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10 Pieces of Harry Potter Memorabilia From an Unofficial Collector’s Guide

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You may own all seven Harry Potter books, all eight films, and a closet filled with swag to match your Hogwarts house, but would you spend thousands of dollars on a piece of rare Harry Potter memorabilia? For his new book Harry Potter: The Unofficial Guide to the Collectibles of Our Favorite Wizard, Eric Bradley compiled some of the most magical items to come from the wizarding world. Whether they belong to private buyers or have been displayed to the public, here are the pieces he featured that are sure to make every fan wish they knew a summoning charm.

1. CHOCOLATE FROG WIZARD TRADING CARDS

Prop card from Harry Potter film.
ScreenUsed

As is the case in Harry Potter, chocolate frog wizard trading cards are collector's items. But instead of being worth a few sickles, they can sell for hundreds in the real world. This prop card used in Harry Potter and the Sorcerer's Stone (2001) sold for $475 at an auction in 2012. In place of a disappearing, holographic wizard, the piece of cardboard has a green surface for superimposing computer graphics.

2. HARRY'S FIRST BROOM

Broom from 'Harry Potter' movie and 'Vanity Fair' magazine.
Ewbank's Auctions

This prop broomstick, which is actually made from fiberglass, was ridden by Daniel Radcliffe in the first Harry Potter film. The piece is also identical to the broom the actor appeared with on his 2001 Vanity Fair cover. It’s no Nimbus 2000, but a crew member had no problem selling it even before Sorcerer’s Stone premiered. The broom was purchased by its current owner for $2860.

3. ORIGINAL SORCERER'S STONE POSTER

Original poster art from Harry Potter and the Sorcerer's Stone.
Profiles in History

Any poster used to advertise one of the eight Harry Potter films is a potential collector’s item. But this illustration, hand-made by artist Drew Struzan for the first movie, is a work of art that stands on its own. Struzan is best known for creating the iconic posters for Back to the Future (1985) and the Indiana Jones series. Warner Bros. originally planned to have Struzan produce the posters for every installment of the Harry Potter franchise, but following the success of Harry Potter and the Sorcerer’s Stone, they switched to photo-heavy promotional art, making Struzan’s sole contribution even more special. His original painting is very similar to the final poster, with only Rupert Grint’s face having been changed. The piece is valued between $40,000 and $60,000.

4. HAGRID’S CROSSBOW

Crossbow prop from Harry Potter movie.
Julien's Auctions

With a flying motorcycle, a menagerie of beastly pets, and a moleskin coat, Hagrid is arguably the coolest wizard living at Hogwarts. But his crossbow may be his most enviable possession of all. For the first film, the production designers aimed to give it a vintage look with distressed wood and iron components. The prop sold for $25,000 at Julien’s Auctions in 2012.

5. UNUSED SHEET MUSIC

Sheet music prop from Harry Potter film.
Animation Ink Archive

Props don’t have to appear in the Harry Potter movies to be sought-after collector's items. As Bradley writes in The Unofficial Guide to the Collectibles of Our Favorite Wizard, sheet music written for a scene that was cut from Harry Potter and the Sorcerer’s Stone ended up gaining attention even without any screen time. The unused print of the music and lyrics, penned in gold ink, was purchased by a fan for $600.

6. ARITHMANCY SIGN

Prop sign from Harry Potter film.
Animation Ink Archive

Looking for the perfect sign to hang beside your collection of Harry Potter books at home? The arithmancy sign that can be seen hanging above a Diagon Alley bookstore in Harry Potter and the Sorcerer’s Stone is hard to beat. Chained beneath the text of the sign itself, a gold hand was carved to point passersby in the direction of the shop. A private buyer bought the painted wood prop for $800.

7. LIFE-SIZED DOBBY

Statue of Dobby the house elf.

