Your 10 Favorite Horror Directors’ Favorite Horror Movies

Alberto E. Rodriguez/Getty Images for Entertainment Weekly
Alberto E. Rodriguez/Getty Images for Entertainment Weekly

Trying to find the perfect scary movie to watch can be a real fright. If you’re struggling to find just the right movie to scare yourself silly this Halloween, why not take a recommendation from your favorite horror director? From cult classics to childhood favorites to, in one case, a music video, we’ve compiled a list of the films that frighten the masters of horror. Read on for insight into the twisted minds of your favorite horror directors, along with some terrific horror movie recommendations.

1. JOHN CARPENTER ON NIGHT OF THE LIVING DEAD (1968)

Just in time for Halloween, John Carpenter provided Fader with a list of eight of his favorite scary movies. The first film on his list was George Romero’s classic Night of the Living Dead. Carpenter, the legendary director behind movies including Escape from New York (1981), The Thing (1982), and, of course, Halloween (1978), praised Romero’s impact on the last half-century of zombie movies.

The fact that a loved one can be turned into a zombie. It’s just tremendous,” Carpenter told Fader. “I mean, look at the movies that have ripped it off! Look at [The] Walking Dead. I mean come on.”

2. EDUARDO SÁNCHEZ ON THE EXORCIST (1973)

Eduardo Sánchez was the co-director of one of the most innovative, infamous, and absolutely terrifying found footage films of all time: The Blair Witch Project (1999). But the movie that scared his socks off as a child was The Exorcist.

“I was raised Catholic, and I was taught that everything was real,” Sánchez tells Mental Floss. “Satan was real, God was real, there was this fight between good and evil happening on Earth. And then The Exorcist came along. My parents didn't take me to the theater to see it, but when it came out on TV, we all sat around the family TV to watch it—almost like it was a documentary. It was almost like, 'This is what can happen.' At that age, it felt totally real to me, and it just scared the crap out of me. To this day, it still scares me, even though I don't believe the same things I did as a kid."

3. WES CRAVEN ON DON’T LOOK NOW (1973)

For nearly four decades, Wes Craven pushed the boundaries of the horror genre, directing everything from exploitation horror movies like The Last House on the Left (1972) and the classic slasher movie A Nightmare on Elm Street (1984) to the horror satire Scream (1996). In 2010, Craven shared 10 of his favorite horror movies with The Daily Beast. Writing about Nicolas Roeg’s horror classic Don’t Look Now, Craven explained, “This was one of the movies that just completely enthralled me and scared me at the same time, where I was watching a film that was a pretty moving work of art as well.” The film, based on a short story by Daphne du Maurier, follows a bereaved couple who, on a trip to Venice, begin seeing an apparition they believe may be their deceased daughter. Craven was particularly struck by Roeg’s ability to build fear without relying on blood and gore, explaining, “The sense that the child is either a ghost or is torturing them with her presence by disappearing was a wonderful example (not that I followed it) of being able to scare without showing blood.”

4. ANDRÉ ØVREDAL ON POLTERGEIST (1982)

Norwegian filmmaker André Øvredal is best known for the tongue-in-cheek monster flick Trollhunter (2010). Most recently, he directed The Autopsy of Jane Doe (2016), a stripped-down supernatural thriller set entirely in a small-town morgue over the course of a single night. Øvredal tells Mental Floss he chose Poltergeist as his favorite horror movie “for its sense of awe, wonder, and humanity in the midst of horror.”

“It revels in the ideas of the movie, it has a philosophy on its own subjects, not just trying to milk the opportunities for a scare,” Øvredal explains. “It’s also extremely close to the characters. You get to know and care for them, so you quickly fear for them. I think the filmmaking is really clever, visually stimulating, and tells the story with a surprising amount of humor, that only adds to the horror and sense of reality.”

