The Orionid Meteor Shower Peaks This Weekend

iStock/Kazushi_Inagaki
iStock/Kazushi_Inagaki

October is always a great month for skywatching. If you missed the Draconids, the first meteor shower of the month, don't despair: the Orionids peak this weekend. If you've ever wanted to get into skywatching, this is your chance.

The Orionids is the second of two meteor showers caused by the debris field left by the comet Halley. (The other is the Eta Aquarids, which appear in May.) The showers are named for the constellation Orion, from which they seem to originate.

The shower is expected to peak overnight from Sunday, October 21, to Monday, October 22, when you can plan to see 15 to 20 super-fast meteors per hour. The best time for viewing is between 2 a.m. and 5 a.m., when Orion appears completely above the horizon. Make a late-night picnic of the occasion, because it takes about an hour for your eyes to adjust to the darkness. Bring a blanket and a bottle of wine, lay out and take in the open skies, and let nature do the rest.

There's a chance that the Moon might interfere with the meteors' visibility, according to Space.com. Leading up to its full state on October 24, the Moon will be in a waxing gibbous phase, becoming larger and brighter in the sky as the Orionids speed past Earth. Limiting light pollution where you can—such as by avoiding city lights—will help.

If clouds interfere with your Orionids experience, don't fret. There will be another meteor shower, the Leonids, in November, and the greatest of them all in December: the Geminids.

A version of this story appeared in 2017.

8 Facts About David Bowie's 'Space Oddity'

Express/Express/Getty Images
Express/Express/Getty Images

Fifty years ago, on July 24, 1969, astronauts walked on the Moon for the first time. Just a few weeks earlier, another space-age event had rocked the world: David Bowie’s single “Space Oddity” hit airwaves. The song, whose lyrics tell the story of an astronaut’s doomed journey into space, helped propel the artist to icon status, and five decades later, it’s still one of his most popular works. In honor of its 50th anniversary, here are some facts about the stellar track.

1. "Space Oddity" was inspired by 2001: A Space Odyssey.

Many listeners assumed that "Space Oddity" was riffing on the Apollo 11 Moon landing of 1969, but it was actually inspired by a Stanley Kubrick film released a year earlier. Bowie watched 2001: A Space Odyssey multiple times when it premiered in theaters in 1968. “It was the sense of isolation I related to,” Bowie told Classic Rock in 2012. “I found the whole thing amazing. I was out of my gourd, very stoned when I went to see it—several times—and it was really a revelation to me. It got the song flowing.”

2. "Space Oddity" was also inspired by heartbreak.

The track was also partly inspired by the more universal experience of heartbreak. Bowie wrote the song after ending his relationship with actress Hermione Farthingale. The break inspired several songs, including “Letter to Hermione” and “Life on Mars,” and in “Space Oddity,” Bowie’s post-breakup loneliness and melancholy is especially apparent.

3. "Space Oddity" helped him sign a record deal.

In 1969, a few years into David Bowie’s career, the musician recorded a demo tape with plans to use it to land a deal with Mercury Records. That tape featured an early iteration of “Space Oddity,” and based on the demo, Mercury signed him for a one-album deal. But the song failed to win over one producer. Tony Visconti, who produced Bowie’s self-titled 1969 album, thought the song was a cheap attempt to cash in on the Apollo 11 mission, and he tapped someone else to produce that particular single.

4. The BBC played "Space Oddity" during the Moon landing.

"Space Oddity" was released on July 11, 1969—just five days before NASA launched Apollo 11. The song doesn’t exactly sound like promotional material for the mission. It ends on a somber note, with Major Tom "floating in a tin can" through space. But the timing and general subject matter were too perfect for the BBC to resist. The network played the track over footage of the Moon landing. Bowie later remarked upon the situation, saying, "Obviously, some BBC official said, 'Oh, right then, that space song, Major Tom, blah blah blah, that’ll be great. 'Um, but he gets stranded in space, sir.' Nobody had the heart to tell the producer that."

5. David Bowie recorded an Italian version of "Space Oddity."

The same year "Space Oddity" was released, a different version David Bowie recorded with Italian lyrics was played by radio stations in Italy. Instead of directly translating the English words, the Italian songwriter Mogul was hired to write new lyrics practically from scratch. "Ragazzo Solo, Ragazza Sola" ("Lonely Boy, Lonely Girl") is a straightforward love song, and Major Tom is never mentioned.

