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22 Things You Might Not Know About the Stanley Cup

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Justin K. Aller/Getty Images

Interesting facts and crazy stories about the trophy—which is older than the National Hockey League.

1. Who is Stanley, and what’s his cup?

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The Stanley Cup is named after Lord Stanley of Preston, the 1892 Governor General of Canada. He purchased the decorative cup in London for 10 guineas (around $50 at the time). Stanley donated the Cup to award Canada’s top amateur hockey club after he and his family became infatuated with the sport at Montreal’s 1889 Winter Carnival; it was first awarded to the Montreal Amateur Athletic Association (or MAAA) in 1893.

2. There are actually three Stanley Cups.

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Stanley’s original Cup from 1892, known as the “Dominion Hockey Challenge Cup" (above), was awarded until 1970, and is now on display in the Vault Room at the Hockey Hall of Fame in Toronto.

In 1963, NHL president Clarence Campbell believed that the original Cup had become too brittle to give to championship teams, so the “Presentation Cup” was created and is the well-known trophy awarded today. (Skeptics can authenticate the Presentation Cup by noting the Hockey Hall of Fame seal on the bottom.)

The final Cup is a replica of the Presentation Cup, which was created in 1993 by Montreal silversmith Louise St. Jacques and is used as a stand-in at the Hall of Fame when the Presentation Cup isn’t available.

3. But it’s one of a kind.

Unlike other major league sports trophies, a new Cup isn’t made every year. Instead, after each championship, the names of the players, coaches, management, and staff of the winning team are added to the Cup. The first team to have its roster engraved was the 1906-07 Montreal Wanderers, whose names were etched within the inner bowl of the Dominion Hockey Challenge Cup. The only other team names engraved on the inner bowl are the 1914-15 Vancouver Millionaires.

4. And it’s always changing.

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More and more teams wanted to be immortalized, so the decision was made to put a separate single ring below the original Cup that each new winning roster would be etched on. Between 1927 and 1947, a new, more streamlined and vertical incarnation of the Cup was used. Thanks to its cylindrical shape, it was nicknamed the “Stovepipe Cup” (above)—but by 1948, the trophy had become too tall to hold or put on display, so the shape was changed to the tiered version used today.

5. Its rings are detachable.

Since 1958, five bands of championship names are engraved around the base of the Cup. When the rings become full, the oldest band is removed and preserved in Lord Stanley’s Vault at the Great Esso Hall in the Hockey Hall of Fame. A blank replacement band is then put in its place to be filled with the names of the next champions. No championship team names from the 1928-29 to the 1953-54 season are currently on the Cup.

6. The NHL has official engravers put each name on the cup.

In its 96-year history, there have only been four official engravers sanctioned by the NHL. The first was the 1948 Stanley Cup designer Carl Poul Peterson, a Danish engraver who moved to Montreal in 1929 and worked with his sons Arno, Ole, and John Paule in his engraving shop until his death in 1977. The current engraver is Louise St. Jacques (creator of the replica of the Presentation Cup), who took over from the second and third official engravers, Doug Boffey and his father Eric, at their shop Boffey Silversmith’s in Montreal in 1989.

To inscribe each name individually, St. Jacques disassembles the Cup from the top down, and then clamps the band being engraved in a homemade circular jig. She uses special small hammers and a series of letter stamps to strike each letter into the silver while using a metal level to keep the names as straight as possible. St. Jacques estimates that each name takes approximately a half-hour to inscribe and that it takes a non-continuous—not to mention patient—ten hours to complete every name for the winning team.

7. But they’re not always perfect.

Many champion player and team names are misspelled on the Cup. The name of the 1980-81 New York Islanders is misspelled as “Ilanders,” and the 1971-72 Boston Bruins’ name is misspelled as “Bqstqn Bruins.” Most of the errors are left on as they are—it would be too costly to fix the mistakes. But fans believe the errors add to the idiosyncratic nature of the Cup.