5. TOBE HOOPER ON THE HAUNTING (1963)

Tobe Hooper’s cult classic The Texas Chainsaw Massacre (1974) is a masterpiece of chaos and gore shot on a shoestring budget. But the late director's favorite horror film is something quite different: an understated haunted house film from Academy Award-winning director Robert Wise, based on Shirley Jackson’s classic short story “The Haunting of Hill House.”

“It was the first horror movie that floored me,” Hooper told Filmmaker Magazine in 2000. “I really felt what the characters were going through. There is one scene where some of the characters have locked themselves in a room in the house and there are strange sounds and the walls start moving. My imagination ran wild, and it left an indelible impression on me.”

6. PATRICK BRICE ON JACOB’S LADDER (1990)

In his 2014 directorial debut Creep, Patrick Brice built a chilling thriller using just a few key elements: a remote vacation home, a creepy wolf mask, and a supremely unsettling performance by Mark Duplass. The low-budget found footage film was such a surprise hit, Brice directed a sequel, Creep 2, which was released on streaming platforms this month. For his favorite horror movie, Brice chose Jacob’s Ladder, Adrian Lyne's hallucinatory film about the visions of a traumatized Vietnam veteran.

“For its ability to be formally experimental, relentlessly terrifying, and downright touching all at the same time, I really think Jacob’s Ladder is one of the undervalued gems of horror,” Brice tells Mental Floss. “There are moments in the film that use practical and in-camera effects to pull off scares that are beyond comprehension. I remember having to rewind certain moments asking myself how Adrian Lyne was able to pull them off, and it's his only horror movie!"

7. DANIEL MYRICK ON JACOB’S LADDER

Patrick Brice wasn’t the only director we spoke with who was enthralled by Jacob’s Ladder. The Blair Witch Project co-director Daniel Myrick also chose to recommend Adrian Lyne’s classic horror classic.

“It’s really hard to designate one film as my ‘favorite,’ but certainly Jacob’s Ladder ranks up there for me,” Myrick tells Mental Floss. “This is more of a psychological thriller than actual ‘horror,' but those are always the scariest in my opinion. The way Adrian Lyne played with your senses on every level was masterful and to this day, one of the greatest endings ever.”

8. GEORGE ROMERO ON PAN’S LABYRINTH (2006)

In a 2010 interview, legendary horror director George Romero told TIME he wasn’t a fan of modern horror—with one exception. “ I don't like the new trends in horror,” he explained. “All this torture stuff seems really mean-spirited. People have forgotten how to laugh, and I don't see anybody who's using it as allegory.” But Romero, who directed classics like Night of the Living Dead (1968) and Creepshow (1982), professed his respect for Pan’s Labyrinth, a surreal and often terrifying dark fantasy film set shortly after the Spanish Civil War. “The guy I love right now is Guillermo del Toro,” Romero told TIME. “I’d love to make a film like Pan's Labyrinth.”

9. BABAK ANVARI ON THRILLER (1983)

Babak Anvari’s directorial debut Under the Shadow (2016) tells the story of a mother and daughter facing the horrors of war and haunted by something supernatural in 1980s Tehran. But the work of horror that has haunted him since childhood isn't a film at all, but a music video by the King of Pop.

“I have too many favorite horror films,” Babak tells Mental Floss. “But, the film that scared me most as a child, almost traumatized me, was actually not a film but a long music video: Michael Jackson’s Thriller directed by John Landis. I accidentally watched it too youngI think my older brother showed it to me first—and I got really freaked out. I used to be even scared of the tape that it was recorded on. I couldn’t be around it even during daytime. I kept thinking that zombies would crawl out of the tape to eat me alive.”

10. MICHAEL DOUGHERTY ON HALLOWEEN (1978)

Michael Dougherty’s first feature was the 2007 anthology film Trick ‘r Treat, so it’s fitting that his favorite horror movie is Halloween. “It’s very simple, in that it sort of defined the slasher genre, but it did so in a very elegant way,” Dougherty tells Mental Floss. “It’s beautifully made, and it’s beautifully shot. I remember as a kid, it was the first time I felt suspense—like genuine bone-chilling suspense.”

