9 Behind-the-Scenes Secrets of Movie Monster Makers

Bruno Vincent/Getty Images
Bruno Vincent/Getty Images

Almost since the beginning of movies, people have been trying to use the medium to conjure up fantastic creatures. From Godzilla to Gremlins, there’s nothing like a hideous monster or a furry freak of nature to inspire fear and glee in the audience. The artists, technicians, and designers who create these beasts are highly talented, highly specialized—and highly imaginative. Mental Floss spoke to a few for some insight into the fanciful world of monster making.

1. CREATURE EFFECTS HAVE COME A LONG WAY SINCE GUYS IN RUBBER SUITS.

A 1933 photo of a man inside the mouth of a monkey head made by a stage props company
Bruno Vincent/Getty Images

The earliest creature features typically involved a guy in a rubber suit terrorizing Tokyo or carrying off a damsel in distress. Today’s creatures are much more complex and believable, thanks to new varieties of silicone rubber, upgrades in animatronics, new forms of design software, and the development of CGI.

“Special Effects as an industry is always evolving, and products and materials are expanding and becoming more readily available than ever before,” says Stuart Rowsell, a creature technician and founder of Bloodhound FX in Australia who has worked on films including Star Wars: Episode II (2002) and III (2005), Superman Returns (2006), Mad Max: Fury Road (2015), and Alien: Covenant (2017).

3D printing is also shaking up the industry. Lino Stavole, a creature engineer at Spectral Motion based in Los Angeles, founded 3D scanning, printing, and engineering company Behold 3D to cater to the needs of the entertainment industry. Stavole tells Mental Floss that his company used 3D printing in silicone to create an alien creature for the movie V/H/S in just two days, a process that once required several more. “That really opened my eyes to the potential of what technology can do,” he says. 3D printing is also pushing boundaries in terms of design intricacy—Stavole says a creature he helped create for Netflix’s planned reboot of Lost in Space incorporates about 400 different 3D-printed parts.

2. BUT SOMETIMES, THE CREATURE IS STILL A GUY IN A RUBBER SUIT.

Technological advances have by no means pushed the classic creature suit aside, however—particularly when enhanced with a little digital magic or combined with other techniques like puppetry. A suit offers certain advantages over digital or animatronic creations, after all: “Fluidity of movement is usually why the guy in the suit is required,” Rowsell tells Mental Floss. “They can run through corridors, crawl through water, caves, tunnels, and react in close quarter fighting with characters. Often it is a lot easier to make a creature suit than it is to make an animatronic puppet.”

3. A SINGLE CREATURE OFTEN REQUIRES MANY DR. FRANKENSTEINS.

A 3D-printed model made by Behold 3D from the film Ender's Game (2013) for Amalgamated Dynamics Inc.
A 3D-printed model made by Behold 3D from the film Ender's Game (2013) for Amalgamated Dynamics Inc.
Lino Stavole

Bringing a creature to life is a big job, one usually beyond the capacity of any single designer or artisan. The traditional skills involved include concept design, body casting, sculpting, molding, and painting, while more modern skills like computer animation, digital design, and engineering now round out the list. The broad array of skills required means that making a creature is typically a team effort—and participants tend to specialize. “A lot of people think you’re going to be building a creature from design to completion, but that’s not normally the case. It’s very faceted,” Stavole says.

Of course, some creature artists are the full package. Rowsell says he’s never specialized, and being competent in both design and the various aspects of fabrication has allowed him greater control over the final product. “My business relies on mostly myself,” he says, “so I have quality control and I only have myself to blame if it goes wrong!”

4. THE BEST CREATURE DESIGNERS HAVE TWO BRAINS.

Regardless of specialty, the best creature artists are typically those who are able to think in two different ways. Stavole compares the two mindsets to aliens living on two different planets. “You have an alien on one planet who is like a Vulcan,” he says, “and Vulcans like science, so this brain of a creature designer knows about anatomy, physiology, biology, entomology, and physics—that is the science part of creature design.” The other planet is populated by artistic types. “They communicate with pictures and sculptures, but they also have to communicate history and character with creature design,” he says. Stavole explains that, as a natural Vulcan, he works to help the artists and designers on a creature team understand which sorts of structures will help their design move more naturally.