Corrections have been made, though: When 1996 champion Colorado Avalanche’s Adam Deadmarsh's name was spelled “Deadmarch” on the Cup, it was stamped out and corrected after he publicly stated how heartbroken he was about the error.

8. Sometimes the winning teams don’t play by the rules.

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The NHL will allow no more than 52 names from each year's winning team to be engraved, with the assumption that the people included are affiliated with or have played on that club during the Stanley Cup finals.

But Peter Pocklington—the former Edmonton Oilers owner perhaps best known for trading away The Great One himself, Wayne Gretzky—included his father, Basil, on the list of names to go along with the 1983-84 champion Oilers, despite the fact that his father wasn’t officially affiliated with the team. Once found out, the league had the engraver strike out Basil’s name with a series of capital Xs (above).

9. But sometimes, there are extenuating circumstances.

When the Detroit Red Wings won the Cup in 1998, the team asked that Vladimir Konstantinov's name be engraved on the Cup, even though he didn’t play that year. The NHL allowed it because Konstantinov was a team member who was seriously injured in a car accident before the Wings defended their title.

There are also a couple of instances where no names were inscribed at all, like when the Cup wasn’t awarded in 1919 due to an outbreak of Spanish Flu. It also wasn’t awarded for the 2004-05 season because of a lockout between the league and the players union. The entire space for the players’ names reads “SEASON NOT PLAYED.”

10. Some people make multiple appearances.

Henri Richard, brother of Montreal Canadiens legend Maurice “Rocket” Richard and a hockey great in his own right, is on the Cup a record 11 times as a player, while the legendary Scotty Bowman appears on the Cup the most for a coach with nine Stanley Cup wins as the skipper for the Red Wings, Penguins, and Canadiens.

With 24 victories, the Canadiens have taken home Stanley Cup more than any other NHL team—though their last win, unfortunately for Habs fans, was back in 1993. Montreal also holds the record for most consecutive Cup wins with five in a row from 1956 to 1960.

11. One fan tried to steal the Cup—but not for the reason you'd expect.

Montreal fans are so adamant about the Cup that during the 1962 playoffs, when the Cup was on display at Chicago Stadium for the defending champion Black Hawks (the name was compressed to “Blackhawks” in 1986), Habs fan Ken Kilander attempted to take the Cup and walk right out the door with it. When a police officer caught and questioned him, Kilander responded, “I want to take it back where it belongs, to Montreal.”

12. The Stanley Cup isn’t only for men.

Twelve women have their names inscribed on the Cup. The first was Marguerite Norris, who was the president of the Detroit Red Wings for their 1954-55 season victory. Sonia Scurfield is the only Canadian woman to have her name inscribed; she was the co-owner of the 1988-89 champion Calgary Flames.

13. Some people are superstitious about it.

Various players are wary of the Cup if they haven’t won it yet, and steer clear if they’re still in contention—in fact, some players on conference champion teams won’t even touch the respective Western Conference Campbell Bowl or Eastern Conference Prince of Wales Trophy so they don’t jinx their team’s chances at the real prize!

14. The Cup has a chaperone.

The Cup is always accompanied by at least one representative of the Hockey Hall of Fame, dubbed the “Keeper of the Cup.” The current Keeper, Philip Pritchard, has held the position since 1991 and even maintains a Twitter account to update followers on where the Cup goes from day to day.

Way back when the Cup was first donated, Lord Stanley mandated that two trustees must always be appointed to care for the Cup and ensure it was kept in proper condition. The two current trustees are Brian O’Neill and Ian “Scotty” Morrison, and according to the Hockey Hall of Fame, they “have absolute power over all matters regarding the Stanley Cup.”

