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18 Disney Movies That Were Never Made

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The FW

In an alternate universe, instead of being utterly obsessed with Tangled and The Jungle Book, my daughter would be repeatedly watching Louis the Bear and Reynard. Here are the stories behind those two movies and 16 more that didn't quite make the cut.

If some of them sound intriguing, well, there’s still hope. Other Disney projects that were eventually pulled out of development hell include Wreck-It Ralph (originally Joe Jump) and Frozen, an adaptation of Hans Christian Andersen’s The Snow Queen.

1. Louis the Bear

For those of us who adored Louis Prima’s role as King Louie in The Jungle Book, here’s something to be sad about: Disney had a whole film planned that would feature Prima’s distinctive voice. Louis would have provided the voice of a bear (pictured above) who escaped from a zoo, aided by a couple of mice. If this sounds familiar, it’s because the concept was later turned into The Rescuers in the years after Walt Disney died and Prima was diagnosed with a brain tumor.

2. Army Ants

In 1988, Disney was considering a movie called Army Ants, the tale of a pacifist worker ant stuck in a militarized colony.

3. Toots and the Upside Down House

Henry Selick directed James and the Giant Peach and The Nightmare Before Christmas, so you can see why he’d be interested in directing a stop-motion picture based on the Carol Hughes book Toots and the Upside Down House. Steven Soderbergh would provide the script. Then-Disney-owned Miramax ended up pulling the plug early on in the project.

4. Chanticleer


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Based on a tale by Edmond Rostand, author of Cyrano de Bergerac, Chanticleer was to be a barnyard tale about how a rooster with a strange name thought his crow caused the sun to rise. Fans of Rock-A-Doodle (you’re out there, right?) recognize this as part of the 1991 movie directed by Don Bluth, who not-so-coincidentally was working for Disney at the time one of the Chanticleer revivals was being discussed.

5. Reynard

There is, perhaps unknown to many of us, an old folk tale about a rascally fox named Reynard. Walt Disney considered making a movie about Reynard since at least 1937, but never could quite come to the terms with the fox’s ugly deeds. Unlike other harmless Disney scoundrels, the victims of Reynard’s pranks often perished. It was more than a little off-brand for Disney, but he kept trying to figure out how to make it work for nearly 40 years. At one point, they even considered merging the tales of Chanticleer and Reynard into one movie. Eventually, the sly fox was used as the inspiration for the title character in Robin Hood.

6. Where the Wild Things Are

In 1983, John Lasseter directed a 30-second film test of Maurice Sendak’s Where the Wild Things Are, which Disney then owned the rights to. Universal acquired the rights in 2001, but you can still see part of the John Lasseter test and imagine what could have been:

7. Sonja Henie Fantasy

This proposal was possibly intended to be a short, part of a longer film with many little moving parts to it. The concept got far enough that the Olympic champ-turned-actress was featured in some early drawings with a polar bear. Though the movie was never made, an animated Sonja did make an appearance in a 1939 Disney short called “The Autograph Hound” (see 4:25):

8. Uncle Stiltskin

Remember the cartoon Teacher’s Pet? The husband and wife team behind it, Bill and Cheri Steinkellner, sold Uncle Stiltskin to Disney back in 2003. In it, Uncle Stiltskin tries to get a child by spinning straw into gold. It doesn’t work, and he ends up getting a feral orphan girl who was raised by wolves instead. (You can’t make this up, people.) It was in the works around the same time as The Princess and the Frog and Tangled, so what happened to it is anyone’s guess.

9. Newt


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In 2008, Disney/Pixar publicly announced Newt, a film about “what happens when the last remaining male and female blue-footed newts on the planet are forced together by science to save the species.” The reason it was abruptly canceled, it would seem, is that Rio—a tale about the last remaining blue Spix Macaws on the planet who are forced together to save the species—was scheduled for release around the same time.

10. Fraidy Cat

“In Fraidy Cat, a chubby housecat with frayed nerves is torn off his comfy couch and dropped smack dab in the middle of a Hitchcockian thriller when he is accused to a crime he didn’t commit,” Disney promotional materials once said. Yeah, I’d watch that. And the general consensus from inside the company is that the movie looked pretty good. Word has it that company execs lost confidence in the project, unsure that it would be commercially appealing. Longtime Disney animators Ron Clements and John Musker actually left the company over the demise of Fraidy Cat, but returned six months later.

