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10 Sharp Facts About True Blood

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Set in fictional Bon Temps, Louisiana, Alan Ball's True Blood—which ran on HBO from 2008 to 2014—deals with vampires trying to acclimate to living among humans, often with violent results. The Japanese invent Tru Blood, a synthetic blood beverage meant to satiate vampires so they won’t seek out real blood. (That doesn’t work out so well.)

Ball, creator of Six Feet Under, based the show on Charlaine Harris’s The Southern Vampire Mysteries books. Sookie Stackhouse (Anna Paquin) is part fairy and part telepathic human, who falls in love with a 173-year-old vampire, Bill (Stephen Moyer). (In 2010, Moyer and Paquin married.) Sookie's also drawn to Eric (Emmy Award-winner Alexander Skarsgård) and shape-shifting werewolf Alcide (Joe Manganiello).

Also along for the ride to battle vampires and other fantastical creatures are Sookie’s dimwitted brother Jason (Ryan Kwanten); Sookie’s boss, Sam Merlotte (Sam Trammell); and her friends Tara (Rutina Wesley) and Lafayette Reynolds (Nelsan Ellis, who sadly passed away in July). 

The show debuted on September 7, 2008 and became a sensation—so much so that in 2010, Paquin, Moyer, and Skarsgård posed naked, covered in blood, on the cover of Rolling Stone. After 80 episodes, the show concluded on August 24, 2014. True Blood blended sex, violence, and humor in a way no HBO show had done before—thus becoming the network’s highest rated show since The Sopranos. Here are 10 things you might not have known about True Blood.

1. A TRIP TO THE DENTIST INSPIRED THE SHOW.

Creator Alan Ball had to get a root canal and showed up 30 minutes early to his appointment. With time to kill, he visited a Barnes and Noble across the street and saw Charlaine Harris’s book Dead Until Dark, the first in a series of 13 novels. “The tagline is, ‘Maybe having a vampire for a boyfriend isn’t such a bright idea,’ which made me laugh,” Ball told Emmy TV Legends. “I’m from the South, Charlaine’s from the South. It had a very authentic Southern feel to it. It’s this great mix of drama and comedy and horror and sex and violence and social commentary. She walked this line that was so incredibly entertaining that I couldn’t put the book down.” He read three more of her books in the series and thought it’d make a good TV show. At the time the book was under option to be made into a film, but when the option expired, Ball jumped at the chance. He filmed a pilot and two more episodes, and HBO green-lit the series.

2. ANNA PAQUIN “AGGRESSIVELY” PURSUED THE ROLE OF SOOKIE.

Anna Paquin in 'True Blood'
HBO

Ball hadn’t considered the naturally brunette actress for the role, but one day Oscar-winner Anna Paquin’s representatives called the show’s casting director and said she wanted to audition. “And I said, ‘Really? That doesn’t—huh. She wants to do this?’” Ball told The New York Times. “Because at the time Anna was dark-haired, and certainly her body of work didn’t lead me anywhere near Sookie Stackhouse. But she aggressively pursued it.”

Paquin welcomed playing a part that she described to The New York Times as being “about as radically different from me and a lot of the work I’ve previously done as you could possibly come up with.” In an interview with Rolling Stone, Paquin explained how people saw her as too serious. “But it only takes one person with a little bit of imagination to go, ‘You know, pale-skin girls with brown hair can also be blond girls with a fake tan,’ and presto change-o, makeover. It’s not rocket science.”

3. CHARLAINE HARRIS WAS MORE INTERESTED IN PEOPLE THAN VAMPIRES.

“I didn’t want to write about being a vampire,” Harris told Vanity Fair. “I wanted to write about people who were interacting with vampires. I thought it would be fun to write about a woman dating a vampire, so I imagined what kind of woman would do such a stupid thing.”

Bon Temps is a city in Northern Louisiana; Harris picked that region to avoid Anne Rice’s territory. “My thinking was that Anne Rice had done such a great job with Southern Louisiana, that I would take the part [of Louisiana] no one wanted,” Harris said. “Her works were groundbreaking and very innovative and I thought it would be fun to kind of rappel off of them.”

