60 days in jail. 

“One night Ralston Steenrod, who was in the Athenaeum with Hunter, was driving, and Hunter and another guy he knew were in the car,” Thompson’s childhood friend Neville Blakemore recalled of the incident. “As they were driv­ing through Cherokee Park, the other guy said, ‘Stop. I want to bum a ciga­rette from that car.’ People used to go park and neck at this spot. And the guy got out and apparently went back and mugged them. The guy who was mugged got their license number and traced the car, and within a very short time they were all three arrested.

“Just before this Hunter had been blamed for a nighttime gas-station rob­bery,” Blakemore added, “and before that he and some friends got arrested for buying booze under­age at Abe's Liquor Store on Frankfort Avenue by the tracks. So Hunter had a record, and he was already on probation. He was given an ultimatum: jail or the military. And Hunter took the Air Force. He didn't graduate with his class.”

3. IT WAS A FELLOW JOURNALIST WHO COINED THE TERM “GONZO.”

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While covering the 1968 New Hampshire primary, Thompson met fellow writer and editor Bill Carodoso, editor of The Boston Globe Sunday Magazine, which is where Thompson first heard him use the word “Gonzo.” “It meant sort of ‘crazy’ or ‘off-the-wall,’” Thompson said in Anita Thompson’s Ancient Gonzo Wisdom: Interviews with Hunter S. Thompson. Two years later, in June 1970, Thompson wrote an article for Scanlan’s Monthly entitled “The Kentucky Derby Is Decadent and Depraved,” which became a game-changing moment in journalism because of its offbeat, slightly manic style that was written with first-person subjectivity.

Among the many fellow journalists who praised Thompson for the piece was Cardoso, who sent a letter to Thompson that “said something like, ‘Forget all the sh*t you’ve been writing, this is it; this is pure Gonzo.’ Gonzo. Yeah, of course. That’s what I was doing all the time. Of course, I might be crazy.” Thompson ran with the word, and would use it himself for the first time a year later, in Fear and Loathing in Las Vegas.

4. HE TYPED OUT FAMOUS NOVELS TO LEARN THE ART OF WRITING.

In order to get the “feel” of being a writer, Thompson used to retype his favorite novels in full. “[H]is true model and hero was F. Scott Fitzgerald,” Louis Menand wrote in The New Yorker. “He used to type out pages from The Great Gatsby, just to get the feeling, he said, of what it was like to write that way, and Fitzgerald’s novel was continually on his mind while he was working on Fear and Loathing in Las Vegas, which was published, after a prolonged and agonizing compositional nightmare, in 1972.”

"If you type out somebody's work, you learn a lot about it,” Thompson told Charlie Rose in 1997. “Amazingly it's like music. And from typing out parts of Faulkner, Hemingway, Fitzgerald—these were writers that were very big in my life and the lives of the people around me—so yeah, I wanted to learn from the best I guess."

5. HE RAN FOR SHERIFF IN COLORADO.

In 1970, Thompson ran for sheriff of Pitkin County, Colorado on what he called the Freak Power ticket. Among his political tactics: shaving his head so that he could refer to his opponent as his “long-haired opponent,” promising to eat mescaline while on duty, and campaigning to rename Aspen “Fat City” to deter "greed heads, land-rapers, and other human jackals from capitalizing on the name 'Aspen.'" Unfortunately, he lost.

6. HE STOLE A MEMENTO FROM ERNEST HEMINGWAY.

In 1964, three years after Ernest Hemingway committed suicide at his cabin in Ketchum, Idaho, Thompson traveled to the late author’s home in order to write “What Lured Hemingway to Ketchum?” While there, according to his widow, Hunter “got caught up in the moment” and took “a big pair of elk horns over the front door.” Last year, more than a decade after Thompson’s death, Anita returned the antlers to the Hemingway family—which is something she and Hunter had always planned to do. “They were warm and kind of tickled … they were so open and grateful, there was no weirdness,” Anita said.

7. HE ONCE USED THE INSIDE OF MUSICIAN JOHN OATES’ COLORADO CABIN AS HIS PERSONAL PARKING SPACE.

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Earlier this month, musician John Oates—the latter half of Hall & Oates—shared a story about his ranch in Woody Creek, Colorado, just outside of Aspen, which is currently on the market for $6 million. In an interview with Colorado Public Radio, Oates recalled how when he first purchased the cabin, there was a red convertible parked inside. “I happened to ask the real estate agent who owned the convertible, and he said ‘your neighbor Hunter Thompson,’” Oates said. “Why is he keeping his car in a piece of property he doesn’t own? The real estate agent looked at me and said ‘It’s Woody Creek, you’ll figure this out. It’s a different kind of place.’” After sending several letters to his neighbor to retrieve his vehicle, Oates took matters into his own hands and deposited the car on Thompson’s lawn. Oates said that the two became friends, but never mentioned the incident.