11. My Peoples/A Few Good Ghosts 


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This intriguing story was about a ghost and three kids who bring a pair of star-crossed lovers together. The ghost characters later changed to a team of folk art characters—and as odd as it sounds, I think it would have been kind of awesome. There was a folk art Abe Lincoln made out of an old scrub brush with spoons for ears. Hal Holbrook was signed to provide Lincoln’s voice. Angel, whose voice would be provided by Dolly Parton, was a discarded flour scoop. And Ms. Spinster, to be voiced by Lily Tomlin, had a head made from someone’s old wooden foot. After some change in management and a lot of change to the script, My Peoples got the axe in favor of Chicken Little in November 2003. Worst. Decision. Ever. 

12. Yellow Submarine

Look, I love Disney, but I’m also a big Beatles fan, and I find a remake of Yellow Submarine to be completely and utterly unnecessary. I’m therefore thankful that the plug got pulled on the Robert Zemeckis remake of the animated film. We have the colossal failure of Mars Needs Moms to thank for that one—when that movie flopped, eyebrows were raised about budget concerns, and the Sub was sunk.

13. The Gremlins

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Not the version with Gizmo and Co., but a version based on the Roald Dahl book of the same name. Back in the early 1940s, Disney had at least two screenplays written for this project before it was ultimately dropped. What did survive was a promotional book that would have tied in with the movie. Original copies of these—there are fewer than 5000 of them—fetch up to $300 on secondary markets.

14. Musicana

Intended to be a more worldly follow-up to Fantasia, Musicana would have included a mix of jazz, classical music, myths and modern art. Imagine a battle between an Ice God and a Sun Goddess and Louis Armstrong and Ella Fitzgerald in frog format. It’s said that Musicana was canned so that more money and effort could be funneled to Mickey’s Christmas Carol.

15. The Prince and the Pig

Would you have watched a movie about a little boy and his pet pig and the trials and tribulations they encountered on their journey to ... steal the moon?! Disney thought you would, way back in 2003. And then they thought you wouldn’t, so after paying author Rian Johnson a reported sum in the mid-six figures, they scrapped The Prince and the Pig.

16. Hiawatha

You might remember the Silly Symphony “Little Hiawatha,” based on the Longfellow poem. Disney wanted to make a full-length film about adult Hiawatha, with more of an impressionistic feel to it. The closest it got to being made was in the mid-1940s, when concept art was produced and highly praised by the powers that be. They later decided that the movie would end up being another Fantasia—too “highbrow” to be appealing to mass audiences—and stopped production on Hiawatha in 1949 so they could focus on Cinderella and Peter Pan instead.

17. Don Quixote 

Back in 1940, the studio was thinking hard about making an artistic version—think Fantasia—of the Cervantes classic. It got pushed back until 1946, when it was briefly revived again as a short that would be part of a larger project. That didn’t work out either, but the Quixote quandary was brought up one more time in 1951. The solution this time was to produce the movie with very simple, flat animation. No dice. But fear not, Cervantes fans (or maybe you should fear): It was just announced in December that Johnny Depp will be producing a modern re-imagining of the tale for Disney.

18. The Rainbow Road to Oz

Though Disney’s Oz the Great and Powerful came out earlier this year, they’ve been trying to seal that deal since the 1930s. Prior to the success of Snow White and the Seven Dwarfs, Walt Disney tried to acquire the rights to several children’s literature titles. Sometimes he was successful—Alice in Wonderland, Peter Pan—and, sometimes, as in the case of The Wizard of Oz, he was not. MGM ended up buying the rights in 1937 for $75,000. After Baum’s widow died in 1953, Disney was able to purchase the rights to 11 of the 14 other books in the Oz series, however. A live-action movie was planned, featuring Annette Funicello as Princess Ozma and the rest of the Mouseketeers in supporting roles. They even went so far as to preview The Rainbow Road to Oz on TV:

We don’t officially know why the project stalled out, but the speculation is that Disney simply found himself preoccupied with Disneyland projects and the upcoming release of Sleeping Beauty.

Primary image courtesy of The FW.

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10 Things You Might Not Know About South Park
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Comedy Central

South Park has been a favorite of comedy fans since its broadcast debut in 1997, keeping a permanent seat in internet culture thanks to a slew of quotable catch phrases and delightfully inflammatory conversation pieces. Nevertheless, there are a few things about Trey Parker and Matt Stone’s iconic series—which made its debut 20 years ago today—that you might not know.