But Dougherty doesn't think you should stop at just one horror movie. “Halloween is a great time not to just revisit your one favorite horror film, but [to] watch just a whole slew of them,” he explains. “It’s a good opportunity to go back and revisit all your favorites or to introduce yourself to classics you might not have seen before: Halloween, The Exorcist, The Omen (1976), Poltergeist, It’s the Great Pumpkin Charlie Brown (1966). These are the things that make for a really good Halloween season.”

17 Things to Look for the Next Time You Watch Office Space

20th Century Fox Home Entertainment
20th Century Fox Home Entertainment

Twenty years ago (yes, you’re really that old) Office Space forever changed how we look at cubicle life. Like a much funnier Dilbert meets Beavis and Butt-head meets the then-largely misunderstood world of Silicon Valley, the comedy movie from Beavis creator Mike Judge ably skewered everything from didactic middle-management bosses to chain restaurant uniforms. And it gave us a charming Jennifer Aniston love story plus a rap mini-music video dedicated to the destruction of malfunctioning printers.

For all that and more, the 1999 film that originally performed poorly at the box office has become a widely quoted cult sensation. Here are the interesting facts and references to look for the next time you watch Office Space.

1. It was shot very, very far from Silicon Valley.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Office Space keeps its setting purposefully vague, but the opening driving shots clue a perceptive viewer into the location: Notice the sign for Preston Road on Highway 289 in the background, which indicates that we’ve been dropped around Plano, Texas. The movie was shot in and around Austin, where Mike Judge lives, making him something of a Hollywood outsider. But Office Space is clearly attuned to the rituals and lingo of Silicon Valley’s tech scene. In fact, Judge worked as an engineer in the California area in the 1980s, which would go on to inform much of his satire, especially his popular HBO show Silicon Valley.

2. It was Mike Judge's first foray into movies ... and it didn't work out as planned.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Starting out as a self-taught animator in Texas, Judge made his name in entertainment with cartoons that aired on Saturday Night Live and, eventually, turned into his own MTV show. Beavis and Butt-head premiered in 1993, when the cable network’s scripted offerings were still in their infancy, and quickly became both a commercial hit and a cause of nationwide controversy. He went on to co-create Fox’s slightly more family-friendly King of the Hill, but Office Space marked his live-action directorial debut in film (he previously helmed the movie adaptation Beavis and Butt-head Do America). Made on an estimated $10 million budget, it earned only slightly more than that at U.S. theaters. Sadly, that failure has become something of a pattern for Judge’s movie work: Future efforts Idiocracy and Extract failed to catch on with initial audiences, though the former has also grown into a cult hit.

3. It didn't exactly make Ron Livingston a household name.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Office Space had all the makings of a breakout for its handsome, top-billed star, who was coming off a smaller part in the comedy phenomenon Swingers. But given its early commercial disappointment, he continued to seek out smaller parts and interesting, left-field projects like Adaptation. and The Cooler. He finally got his mainstream cred as the boyfriend of Carrie Bradshaw on Sex and the City (he's the one who broke up with her via Post-it note) with the massively popular horror flick The Conjuring. He's currently starring in two series: A Million Little Things and Loudermilk.

4. Initech has a very symbolic statue.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

The statue outside the Initech office shows a square peg in a round hole. No coincidence, it’s a reference to the common idiom referring to an individualist who doesn’t fit into a particular social mold. That could describe Livingston’s Peter, his co-worker friends, Jennifer Aniston’s Joanna—or, more self-referentially, Judge himself, who has always made movies and series about outsiders.

5. You can tell a lot about Bill Lumbergh from his vanity plate.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Everything you need to know about Division V.P. Bill Lumbergh (Gary Cole) is established in an early shot of him pulling into his reserved parking space at Initech in a blue Porsche with a customized license plate that reads, “MY PRSHE.” Low-key. (Also notice the lack of any regional designation on the license plates in the film.)