Given these differing approaches, communication is key. Stavole says he has a deep respect for specialists, but adds “the people who have a more complete overview of things tend to be the best communicators and have the best results.”

5. ONE CREATURE MIGHT ACTUALLY BE MANY CREATURES.

A "wheelbarrow" version of one of the giant lizards made by John Cox Creature Workshop for the 1999 film Komodo
A "wheelbarrow" version of one of the giant lizards made by John Cox Creature Workshop for the 1999 film Komodo
Stuart Rowsell

It’s a fact of movie magic that a creature presented as a single entity on screen may actually consist of several different versions used in tandem to create the illusion of life. Rowsell explains that while working on the 1999 movie Komodo with John Cox Creature Workshop, the creature crew made several versions of the giant lizards that appear in the film, including full-size animatronic- and puppeteer-driven komodos, as well as both full-length and wheelbarrow-style (i.e. just the front half on a wheelbarrow rig) creatures. A fully CGI lizard was also created “for the wide shots of the komodo’s faster and deadlier action," Roswell adds.

The luxury of having many creatures to work with, however, is very dependent on budget. Stavole points out that some productions will try to make one version of a creature work throughout a film, because it’s more cost-effective.

6. EVEN KING KONG HAS TO STICK TO A BUDGET.

And yes, even fantastical creatures have money problems. “The creature effect on any feature film or commercial depends on the budget. Usually the production company wants 10 thousand dollars to look like one million dollars,” Rowsell says. Budget is often the determining factor in whether a creature is rendered entirely practically (i.e. in physical materials), entirely digitally, or a combination of the two. It also influences details like whether a production can afford to pay a day rate for a puppeteer to manipulate elements like tails or wings—which often gives a more natural feel than rendering those elements digitally. “It is essentially our job to make as convincing as possible an original-looking creature within the deadlines and budget that performs on-set without falling to pieces,” Rowsell explains.

7. THEIR CREATIONS ARE INSPIRED BY REAL LIFE.

A prop for the 2003 movie Peter Pan, made by John Cox Creature Workshop
A prop for the 2003 movie Peter Pan, made by John Cox Creature Workshop (Foam Latex Supervisor Stuart Rowsell)
Stuart Rowsell

When it comes to the design process that precedes any crafting or building, creature artists draw inspiration from the natural world. They study animal and plant life, and borrow elements of bone structure, skin texture, and physical movement. (Interestingly, Rowsell worked in an abattoir before becoming a full-time artist, where he got a crash course in anatomy and internal organs. He says he recalled the horrible things he saw there when designing the innards of the lizards on Komodo).

They must also take into account another earthly presence: the director. “The director’s vision is paramount to any film,” Rowsell explains. And while the designers may draw on a broad array of sources and render hundreds of drawings of a creature, it is the director who makes the final call when it comes to design.

8. … AND SOMETIMES BY VISITS TO THE MORGUE.

Creature design does involve anatomy, but the morgues designers rely on don't house bodies. In this case, “morgue” refers to a collection of images and ephemera, long a mainstay of artist repertoires and newspaper industry archives.

Stavole, who considers himself to be more of a creature engineer or artisan than a designer, says that when he does take on design, he likes to work with a morgue. For him, this means doing a search of libraries and the internet for images, consulting with various people for ideas, and throwing everything he finds into a sort of creative stew. From that stew, surprises can emerge. “Happy accidents can happen and ideas from one project can get incorporated into another project,” he says.

9. MANY OF THE BEST CREATURES ARE PART PRACTICAL AND PART DIGITAL.

While advances in digital technology have changed the movie creature landscape, they’re unlikely to eliminate the need for practical effects and many traditional techniques any time soon. “Many SPFX artists were worried in the early '90s that CGI would end the industry,” Rowsell says, “but CGI has been very good to the special effects industry. It has enhanced it.”