8. AT HIS FUNERAL, HIS ASHES WERE SHOT OUT OF A CANNON.

On February 20, 2005—at the age of 67—Thompson committed suicide. But Thompson wasn’t about to leave this world quietly. In August of that year, in accordance with his wishes, Thompson's ashes were shot into the air from a cannon while fireworks filled the sky.

“He loved explosions," his widow, Anita, told ESPN, which wrote that, “The private celebration included actors Bill Murray and Johnny Depp, rock bands, blowup dolls and plenty of liquor to honor Thompson, who killed himself six months ago at the age of 67.”

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15 Memorable Quotes from George A. Romero
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Hollywood has lost one of its most iconic horror innovators with the death of George A. Romero, who passed away on Sunday at the age of 77. “He died peacefully in his sleep, following a brief but aggressive battle with lung cancer, and leaves behind a loving family, many friends, and a filmmaking legacy that has endured, and will continue to endure, the test of time,” his manager, Chris Roe, said in a statement.

Though he rose to prominence as the master of zombie flicks, beginning with Night of the Living Dead, Romero honed his filmmaking skills on a far less frightening set: shooting bits for Mister Rogers’ Neighborhood.

“I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made,” Romero once said. “What I really mean is that I was scared sh*tless while I was trying to pull it off.” (Rogers returned the favor by being a longtime champion of Romero’s work—and even called Dawn of the Dead “a lot of fun.”)

It’s that high-spirited sense of fun that made Romero’s work so iconic—and kept the New York City native busy for nearly 50 years. To celebrate his life and career, here are 15 of his most memorable quotes on everything from the humanity of zombies to the horror of Hollywood producers.

ON THE IMPORTANCE OF HAVING A SENSE OF HUMOR

“For a Catholic kid in parochial school, the only way to survive the beatings—by classmates, not the nuns—was to be the funny guy.”

ON THE HOLLYWOOD WAY

“If I fail, the film industry writes me off as another statistic. If I succeed, they pay me a million bucks to fly out to Hollywood and fart.”

ON BEING PIGEONHOLED

“As a filmmaker you get typecast just as much as an actor does, so I'm trapped in a genre that I love, but I'm trapped in it!”

ON ZOMBIES AS A METAPHOR

“I also have always liked the monster within idea. I like the zombies being us. Zombies are the blue-collar monsters.”

ON FINDING OBJECTIVITY AS A FILMMAKER

“There are so many factors when you think of your own films. You think of the people you worked on it with, and somehow forget the movie. You can't forgive the movie for a long time. It takes a few years to look at it with any objectivity and forgive its flaws.”

ON THE REAL VALUE OF THE INTERNET

“What the Internet's value is that you have access to information but you also have access to every lunatic that's out there that wants to throw up a blog.”

ON THE HORROR OF DEALING WITH PRODUCERS

“I'll never get sick of zombies. I just get sick of producers.”

ON THE IMPORTANCE OF COLLABORATION

“Collaborate, don’t dictate.”

ON THE BEAUTY OF LOW-BUDGET MOVIEMAKING

“I don't think you need to spend $40 million to be creepy. The best horror films are the ones that are much less endowed.”

ON HUMANS BEING THE REAL VILLAINS

“My zombies will never take over the world because I need the humans. The humans are the ones I dislike the most, and they're where the trouble really lies.”

ON BEING IMMUNE TO TRENDS

“Somehow I've been able to keep standing and stay in my little corner and do my little stuff and I'm not particularly affected by trends or I'm not dying to make a 3-D movie or anything like that. I'm just sort of happy to still be around.”

ON THE HUMANITY OF HORROR

“My stories are about humans and how they react, or fail to react, or react stupidly. I'm pointing the finger at us, not at the zombies. I try to respect and sympathize with the zombies as much as possible.”

ON THE ENDURING APPEAL OF HORROR

“If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.”

ON THE IMPORTANCE OF SURROUNDING ZOMBIES WITH STUPID PEOPLE

“A zombie film is not fun without a bunch of stupid people running around and observing how they fail to handle the situation.”

ON LIFE AFTER DEATH

“I'm like my zombies. I won't stay dead!”

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