10 Sharp Facts About True Blood

John P. Johnson/HBO
John P. Johnson/HBO

Set in fictional Bon Temps, Louisiana, Alan Ball's True Blood—which ran on HBO from 2008 to 2014—deals with vampires trying to acclimate to living among humans, often with violent results. The Japanese invent Tru Blood, a synthetic blood beverage meant to satiate vampires so they won’t seek out real blood. (That doesn’t work out so well.)

Ball, creator of Six Feet Under, based the show on Charlaine Harris’s The Southern Vampire Mysteries books. Sookie Stackhouse (Anna Paquin) is part fairy and part telepathic human, who falls in love with a 173-year-old vampire, Bill (Stephen Moyer). (In 2010, Moyer and Paquin married.) Sookie's also drawn to Eric (Emmy Award-winner Alexander Skarsgård) and shape-shifting werewolf Alcide (Joe Manganiello).

Also along for the ride to battle vampires and other fantastical creatures are Sookie’s dimwitted brother Jason (Ryan Kwanten); Sookie’s boss, Sam Merlotte (Sam Trammell); and her friends Tara (Rutina Wesley) and Lafayette Reynolds (Nelsan Ellis, who sadly passed away last year). 

The show debuted on September 7, 2008 and became a sensation—so much so that in 2010, Paquin, Moyer, and Skarsgård posed naked, covered in blood, on the cover of Rolling Stone. After 80 episodes, the show concluded on August 24, 2014. True Blood blended sex, violence, and humor in a way no HBO show had done before—thus becoming the network’s highest rated show since The Sopranos. Here are 10 things you might not have known about True Blood, on its 10th anniversary.

1. A TRIP TO THE DENTIST INSPIRED THE SHOW.

Creator Alan Ball had to get a root canal and showed up 30 minutes early to his appointment. With time to kill, he visited a Barnes and Noble across the street and saw Charlaine Harris’s book Dead Until Dark, the first in a series of 13 novels. “The tagline is, ‘Maybe having a vampire for a boyfriend isn’t such a bright idea,’ which made me laugh,” Ball told Emmy TV Legends. “I’m from the South, Charlaine’s from the South. It had a very authentic Southern feel to it. It’s this great mix of drama and comedy and horror and sex and violence and social commentary. She walked this line that was so incredibly entertaining that I couldn’t put the book down.” He read three more of her books in the series and thought it’d make a good TV show. At the time the book was under option to be made into a film, but when the option expired, Ball jumped at the chance. He filmed a pilot and two more episodes, and HBO green-lit the series.

2. ANNA PAQUIN “AGGRESSIVELY” PURSUED THE ROLE OF SOOKIE.

Anna Paquin in 'True Blood'
HBO

Ball hadn’t considered the naturally brunette actress for the role, but one day Oscar-winner Anna Paquin’s representatives called the show’s casting director and said she wanted to audition. “And I said, ‘Really? That doesn’t—huh. She wants to do this?’” Ball told The New York Times. “Because at the time Anna was dark-haired, and certainly her body of work didn’t lead me anywhere near Sookie Stackhouse. But she aggressively pursued it.”

Paquin welcomed playing a part that she described to The New York Times as being “about as radically different from me and a lot of the work I’ve previously done as you could possibly come up with.” In an interview with Rolling Stone, Paquin explained how people saw her as too serious. “But it only takes one person with a little bit of imagination to go, ‘You know, pale-skin girls with brown hair can also be blond girls with a fake tan,’ and presto change-o, makeover. It’s not rocket science.”

3. CHARLAINE HARRIS WAS MORE INTERESTED IN PEOPLE THAN VAMPIRES.

“I didn’t want to write about being a vampire,” Harris told Vanity Fair. “I wanted to write about people who were interacting with vampires. I thought it would be fun to write about a woman dating a vampire, so I imagined what kind of woman would do such a stupid thing.”

Bon Temps is a city in Northern Louisiana; Harris picked that region to avoid Anne Rice’s territory. “My thinking was that Anne Rice had done such a great job with Southern Louisiana, that I would take the part [of Louisiana] no one wanted,” Harris said. “Her works were groundbreaking and very innovative and I thought it would be fun to kind of rappel off of them.”