According to Rowsell, working with practical creature effects comes with a host of considerations: foam rubber creatures or suits can tear or break down under wear; they can lack realism; and unlike a purely digital creation, they cannot be completely changed in post-production. But CGI can seem fake or end up looking like a video game. “I can still see (CGI) as a flat animation from a mile away,” he says, “whereas practical effects have substance.” The ideal situation, then, is a bit of both worlds: practical elements to add substance and weight, and CGI elements to augment the effect. “Today’s creature effects, when they work best,” Rowsell adds, “are 50% practical and 50% CGI-enhanced.”

7 Behind-the-Scenes Secrets of Roadies

Lindrik/iStock/GettyImagesPlus
Lindrik/iStock/GettyImagesPlus

Although the word roadie may conjure up images of non-stop partying with rock stars, the reality is that most work unglamorous, physically and emotionally demanding jobs. They lug the gear, set up the instruments, manage the stage, run the sound, sell the merch, drive the bus, and generally do whatever it takes to make concerts possible. Mental Floss talked to a few roadies (who probably wish we'd stop calling them that—see below) to get the inside scoop.

1. Roadie is an outdated term.

Some roadies who worked in the 1960s through the 1980s later wrote books bragging about their sexual conquests, wild partying, and drug use while on the road. Although that lifestyle is not completely obsolete—genres such as metal, rap, and hip hop supposedly see more illegal activity than indie, pop, folk, and alternative—most roadies don’t refer to themselves as such.

Morgan Paros, a violinist and singer based in Los Angeles, says that the generic term roadie seems slightly derogatory now. Instead, it’s better to use terms that more specifically describe individual duties. “Anyone on a tour is generally working very hard to fulfill their role of tour manager, front of house (sound engineer), light tech, stage manager, instrument tech, or merchandise manager,” Paros says. “These individuals make everything possible for the performers every night.”

2. Roadies work insanely long hours.

Most roadies work 16- to 20-hour days. Waking up early and going to sleep late is part of the job description, as Meg MacRae, a production coordinator who’s been on the road with Bon Jovi and the Eagles, attests. A typical day for her starts with a 6 a.m. bus pickup, after which she sets up a temporary production office at the venue. After a long day of problem-solving, booking flights and hotels, and making sure the crew is taken care of, she ends her day at 1:30 or 2 a.m.

3. Roadies get used to roughing it.

Unless they’re working for an A+ list performer, most roadies are not living the high life, sleeping in luxury hotel suites and flying on private jets. Being on the road can be hard work. Depending on the band’s budget level, the road crew may sleep on the floor of a shared hotel room, or sit in a crowded Ford Econoline or Chevrolet Express van for hours.

Tour conditions offer minimal privacy and maximum mess. “You wouldn’t believe how insanely messy a van can get after a 6-week tour of the country,” says Michael Lerner of Telekinesis.

David, a front-of-house sound engineer based in New York, also describes the dirty working conditions in many venues. “Consider how grimy some music venues look. The dusty mixing board in the back coated in spilled beer, the germs of hundreds of singers talking/spitting/shouting into the same microphones night after night, and the questionable odors of green rooms inhabited by people who spend a solid portion of their days packed into a van … this is your office. Good luck not getting sick.”

4. Roadies usually have good reasons for putting up with it all.

So why do roadies subject themselves to the long hours and less-than-glamorous conditions? Many say they love music so much that they can’t imagine working in any other field. “For as long as I can remember, I have always wanted to have a job in music,” tour manager and sound engineer William Pepple writes. Some roadies also get into it because they love traveling all over the world, seeing new cities, and meeting new people.