15. The Cup belongs to the players … for one day.

The NHL allots each championship team one hundred off-season days with the Cup (accompanied by the Keeper, of course) to do with it as they wish. It was the 1994-95 New Jersey Devils who formalized the tradition of giving each player one personal day with the Cup during the off-season. In fact, since the ‘03 season, the Hall of Fame has been keeping journals of the Cup’s travels with each winning team. Though some players use their day with the trophy for peaceful reflection, others have gone a bit crazy with Lord Stanley’s Cup, as you’ll see below.

16. The Stanley Cup has gone swimming at least three times.

Following their 1991 victory over the Minnesota North Stars, Pittsburgh Penguins legend Mario Lemieux hosted the team at his house. When Lemieux wasn’t looking, Penguins winger Phil Bourque decided he wanted to see if the Cup could float—and threw the trophy into the captain’s in-ground pool. It didn’t float, and immediately sank to the bottom (thankfully, it was recovered unharmed).

Two years later the Cup also found the bottom of Montreal Canadiens goaltender Patrick Roy’s pool. But in 2002, when Red Wings goaltender Dominik Hašek attempted to swim with the Cup, the Keeper had had enough: He demanded Hašek dry off the trophy and give it back, thus cutting short his allotted personal day.

17. And it once spent all night in an Ottawa canal.

When the Ottawa Hockey Club, now known as the Ottawa Senators, won the Cup in 1905, the members of the “Silver Seven” had a little too much fun celebrating their victory. After the team banquet, some not-so-sober players brought the trophy outside and decided to test their accuracy by trying to kick the then-small Cup into Ottawa’s Rideau Canal.

Once successful, they went on their drunken way and forgot all about it—until their teammates realized the next day that the trophy was missing. Lord Stanley’s Cup was retrieved and given to a player named Harry Smith, the most responsible man on the team, for safekeeping.

18. The Montreal Canadiens won the Cup in 1924, and then promptly forgot about it.

When the members of the 1924 champion Canadiens got a flat tire on the way to the team’s victory banquet at owner Leo Dandurand’s house, they had to remove the Cup from the trunk of the car to get to the spare tire. The players, eager to celebrate their win, quickly changed the tire and made their way to the party. When the traditional time came for each player to drink champagne from the silver bowl, the Cup was nowhere to be found. The players had left it on the side of the road! They hopped in their car and sped back to the place where they had changed the flat and found the Cup in a snow bank on the side of the road—right where they had left it.

But that wasn’t the first time a Montreal hockey team had forgotten the Cup. The 1907 Montreal Wanderers left it at the home of a team photographer; the photographer’s mother used the Cup as a flower pot until the team came back to retrieve it!

19. Two babies have been baptized in the Cup.

After the Colorado Avalanche won the 1995-96 championship, defenseman Sylvain Lefebvre used his personal day with the Cup to have his daughter christened in the top bowl.

Eleven years later, after the Detroit Red Wings won in 2007-08, Swedish left-winger Tomas Holmström brought the silverware back to his native country so that his cousin could baptize his 7-week-old daughter in the trophy.

20. And it has seen its fair share of vice.

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The Edmonton Oilers were a force to be reckoned with in the 1980s. Between 1984 and 1990, the team won five Stanley Cups and were led by two hockey greats, Wayne Gretzky and Mark Messier (above). Legend has it that after their 1986-87 win, Messier brought the Cup to an Edmonton strip club called the Forum Inn and set the trophy on the main stage. One of the ladies dancing at the club then reportedly incorporated the Cup into her risqué routine.

When he won the Cup again in 1994 with the New York Rangers, Messier and his teammates brought the trophy to another strip club—Scores in Manhattan.

21. It also might hold a curse, among other things…

When Messier and the Rangers won in 1994, it ended a record 54-year championship drought for the Broadway Blueshirts (the team hadn’t won since the 1939-40 season). Fans believe that the curse might have been brought on because the Rangers disrespected the Cup.