Grilled Cheese, Flickr // CC BY-ND 2.0

A physical Dobby prop wasn’t used to make Harry Potter and the Chamber of Secrets (2002) (unless you count his tennis ball stand-in). But a life-sized model of the house elf was made by Warner Bros. and distributed to Walmart locations across the U.S. According to Eric Bradley, the 28-inch statue was usually awarded to stores as a top sales bonus and eventually raffled off to employees. Only 200 of the promotional products were made, and today they’re worth between $350 and $700 apiece.

8. J.K. ROWLING’S CHARACTER SKETCH

Some readers picture the characters from Harry Potter as the illustrations from the books, while others picture the actors from the film. A rare drawing by J.K. Rowling demonstrated how the author envisioned her creations. Sketched in pencil in 1999, her scene included Hagrid, Snape, Dumbledore, Professor McGonagall, Ron, Harry, Hermione, Dobby, Crookshanks, Fawkes, a golden snitch, and the Sorting Hat. Rowling originally made it for the BBC charity Children in Need. It was auctioned off for $42,000 in 2007.

9. THE TRIWIZARD CUP

Twiwizard cup from Harry Potter movie.
Warner Bros.

The Triwizard Cup sets off the events in Harry Potter and the Goblet of Fire (2004), making it one of the more memorable props from the film. Though Bradley guesses it could easily go for tens of thousands of dollars at auction, it’s never been sold to a member of the public. The piece of movie memorabilia was made available for anyone to see in 2012 as part of the Harry Potter Exhibition at the London Film Museum.

10. J.K. ROWLING-DESIGNED CHARM BRACELET

Bracelet with Harry Potter charms.
Sotheby's

You won't recognize this piece from the movies or the books. J.K. Rowling designed it exclusively to raise money for Lumos, an organization that works to find families for children placed in orphanages around the world. Many of the charms, like the lightning bolt, the glasses, the Deathly Hallows, and the witch’s hat, are symbols from Harry Potter. The butterfly is the logo for Lumos and it’s meant to symbolize transformation and liberation. A Scottish businessman and father purchased the bracelet at a charity auction in 2013 for $25,000. He said he hopes the keepsake remains in his family for several generations to come.

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6 Times There Were Ties at the Oscars
getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards' near-90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. BEST ACTOR // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde (female writer Frances Marion won Best Screenplay for the film), and Beery won for The Champ, which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. BEST DOCUMENTARY SHORT SUBJECT // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. BEST ACTRESS // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. BEST DOCUMENTARY FEATURE // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. BEST SHORT FILM (LIVE ACTION) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars Richard E. Grant (Girls, Withnail & I) as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. BEST SOUND EDITING // 2013

The latest Oscar tie happened only three years ago, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg said to the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

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11 Haunting Facts About Beloved

Toni Morrison—who was born on February 18, 1931—made a name for herself with The Bluest Eye, Sula and Song of Solomon, but it wasn’t until 1987’s Beloved, about a runaway slave haunted by the death of her infant daughter, that her legacy was secured. The book won the Pulitzer Prize and was a key factor in the decision to award Morrison the Nobel Prize in 1993. All the awards aside, Beloved is a testament to the horrors of slavery, with its narrative of suffering and repressed memory and its dedication to the more than 60 million who died in bondage. Here are some notable facts about Morrison’s process and the novel’s legacy.

1. IT’S BASED ON A TRUE STORY.

While compiling research for 1974's The Black Book, Morrison came across the story of Margaret Garner, a runaway slave from Kentucky who escaped with her husband and four children to Ohio in 1856. A posse caught up with Garner, who killed her youngest daughter and attempted to do the same to her other children rather than let them return to bondage. Once apprehended, her trial transfixed the nation. "She was very calm; she said, 'I’d do it again,'" Morrison told The Paris Review. "That was more than enough to fire my imagination."