4. HARRIS USED THE VAMPIRES TO COMMENT ON GAY RIGHTS.

Deborah Ann Woll and Stephen Moyer in 'True Blood'
Jaimie Trueblood/HBO

Harris published Dead Until Dark, the first book in the series, in 2001. “When I began framing how I was going to represent the vampires, it suddenly occurred to me that it would be interesting if they were a minority that was trying to get equal rights,” Harris told the New York Post. “It just seemed to fit with what was happening in the world right then.”

However, Ball didn’t agree with her. “I have a hard time seeing the vampires as a metaphor for gays and lesbians,” he told Rolling Stone. “Just because the vampires on our show are, for the most part, vicious murderers and predators, and I’m gay myself, so I don’t really want to say, ‘Hey, gays and lesbians are basically viciously amoral murderers.’”

5. ALAN BALL THINKS THE SHOW IS ABOUT “INTIMACY.”

While developing the show for HBO, the network asked Ball for a one-sentence pitch for what the show was about. “I thought, ‘Oh, dear God, what am I going to say?’ I said, ‘Well, ultimately at its heart, it’s about the terrors of intimacy,’” he told The New York Times. “Which is an answer I just pulled totally out of [nowhere] at that moment. But I do think that actually, there is some truth to that. That is kind of what it’s about.”

In 2012, Ball told NPR he thought the show was about “how we deal with our primal desires. How do those elements of our psyche manifest themselves in a world where monsters were real?”

Chris Bauer, who played Andy Bellefleur, added his two cents on what the show was about. “How do people in that amount of space get along with each other when they are people with really different beliefs, life experiences, [and] philosophies?,” he told Vulture. “It’s like two species trying to get along, even though externally we look the same. That's where all the racism, all the homophobia, all the sexism, all the diminishing-others-for-their-differences comes from. It's so applicable.”

6. RYAN KWANTEN DOESN’T THINK JASON IS “DUMB.”

Ryan Kwanten stars in 'True Blood'
John P. Johnson/HBO

In an interview with Vulture, Ryan Kwanten was asked, “What are the challenges of playing someone that dumb?” He responded with, “I see him more as simple than dumb … He can get away with some of the things he does because of that innocence. Whereas being dumb, you don’t really get sympathy for that. He was originally based on a couple of people I knew, but it’s turned into his own beast now.”

7. ALEXANDER SKARSGÅRD DIDN'T ALWAYS ABIDE BY THE PROPER NUDITY PROTOCOLS.

To keep partially covered up during sex scenes, the show's female actors wore thongs while the male actors had to wear socks on their private parts. But Alexander Skarsgård bucked the trend during the season six finale. Eric is sunbathing on a snowy landscape in the mountains of Sweden, but the crew set up a green screen and filmed it atop a parking structure in Hollywood. “And it was a very hot day, so I didn’t need the sock,” he told Vulture. At the end of the scene, Skarsgård, gets up from his chair and reveals, well, everything, so to speak.

“I don’t want a sock around it, that feels ridiculous," Skarsgård told Rolling Stone. "If we’re naked in the scene, then I’m naked. I’ve always been that way.”

8. RUTINA WESLEY WAS OKAY WITH DYING. 

Rutina Wesley and Kristin Bauer van Straten in 'True Blood'
John P. Johnson/HBO

During the fifth season, Tara becomes a vampire. At the beginning of the final season, HBO threw no punches when they killed her off in the premiere episode. Wesley didn’t mind, though. “I think it’s great,” she told Entertainment Weekly. “I think somebody had to go. To have a main character right off the bat go, that’s gonna bring everybody into the show. It’s like, ‘Okay, and the show has started.’ This is the final season. We can’t all make it to the end.”

9. DENIS O’HARE USED HISTORY TO CREATE HIS CHARACTER’S BACKSTORY.

Russell Edgington, a.k.a. the King of Mississippi, is a 2800-year-old vampire. O’Hare researched that era and decided to make him a Pagan Celt. “They are just wild people,” O'Hare told Film School Rejects. “They have a very different relationship to everything in terms of nature and in terms of their own belief system. I just love that. That kind of helped make him just a different kind of character.”

10. JOE MANGANIELLO GOT HIS JOB WITH HELP FROM A BLOG.

Joe Manganiello in 'True Blood'
John P. Johnson/HBO

Fans of Harris’s book had a blog in which they listed who should play certain characters, and some people suggested Joe Manganiello for Alcide. Manganiello stumbled upon the site, read the books, and told his agent he wanted to audition.