6. Major Tom appeared in future songs.

Major Tom, the fictional astronaut at the center of "Space Oddity," is one of the most iconic characters invented for a pop song. It took a decade for him to resurface in David Bowie’s discography. In his 1980 single "Ashes to Ashes," the artists presents a different version of the character, singing: "We know Major Tom's a junkie/Strung out in heaven's high/Hitting an all-time low." Bowie also references Major Tom in "Hallo Spaceboy" from the 1995 album Outside.

7. "Space Oddity" is featured in Chris Hadfield's ISS music video.

When choosing a song for the first music filmed in space, Canadian astronaut Chris Hadfield naturally went with David Bowie’s out-of-this-world anthem. The video above was recorded on the International Space Station in 2013, with Hadfield playing guitar and singing from space and other performers providing musical accompaniment from Earth. Some lyrics were tweaked for the cover. Hadfield mentions the "Soyuz hatch" of the capsule that would eventually shuttle him to Earth.

8. "Space Oddity" played on the Tesla that Elon Musk sent to space.

Dummy in Tesla roadster in space with Earth in background.
SpaceX via Getty Images

In 2018, Elon Musk used SpaceX's Falcon Heavy rocket to launch his Tesla Roadster into space. The car was decked out with pop culture Easter eggs—according to Musk, "Space Oddity" was playing over the car’s radio system during the historic journey. The dummy’s name, Starman, is the name of another space-themed song on Bowie's 1972 masterpiece The Rise and Fall of Ziggy Stardust and the Spiders from Mars.

The Washington Monument Is Transforming Into a Full-Scale Saturn V Rocket for the 50th Anniversary of the Apollo 11 Moon Landing

The Saturn V rocket takes off on July 16, 1969.
The Saturn V rocket takes off on July 16, 1969.

Where better to celebrate the 50th anniversary of the first Moon landing than in front of a revered national monument that also happens to resemble a giant rocket?

Next week, DCist reports, the Smithsonian National Air and Space Museum will project an image of the 363-foot-tall Saturn V rocket that launched Buzz Aldrin, Neil Armstrong, and Michael Collins into space on July 16, 1969, onto the 555-foot-tall Washington Monument. Underneath the monument, flanked by screens playing a 17-minute program about the Moon landing, will be a 40-foot-wide replica of the iconic Kennedy Space Center countdown clock that NASA has called “one of the most-watched timepieces in the world.”

Illustration of the Saturn V rocket projected onto the Washington Monument
An illustration of what the Saturn V projection will look like on the Washington Monument.
Smithsonian National Air and Space Museum

Projecting an image onto an irregular object is a little more complicated than doing so on a run-of-the-mill, rectangular movie screen. The process is called projection mapping, which uses augmented reality to conform the projection to the object, making it seem like the projection is actually just part of the object. 59 Productions, the company behind this program, also created the video design for London’s 2012 Olympic Games opening ceremony and won a 2015 Tony Award for the video design of Christopher Wheeldon’s stage revival of An American in Paris.

So who exactly has to approve transforming one of our nation’s most famous monuments into a really tall, skinny optical illusion? In this case, the House of Representatives, the Senate, the secretary of the interior, and the president himself. Both houses of Congress unanimously passed the bipartisan resolution, H.J. Res. 60 [PDF], in mid-June, and the president signed it on July 5.

According to Ellen Stofan, director of the Smithsonian National Air and Space Museum, the larger-than-life nature of the setting befits the occasion. “The Washington Monument is a symbol of our collective national achievements and what we can and will achieve in the future,” she told DCist. “It took 400,000 people from across the 50 states to make Apollo a reality. This program celebrates them, and we hope it inspires generations too young to have experienced Apollo firsthand to define their own moonshot.”

You can see the Saturn V projection from 9:30 p.m. to 11:30 p.m. on July 16, 17, and 18. The best view is on the National Mall in front of the Smithsonian Institution Building (also known as the “Castle”) between 9th and 12th streets. The entire program, titled “Apollo 50: Go for the Moon,” will run at 9:30 p.m., 10:30 p.m., and 11:30 p.m. on Friday, July 19, and Saturday, July 20.

[h/t DCist]

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