5. Maintaining relationships at home is a big challenge for roadies.

Being a roadie is a lifestyle rather than just a job. Because they travel so frequently for work, roadies often struggle to maintain relationships with loved ones. Technology such as FaceTime and Skype has made keeping up with family, friends, and significant others easier, but it can still be a challenge to find privacy to make phone calls. Roadies who travel on buses have a little more privacy and time to connect with loved ones back home, since bus tours often give them the freedom of waking up in the city where the band’s next show is, while road crew on van tours spend the majority of the daytime driving to the next show.

6. They probably have at least one horror story from the road.

Whether it’s an unscrupulous promoter cheating the band out of their earnings, a bus overheating, a van breaking down, or driving through dangerous winter storms, roadies probably have at least one horror story. Most awful promoters or venues, though, are usually due to simple misunderstandings. “Most bad days are due to either bad communication or a lack of understanding that most touring people just want simple comforts: a clean shower, clean towels, a safe place to put their stuff, laundry machines, and good food,” says Mahina Gannet, who’s worked as a tour manager and production coordinator for bands such as The Postal Service, Death Cab For Cutie, and Neko Case.

7. Good roadies are there to work, not just hang out with the band.

Achieving a balance between being professional and having fun is harder on tours because “you are working, living and traveling with your co-workers,” Gannet adds. “I’m there to get a job done, and when it’s done, I love to hang out. A lot of tour managers I’ve seen definitely can go to either extreme (some actually thinking they are a member of the band, some so distant the band can’t talk to them), but it’s like everything else in life. It’s about finding your own personal balance.”

This piece first ran in 2016 and was republished in 2019.

14 Secrets of McDonald's Employees

Justin Sullivan, Getty Images
Justin Sullivan, Getty Images

While there’s virtually no end to the number of fast food options for people seeking a quick meal, none have entered the public consciousness quite like McDonald’s. Originally a barbecue shop with a limited menu when it was founded by brothers Richard and Maurice McDonald in the 1940s, the Golden Arches have grown into a franchised behemoth with more than 36,000 locations worldwide.

Staffing those busy kitchens and registers are nearly 2 million McDonald's employees. To get a better idea of what many consider to be the most popular entry-level job in the nation—staff members on the floor make an average of $9 an hour—we asked several workers to share details of their experiences with errant ice cream machines, drive-through protocols, and special requests. Here’s what they had to say about life behind the counter.

1. McDonald's employees can't always deliver fast food all that fast.

While McDonald’s and other fast-service restaurants pride themselves on getting customers on their way, some menu items just don’t lend themselves to record service times. According to Bob, an assistant store manager at a McDonald’s in the Midwest, pies take an average of 10 to 12 minutes to prepare; grilled chicken, 10 minutes; and biscuits for Egg McMuffins, eight to 10 minutes. In the mood for something light, like a grilled chicken and salad? That will take a few minutes, too. Bob says salads are pre-made with lettuce but still need to have chicken and other ingredients added.

The labor-intensive nature of assembling ingredients is part of why the chain has more recently shied away from menu items with too many ingredients. “We are trained to go as fast down the line as we can, and if we have to stop to make something that has 10 ingredients, it tends to slow things down,” Bob tells Mental Floss. “Corporate has realized this and has taken many of these items off in recent years, [like] McWraps, Clubhouse, more recently the Smokehouse and mushroom and Swiss and moved to items that can go a lot quicker.”

2. McDonald's workers wish you’d stop asking for fries without salt.

A serving of McDonald's French fries is pictured
Joerg Koch, AFP/Getty Images

A common “trick” for customers seeking fresh fries is to ask for them without salt. The idea is that fries that have been under a heating lamp will already be salted and that the employee in the kitchen will need to put down a new batch in the fryer. This does work, but customers can also just ask for fresh fries. It’s less of a hassle and may even save employees some discomfort.

“People can ask for fresh fries and it's actually way easier to do fresh fries rather than no-salt fries,” Andy, an employee who’s worked at three different McDonald’s locations in the Midwest, tells Mental Floss. “For those, we have to pour the fries onto a tray from the fryer so they don't come in contact with salt. It can get awkward sometimes getting everything into position, especially if you have a lot of people working in close proximity and it's busy, so I've had some scalded hands a couple of times trying to get fries out in a timely way.”