1. SOUTH PARK PIONEERED THE WAVE OF “MATURE” TELEVISION.

Making its debut in the summer of 1997, South Park entered the small screen circuit just in time to reap the benefits of the Federal Communications Commission’s latest venture: the TV Parental Guidelines. The rating system went into effect in January of the same year, distinguishing “child friendly” programming from “adult content.” Upon its premiere on August 13, South Park became the first weekly series to earn the “TV-MA” (or “Mature Audiences”) label.

2. MOST OF THE SERIES’S FEMALE CAST MEMBERS PERFORM UNDER PSEUDONYMS.

The wealth of the male characters on South Park are voiced by creators and writers Parker and Stone, but the animated Colorado town’s female population has long owed its lines to a small number of women behind the scenes. The voice actresses principally responsible for this lot have been, at various points, Mona Marshall, April Stewart, Eliza Schneider, and the late Mary Kay Bergman.

Early on in her South Park tenure, Disney and Hanna-Barbera mainstay Bergman was sometimes credited as Shannen Cassidy in order to avoid fallout from the ideological differences between South Park and her family-friendly material. Similarly, Stewart adopted the alias Gracie Lazar for her South Park work, and Schneider (who left the series in 2003) performed as “Blue Girl,” a handle she also utilized in her music career. Only Marshall has been consistently credited without a pseudonym.

3. SEVERAL CELEBRITIES HAVE PLAYED EASY-TO-MISS CAMEOS.

South Park’s preferred use of celebrity guest stars differs quite a bit from that of its animated sitcom brethren, a community that typically aims to “play up” the notability of a visiting voice actor. With a few exceptions, South Park favors hiding any trace of a star’s contribution, relegating big-name guests to little more than animal sounds. Actors as renowned as George Clooney, Jay Leno, and Henry Winkler have provided dog barks, cat purrs, and monster growls, respectively, for the show.

4. ONE NOTABLE FAN REFUSED AN OFFER TO GUEST STAR.

Of course, not all Hollywood stars are game for this caliber of work. Taking note of South Park’s meteoric rise in popularity at the inception of its second season, Jerry Seinfeld contacted creators Parker and Stone to express interest in voicing a character. They offered the comedian the nonspeaking part of “Turkey No. 2” in their Thanksgiving episode, but Seinfeld declined.

5. SOME FAMOUS NAMES HAVE WRITTEN FOR THE SERIES.

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Today, Bill Hader and Kristen Schaal are TV comedy stars in their own right. However, while Hader was still appearing on Saturday Night Live, he doubled as a consultant writer and then producer for Parker and Stone’s animated series. Similarly, Schaal spent 2007 working as a consultant writer on South Park, before padding her resume with parts on Flight of the Conchords, The Daily Show, and 30 Rock.

6. A SITCOM LEGEND CONTRIBUTED TO TWO EPISODES OF THE SERIES.

It is hardly a surprise to learn that the daringly controversial Parker and Stone hold great reverence for the king of all politically incorrect sitcoms: All in the Family. As such, the pair’s communal dream came true when Norman Lear, the brain behind the groundbreaking series, brought his talents to the South Park set as a writing consultant on the consecutive season 7 episodes “Cancelled” (the 100th episode produced) and “I’m a Little Bit Country.”

7. TREY PARKER APPLIED THE SHOW’S VISUAL STYLE TO A SERIES OF PHILOSOPHICAL SHORTS.

Inheriting a reverence for Buddhism from his father, Randy, Trey Parker went on to discover affection for the philosophies of Zen writer and speaker Alan Watts. In 2007, Parker borrowed the construction paper aesthetic of his popular Comedy Central series to a side project: animated sequences accompanying short segments of Watts’s lectures. Subjects brought to life through Parker’s animation included Watts’ take on music (“Life and Music”), personality extremes (“Prickles and Goo”), and the human race’s relationship with the planet (“Appling”).

8. SOUTH PARK REUNITED A FAMOUS COMIC DUO.

The season four episode “Cherokee Hair Tampons,” which aired in 2000, was notable for employing a pair of guest stars for more than just a few canine grunts. Counterculture comedians Cheech Marin and Tommy Chong, who had long since dissolved their big-screen partnership, both lent their voices to the installment. Chong admitted that he and Marin didn’t record their parts together for the episode, but he did credit South Park with reviving their professional camaraderie.

“Cheech did his bit one day and I came in the next day and did my bit,” he told UCTV. “That was the first time we did something together in 20 years so yes, we can give South Park the credit.” Chong’s math might be a little off—his and Marin’s previous proper film collaboration was Martin Scorsese’s After Hours, although they shared credits well into the ’90s—but the spirit of his words sticks. Since the South Park episode, Chong and Marin have joined forces on a handful of film and television projects, including Cheech & Chong’s Animated Movie.

