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10 Fun Facts About The Great Muppet Caper

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When Miss Piggy is framed for thievery, it’s up to Kermit, Fozzie, Gonzo, and their eccentric pals to clear her name in The Great Muppet Caper. Released in 1981, the madcap Muppet comedy was followed up the next year by Jim Henson’s The Dark Crystal. The latter film is often considered Henson's masterpiece, and the extraterrestrial fantasy is deservedly praised for having some of the most innovative puppetry ever caught on film. By comparison, The Great Muppet Caper is seldom recognized as a special effects tour de force—yet, that’s exactly what it was. Here are 10 things you might not have known about the Oscar-nominated Muppet adventure.

1. THE GREAT MUPPET CAPER AND THE DARK CRYSTAL WERE FILMED BACK-TO-BACK.

After The Muppet Movie hit theaters in 1979, Jim Henson wanted to shift gears and dive right into his most ambitious project yet. Three years earlier, he’d discovered the otherworldly sketches of artist Brian Froud. Together, the two men set out to adapt these into a somber, puppet-filled fantasy movie. But the idea was a tough sell. Despite the Muppets’ knack for edgy humor, audiences generally dismissed puppetry as children’s entertainment. Given its serious tone, this new project—dubbed The Dark Crystal—seemed like too much of a gamble for Paramount Pictures, which rejected Henson’s sales pitch. 

Enter Sir Lew Grade. The head of ITC entertainment, he’d been a financier behind both The Muppet Show and the original Muppet Movie. Late in 1979, he struck a deal with Henson. Grade promised to pour $13 million into The Dark Crystal on one condition: Henson had to make a sequel to The Muppet Movie first. The puppet master agreed.

Their plan was to shoot the films back-to-back. Fortunately, Henson had two workshops at his disposal—one in London and another in New York City—and was able to divide the puppet-building labor between the two. The Dark Crystal’s production HQ moved from the Big Apple to London. Meanwhile, the New York venue—where the puppets of Sesame Street were made—tended to most of The Great Muppet Caper’s needs.

2. THE GREAT MUPPET CAPER WAS JIM HENSON'S FEATURE DIRECTORIAL DEBUT.


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Back in 1979, James Frawley had sat in the director’s chair for The Muppet Movie. But this time, Henson called his own number. After The Great Muppet Caper, Henson went on to direct the cult classic, Labyrinth. He also co-directed The Dark Crystal with his longtime collaborator Frank Oz.

3. REJECTED TITLES INCLUDED THE ROCKY MUPPET PICTURE SHOW AND A FROGGY DAY IN LONDON.

Although four writers worked on the script, none of them could coin a satisfying title. So Henson opened the matter up to his Muppet staffers by throwing a name-the-movie contest. One apparent Tim Curry fan suggested The Rocky Muppet Picture Show. Another proposed A Froggy Day in London. Then along came Henson’s 19-year-old daughter, Lisa, who pitched The Great Muppetcapade. Her dad tweaked this into The Great Muppet Caper and the rest is history.

4. DIANA RIGG SIGNED ON FOR THE MOVIE BECAUSE HER DAUGHTER LOVED MISS PIGGY.

Diana Rigg and Miss Piggy in 'The Great Muppet Caper'
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Long before she was throwing shade like a boss as Game of Thrones’s Olenna Tyrell, Diana Rigg had made a name for herself on The Avengers, a British espionage drama. In The Great Muppet Caper, she plays Lady Holiday—an esteemed fashion designer who also happens to be Miss Piggy’s employer. Riggs leapt at the chance to work with this particular Muppet. After all, her four-year-old daughter, Rachel, was “passionately in love” with the character.

Riggs told The A.V. Club that when Rachel visited the set one day, she “burst into tears when she saw Miss Piggy.” “I think she was more frightened than anything,” Rigg explained. “Because Miss Piggy was huge. They had several Miss Piggys.”

5. THE SWIMMING POOL DANCE NUMBER WAS ESPECIALLY TOUGH TO FILM.

There were indeed “several Miss Piggys.” One scene alone called for nearly 40 interchangeable Piggy heads and seven bodies. We are referring, of course, to that grand, Esther Williams-style swimming number.