4. HARRIS USED THE VAMPIRES TO COMMENT ON GAY RIGHTS.

Deborah Ann Woll and Stephen Moyer in 'True Blood'
Jaimie Trueblood, HBO

Harris published Dead Until Dark, the first book in the series, in 2001. “When I began framing how I was going to represent the vampires, it suddenly occurred to me that it would be interesting if they were a minority that was trying to get equal rights,” Harris told the New York Post. “It just seemed to fit with what was happening in the world right then.”

However, Ball didn’t agree with her. “I have a hard time seeing the vampires as a metaphor for gays and lesbians,” he told Rolling Stone. “Just because the vampires on our show are, for the most part, vicious murderers and predators, and I’m gay myself, so I don’t really want to say, ‘Hey, gays and lesbians are basically viciously amoral murderers.’”

5. ALAN BALL THINKS THE SHOW IS ABOUT “INTIMACY.”

While developing the show for HBO, the network asked Ball for a one-sentence pitch for what the show was about. “I thought, ‘Oh, dear God, what am I going to say?’ I said, ‘Well, ultimately at its heart, it’s about the terrors of intimacy,’” he told The New York Times. “Which is an answer I just pulled totally out of [nowhere] at that moment. But I do think that actually, there is some truth to that. That is kind of what it’s about.”

In 2012, Ball told NPR he thought the show was about “how we deal with our primal desires. How do those elements of our psyche manifest themselves in a world where monsters were real?”

Chris Bauer, who played Andy Bellefleur, added his two cents on what the show was about. “How do people in that amount of space get along with each other when they are people with really different beliefs, life experiences, [and] philosophies?” he told Vulture. “It’s like two species trying to get along, even though externally we look the same. That's where all the racism, all the homophobia, all the sexism, all the diminishing-others-for-their-differences comes from. It's so applicable.”

6. RYAN KWANTEN DOESN’T THINK JASON IS “DUMB.”

Ryan Kwanten stars in 'True Blood'
John P. Johnson, HBO

In an interview with Vulture, Ryan Kwanten was asked, “What are the challenges of playing someone that dumb?” He responded with, “I see him more as simple than dumb … He can get away with some of the things he does because of that innocence. Whereas being dumb, you don’t really get sympathy for that. He was originally based on a couple of people I knew, but it’s turned into his own beast now.”

7. ALEXANDER SKARSGÅRD DIDN'T ALWAYS ABIDE BY THE PROPER NUDITY PROTOCOLS.

To keep partially covered up during sex scenes, the show's female actors wore thongs while the male actors had to wear socks on their private parts. But Alexander Skarsgård bucked the trend during the season six finale. Eric is sunbathing on a snowy landscape in the mountains of Sweden, but the crew set up a green screen and filmed it atop a parking structure in Hollywood. “And it was a very hot day, so I didn’t need the sock,” he told Vulture. At the end of the scene, Skarsgård gets up from his chair and reveals, well, everything, so to speak.

“I don’t want a sock around it, that feels ridiculous," Skarsgård told Rolling Stone. "If we’re naked in the scene, then I’m naked. I’ve always been that way.”

8. RUTINA WESLEY WAS OKAY WITH DYING. 

Rutina Wesley and Kristin Bauer van Straten in 'True Blood'
John P. Johnson/HBO

During the fifth season, Tara becomes a vampire. At the beginning of the final season, HBO threw no punches when they killed her off in the premiere episode. Wesley didn’t mind, though. “I think it’s great,” she told Entertainment Weekly. “I think somebody had to go. To have a main character right off the bat go, that’s gonna bring everybody into the show. It’s like, ‘Okay, and the show has started.’ This is the final season. We can’t all make it to the end.”

9. DENIS O’HARE USED HISTORY TO CREATE HIS CHARACTER’S BACKSTORY.

Russell Edgington, a.k.a. the King of Mississippi, is a 2800-year-old vampire. O’Hare researched that era and decided to make him a Pagan Celt. “They are just wild people,” O'Hare told Film School Rejects. “They have a very different relationship to everything in terms of nature and in terms of their own belief system. I just love that. That kind of helped make him just a different kind of character.”