3. McDonald's workers have to pay careful attention to the order of ingredients.

McDonald’s is pretty specific about how their burgers and other items are supposed to be assembled, with layers—meat, cheese, sauce—arranged in a specific order. If they mess it up, customers can notice. “In some cases it has a big impact,” Sam, a department manager and nine-year veteran of the restaurant in Canada, tells Mental Floss. “Like placing the cheese between the patties with a McDouble. If they don’t put the cheese between the patties, the cheese won’t melt.”

4. There’s a reason McDonald’s employees ask you to park at the drive-through.

A McDonald's customer pulls up to the drive-thru window
Tim Boyle, Getty Images

After ordering at the drive-through window, you may be slightly puzzled when a cashier asks you to pull into one of the designated parking spots. That’s because employees are measured on how quickly they process cars at the drive-through. If your order is taking a long time to prepare, they’ll take you out of the queue to keep the line moving. “My store has sensors in the drive-through that actually tell us exactly how long you are at each spot in the drive-through,” Bob says. “We get measured based on something we call OEPE. Order end, present end. [That measures] from the second that your tires move from the speaker until your back tires pass over the sensor on the present window. My store is expected to be under two minutes.” If an order will take longer than that, you'll be asked to park.

5. The McDonald's drive-through employees can hear everything going on in your car.

While the quality of the speakers at a drive-through window can vary, it’s best to assume employees inside the restaurant can hear everything happening in your car even before you place an order. “The speaker is activated by the metal in the car, so as soon as you drive up, the speaker turns on in our headset,” Andy says. “We can hear everything, and I do mean everything. Loud music, yelling at your kids to shut up, etc.”

6. The employees at McDonald’s like their regulars.

Customers eat inside of a McDonald's with an order of French fries in the foreground
Chris Hondros, Getty Images

With hot coffee, plenty of tables, Wi-Fi, and newspapers, McDonald’s can wind up being a popular hang-out for repeat customers. “[We have] a ton of regulars who come into my store,” Bob says. “I'd say at least 75 percent of my daily customers know us all by name and we know them all, too. It makes it nice and makes the service feel a lot more personal when a customer can walk into my location, and we can look them in the eye and say, ‘Hey Mark! Getting the usual today?’ and we've already started making his coffee exactly how he takes it.”

7. McDonald’s staff get prank calls.

Unless they’re trying to cater an event, customers usually don’t have any reason to phone a McDonald’s. When the phone rings, employees brace themselves. In addition to sometimes being asked a legitimate question like when the store closes, Sam says his store gets a lot of prank calls. “Sometimes it’s people asking about directions to Wendy’s,” he says. “A lot of inappropriate ones. Most are pretty lame.”

8. For a McDonald’s worker, the ice cream machine is like automated stress.

A McDonald's customer is handed an ice cream cone at the drive-thru window
iStock/jax10289

The internet is full of stories of frustrated McDonald’s customers who believe the chain’s ice cream machines are always inoperable. That’s not entirely true, but the machine does experience a lot of downtime. According to Bob, that’s because it’s always in need of maintenance. “The thing is, it is a very sensitive machine,” he says. “It's not made to be making 50 cones in a row, or 10 shakes at a time. It takes time for the mix to freeze to a proper consistency. It also requires a daily heat mode, [where] the whole machine heats up to about 130 degrees or so. The heat mode typically takes about four hours to complete, so you try to schedule it during the slowest time.” Stores also need to take the machine entirely apart every one to two weeks to clean it thoroughly.

Bob adds that the machine’s O-rings can crack or tear, rendering the unit inoperable. Seasoned workers can tell if a unit is faulty by the consistency of the shakes or ice cream coming out, and sometimes by the noises it makes.