“It’s safe to say that no one else has ever done a sequence like this in any other film. At least not with a pig,” Henson said. In every sense of the word, it was a massive undertaking: A custom-made heated pool measuring 50 by 80 feet had to be built on a sound stage. Puppeteer Frank Oz prepped himself with “three days of scuba training.” (“I was under water for a week,” Oz said.) And on top of everything else, the scene called for special, water-resistant Piggy puppets. Unfortunately, these tended to rip easily, hence all the extra body parts.

6. THE DRAIN PIPE SCENE PUT HENSON’S PUPPETEERS IN A DANGEROUS SITUATION.

Pursued by angry dogs, over a dozen terrified Muppets scale a castle drainpipe near Caper’s climax. Executing this scene was no easy task for the puppeteers who performed in it. To lift these guys upwards in rapid succession, 11 tiny elevators had to be made. Since space was tight, each one had a small, wooden platform that was about the size of a dresser drawer. Every Muppet handler involved with the scene had to stand on one of these without bumping into any of his or her colleagues. The tiniest of malfunctions could’ve sent several people crashing to the ground, but fortunately the contraptions ran without a hitch.

7. BRIAN HENSON (JIM’S TEENAGE SON) WORKED ON THE CYCLING EFFECTS.

Wanting to top Kermit’s bike ride from the The Muppet Movie, the director decided that just about every non-human character in the cast would take up cycling for the sequel. In a song called “Couldn’t We Ride,” Kermit, Gonzo, Miss Piggy and the rest of the gang happily pedal through London’s Battersea Park.

Effects artist Faz Fazakas oversaw this amazing display of movie magic. At his side stood Brian Henson, whose father asked him to help figure out the scene’s technical elements. It was a big moment for the younger Henson. A teenager back then, he’d never been given such a large behind-the-scenes project on one of his dad’s movies before. Guided by a love of physics, Brian met the challenge by devising a complex system of rods and marionette wires. Radio-controlled Muppet heads were also used.

8. A FOZZIE PUPPET WAS BADLY BURNED IN THE HOT AIR BALLOON SCENE.

Fozzie and Kermit in 'The Great Muppet Caper'
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Unless you’re a hardcore fan, you probably didn’t notice this, but the end credits list one Amy van Gilder as a “Muppet Doctor.” There’s a story here: The Great Muppet Caper opens with Kermit, Fozzie, and Gonzo flying in a hot air balloon. Then, the trio crash lands onto a busy street. For a certain bear, it was a rough experience. Part of the scene was filmed on location in New Mexico where, at one point, the Fozzie puppet was torched by a propane burner. Amy van Gilder—a veteran puppet maker—came to the rescue and fixed him up on-site. By the way, she and Jim Henson shared a cameo in the movie. At the fancy restaurant, they play the first couple Gonzo photographs.  

9. ONE SONG WAS NOMINATED FOR AN OSCAR.

Joe Raposo, the songwriter and composer behind such beloved Muppet tunes as “Bein' Green,” composed eight new songs for The Great Muppet Caper. Among these was “The First Time It Happens,” a love song which earned a nomination for Best Original Song at the 1982 Academy Awards. It lost out to "Arthur's Theme (Best That You Can Do)."

10. THE MUPPETS REPURPOSED A JOKE FROM THE GREAT MUPPET CAPER.

Although one’s a frog and the other is clearly a bear, Kermit and Fozzie introduce themselves as identical twins in The Great Muppet Caper. No explanation is ever offered. Growing up, a young Jason Segel thought the gag was hysterically funny—so much so that he later recycled the joke for 2011’s The Muppets, which he co-wrote. This film sees Segel playing Gary, a human being whose brother, Walter, happens to be a Muppet. How’d that happen? The script doesn’t say. Anyway, Segel says that this was inspired by Kermit and Fozzie’s equally weird relationship in The Great Muppet Caper.

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15 Heartwarming Facts About Mister Rogers
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Though Mister Rogers' Neighborhood premiered 50 years ago, Fred Rogers remains an icon of kindness for the ages. An innovator of children’s television, his salt-of-the-earth demeanor and genuinely gentle nature taught a generation of kids the value of kindness. In celebration of the groundbreaking children's series' 50th anniversary, here are 15 things you might not have known about everyone’s favorite “neighbor.”