10. JOE MANGANIELLO GOT HIS JOB WITH HELP FROM A BLOG.

Joe Manganiello in 'True Blood'
John P. Johnson/HBO

Fans of Harris’s book had a blog in which they listed who should play certain characters, and some people suggested Joe Manganiello for Alcide. Manganiello stumbled upon the site, read the books, and told his agent he wanted to audition.

“It had been my dream, since I was a little kid, to play a movie monster and a werewolf,” Manganiello told Collider. He posted the blog posts to his website, and someone who was friends with a True Blood casting director saw them. “I guess he was out at breakfast with one of the casting directors and the waiter came up to their table and the casting director said, ‘Oh, wow, that waiter would make a great werewolf, if only he was an actor.’ And, this guy said, ‘No, you know who’d make a great werewolf? This guy,’ and he pulled up my picture and showed it to him.”

Joe auditioned for a different werewolf part. “I wound up being brought in a second time for that other werewolf character, and then they wound up bringing me back in for Alcide.”

Pod Search, a Search Engine for Podcasts, Can Help You Find Your Next Binge-Listen

Milkos/iStock via Getty Images
Milkos/iStock via Getty Images

Having too many options definitely seems like the best problem to have when it comes to picking your next top podcast obsession, but that doesn’t make it any less overwhelming. To streamline the hunt, try Pod Search—a website and mobile app that has all the information you need in order to choose a winner.

As Lifehacker reports, the user-friendly site is organized in several different ways, depending on how you’d like to operate your search. You can browse its list of about 30 categories, which range from “Storytelling” to “Crime & Law,” and each has a set of subcategories so you can get even more specific. If you trust the opinions of the general public, you can choose an already-popular podcast from the “Top Podcasts” tab. Or, if you like to be the first to recommend the next big thing to your friends, you can pick a program from the list of new podcasts.

Pod Search also has a handy tool called MyPodSearch which will pretty much do all the work of choosing the perfect podcast for you. All you have to do is check whichever categories interest you and add any additional keywords you’d like (which is optional), and MyPodSearch will deliver a list of podcasts personalized for your tastes. This is great for people who have wide-ranging interests, a proclivity for indecision, or both.

Each podcast has its own landing page with a description, audio samples, places you can listen, website and social media links for the podcast, and a list of other podcasts from the same producers. You can also create an account and bookmark podcasts for the future—so, hypothetically, you could have MyPodSearch create a personalized list for you, bookmark them all, and then have a binge-listening itinerary that’ll last you until next year.

[h/t Lifehacker]

8 Fun Facts About Muppet Babies

The Jim Henson Company
The Jim Henson Company

Before prequels were a thing, Jim Henson’s Muppet Babies imagined a world in which the felt-covered characters of Henson’s Muppets franchise—Kermit, Miss Piggy, Animal, and Fozzie Bear among them—met up as children in a nursery. Left to their own devices, the animated cast led a rich fantasy life while in diapers. For more on this 1984-1991 show, including why it’s so hard to find anywhere except YouTube, keep reading.

1. Frank Oz didn’t really want Muppet Babies.

The idea to infantilize the Muppets came from Michael Frith, a longtime collaborator of Jim Henson’s, in the early 1980s. Frith believed that regressing the characters could allow them to impart moral or educational messages to children already familiar with them. But Frank Oz, a Muppets performer (Miss Piggy) and film director, argued that the Muppets needed to maintain their subversive edge. It was Henson who found a compromise, suggesting that younger versions of the characters appear in a dream sequence for 1984’s feature film The Muppets Take Manhattan. The response to the scene was overwhelmingly positive, and Henson soon teamed with Marvel Productions and CBS for an animated series that began airing in September 1984.

2. Skeeter was the result of a gender imbalance on Muppet Babies.

Most of the principal Muppet Babies cast was made up of recognizable characters, including Kermit, Miss Piggy, Fozzie Bear, Rowlf, Gonzo, Animal, Bunsen, and Scooter. But Frith, Henson, and producers Bob Richardson and Hank Saroyan decided that the babies were skewing a little too male. Aside from Piggy and their caretaker, Nanny, there were no female characters. To balance the scales, they introduced Skeeter, Scooter’s twin sister, a brainy problem-solver.

