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10 Fun Facts About The Great Muppet Caper

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When Miss Piggy is framed for thievery, it’s up to Kermit, Fozzie, Gonzo, and their eccentric pals to clear her name in The Great Muppet Caper. Released in 1981, the madcap Muppet comedy was followed up the next year by Jim Henson’s The Dark Crystal. The latter film is often considered Henson's masterpiece, and the extraterrestrial fantasy is deservedly praised for having some of the most innovative puppetry ever caught on film. By comparison, The Great Muppet Caper is seldom recognized as a special effects tour de force—yet, that’s exactly what it was. Here are 10 things you might not have known about the Oscar-nominated Muppet adventure.

1. THE GREAT MUPPET CAPER AND THE DARK CRYSTAL WERE FILMED BACK-TO-BACK.

After The Muppet Movie hit theaters in 1979, Jim Henson wanted to shift gears and dive right into his most ambitious project yet. Three years earlier, he’d discovered the otherworldly sketches of artist Brian Froud. Together, the two men set out to adapt these into a somber, puppet-filled fantasy movie. But the idea was a tough sell. Despite the Muppets’ knack for edgy humor, audiences generally dismissed puppetry as children’s entertainment. Given its serious tone, this new project—dubbed The Dark Crystal—seemed like too much of a gamble for Paramount Pictures, which rejected Henson’s sales pitch. 

Enter Sir Lew Grade. The head of ITC entertainment, he’d been a financier behind both The Muppet Show and the original Muppet Movie. Late in 1979, he struck a deal with Henson. Grade promised to pour $13 million into The Dark Crystal on one condition: Henson had to make a sequel to The Muppet Movie first. The puppet master agreed.

Their plan was to shoot the films back-to-back. Fortunately, Henson had two workshops at his disposal—one in London and another in New York City—and was able to divide the puppet-building labor between the two. The Dark Crystal’s production HQ moved from the Big Apple to London. Meanwhile, the New York venue—where the puppets of Sesame Street were made—tended to most of The Great Muppet Caper’s needs.

2. THE GREAT MUPPET CAPER WAS JIM HENSON'S FEATURE DIRECTORIAL DEBUT.


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Back in 1979, James Frawley had sat in the director’s chair for The Muppet Movie. But this time, Henson called his own number. After The Great Muppet Caper, Henson went on to direct the cult classic, Labyrinth. He also co-directed The Dark Crystal with his longtime collaborator Frank Oz.

3. REJECTED TITLES INCLUDED THE ROCKY MUPPET PICTURE SHOW AND A FROGGY DAY IN LONDON.

Although four writers worked on the script, none of them could coin a satisfying title. So Henson opened the matter up to his Muppet staffers by throwing a name-the-movie contest. One apparent Tim Curry fan suggested The Rocky Muppet Picture Show. Another proposed A Froggy Day in London. Then along came Henson’s 19-year-old daughter, Lisa, who pitched The Great Muppetcapade. Her dad tweaked this into The Great Muppet Caper and the rest is history.

4. DIANA RIGG SIGNED ON FOR THE MOVIE BECAUSE HER DAUGHTER LOVED MISS PIGGY.

Diana Rigg and Miss Piggy in 'The Great Muppet Caper'
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Long before she was throwing shade like a boss as Game of Thrones’s Olenna Tyrell, Diana Rigg had made a name for herself on The Avengers, a British espionage drama. In The Great Muppet Caper, she plays Lady Holiday—an esteemed fashion designer who also happens to be Miss Piggy’s employer. Riggs leapt at the chance to work with this particular Muppet. After all, her four-year-old daughter, Rachel, was “passionately in love” with the character.

Riggs told The A.V. Club that when Rachel visited the set one day, she “burst into tears when she saw Miss Piggy.” “I think she was more frightened than anything,” Rigg explained. “Because Miss Piggy was huge. They had several Miss Piggys.”

5. THE SWIMMING POOL DANCE NUMBER WAS ESPECIALLY TOUGH TO FILM.

There were indeed “several Miss Piggys.” One scene alone called for nearly 40 interchangeable Piggy heads and seven bodies. We are referring, of course, to that grand, Esther Williams-style swimming number.