During the ’39-’40 season, the mortgage on the Rangers’ home rink—at the time the third incarnation of Madison Square Garden—was finally paid off. To celebrate, the management of the team symbolically burned the mortgage documents in the bowl of the Stanley Cup. Then, left-winger Lynn Patrick and his teammates allegedly urinated in the Cup’s bowl to bizarrely celebrate their victory. The Rangers finally took home the trophy again in 1994, but they haven’t won hockey’s ultimate prize since.

22. And the Cup went to war.

It’s been all over the world, from Russia to the Czech Republic to Sweden, but in 2007, the Stanley Cup went to war. To boost morale for Canadian and American troops serving in the Middle East, the Cup was flown into an active war zone at Camp Nathan Smith in Kandahar, Afghanistan, for a meet and greet. Canadians love nothing more than hockey, and you can read up on the reactions from the troops on the Hall of Fame’s Stanley Cup Journal when it went to Afghanistan here.

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25 Words That Are Their Own Opposites
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Here’s an ambiguous sentence for you: “Because of the agency’s oversight, the corporation’s behavior was sanctioned.” Does that mean, "Because the agency oversaw the company’s behavior, they imposed a penalty for some transgression," or does it mean, "Because the agency was inattentive, they overlooked the misbehavior and gave it their approval by default"? We’ve stumbled into the looking-glass world of contronyms—words that are their own antonyms.

1. Sanction (via French, from Latin sanctio(n-), from sancire ‘ratify,’) can mean "give official permission or approval for (an action)" or conversely, "impose a penalty on."

2. Oversight is the noun form of two verbs with contrary meanings, “oversee” and “overlook.” Oversee, from Old English ofersēon ("look at from above") means "supervise" (medieval Latin for the same thing: super-, "over" plus videre, "to see.") Overlook usually means the opposite: "to fail to see or observe; to pass over without noticing; to disregard, ignore."

3. Left can mean either remaining or departed. If the gentlemen have withdrawn to the drawing room for after-dinner cigars, who’s left? (The gentlemen have left and the ladies are left.)

4. Dust, along with the next two words, is a noun turned into a verb meaning either to add or to remove the thing in question. Only the context will tell you which it is. When you dust are you applying dust or removing it? It depends whether you’re dusting the crops or the furniture.

5. Seed can also go either way. If you seed the lawn you add seeds, but if you seed a tomato you remove them.

6. Stone is another verb to use with caution. You can stone some peaches, but please don’t stone your neighbor (even if he says he likes to get stoned).

7. Trim as a verb predates the noun, but it can also mean either adding or taking away. Arising from an Old English word meaning "to make firm or strong; to settle, arrange," trim came to mean "to prepare, make ready." Depending on who or what was being readied, it could mean either of two contradictory things: "to decorate something with ribbons, laces, or the like to give it a finished appearance" or "to cut off the outgrowths or irregularities of." And the context doesn’t always make it clear. If you’re trimming the tree are you using tinsel or a chain saw?

8. Cleave can be cleaved into two homographs, words with different origins that end up spelled the same. Cleave, meaning "to cling to or adhere," comes from an Old English word that took the forms cleofian, clifian, or clīfan. Cleave, with the contrary meaning "to split or sever (something)"—as you might do with a cleaver—comes from a different Old English word, clēofan. The past participle has taken various forms: cloven, which survives in the phrase “cloven hoof,” “cleft,” as in a “cleft palate” or “cleaved.”

9. Resign works as a contronym in writing. This time we have homographs, but not homophones. Resign, meaning "to quit," is spelled the same as resign, meaning "to sign up again," but it’s pronounced differently.

10. Fast can mean "moving rapidly," as in running fast, or "fixed, unmoving," as in holding fast. If colors are fast they will not run. The meaning "firm, steadfast" came first; the adverb took on the sense "strongly, vigorously," which evolved into "quickly," a meaning that spread to the adjective.

11. Off means "deactivated," as in to turn off, but also "activated," as in the alarm went off.

12. Weather can mean "to withstand or come safely through" (as in the company weathered the recession) or it can mean "to be worn away" (the rock was weathered).