“It had been my dream, since I was a little kid, to play a movie monster and a werewolf,” Manganiello told Collider. He posted the blog posts to his website, and someone who was friends with a True Blood casting director saw them. “I guess he was out at breakfast with one of the casting directors and the waiter came up to their table and the casting director said, ‘Oh, wow, that waiter would make a great werewolf, if only he was an actor.’ And, this guy said, ‘No, you know who’d make a great werewolf? This guy,’ and he pulled up my picture and showed it to him.”

Joe auditioned for a different werewolf part. “I wound up being brought in a second time for that other werewolf character, and then they wound up bringing me back in for Alcide.”

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10 Things You Might Not Know About Little Women
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gutenberg.org

Louisa May Alcott's Little Women is one of the world's most beloved novels, and now—nearly 150 years after its original publication—it's capturing yet another generation of readers, thanks in part to Masterpiece's new small-screen adaptation. Whether it's been days or years since you've last read it, here are 10 things you might not know about Alcott's classic tale of family and friendship.

1. LOUISA MAY ALCOTT DIDN'T WANT TO WRITE LITTLE WOMEN.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

Louisa May Alcott was writing both literature and pulp fiction (sample title: Pauline's Passion and Punishment) when Thomas Niles, the editor at Roberts Brothers Publishing, approached her about writing a book for girls. Alcott said she would try, but she wasn’t all that interested, later calling such books “moral pap for the young.”

When it became clear Alcott was stalling, Niles offered a publishing contract to her father, Bronson Alcott. Although Bronson was a well-known thinker who was friends with Ralph Waldo Emerson and Henry David Thoreau, his work never achieved much acclaim. When it became clear that Bronson would have an opportunity to publish a new book if Louisa started her girls' story, she caved in to the pressure.

2. LITTLE WOMEN TOOK JUST 10 WEEKS TO WRITE.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

Alcott began writing the book in May 1868. She worked on it day and night, becoming so consumed with it that she sometimes forgot to eat or sleep. On July 15, she sent all 402 pages to her editor. In September, a mere four months after starting the book, Little Women was published. It became an instant best seller and turned Alcott into a rich and famous woman.

3. THE BOOK AS WE KNOW IT WAS ORIGINALLY PUBLISHED IN TWO PARTS.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

The first half was published in 1868 as Little Women: Meg, Jo, Beth, and Amy. The Story Of Their Lives. A Girl’s Book. It ended with John Brooke proposing marriage to Meg. In 1869, Alcott published Good Wives, the second half of the book. It, too, only took a few months to write.

4. MEG, BETH, AND AMY WERE BASED ON ALCOTT'S SISTERS.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

Meg was based on Louisa’s sister Anna, who fell in love with her husband John Bridge Pratt while performing opposite him in a play. The description of Meg’s wedding in the novel is supposedly based on Anna’s actual wedding.

Beth was based on Lizzie, who died from scarlet fever at age 23. Like Beth, Lizzie caught the illness from a poor family her mother was helping.

Amy was based on May (Amy is an anagram of May), an artist who lived in Europe. In fact, May—who died in childbirth at age 39—was the first woman to exhibit paintings in the Paris Salon.

Jo, of course, is based on Alcott herself.

5. LIKE THE MARCH FAMILY, THE ALCOTTS KNEW POVERTY.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

Bronson Alcott’s philosophical ideals made it difficult for him to find employment—for example, as a socialist, he wouldn't work for wages—so the family survived on handouts from friends and neighbors. At times during Louisa’s childhood, there was nothing to eat but bread, water, and the occasional apple.

When she got older, Alcott worked as a paid companion and governess, like Jo does in the novel, and sold “sensation” stories to help pay the bills. She also took on menial jobs, working as a seamstress, a laundress, and a servant. Even as a child, Alcott wanted to help her family escape poverty, something Little Women made possible.

6. ALCOTT REFUSED TO HAVE JO MARRY LAURIE.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

Alcott, who never married herself, wanted Jo to remain unmarried, too. But while she was working on the second half of Little Women, fans were clamoring for Jo to marry the boy next door, Laurie. “Girls write to ask who the little women marry, as if that was the only aim and end of a woman’s life," Alcott wrote in her journal. "I won’t marry Jo to Laurie to please anyone.”