“It’s safe to say that no one else has ever done a sequence like this in any other film. At least not with a pig,” Henson said. In every sense of the word, it was a massive undertaking: A custom-made heated pool measuring 50 by 80 feet had to be built on a sound stage. Puppeteer Frank Oz prepped himself with “three days of scuba training.” (“I was under water for a week,” Oz said.) And on top of everything else, the scene called for special, water-resistant Piggy puppets. Unfortunately, these tended to rip easily, hence all the extra body parts.

6. THE DRAIN PIPE SCENE PUT HENSON’S PUPPETEERS IN A DANGEROUS SITUATION.

Pursued by angry dogs, over a dozen terrified Muppets scale a castle drainpipe near Caper’s climax. Executing this scene was no easy task for the puppeteers who performed in it. To lift these guys upwards in rapid succession, 11 tiny elevators had to be made. Since space was tight, each one had a small, wooden platform that was about the size of a dresser drawer. Every Muppet handler involved with the scene had to stand on one of these without bumping into any of his or her colleagues. The tiniest of malfunctions could’ve sent several people crashing to the ground, but fortunately the contraptions ran without a hitch.

7. BRIAN HENSON (JIM’S TEENAGE SON) WORKED ON THE CYCLING EFFECTS.

Wanting to top Kermit’s bike ride from the The Muppet Movie, the director decided that just about every non-human character in the cast would take up cycling for the sequel. In a song called “Couldn’t We Ride,” Kermit, Gonzo, Miss Piggy and the rest of the gang happily pedal through London’s Battersea Park.

Effects artist Faz Fazakas oversaw this amazing display of movie magic. At his side stood Brian Henson, whose father asked him to help figure out the scene’s technical elements. It was a big moment for the younger Henson. A teenager back then, he’d never been given such a large behind-the-scenes project on one of his dad’s movies before. Guided by a love of physics, Brian met the challenge by devising a complex system of rods and marionette wires. Radio-controlled Muppet heads were also used.

8. A FOZZIE PUPPET WAS BADLY BURNED IN THE HOT AIR BALLOON SCENE.

Fozzie and Kermit in 'The Great Muppet Caper'
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Unless you’re a hardcore fan, you probably didn’t notice this, but the end credits list one Amy van Gilder as a “Muppet Doctor.” There’s a story here: The Great Muppet Caper opens with Kermit, Fozzie, and Gonzo flying in a hot air balloon. Then, the trio crash lands onto a busy street. For a certain bear, it was a rough experience. Part of the scene was filmed on location in New Mexico where, at one point, the Fozzie puppet was torched by a propane burner. Amy van Gilder—a veteran puppet maker—came to the rescue and fixed him up on-site. By the way, she and Jim Henson shared a cameo in the movie. At the fancy restaurant, they play the first couple Gonzo photographs.  

9. ONE SONG WAS NOMINATED FOR AN OSCAR.

Joe Raposo, the songwriter and composer behind such beloved Muppet tunes as “Bein' Green,” composed eight new songs for The Great Muppet Caper. Among these was “The First Time It Happens,” a love song which earned a nomination for Best Original Song at the 1982 Academy Awards. It lost out to "Arthur's Theme (Best That You Can Do)."

10. THE MUPPETS REPURPOSED A JOKE FROM THE GREAT MUPPET CAPER.

Although one’s a frog and the other is clearly a bear, Kermit and Fozzie introduce themselves as identical twins in The Great Muppet Caper. No explanation is ever offered. Growing up, a young Jason Segel thought the gag was hysterically funny—so much so that he later recycled the joke for 2011’s The Muppets, which he co-wrote. This film sees Segel playing Gary, a human being whose brother, Walter, happens to be a Muppet. How’d that happen? The script doesn’t say. Anyway, Segel says that this was inspired by Kermit and Fozzie’s equally weird relationship in The Great Muppet Caper.

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15 Festive Facts About Jingle All the Way
20th Century Fox Home Entertainment
20th Century Fox Home Entertainment

In all of Arnold Schwarzenegger's film oeuvre, Jingle All the Way might just be the one that most exhibits the ugliness of humanity. Set on a fevered Christmas Eve brimming with desperate last-minute shoppers, Schwarzenegger's Howard Langston and Sinbad's postal worker character Myron Larabee find themselves battling one another to make themselves look good to their sons by getting their hands on the elusive Turbo Man action figure. The comedic genius Phil Hartman; Rita Wilson; future young Anakin Skywalker, Jake Lloyd; Laraine Newman; Harvey Korman; Martin Mull; Curtis Armstrong; and Chris Parnell were the other willing participants in this cult comedy, directed by Brian Levant. Here are some things you might not have known about the contemporary holiday classic.