13. Screen can mean to show (a movie) or to hide (an unsightly view).

14. Help means "assist," unless you can’t help doing something, when it means "prevent."

15. Clip can mean "to bind together" or "to separate." You clip sheets of paper to together or separate part of a page by clipping something out. Clip is a pair of homographs, words with different origins spelled the same. Old English clyppan, which means "to clasp with the arms, embrace, hug," led to our current meaning, "to hold together with a clasp." The other clip, "to cut or snip (a part) away," is from Old Norse klippa, which may come from the sound of a shears.

16. Continue usually means to persist in doing something, but as a legal term it means stop a proceeding temporarily.

17. Fight with can be interpreted three ways. “He fought with his mother-in-law” could mean "They argued," "They served together in the war," or "He used the old battle-ax as a weapon." (Thanks to linguistics professor Robert Hertz for this idea.)

18. Flog, meaning "to punish by caning or whipping," shows up in school slang of the 17th century, but now it can have the contrary meaning, "to promote persistently," as in “flogging a new book.” Perhaps that meaning arose from the sense "to urge (a horse, etc.) forward by whipping," which grew out of the earliest meaning.

19. Go means "to proceed," but also "give out or fail," i.e., “This car could really go until it started to go.”

20. Hold up can mean "to support" or "to hinder": “What a friend! When I’m struggling to get on my feet, he’s always there to hold me up.”

21. Out can mean "visible" or "invisible." For example, “It’s a good thing the full moon was out when the lights went out.”

22. Out of means "outside" or "inside": “I hardly get out of the house because I work out of my home.”

23. B**ch can derisively refer to a woman who is considered overly aggressive or domineering, or it can refer to someone passive or submissive.

24. Peer is a person of equal status (as in a jury of one’s peers), but some peers are more equal than others, like the members of the peerage, the British or Irish nobility.

25. Toss out could be either "to suggest" or "to discard": “I decided to toss out the idea.”

The contronym (also spelled “contranym”) goes by many names, including auto-antonym, antagonym, enantiodrome, self-antonym, antilogy and Janus word (from the Roman god of beginnings and endings, often depicted with two faces looking in opposite directions). Can’t get enough of them? The folks at Daily Writing Tips have rounded up even more.

This piece originally ran in 2015.

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12 Facts About James Joyce
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June 16, 1904 is the day that James Joyce, the Irish author of Modernist masterpieces like Dubliners and A Portrait of the Artist as a Young Man, and who was described as “a curious mixture of sinister genius and uncertain talent,” set his seminal work, Ulysses. It also thought to be the day that he had his first date with his future wife, Nora Barnacle.

He was as mythical as the myths he used as the foundations for his own work. So in honor of that June day in 1904—known to fans worldwide as “Bloomsday,” after one of the book’s protagonists, Leopold Bloom—here are 12 facts about James Joyce.

1. HE WAS ONLY 9 WHEN HIS FIRST PIECE OF WRITING WAS PUBLISHED.

In 1891, shortly after he had to leave Clongowes Wood College when his father lost his job, 9-year-old Joyce wrote a poem called “Et Tu Healy?” It was published by his father John and distributed to friends; the elder Joyce thought so highly of it, he allegedly sent copies to the Pope.

No known complete copies of the poem exist, but the precocious student’s verse allegedly denounced a politician named Tim Healy for abandoning 19th century Irish nationalist politician Charles Stewart Parnell after a sex scandal. Fragments of the ending of the poem, later remembered by James’s brother Stanislaus, showed Parnell looking down on Irish politicians:

His quaint-perched aerie on the crags of Time
Where the rude din of this century
Can trouble him no more

While the poem was seemingly quaint, young Joyce equating Healy as Brutus and Parnell as Caesar marked the first time he’d use old archetypes in a modern context, much in the same way Ulysses is a unique retelling of The Odyssey.