1. HE WAS BULLIED AS A CHILD.

According to Benjamin Wagner, who directed the 2010 documentary Mister Rogers & Me—and was, in fact, Rogers’s neighbor on Nantucket—Rogers was overweight and shy as a child, and often taunted by his classmates when he walked home from school. “I used to cry to myself when I was alone,” Rogers said. “And I would cry through my fingers and make up songs on the piano.” It was this experience that led Rogers to want to look below the surface of everyone he met to what he called the “essential invisible” within them.

2. HE WAS AN ORDAINED MINISTER.

Rogers was an ordained minister and, as such, a man of tremendous faith who preached tolerance wherever he went. When Amy Melder, a six-year-old Christian viewer, sent Rogers a drawing she made for him with a letter that promised “he was going to heaven,” Rogers wrote back to his young fan:

“You told me that you have accepted Jesus as your Savior. It means a lot to me to know that. And, I appreciated the scripture verse that you sent. I am an ordained Presbyterian minister, and I want you to know that Jesus is important to me, too. I hope that God’s love and peace come through my work on Mister Rogers’ Neighborhood.”

3. HE RESPONDED TO ALL HIS FAN MAIL.

Responding to fan mail was part of Rogers’s very regimented daily routine, which began at 5 a.m. with a prayer and included time for studying, writing, making phone calls, swimming, weighing himself, and responding to every fan who had taken the time to reach out to him.

“He respected the kids who wrote [those letters],” Heather Arnet, an assistant on Mister Rogers’ Neighborhood, told the Pittsburgh Post-Gazette in 2005. “He never thought about throwing out a drawing or letter. They were sacred."

According to Arnet, the fan mail he received wasn’t just a bunch of young kids gushing to their idol. Kids would tell Rogers about a pet or family member who died, or other issues with which they were grappling. “No child ever received a form letter from Mister Rogers," Arnet said, noting that he received between 50 and 100 letters per day.

4. ANIMALS LOVED HIM AS MUCH AS PEOPLE DID.

It wasn’t just kids and their parents who loved Mister Rogers. Koko, the Stanford-educated gorilla who understands 2000 English words and can also converse in American Sign Language, was an avid Mister Rogers’ Neighborhood watcher, too. When Rogers visited her, she immediately gave him a hug—and took his shoes off.

5. HE WAS AN ACCOMPLISHED MUSICIAN.

Though Rogers began his education in the Ivy League, at Dartmouth, he transferred to Rollins College following his freshman year in order to pursue a degree in music (he graduated Magna cum laude). In addition to being a talented piano player, he was also a wonderful songwriter and wrote all the songs for Mister Rogers' Neighborhood—plus hundreds more.

6. HIS INTEREST IN TELEVISION WAS BORN OUT OF A DISDAIN FOR THE MEDIUM.

Rogers’s decision to enter into the television world wasn’t out of a passion for the medium—far from it. "When I first saw children's television, I thought it was perfectly horrible," Rogers told Pittsburgh Magazine. "And I thought there was some way of using this fabulous medium to be of nurture to those who would watch and listen."

7. KIDS WHO WATCHED MISTER ROGERS’ NEIGHBORHOOD RETAINED MORE THAN THOSE WHO WATCHED SESAME STREET.

A Yale study pitted fans of Sesame Street against Mister Rogers’ Neighborhood watchers and found that kids who watched Mister Rogers tended to remember more of the story lines, and had a much higher “tolerance of delay,” meaning they were more patient.

8. ROGERS’S MOM KNIT ALL OF HIS SWEATERS.

If watching an episode of Mister Rogers’ Neighborhood gives you sweater envy, we’ve got bad news: You’d never be able to find his sweaters in a store. All of those comfy-looking cardigans were knitted by Fred’s mom, Nancy. In an interview with the Archive of American Television, Rogers explained how his mother would knit sweaters for all of her loved ones every year as Christmas gifts. “And so until she died, those zippered sweaters I wear on the Neighborhood were all made by my mother,” he explained.