2. MORRISON CAME UP WITH THE CHARACTER BELOVED AFTER SHE STARTED WRITING.

The book was originally going to be about the haunting of Sethe by her infant daughter, who she killed (just as Garner did) rather than allow her to return to slavery. A third of the way through writing, though, Morrison realized she needed a flesh-and-blood character who could judge Sethe’s decision. She needed the daughter to come back to life in another form (some interpret it as a grief-driven case of mistaken identity). As she told the National Endowment for the Arts’ NEA Magazine: "I thought the only person who was legitimate, who could decide whether [the killing] was a good thing or not, was the dead girl."

3. SHE WROTE THE ENDING EARLY IN THE WRITING PROCESS.

Morrison has said she likes to know the ending of her books early on, and to write them down once she does. With Beloved, she wrote the ending about a quarter of the way in. "You are forced into having a certain kind of language that will keep the reader asking questions," she told author Carolyn Denard in Toni Morrison: Conversations.

4. MORRISON BECAME FASCINATED WITH SMALL HISTORICAL DETAILS.

To help readers understand the particulars of slavery, Morrison carefully researched historical documents and artifacts. One particular item she became fascinated with: the "bit" that masters would put in slaves' mouths as punishment. She couldn’t find much in the way of pictures or descriptions, but she found enough to imagine the shame slaves would feel. In Beloved, Paul D. tells Sethe that a rooster smiled at him while he wore the bit, indicating that he felt lower than a barnyard animal.

5. SHE ONLY RECENTLY READ THE BOOK HERSELF.

In an appearance on The Colbert Report last year, Morrison said she finally got around to reading Beloved after almost 30 years. Her verdict: "It’s really good!"

6. THE BOOK INSPIRED READERS TO BUILD BENCHES.

When accepting an award from the Unitarian Universalist Association in 1988, Morrison observed that there is no suitable memorial to slavery, "no small bench by the road." Inspired by this line, the Toni Morrison Society started the Bench by the Road Project to remedy the issue. Since 2006, the project has placed 15 benches in locations significant to the history of slavery and the Civil Rights movement, including Sullivan’s Island, South Carolina, which served as the point of entry for 40% of slaves brought to America.

7. WHEN BELOVED DIDN’T WIN THE NATIONAL BOOK AWARD IN 1987, FELLOW WRITERS PROTESTED.

After the snub, 48 African-American writers, including Maya Angelou, John Edgar Wideman and Henry Louis Gates, Jr., signed a letter that appeared in the New York Times Book Review. "For all of America, for all of American letters," the letter addressing Morrison read, "you have advanced the moral and artistic standards by which we must measure the daring and the love of our national imagination and our collective intelligence as a people."

8. IT’S ONE OF THE MOST FREQUENTLY CHALLENGED BOOKS.

Between 2000 and 2009, Beloved ranked 26th on the American Library Association’s list of most banned/challenged books. A recent challenge in Fairfax County, Virginia, cited the novel as too intense for teenage readers, while another challenge in Michigan said the book was, incredibly, overly simplistic and pornographic. Thankfully, both challenges were denied.

9. MORRISON ALSO WROTE AN OPERA BASED ON GARNER’S LIFE.

Ten years ago, Morrison collaborated with Grammy-winning composer Richard Danielpour on Margaret Garner, an opera about the real-life inspiration behind Beloved. It opened in Detroit in 2005, and played in Charlotte, Chicago, Philadelphia and New York before closing in 2008.

10. MORRISON DID NOT WANT IT MADE INTO A MOVIE.

Although she publicly claims otherwise, according to a New York magazine story, Morrison told friends she didn’t want Beloved made into a movie. And she didn’t want Oprah Winfrey (who bought the film rights in 1988) to be in it. Nevertheless, the film came out in 1998 and was a total flop.

11. THERE'S AN ILLUSTRATED VERSION.

The Folio Society, a London-based company that creates fancy special editions of classic books, released the first-ever illustrated Beloved in 2015. Artist Joe Morse had to be personally approved by Morrison for the project. Check out a few of his hauntingly beautiful illustrations here.

This article originally appeared in 2015.

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