As an adult, Joyce would publish his first book, a collection of poems called Chamber Music, in 1907. It was followed by Dubliners, a collection of short stories, in 1914, and the semi-autobiographical A Portrait of the Artist as a Young Man (in which Clongowes Wood College is prominently featured) in 1916.

2. HE CAUSED A CONTROVERSY AT HIS COLLEGE’S PAPER.

While attending University College Dublin, Joyce attempted to publish a negative review—titled “The Day of the Rabblement”—of a new local playhouse called the Irish Literary Theatre in the school’s paper, St. Stephen’s. Joyce’s condemnation of the theater’s “parochialism” was allegedly so scathing that the paper’s editors, after seeking consultation from one of the school’s priests, refused to print it.

Incensed about possible censorship, Joyce appealed to the school’s president, who sided with the editors—which prompted Joyce to put up his own money to publish 85 copies to be distributed across campus.

The pamphlet, published alongside a friend’s essay to beef up the page-count, came with the preface: “These two essays were commissioned by the editor of St. Stephen’s for that paper, but were subsequently refused insertion by the censor.” It wouldn’t be the last time Joyce would fight censorship.

3. NORA BARNACLE GHOSTED HIM FOR THEIR PLANNED FIRST DATE.

By the time Nora Barnacle and Joyce finally married in 1931, they had lived together for 27 years, traveled the continent and had two children. The couple first met in Dublin in 1904 when Joyce struck up a conversation with her near the hotel where Nora worked as a chambermaid. She initially mistook him for a Swedish sailor because of his blue eyes and the yachting cap he wore that day, and he charmed her so much that they set a date for June 14—but she didn’t show.

He then wrote her a letter, saying, “I looked for a long time at a head of reddish-brown hair and decided it was not yours. I went home quite dejected. I would like to make an appointment but it might not suit you. I hope you will be kind enough to make one with me—if you have not forgotten me!” This led to their first date, which supposedly took place on June 16, 1904.

She would continue to be his muse throughout their life together in both his published work (the character Molly Bloom in Ulysses is based on her) and their fruitful personal correspondence. Their notably dirty love letters to each other—featuring him saying their love-making reminded him of “a hog riding a sow” and signing off one by saying “Goodnight, my little farting Nora, my dirty littlef**kbird!"—have highlighted the NSFW nature of their relationship. In fact, one of Joyce’s signed erotic letters to Nora fetched a record £240,800 ($446,422) at a London auction in 2004.

4. HE HAD REALLY BAD EYES.

While Joyce’s persistent money problems caused him to lead a life of what could be categorized as creative discomfort, he had to deal with a near lifetime of medical discomfort as well. Joyce suffered from anterior uveitis, which led to a series of around 12 eye surgeries over his lifetime. (Due to the relatively unsophisticated state of ophthalmology at the time, and his decision not to listen to contemporary medical advice, scholars speculate that his iritis, glaucoma, and cataracts could have been caused by sarcoidosis, syphilis, tuberculosis, or any number of congenital problems.) His vision issues caused Joyce to wear an eye patch for years and forced him to do his writing on large white sheets of paper using only red crayon. The persistent eye struggles even inspired him to name his daughter Lucia, after St. Lucia, patron saint of the blind.

5. HE TAUGHT ENGLISH AT A BERLITZ LANGUAGE SCHOOL.

In 1904, Joyce—eager to get out of Ireland—responded to an ad for a teaching position in Europe. Evelyn Gilford, a job agent based in the British town of Market Rasen, Lincolnshire, notified Joyce that a job was reserved for him and, for two guineas, he would be told exactly where the position was. Joyce sent the money, and by the end of 1904, he and his future wife, Nora, had left Dublin for the job at a Berlitz language school in Zurich, Switzerland—but when they got there, the pair learned there was no open position. But they did hear a position was open at a Berlitz school in Trieste, Italy. The pair packed up and moved on to Italy only to find out they’d been swindled again.