9. HE WAS COLORBLIND.

Those brightly colored sweaters were a trademark of Mister Rogers’ Neighborhood, but the colorblind host might not have always noticed. In a 2003 article, just a few days after his passing, the Pittsburgh Post-Gazette wrote that:

Among the forgotten details about Fred Rogers is that he was so colorblind he could not distinguish between tomato soup and pea soup.

He liked both, but at lunch one day 50 years ago, he asked his television partner Josie Carey to taste it for him and tell him which it was.

Why did he need her to do this, Carey asked him. Rogers liked both, so why not just dip in?

"If it's tomato soup, I'll put sugar in it," he told her.

10. HE WORE SNEAKERS AS A PRODUCTION CONSIDERATION.

According to Wagner, Rogers’s decision to change into sneakers for each episode of Mister Rogers’ Neighborhood was about production, not comfort. “His trademark sneakers were born when he found them to be quieter than his dress shoes as he moved about the set,” wrote Wagner.

11. MICHAEL KEATON GOT HIS START ON THE SHOW.

Oscar-nominated actor Michael Keaton's first job was as a stagehand on Mister Rogers' Neighborhood, manning Picture, Picture, and appearing as Purple Panda.

12. ROGERS GAVE GEORGE ROMERO HIS FIRST PAYING GIG, TOO.

It's hard to imagine a gentle, soft-spoken, children's education advocate like Rogers sitting down to enjoy a gory, violent zombie movie like Dawn of the Dead, but it actually aligns perfectly with Rogers's brand of thoughtfulness. He checked out the horror flick to show his support for then-up-and-coming filmmaker George Romero, whose first paying job was with everyone's favorite neighbor.

“Fred was the first guy who trusted me enough to hire me to actually shoot film,” Romero said. As a young man just out of college, Romero honed his filmmaking skills making a series of short segments for Mister Rogers’ Neighborhood, creating a dozen or so titles such as “How Lightbulbs Are Made” and “Mr. Rogers Gets a Tonsillectomy.” The zombie king, who passed away in 2017, considered the latter his first big production, shot in a working hospital: “I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made. What I really mean is that I was scared sh*tless while I was trying to pull it off.”

13. ROGERS HELPED SAVE PUBLIC TELEVISION.

In 1969, Rogers—who was relatively unknown at the time—went before the Senate to plead for a $20 million grant for public broadcasting, which had been proposed by President Johnson but was in danger of being sliced in half by Richard Nixon. His passionate plea about how television had the potential to turn kids into productive citizens worked; instead of cutting the budget, funding for public TV increased from $9 million to $22 million.

14. HE ALSO SAVED THE VCR.

Years later, Rogers also managed to convince the Supreme Court that using VCRs to record TV shows at home shouldn’t be considered a form of copyright infringement (which was the argument of some in this contentious debate). Rogers argued that recording a program like his allowed working parents to sit down with their children and watch shows as a family. Again, he was convincing.

15. ONE OF HIS SWEATERS WAS DONATED TO THE SMITHSONIAN.

In 1984, Rogers donated one of his iconic sweaters to the Smithsonian’s National Museum of American History.

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15 Fun Facts About Army of Darkness
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On February 19, 1993, Army of Darkness—the third installment in Sam Raimi and Bruce Campbell's Evil Dead franchise—made its way into U.S. theaters. You probably know all about Ash’s boomstick, but on the occasion of the hilarious horror comedy's 25th anniversary, it's worth a closer look.

1. ARMY OF DARKNESS ISN'T THE ENTIRE TITLE.

The film’s title is stylized onscreen as Bruce Campbell vs. Army of Darkness. This phrasing was Sam Raimi’s homage to the defunct Hollywood tradition of putting stars’ names in movie titles (like Abbott and Costello Meet Frankenstein)—but the studio feared the long title would confuse moviegoers, so it was shortened for official purposes to just Army of Darkness.

2. EVEN THE SHORTER TITLE WASN'T RAIMI'S FIRST CHOICE.

Army of Darkness is the third installment of the Evil Dead series and the first to take place during the Middle Ages. Raimi’s original title for Army of Darkness was The Medieval Dead.