6. "TPS" has a real meaning.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Lumbergh’s single-minded obsession with the details of “TPS reports” drives much of the cubicle-set humor, but what exactly is a TPS report? Potential meanings abound, especially given that companies love an abbreviation, but Judge revealed that TPS refers to Test Program Set reports, which dated back to his engineering days.

7. The food at Chotchkie's sounds less than appetizing.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

A sign at the restaurant promotes its “shrimp poppers,” a food name that leaves a lot to the imagination. Later, chipper server Brian highlights “pizza shooters” and “extreme fajitas.” Whatever a pizza shooter is, it can’t be good.

8. Diedrich Bader had a very specific look in mind for Lawrence.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Diedrich Bader, who plays everyone’s favorite beer-guzzling neighbor Lawrence, came to his Office Space role with clear inspiration. “What I really wanted to look like was somebody who loved the Allman Brothers,” he told The A.V. Club in 2012. Sounds about right.

9. There's a real Milton out there.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Judge based the vengeful staffer, also the focus of several of his animated shorts, on one of his real-life co-workers when he was an engineer. Judge asked the man how he was doing, and he responded that he was going to quit his job because his desk had been moved around too many times.

10. Jennifer Aniston helped the movie get made.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

The cast of Office Space has one instantly recognizable name: Jennifer Aniston, who was by then of course already a superstar for playing Rachel on NBC’s Friends. In a reunion for the film, Judge thanked Aniston just for signing on (though he added that she was great in the part), saying, “It helped us put the studio at ease a little bit—at least they had one famous person."

11. Michael Bolton has embraced the punchlines about him.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Peter’s co-worker Michael Bolton (played by David Herman) hates the fact that he shares a name with a musician who is, in his words, a “no-talent ass-clown." While the real-life Bolton initially seemed peeved about the mockery, he now signs Office Space DVDs for fans.

12. Chotchkie's is a thinly veiled TGI Fridays.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

The chain restaurant by the office is notable not just for its fried food but for its emphasis on “flair” worn by the servers (15 pieces of flair is the minimum). Office Space is clearly mocking TGI Fridays, whose staff used to dress with seemingly endless buttons and ornamentation. TGI Fridays actually phased out flair by 2005, supposedly as a result of the movie.

13. Y2K makes a cameo.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Peter tells Joanna while having lunch that in his job he updates software for the “2000 switch.” In 1999, the impending change of the millennium was in fact a massive headache for tech companies and their programming of dates, a phenomenon that became known as Y2K.

14. The movie reintroduced red Swingline staplers.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Milton’s beloved red stapler was actually painted that color by the prop department, so that it would pop on the screen. As it was one of the more hilarious throughlines in Office Space, viewers started to seek it out in real life. The brand Swingline, which had phased out red staplers, decided to bring the product back. Design-minded executive assistants everywhere can thank Judge.

15. Mike Judge is hiding in plain sight.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

In an uncredited role, the writer and director plays Joanna’s boss at Chotchkie's, reprimanding her about her lack of flair. (Though it’s hard to recognize him under the mustache and wig.)

16. Judge is a not-so-secret hip-hop head.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Hip-hop is repeatedly played and referenced throughout Office Space, particularly gangsta rap, which was ascendant in the '90s. The famous printer-smashing sequence is set to the Geto Boys’ “Damn It Feels Good to Be a Gangsta.” Also notice Michael Bolton rapping along to Scarface while driving in the movie’s opening. Judge has cleverly curated hip-hop in much of his work, from rap videos in Beavis and Butt-head to a collaboration with Danny Brown for Silicon Valley.

17. Milton foreshadows the climax a lot.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Milton mentions the possibility of burning down the Initech office several times before actually doing it, making it perhaps the least surprising act of arson depicted in film.