Joyce eventually found a Berlitz teaching job in Pola in Austria-Hungary (now Pula, Croatia). English was one of 17 languages Joyce could speak; others included Arabic, Sanskrit, Greek, and Italian (which eventually became his preferred language, and one that he exclusively spoke at home with his family). He also loved playwright Henrik Ibsen so much that he learned Norwegian so that he could read Ibsen's works in their original form—and send the writer a fan letter in his native tongue.

6. HE INVESTED IN A MOVIE THEATER.

There are about 400 movie theaters in Ireland today, but they trace their history back to 1909, when Joyce helped open the Volta Cinematograph, which is considered “the first full-time, continuous, dedicated cinema” in Ireland.

More a money-making scheme than a product of a love of cinema, Joyce first got the idea when he was having trouble getting Dubliners published and noticed the abundance of cinemas while living in Trieste. When his sister, Eva, told him Ireland didn’t have any movie theaters, Joyce joined up with four Italian investors (he’d get 10 percent of the profits) to open up the Volta on Dublin’s Mary Street.

The venture fizzled as quickly as Joyce’s involvement. After not attracting audiences due to mostly showing only Italian and European movies unpopular with everyday Dubliners, Joyce cut his losses and pulled out of the venture after only seven months.

The cinema itself didn’t close until 1919, during the time Joyce was hard at work on Ulysses. (It reopened with a different name in 1921 and didn’t fully close until 1948.)

7. HE TURNED TO A COMPLETELY INEXPERIENCED PUBLISHER TO RELEASE HIS MOST WELL-KNOWN BOOK.

The publishing history of Ulysses is itself its own odyssey. Joyce began writing the work in 1914, and by 1918 he had begun serializing the novel in the American magazine Little Review with the help of poet Ezra Pound.

But by 1921, Little Review was in financial trouble. The published version of Episode 13 of Ulysses, “Nausicaa,” resulted in a costly obscenity lawsuit against its publishers, Margaret Anderson and Jane Heap, and the book was banned in the United States. Joyce appealed to different publishers for help—including Leonard and Virginia Woolf’s Hogarth Press—but none agreed to take on a project with such legal implications (and in Virginia Woolf’s case, length), no matter how supposedly groundbreaking it was.

Joyce, then based in Paris, made friends with Sylvia Beach, whose bookstore, Shakespeare and Company, was a gathering hub for the post-war expatriate creative community. In her autobiography, Beach wrote:

All hope of publication in the English-speaking countries, at least for a long time to come, was gone. And here in my little bookshop sat James Joyce, sighing deeply.

It occurred to me that something might be done, and I asked : “Would you let Shakespeare and Company have the honour of bringing out your Ulysses?”

He accepted my offer immediately and joyfully. I thought it rash of him to entrust his great Ulysses to such a funny little publisher. But he seemed delighted, and so was I. ... Undeterred by lack of capital, experience, and all the other requisites of a publisher, I went right ahead with Ulysses.

Beach planned a first edition of 1000 copies (with 100 signed by the author), while the book would continue to be banned in a number of countries throughout the 1920s and 1930s. Eventually it was allowed to be published in the United States in 1933 after the case United States v. One Book Called Ulysses deemed the book not obscene and allowed it in the United States.

8. ERNEST HEMINGWAY WAS HIS DRINKING BUDDY—AND SOMETIMES HIS BODYGUARD.

Ernest Hemingway—who was major champion of Ulysses—met Joyce at Shakespeare and Company, and was later a frequent companion among the bars of Paris with writers like Wyndham Lewis and Valery Larbaud.

Hemingway recalled the Irish writer would start to get into drunken fights and leave Hemingway to deal with the consequences. "Once, in one of those casual conversations you have when you're drinking," Hemingway said, "Joyce said to me he was afraid his writing was too suburban and that maybe he should get around a bit and see the world. He was afraid of some things, lightning and things, but a wonderful man. He was under great discipline—his wife, his work and his bad eyes. His wife was there and she said, yes, his work was too suburban--'Jim could do with a spot of that lion hunting.' We would go out to drink and Joyce would fall into a fight. He couldn't even see the man so he'd say, 'Deal with him, Hemingway! Deal with him!'"