3. BRIDGET FONDA FINALLY GOT TO WORK WITH RAIMI.

Bridget Fonda makes a cameoas Ash’s girlfriend Linda during the beginning flashback sequence. She is the third actress in three films to play Linda (following actresses Betsy Baker and Denise Bixler). Fonda—a huge Evil Dead II fan—had originally auditioned to be in Raimi’s previous film, Darkman, but didn’t get the part.

4. ASH'S CAR HAD A LOT OF SCREEN EXPERIENCE.

The 1973 Oldsmobile Delta 88 allegedly appears in all of Sam Raimi’s films.

5. DARKMAN MADE ARMY OF DARKNESS POSSIBLE.

Raimi wanted to make Army of Darkness immediately following 1987’s Evil Dead II, but he struggled to find funding to finish his trilogy. The financial success of Raimi’s 1990 film, Darkman, eventually convinced Universal Studios to split the $12 million budget with executive producer Dino De Laurentiis.

6. A SUBTLE SCIENCE FICTION REFERENCE PLAYS A KEY ROLE.

The words Ash must utter to safely retrieve the Necronomicon (“Klaatu verata nikto”) are actually a variation on a phrase from the original version of The Day the Earth Stood Still. In that film, “Klaatu barada nitko” is the phrase one must say to stop the robot Gort from destroying Earth.

7. THE SKELETON DEADITES WERE AN HOMAGE.

Their design is a tribute to visual effects legend Ray Harryhausen.

8. THE STAY PUFT MARSHMALLOW MAN MAKES AN APPEARANCE.

Billy Bryan, the actor who portrays the second monster in the medieval pit, also portrayed the Stay Puft Marshmallow Man in Ghostbusters.

9. SAM RAIMI'S BROTHER WORE A LOT OF HATS.

Ted Raimi—who makes cameos in all of his brother’s films—appears as three different background characters in Army of Darkness. He is first seen as a sympathetic villager, then as a dying soldier during the final battle, and, finally, as an S-Mart employee in the last scene.

10. RAIMI HAD TO FIGHT FOR AN R-RATING.

In keeping with the gory first two films in the series, Army of Darkness received an NC-17 rating from the MPAA. It was subsequently bumped down to an R rating after the filmmakers pointed out that the ostensible gore in the film was happening to skeletons.

11. PLAYING EVIL ASH WAS TOUGH FOR CAMPBELL.

It took makeup artists three hours to get Campbell ready for shooting.

12. RAIMI STORYBOARDED EVERY SINGLE SHOT IN THE MOVIE HIMSELF.

About 25 shots in the final battle are taken from storyboards originally used in the 1948 Victor Fleming film Joan of Arc, which were brought to Raimi’s attention by visual effects supervisor William Mesa. Mesa got them from a friend, who got them from Fleming himself.

13. THERE'S AN EASTER EGG FOR TREKKIES.

Star Trek fans will recognize the location where Ash learns the “Klaatu verata nikto” incantation. The scene was shot at the iconic Vasquez Rocks in Agua Dulce, California, where the famous “Arena” episode from Star Trek was also shot. The movie also shot in the Bronson Canyon area of Griffith Park in Los Angeles that served as the Batcave for the 1960s Batman television show.

14. THE STUDIO CHANGED THE ENDING.

Bruce Campbell stars in 'Army of Darkness' (1992)
Universal Pictures

The original conclusion of the film—which Universal Studios deemed too negative—featured Ash taking too much potion to get back to the present day and waking up in a future, post-apocalyptic London. The ending can be seen on subsequent director’s cuts of home video versions of Army of Darkness.

15. EVEN AFTER YEARS OF TRYING, A SEQUEL NEVER MATERIALIZED.

Beginning in 2015, Bruce Campbell reprised his role as Ash in the Ash vs Evil Dead TV series. While fans of the Evil Dead franchise love it, Raimi spent years trying to get a sequel to Army of Darkness off the ground. On the commentary track for the first season of Ash vs. Evil Dead, Raimi even shared a few of the discarded ideas he had for the film.

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