Skeeter has made only fleeting and sporadic appearances in the Muppet franchise since, leading to speculation she might be caught up in rights issues between CBS and the Jim Henson Company, which was purchased by Disney in 2004. Fortunately, the somewhat murky situation appears to be at least partially resolved: It was recently reported Skeeter will resurface in the new computer-animated iteration of Muppet Babies, which is currently airing its second season on Disney Junior and has been renewed for a third season.

3. One of the major creative forces behind Muppet Babies was Moe Howard’s grandson.

In 1985, Muppet Babies writer Jeffrey Scott received a Humanitas Prize from the Human Family Educational and Cultural Institute for an episode of the series which the Institute declared did the best job of any kid’s show that year to “enrich the viewing public.” The episode centered on the group fearing one of them might be sent away. The prolific Scott actually wrote all 13 episodes of the first season. His father, Norman Maurer, worked at Hanna-Barbera Productions and got Scott’s foot in the door. His grandfather was Moe Howard, founder and head Stooge of The Three Stooges fame.

4. The Muppet Babies live-action segments were a result of budgetary constraints.

A hallmark of Muppet Babies is when the cast finds themselves thrust into scenes from famous films, a Walter Mitty-esque bit of fantasy fulfillment that blends live-action sequences with animation. According to Frith, devoting a portion of each episode to clips wasn’t entirely a creative choice. By inserting clips, producers could save money on animation. It was also easy for Henson to secure the rights to popular films like Star Wars or Raiders of the Lost Ark because he was friends with George Lucas and Steven Spielberg. While some believe those clips are the reason the show isn’t available to stream—sifting through the legal entanglement of reairing the segments might prove costly—that’s never been confirmed.

5. Muppet Babies never explained what the Muppets were doing in that nursery.

Given time to reflect, it seems odd that the Muppet cast would find themselves in a nursery without being supervised by their own parents. Speaking with the Detroit Free Press in 1987, Michael Frith said that the situation was purposely left vague. “I really appreciate the fact that they don’t [ask],” Frith said of his kid viewers. “Is this a day care center? Is this a foster child home? The more we talked about it, the more we felt it should just exist. The kids accept it.”

6. The voice recording sessions of Muppet Babies included copious farting.

Speaking with CNN in 2011, actor Dave Coulier (Full House) recalled that recording sessions for Muppet Babies sometimes involved flatulence. Coulier, who portrayed Animal and Bunsen, among others, said that “lots of fart humor” punctuated the recording studio. “In one scene, Fozzie [played by Greg Berg] and Animal had to climb a ladder,” he said. “As Animal was pushing Fozzie up the ladder, they were making [grunting] sounds. In mid-scene, Greg Berg farted. I looked at [actor] Frank Welker and we couldn’t contain ourselves. Uncontrollable laughter ensued. I was literally on the floor of the studio laughing.”

7. There was an offshoot of Muppet Babies called Muppet Monsters—and it never aired in full.

Following the success of Muppet Babies, CBS and Jim Henson decided to expand on the Muppets' potential as Saturday morning stars by creating a 90-minute block in 1985 titled Muppets, Babies, and Monsters. (Muppet Babies often aired consecutive half-hour installments for an hour total.) In addition to regular Muppet Babies episodes, the program featured another half-hour of Little Muppet Monsters, which featured puppets of new Muppet monster characters named Tug, Molly, and Boo. The three appeared in a framing device that introduced animated segments of adult Muppets. Only three episodes aired out of 15 produced, reportedly due to both Henson and CBS being unhappy with the finished product and Muppet Babies standing strongly on its own. The remaining episodes have yet to see the light of day.

8. Muppet Babies was turned into a live stage show.

To further incite their juvenile audience and monetize their popularity, the Muppet Babies franchise eventually wound up live and on stage. Muppet Babies Live! debuted in 1986 and featured performers in oversized costumes dancing and acting to a prerecorded track. In one skit, the cast appeared in a Snow White homage. In another, Rowlf became Rowlfgang Amagodus Mozart and played the piano. The arena show toured the country. Hank Saroyan, one of the animated show’s producers, wrote the stage show. The performer for Baby Piggy, Elizabeth Figols, also appeared in a live production of Dirty Dancing. The show ran through 1990.

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