1. ARNOLD SCHWARZENEGGER WAS ABLE TO PLAY THE LEAD BECAUSE OF A DELAY ON A PLANET OF THE APES REMAKE.

Arnold Schwarzenegger signed up to star in the Apes remake in March of 1994, but 20th Century Fox rejected multiple scripts for the movie, including one co-written by Chris Columbus (Gremlins, The Goonies). Columbus left the project in late 1995, and Schwarzenegger followed him soon after, freeing him to sign up for Jingle All the Way, produced by Columbus, in February 1996. Fox's Planet of the Apes reboot found its way into theaters in 2001, starring Mark Wahlberg and directed by Tim Burton.

2. SINBAD THOUGHT HE SCREWED UP THE AUDITION.

Sinbad in 'Jingle All the Way' (1996)
20th Century Fox Home Entertainment

Filming was delayed so that Sinbad could follow through on his commitment to travel to Bosnia with Hillary Clinton. Even though Columbus agreed to wait for him, the comedian still thought he "messed up" his audition and told his manager-brother he was going to quit show business.

3. OFFICER HUMMELL WAS INITIALLY WRITTEN AS A WOMAN.

Though the role of Officer Hummell was written for a woman, the part went to Robert Conrad. Conrad's explanation was that the producers "wanted someone who could pull up next to Arnold and tell him to pull over and he pulls over."

4. IT WAS CHRIS PARNELL'S FIRST MOVIE.

The future SNL star played the toy store clerk. "Well, it was my first movie role, and I didn't know how they typically shot scenes," Parnell admitted in a Reddit AMA. "So I had to laugh a lot, and I sort of spent all of my laughing energy in the wider takes, so by the time we got to the close-up shots, it was a real struggle to keep that going."

5. MARTIN MULL STAYED ON SET FOR OVER TWO WEEKS LONGER THAN HE WAS SUPPOSED TO.

Mull (KQRS D.J. a.k.a. Mr. Ponytail Man) was told it would just be a one- to two-day shoot for him. Unfortunately, his part had to be shot on a rainy day, and it didn't rain in Minneapolis for two and a half weeks.

6. PHIL HARTMAN MADE UP A BACKSTORY FOR HIS CHARACTER.


20th Century Fox Home Entertainment

Hartman (Ted Maltin) was probably joking for the film's official production notes, but you never know. "Ted is a guy who sued his employer for headaches caused by toner fumes and now hangs around the neighborhood and helps all the housewives," Hartman said. He also offered a take on how he was kind of being pigeonholed in Hollywood when he added, "Ted's another weasel to add my list of weasels."

7. HARTMAN ENTERTAINED HIS BORED YOUNG CO-STARS.

To keep young E.J. De la Pena (Johnny Maltin) and Jake Lloyd (Jamie Langston) from getting bored shooting a car scene all day, Hartman improvised songs designed to bring kids to hysterics. One tune contained the lyrics “You make my butt shine, the more you kiss it, the more it shines! The clock is ticking, so keep on licking, oh how you make my buttocks shine!”

"When you’re an 8 year old hearing that kind of potty humor, it was hilarious!" De la Pena remembered. "And we had a lot of fun."

8. JAMES BELUSHI HAD EXPERIENCE PLAYING SANTA BEFORE.

Belushi sort of trained to portray the Mall of America Santa in the movie by playing Kris Kringle for four years in "about 20" different homes, according to his estimation.

9. SHOOTING BEGAN IN MID-APRIL.

The Minneapolis/St.Paul areas were chosen because the producers figured they had the longest winter. But they also filmed in Los Angeles' Universal Studios for the big parade over a three week span, where it was typical hot California weather on the verge of summer. Sinbad remembered it was 100 degrees on the days when he wore the Dementor costume, and the water in his helmet had started to boil.

10. THE REAL TURBO MAN DIDN'T SWEAT.

Daniel Riordan's Turbo Man suit ensured he wouldn't have trouble with the scorching heat. He was wearing a vest underneath used by race car drivers. "They're very thin membrane vests that are filled with small, plastic tubing that's tightly coiled, back and forth, and they run cold water through it," Riordan explained. "So when they run it, it's like this cold water right up against your body and it was amazing. The sensation was fantastic."