9. HE MET ANOTHER MODERNIST TITAN—AND HAD A TERRIBLE TIME.

Marcel Proust’s gargantuan, seven-volume masterpiece, À la recherche du temps perdu, is perhaps the other most important Modernist work of the early 20th century besides Ulysses. In May 1922, the authors met at a party for composer Igor Stravinsky and ballet impresario Sergei Diaghilev in Paris. The Dubliners author arrived late, was drunk, and wasn’t wearing formal clothes because he was too poor to afford them. Proust arrived even later than Joyce, and though there are varying accounts of what was actually said between the two, every known version points to a very anticlimactic meeting of the minds.

According to author William Carlos Williams, Joyce said, “I’ve headaches every day. My eyes are terrible,” to which the ailing Proust replied, “My poor stomach. What am I going to do? It’s killing me. In fact, I must leave at once.”

Publisher Margaret Anderson claimed that Proust admitted, “I regret that I don’t know Mr. Joyce’s work,” while Joyce replied, “I have never read Mr. Proust.”

Art reviewer Arthur Power said both writers simply talked about liking truffles. Joyce later told painter Frank Budgen, “Our talk consisted solely of the word ‘No.’”

10. HE CREATED A 100-LETTER WORD TO DESCRIBE HIS FEAR OF THUNDER AND LIGHTNING.

Joyce had a childhood fear of thunder and lightning, which sprang from his Catholic governess’s pious warnings that such meteorological occurrences were actually God manifesting his anger at him. The fear haunted the writer all his life, though Joyce recognized the beginnings of his phobia. When asked by a friend why he was so afraid of rough weather, Joyce responded, “You were not brought up in Catholic Ireland.”

The fear also manifested itself in Joyce’s writing. In Portrait of the Artist as a Young Man, the autobiographical protagonist Stephen Dedalus says he fears “dogs, horses, firearms, the sea, thunderstorms, [and] machinery.”

But the most fascinating manifestation of his astraphobia is in his stream of consciousness swan song, Finnegans Wake, where he created the 100-letter word Bababadalgharaghtaka-mminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk to represent a symbolic biblical thunderclap. The mouthful is actually made up of different words for “thunder” in French (tonnerre), Italian (tuono), Greek (bronte), and Japanese (kaminari).

11. HE’S THOUGHT OF AS A LITERARY GENIUS, BUT NOT EVERYONE WAS A FAN.

Fellow Modernist Virginia Woolf didn't much care for Joyce or his work. She compared his writing to "a queasy undergraduate scratching his pimples," and said that "one hopes he’ll grow out of it; but as Joyce is 40 this scarcely seems likely."

She wasn't the only one. In a letter, D.H. Lawrence—who wrote such classics as Women in Love and Lady Chatterley’s Loversaid of Joyce: “My God, what a clumsy olla putrida James Joyce is! Nothing but old fags and cabbage stumps of quotations from the Bible and the rest stewed in the juice of deliberate, journalistic dirty-mindedness.”

“Do I get much pleasure from this work? No," author H.G. Wells wrote in his review of Finnegans Wake. “ ... Who the hell is this Joyce who demands so many waking hours of the few thousand I have still to live for a proper appreciation of his quirks and fancies and flashes of rendering?”

Even his partner Nora had a difficult time with his work, saying after the publication of Ulysses, “Why don’t you write sensible books that people can understand?”

12. HIS SUPPOSED FINAL WORDS WERE AS ABSTRACT AS HIS WRITING.

Joyce was admitted to a Zurich hospital in January 1941 for a perforated duodenal ulcer, but slipped into a coma after surgery and died on January 13. His last words were befitting his notoriously difficult works—they're said to have been, "Does nobody understand?"

Additional Source: James Joyce

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