As a compromise—or to spite her fans—Alcott married Jo to the decidedly unromantic Professor Bhaer. Laurie ends up with Amy.

7. THERE ARE LOTS OF THEORIES ABOUT WHO LAURIE WAS BASED ON.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

People have theorized Laurie was inspired by everyone from Thoreau to Nathaniel Hawthorne’s son Julian, but this doesn’t seem to be the case. In 1865, while in Europe, Alcott met a Polish musician named Ladislas Wisniewski, whom Alcott nicknamed Laddie. The flirtation between Laddie and Alcott culminated in them spending two weeks together in Paris, alone. According to biographer Harriet Reisen, Alcott later modeled Laurie after Laddie.

How far did the Alcott/Laddie affair go? It’s hard to say, as Alcott later crossed out the section of her diary referring to the romance. In the margin, she wrote, “couldn’t be.”

8. YOU CAN STILL VISIT ORCHARD HOUSE, WHERE ALCOTT WROTE LITTLE WOMEN.

Orchard House in Concord, Massachusetts was the Alcott family home. In 1868, Louisa reluctantly left her Boston apartment to write Little Women there. Today, you can tour this house and see May’s drawings on the walls, as well as the small writing desk that Bronson built for Louisa to use.

9. LITTLE WOMEN HAS BEEN ADAPTED A NUMBER OF TIMES.

In addition to a 1958 TV series, multiple Broadway plays, a musical, a ballet, and an opera, Little Women has been made into more than a half-dozen movies. The most famous are the 1933 version starring Katharine Hepburn, the 1949 version starring June Allyson (with Elizabeth Taylor as Amy), and the 1994 version starring Winona Ryder. Later this year, Clare Niederpruem's modern retelling of the story is scheduled to arrive in movie theaters. It's also been adapted for the small screen a number of times, most recently for PBS's Masterpiece, by Call the Midwife creator Heidi Thomas.

10. IN 1980, A JAPANESE ANIME VERSION OF LITTLE WOMEN WAS RELEASED.

In 1987, Japan made an anime version of Little Women that ran for 48 half-hour episodes. Watch the first two episodes above.

Additional Resources:
Louisa May Alcott: A Personal Biography; Louisa May Alcott: The Woman Behind Little Women; Louisa May Alcott's Journals; Little Women; Alcott Film; C-Span; LouisaMayAlcott.org.

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Tribeca Film Festival/Screenvision Media/Universal Pictures
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Scarface is Returning to Theaters for Its 35th Anniversary
Tribeca Film Festival/Screenvision Media/Universal Pictures
Tribeca Film Festival/Screenvision Media/Universal Pictures

Pop culture history was forever altered on December 9, 1983, when Scarface arrived in movie theaters across America. A loose remake of Howard Hawks's classic 1932 gangster film, Brian De Palma's F-bomb-laden story of a Cuban immigrant who becomes the king of Miami's drug scene by murdering anyone in his path is still being endlessly dissected, and quoted, today. To celebrate the film's place in cinema history, the Tribeca Film Festival is teaming up with Screenvision Media and Universal Pictures to bring the film back into theaters next month.

Just last month, Scarface screened at New York City's Tribeca Film Festival as part of a 35th anniversary celebration. The film's main cast and crew—including De Palma and stars Al Pacino, Michelle Pfeiffer, and Steven Bauer—were on hand to discuss the making of the film and why it has endured as a contemporary classic. (Yes, that's the same conversation that left the panel momentarily speechless when moderator Jesse Kornbluth asked Pfeiffer how much she weighed during filming.) That post-screening Q&A will be part of the upcoming screenings.

"Scarface is a timeless film that has influenced pop culture in so many ways over the last 35 years. We're thrilled to partner with Universal Pictures and Tribeca Film Festival to bring it back to the big screen in celebration of its anniversary," Darryl Schaffer, executive vice president of operations and exhibitor relations at Screenvision Media, said in a press statement. "The Tribeca Film Festival talk was an important commemoration of the film. We're excited to extend it to the big screen and provide fans a behind-the-scenes insight into what production was like in the 1980s."

Scarface will screen at select theaters nationwide on June 10, June 11, and June 13, 2018. Visit Scarface35.com to find out if Tony Montana and his little friend will be coming back to a cinema near you.

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