11. TURBO MAN FIGURES WERE SOLD AT WAL-MART.

200,000 were originally produced and sold at 2,300 Wal-Mart shops for $25. They would have made more but, as Fox’s president of licensing and merchandising explained to Entertainment Weekly, there were only six and a half months to produce and promote Turbo Man toys, and it usually takes "well over a year."

12. THEY ALMOST SOLD DEMENTOR DOLLS TOO.

Sinbad recalled that the studio didn't sell Dementor action figures even though they tested high during research. "I had a prototype of the doll but they said 'give it back, we'll get you the real one when it comes out,'" Sinbad said." ...And dude, it NEVER came out!" Sinbad told Redditers his theory: "I think that they didn't want the competition between Turbo Man and my doll."

13. SOME PARENTS HAD ALCOHOL-RELATED COMPLAINTS AFTER TEST SCREENINGS.


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Schwarzenegger and Sinbad talking at a bar over some alcohol, and the fact that reindeer also imbibed in beer, were among some of the problems mothers and other early viewers took issue with.

14. THE FILMMAKERS WERE SUED FOR PLAGIARISM, AND LOST.

Randy Kornfield penned the official script, but high school teacher Brian Alan Webster alleged his Could This Be Christmas? script was very similar. The publishing firm that had the rights to Webster's script won a $19 million lawsuit from 20th Century Fox, but the ruling was overturned in 2004. Webster's screenplay was about “the quest of a Caucasian mother attempting to obtain a hard-to-get action figure toy as a Christmas gift for her son. In the course of this pursuit, she competes with an African-American woman, similarly seeking to give the action figure doll as a Christmas gift.”

15. THERE WAS A SEQUEL STARRING LARRY THE CABLE GUY.

None of the original cast members nor characters returned in the straight-to-DVD Jingle All the Way 2 (2014). It was produced by 20th Century Fox and WWE Studios and featured wrestler Santino Marella. Sinbad expressed incredulity when a Redditer inquired if he was asked to return for it. "What they are doing a new version without me! Ain't gonna work!"

Additional Sources:

Schaefer, Stephen: "Sinbad leaps at the chance to go postal in Jingle All the Way," December 6, 1996; Des Moines Register

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10 Rich Facts About Wall Street
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Twentieth Century Fox

It’s often said that the love of money is the root of all evil. Wall Street could have easily turned this sentiment into a tagline. A gripping financial thriller, the Oliver Stone classic is a cautionary tale whose message is every bit as relevant today as it was when it was released 30 years ago today.

1. OLIVER STONE WOULD DELIBERATELY TICK OFF MICHAEL DOUGLAS BETWEEN TAKES.

“As a director, he really tests you,” Douglas said of Stone. Around two weeks after shooting had started, Stone showed up at the actor’s trailer and asked “Are you on drugs? Because you look like you’ve never acted before in your life.” Mortified, Douglas took a look at some footage they’d already shot. Yet, after diligently reviewing it, he could find nothing wrong with his performance. “I came back to Oliver and said … ‘I think it’s okay,” Douglas remembers. “Yeah, it is, isn’t it?” Stone replied.

Eventually, Douglas wised up to his boss’s overly critical act. “Basically, what he wanted was to ratchet up that much more nastiness in Gordon Gekko,” Douglas explained. “And he was willing … for me to hate him for the rest of that movie just to bring it up a little more.” 

2. WALL STREET WON BOTH AN OSCAR AND A RAZZIE.


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Douglas’s cold portrayal of the unscrupulous Gekko netted him an Academy Award for Best Actor in 1988. On the other hand, critics were thoroughly unimpressed by leading lady Daryl Hannah, who took home a Worst Supporting Actress Razzie.

3. GORDON GEKKO’S FAMOUS PHONE WEIGHED TWO POUNDS.

In one pivotal scene, Gekko rings Bud with a state-of-the-art mobile communication device. Specifically, it’s a Motorola DynaTac 8000X. Released in 1983, this brick-shaped cell phone was 13 inches long, weighed two pounds, and cost the equivalent of $8,806 in modern dollars. During the 2010 sequel Wall Street: Money Never Sleeps, the anachronistic gadget returned for a quick sight gag.