9. McDonald's employees don't mind if you order a grilled cheese.

Contrary to rumor, there’s no “secret menu” at McDonald’s. But that doesn’t mean you can’t sometimes snag something not listed on the board. Andy says a lot of people order a grilled cheese sandwich. “I've made many a grilled cheese before,” he says. But it’s not without consequences. “Sometimes it can get a bit risky doing it because the bun toaster wasn't designed to make grilled cheeses so sometimes you get some burnt buns or cheese or the cheese sticks inside and it slows down the other buns from getting out on time so that causes more burnt buns.”

Another common request is for customers to ask for a McDouble dressed as a Big Mac, with added Big Mac sauce and shredded lettuce. “I think [it’s] a way more practical way to eat a Big Mac since there's less bun in the way, and it's also way cheaper even if you do get charged for Mac sauce.”

10. McDonald’s workers recommend always checking your order.

A McDonald's employee serves an order
Justin Sullivan, Getty Images

Nothing stings worse than the revelation that an employee has forgotten part of your food order. Contrary to popular belief, it’s not because the employees are being lazy or inattentive. According to Bob, it’s simply due to the volume of customers a typical location has to process in a given day. “We are human,” he says. “Mistakes do happen. We always feel terrible when they do but when we serve 1000-plus people a day, it's bound to happen.”

Bob recommends checking your bag before leaving the restaurant and not taking it personally if there’s an issue. “Be nice to us if you have a problem,” he says. “It's a huge difference between coming to us and saying, ‘Hey, I seem to be missing a fry from my bag,’ and ‘You bastards didn't give me my fries!’” If you want to check your bag at the drive-through, though, he recommends trying to pull ahead so cars behind you can move forward.

11. McDonald's employees don't recommend the grilled chicken.

If a menu item isn’t all that popular, it can wind up experiencing a low rate of turnover. Of all the food at McDonald’s, the most neglected might be the grilled chicken. Because it doesn't move quickly, workers find that it can turn unappetizing in a hurry. “That stuff has a supposed shelf life of 60 minutes in the heated cabinet, but it dries out so quickly that even if it's within an acceptable time frame, it looks like burnt rubber, and probably tastes like it, too,” Andy says.

12. Golden Arches employees aren’t crazy about Happy Meal collectors.

A McDonald's Happy Meal is pictured
David Morris, Getty Images

Happy Meals are boxed combos that come with a toy inside. Usually, it’s tied into some kind of movie promotion. That means both Happy Meal collectors and fans of a given entertainment property can swarm stores looking for the product. “The biggest pain involving the Happy Meals is the people who collect them,” Bob says. “I personally hate trying to dig through the toys looking for one specific one. We usually only have one to three toys on hand. It's especially a pain in the butt during big toys events such as the Avengers one we just had. There was like 26 different toys, and some customers get really mad when you don't have the one that they want.”

And no, employees don’t usually take home leftover toys. They’ve saved for future use as a substitute in case a location runs out of toys for their current promotion.

13. McDonald's employees can’t mess with Monopoly.

The McDonald’s Monopoly promotion has been a perennial success for the chain, with game pieces affixed to drink cups and fry containers. But if you think employees spend their spare time peeling the pieces off cups looking for prizes, think again. Following a widely-publicized scandal in 2000 that saw an employee of the company that printed the pieces intercepting them for his own gain, the chain has pretty strict rules about the promotion. “Monopoly pieces and things like them get sent back to corporate,” Bob says. “We aren't allowed to touch them, open them, or redeem them as employees.”

14. One McDonald's worker admits there have been sign mishaps.

A McDonald's sign is pictured
Tim Boyle, Getty Images

Many McDonald’s locations sport signs under the arches advertising specials or promotions. Some are analog, with letters that need to be mounted and replaced. Others have LED screens. Either way, there can be mistakes. “I've never seen anyone mess around with the letters,” Andy says. “But I do remember one time we were serving the Angus Burgers and the ‘G’ fell off of the word ‘Angus.’ Good times.”

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