15 Facts About Bill & Ted’s Excellent Adventure on Its 30th Anniversary

MGM
MGM

In 1989, a couple of slackers from San Dimas, California hopped inside a time-traveling phone booth and gathered a gaggle of key figures from the past so they wouldn’t fail their high school history class. In 1991, they were at it again. Now, 30 years after Keanu Reeves and Alex Winter first cemented their place in sci-fi history as the lovable duo, the long-awaited threequel—Bill & Ted Face the Music—has been officially confirmed. Here are 15 things you might not know about the most excellent original film.

1. Bill and Ted were born in an improv class.

The idea for the characters of Bill and Ted came about in 1983, when UCLA classmates Ed Solomon and Chris Matheson formed a student improv workshop with a few of their peers. “One day, we decided to do a couple of guys who knew nothing about history, talking about history,” Solomon recalled to Cinemafantastique in a 1991 interview. “The initial improv was them studying history, while Ted’s father kept coming up to ask them to turn their music down.” (Solomon played Ted, Matheson was Bill.)

2. Originally, it was Bill & Ted & Bob.

When the skit originated, there was a third character, Bob. But “Bob” wasn’t as into it as Solomon and Matheson, so the trio became a duo.

3. Bill wanted to be Ted and Ted wanted to be Bill.

It’s hard to imagine anyone but Keanu Reeves playing Ted Logan, or another actor besides Alex Winter in the role of Bill S. Preston, Esq., but each actor actually auditioned for the opposite role. But when Solomon and Matheson saw their audition tapes, they thought the opposite would work better. In an online chat with Moviefone, Reeves claimed that he didn’t even know their roles had been switched until after he had been cast. “I got a call saying that I got the part,” Reeves recalled. “So I went to the wardrobe fitting… assuming I was playing Bill, and I get there and Alex Winter, who eventually played Bill, went to the wardrobe fitting thinking he was playing Ted. Then we were informed that that wasn't the case.”

4. Pauly Shore also wanted to be Ted.


Getty Images

Pauly Shore was among the hundreds of actors who auditioned for the role of Ted. In 1991, Shore hosted an MTV special, Bill & Ted’s Bogus Premiere Party, in which Shore corners Reeves in a back room to talk about his failed audition. Lucky for America, Shore did go on to find fame apart from Bill & Ted, and bring the phrase, “Hey, Bu-ddy!” into the popular lexicon.

5. No, Bio-Dome is not Bill & Ted's threequel.

Speaking of Pauly Shore ... For years, rumors circulated that the script for 1996’s Bio-Dome—starring Shore and Stephen Baldwin—was actually written as the third film in the Bill & Ted franchise. In 2011, Winter laid this rumor to rest when he told /Film that the story is “total urban legend as far as I know. No one involved in that movie had anything to do with Bill & Ted. So unless they were just going to try and reboot the franchise with that concept and different actors, I can’t see a connection.”

6. Keanu Reeves and Alex Winter weren't quite nerdy enough.

The casting of Reeves and Winter posed a problem for the script. “Bill and Ted were conceived in our minds as these 14-year-old skinny guys, with low-rider bellbottoms and heavy metal T-shirts,” Solomon told Cinefantastique. “We actually had a scene that was even shot, with Bill and Ted walking past a group of popular kids who hate them. But once you cast Alex and Keanu, who look like pretty cool guys, that was hard to believe.”

7. George Carlin was a happy accident.


Getty Images

In a 2013 Reddit AMA, Alex Winter called the casting of George Carlin (as Rufus, Bill and Ted’s mentor) “a very happy accident. They were going after serious people first. Like Sean Connery. And someone had the idea, way after we started shooting, of George. That whole movie was a happy accident. No one thought it would ever see the light of day.”

8. The time machine was originally a van.

In Solomon and Matheson’s original script, it was a 1969 Chevy van that served as Bill and Ted’s time machine. But in the course of rewriting the script for Warner Bros., who showed early interest in producing the project, there was concern that a motor vehicle as time machine would ring too closely as a rip-off of Back to the Future, which arrived in theaters in 1985. It was director Stephen Herek who suggested a phone booth, as he thought it could lend itself to something akin to a roller coaster in the visuals. (The phone booth’s similarity to Doctor Who’s TARDIS was apparently not a big concern to the studio.)