4. CHARLIE SHEEN CHOSE TO HAVE HIS REAL FATHER PORTRAY HIS FICTIONAL ONE.

“It was interesting having my dad play my dad,” Sheen said on the DVD's “making of” documentary. Wall Street’s most dramatic arc revolves around Bud and Carl Fox, who were played by Charlie and Martin Sheen, respectively. Stone had built a strong working relationship with the former on the set of 1986’s Platoon. So when the time came to cast Carl, he had the younger Sheen make the call, asking “Do you want Jack Lemmon or do you want your father?” “Oh, Jack Lemmon’s a genius,” the actor said, “but my dad’s my dad and he’s kind of a genius, too.”

5. SCREENWRITER STANLEY WEISER COULDN'T FIND INSPIRATION IN EITHER CRIME AND PUNISHMENT OR THE GREAT GATSBY.

Before the writer could get started, Stone gave him a little homework. Originally, the film was conceived as “Crime and Punishment on Wall Street.” When Weiser was brought aboard one fateful Friday, Stone told him to read Dostoyevsky’s novel over the weekend. “Not having taken an Evelyn Wood Speed Reading class, I went to UCLA and purchased the Cliffs Notes,” Weiser wrote in 2008.

But the literary exercise proved futile. “On Monday, I explained to Oliver that the paradigm for that masterwork would not mesh well with the story we wanted to tell.” In a flash, Stone hit him with another assignment. “Okay,” he ordered, “read The Great Gatsby tonight, and see if we can mine something out of it.” This time, Weiser simply rented the 1974 movie adaptation. Once again, though, inspiration eluded him.

Wall Street as we know it didn’t really start to take shape until after a change in tactic: When Gatsby led him nowhere, Weiser read everything about finance that he could track down and, along with Stone, “spent three weeks visiting brokerage houses, interviewing investors and getting a feel for the Weltanschauung of Wall Street.”

6. PARTS OF THE MOVIE WERE SHOT AT THE NEW YORK STOCK EXCHANGE DURING WORKING HOURS.


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Permission was secured with the help of Kenneth Lipper, a longtime Wall Street insider who also served as New York City's deputy mayor from 1982 to 1985. For the film, Stone brought him on board as the chief technical advisor.

7. TWO MONTHS BEFORE THE FILM’S RELEASE, THERE WAS A MAJOR WALL STREET CRASH IN REAL LIFE.

Historians now call it “Black Monday.” On October 19, 1987, the Dow Jones Industrial Average dropped by a staggering 22.6 percent. It was the largest single-day stock market decline of all time, with $500 billion suddenly going up in smoke. Wall Street would hit theaters on December 11, leading conspiracy theorists to wonder if Stone had seen the crisis coming and made his movie to exploit it. 

“I did not foresee the crash, as some people say, because if I had, I would have made a lot of money,” Stone quipped.

8. GEKKO WAS BASED ON THREE BIG-NAME FINANCIERS. 


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“If you need a friend, get a dog,” Gekko advises his young protégé. This quote was adapted from a remark that corporate raider Carl Icahn once made (which he had cribbed from Harry Truman). In 1985, Icahn became a notorious figure by taking over TWA airlines under the pretense of making it more profitable only to sell off its assets for his own gain. Gekko, no doubt, would’ve approved.

Wall Street’s charismatic antagonist also took cues from Asher Edelman, a financier and major league art enthusiast. Another source of inspiration was arbiter Ivan Boesky, who confessed to illegal insider trading in 1986 and ended up in jail in 1988 (more about him later).

9. STONE’S FATHER WAS A STOCKBROKER.

A survivor of the Great Depression, Louis Stone had a huge influence on his cinematically-inclined son. “The main motivation to make Wall Street was my father,” the director admitted. “He always said there were no good business movies, because the businessman was always the villain.” In the end, Wall Street was dedicated to the elder Stone, who passed away two years before its release. 

10. GEKKO’S BIG LINE IS NUMBER 57 ON THE AMERICAN FILM INSTITUTE’S TOP 100 MOVIE QUOTES LIST.

“Greed, for lack of a better word, is good” finished just ahead of “Keep your friends close, but your enemies closer” from The Godfather: Part II. Gekko might as well have been quoting Boesky: At a 1985 commencement address given at UC Berkeley, the trader said “Greed is all right, by the way. I want you to know that. I think greed is healthy. You can be greedy and still feel good about yourself.”

Newsweek later reported on the speech—and made a telling observation. “The strangest thing, when we come to look back,” the magazine argued, “will not just be that Ivan Boesky could say that at a business school graduation, but that it was greeted with laughter and applause.”

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