9. AN INSECT MUTATION WAS NAMED AFTER A SOUTH PARK CHARACTER.

Comedy Central

Throughout the first five seasons of South Park, the primary distinguishing characteristic borne by the character Kenny McCormick was his proclivity to die suddenly in every episode. This unfortunate trait won Kenny the honor of lending his name to a mutation in the genetic structure of the adult fruit fly, discovered in 2002 by scientist Sophie Rutschmann. The gene was found to predict imminent mortality upon contact with an otherwise benign strain of bacteria; this “certain death” mutation was aptly nicknamed “Kenny” after South Park’s ill-fated character.

10. THE TOURETTE SYNDROME ASSOCIATION HAS PRAISED SOUTH PARK’S TREATMENT OF THE DISEASE.

Well aware of South Park’s reputation for insensitivity, the Tourette Syndrome Association approached the series’ season 11 episode, “Le Petit Tourette,” prepared to be gravely offended. The nonprofit organization was unsurprised by South Park’s heavy focus on coprolalia, or involuntary cursing—a symptom disproportionately associated with the disease in popular culture—but went on record as saying that they were impressed by the episode’s treatment of the condition, as well as by its wealth of well-researched information.

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Fact Check
A Physicist Weighs In On Whether Scrooge McDuck Could Actually Swim in a Pool of Gold Coins
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Batman has the Batcave, Superman has his Fortress of Solitude, and Scrooge McDuck has his money bin. For 70 years, the maternal uncle of Disney’s Donald Duck has been portrayed as a thrifty—some might say miserly—presence in cartoons and comics, a waterfowl who has such deep affection for his fortune that he enjoys diving into his piles of gold and luxuriating in them.

It’s a rather gross display of money worship, but is it practical? Can anyone, including an anthropomorphic Pekin duck, actually swim in their own money, or would diving headfirst into a pile of metal result only in catastrophic injury?

According to James Kakalios, Ph.D., a professor of physics at the University of Minnesota and author of the recently-released The Physics of Everyday Things as well as 2005’s The Physics of Superheroes, the question really isn’t whether someone could swim in a mass of gold. They could not. It’s more a matter of how badly they’ll be injured in the attempt.

Diving into a gold pile the Scrooge way—hands first, prayer-style, followed by your head—is the most efficient way to begin breaking bones. “Keeping his arms stiff and his elbows rigid, he’s definitely going to break his wrists,” Kakalios tells Mental Floss. “Gold is a granular material like sand, a macroscopic object. You can’t swim through sand or dive into it easily.” Launch yourself off a diving board from 3 or 4 feet up and you will meet a solid surface. Landing with your feet, a far better bet, is unlikely to result in injury—provided you try to bend your knees.

In that sense, diving into gold is not dissimilar from “diving” into a concrete floor. But with gold being granular, it might be possible to break the surface and “swim” if the friction were low enough. “A ball pit is a good example,” Kakalios says. “The balls are lightly packed and have low friction relative to one another. The key is to have objects in front of you move out of the way in order to advance.”

Despite being a fictional character, McDuck hasn’t totally ignored the impossible physics of his feat. His creator, Carl Barks, has written in repeated references over the years to the implausibility of using his money vault as a swimming pool and has depicted the villainous Beagle Boys trio as getting hurt when they tried to emulate the stunt. Scrooge smirked and said there was a “trick” to making the gold dive.

That’s led to one fan theory that McDuck has used his fortune to coat the gold coins in some kind of lubricant that would aid in reducing friction, allowing him to maneuver inside the vault. Ludicrous, yes. But is it possible? “You would need a massive amount of lube to slide your body past the coins with minimal effort,” Kakalios says. “The ball pit is easier because the weight of the elements is low. Gold is a very dense material.” Diving and swimming into it, even with lubricant, might be analogous to trying to shove your hand into a deep bowl of M&Ms, he says. “M&Ms have a low friction coating. Continuing to move is really the problem.”

Presuming McDuck could somehow maneuver himself deeper into the pile, his delicate duck bones would almost surely succumb to the crushing weight of the gold above him. By one estimate, diving under one of his 5-foot-tall gold piles would put 2492 pounds of pressure on his bill.

We'll see if he tips his top hat to any further gold-diving tricks—or if he's in a full-body cast—when Disney XD relaunches DuckTales this summer.

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