9. Some Nintendo lover has that phone booth.

As part of a promotion for 1991’s Bill & Ted's Excellent Video Game Adventure, Nintendo Power magazine gave away Bill & Ted’s phone booth as a contest prize. The lucky winner was one Kenneth Grayson, who Reddit tracked down for an AMA in 2011. Grayson spent much of the chat answering questions about whether or not any X-rated activities had ever taken place in the phone booth.

10. The script was written in four days. By hand.

In 1984, Solomon and Matheson wrote the script over the course of just four days. They wrote it by hand, on note paper, during a series of meetings at a couple of local coffee shops. The 2005 box set, Bill & Ted’s Most Excellent Collection, features some of their handwritten notes.

11. Sci-fi wasn't part of the plan.

Keanu Reeves, Dan Shor, and Alex Winter in Bill & Ted's Excellent Adventure (1989)
MGM

Though Matheson is the son of legendary sci-fi writer Richard Matheson, author of I Am Legend, he didn’t intend for Bill & Ted to be a science-fiction movie. “I try to consciously fight it, out of a desire to break away, but maybe I have a predilection toward that because of my dad,” Matheson told Starlog Magazine of the inevitable fantasy elements that emerged. “He’s a great writer and craftsman, and always has suggestions.” In fact, it was the elder Matheson’s idea that the time travel story be its own movie. “We were going to write a sketch film, with this as one of the skits, but my dad said, ‘That sounds like a whole movie,’” Matheson recalled, “And he was right!”

12. Bill and Ted almost traveled straight to television.

Shortly after principal photography on the film was completed in 1987, the film’s financiers, De Laurentiis Entertainment Group, went bankrupt. A straight-to-cable release was the most likely path for the time-traveling comedy until Orion Pictures and Nelson Entertainment bought the rights in 1988 for a 1989 release. Because of the delay to theaters, references to the year—which had been filmed as “1987”—had to be dubbed for 1988, resulting in a few scenes where the actors’ lips don’t quite match the sound.

13. Their journeys continued in a variety of media.

In addition to the 1991 sequel, Bill & Ted’s Bogus Journey, the Bill & Ted franchise includes 1990’s Bill & Ted’s Excellent Adventures, an animated series for which Reeves, Winter, and Carlin provided the voices. It lasted for one season. The title was revived as a live-action series in 1992, which included none of the original cast and ran for just seven episodes. In 1991, Marvel Comics launched Bill and Ted’s Excellent Comic Book, written by Evan Dorkin.

14. Back in the late 1980s, you could eat Bill and Ted.

As a tie-in to the animated series, you could—for a short while—actually start your morning with a bowl of Bill & Ted’s Excellent Cereal, which was touted as “A Most Awesome Breakfast Adventure.”

15. Bill and Ted will ride again.

Over the past several years there has been a lot of buzz about a third Bill & Ted movie coming to theaters. In 2011, Winter tweeted that the script had been completed and that he was getting ready to read it. When asked about the possibility of a threequel in 2013, Reeves told the Today Show, “I'm open to the idea of that. I think it’s pretty surreal, playing Bill and Ted at 50. But we have a good story in that. You can see the life and joy in those characters, and I think the world can always use some life and joy.” Several references to the possible project have been made since then, and it's now been confirmed that the third film, Bill and Ted Face the Music, is currently in pre-production.

According to The Hollywood Reporter, via a report from the Cannes Film Festival, Matheson and Solomon co-wrote the script and Dean Parisot (Galaxy Quest) is attached to direct. Reeves and Winter will, of course, be reprising their roles, which "will see the duo long past their days as time-traveling teenagers and now weighed down by middle age and the responsibilities of family. They’ve written thousands of tunes, but they have yet to write a good one, much less the greatest song ever written." Excellent!

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