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Welsh Designer Spends Months Turning His Resume Into a LEGO Minifig

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There are a lot of creative resumes out there, from a CV designed as a working online video game to a Pinterest job application that looked exactly like the website. For his latest resume, recent design school grad Andy Morris turned his likeness into a toy, as we learned from Lost at E Minor.

Morris, a Welsh designer and artist whose past exhibition Little Big Art recreated famous pieces of art in LEGO, decided to make himself into a unique Andy Morris LEGO minifigure.

The LEGO version of Andy comes in a box that lists Morris as a 34-year-old designer. The back side of the package—designed to look just like what an actual LEGO minifig might come in—contains a brief cover letter with more information about him and his qualifications, including that his art exhibitions have broken gallery attendance records. The minifig itself wears a flat cap and carries a miniature plastic laptop and a teeny tiny CV sheet.

The back side of a mock-LEGO minifig package.

Morris spent two months gathering all the separate LEGO pieces to make a minifig that looked like him, and now has enough to make 100 individual figures to send out to potential employers.

“While conventional CVs are great for conveying past accomplishments, they’re limited on what personality, creativity, and innovation you can inject into them,” Morris tells Mental Floss. “Plus, who doesn’t want to receive some LEGO through the post!”

Morris isn't the only person to turn to the brick-like toys for resume help. In 2014, an internship seeker used LEGO’s Digital Designer to create a LEGO version of herself at Miniland scale to pitch her skills, for instance. (Yes, she got the gig.)

As for Morris, his job application is sure to stand out by serving as a pretty good desk toy.

[h/t Lost at E Minor]

All images by @shotbygoldcut

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How Urban Legends Like 'The Licked Hand' Are Born
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iStock

If you compare the scary stories you heard as a kid with those of your friends—even those who grew up across the country from you—you’ll probably hear some familiar tales. Maybe you tried to summon Bloody Mary by chanting her name in front of the mirror three times in a dark bathroom. Maybe you learned never to wonder what’s under a woman’s neck ribbon. Maybe you heard the one about the girl who feels her dog lick her hand in the middle of the night, only to wake up to find him hanging dead from the shower nozzle, the words “humans can lick too” written on the wall in the dog’s blood.

These ubiquitous, spooky folk tales exist everywhere, and a lot of them take surprisingly similar forms. How does a single story like the one often called “Humans Can Lick Too” or "The Licked Hand" make its way into every slumber party in America? Thrillist recently investigated the question with a few experts, finding that most of these stories have very deep roots.

In the case of The Licked Hand, its origins go back more than a century. In the 1990s, Snopes found that a similar motif dates back to an Englishman’s diary entry from 1871. In it, the diary keeper, Dearman Birchall, retold a story he heard at a party of a man whose wife woke him up in the middle of the night, urging him to go investigate what sounded like burglars in their home. He told his wife that it was only the dog, reaching out his hand. He felt the dog lick his hand … but in the morning, all his valuables were gone: He had clearly been robbed.

A similar theme shows up in the short story “The Diary of Mr. Poynter,” published in 1919 by M.R. James. In it, a character dozes off in an armchair, and thinks that he is petting his dog. It turns out, it’s some kind of hairy human figure that he flees from. The story seems to have evolved from there into its presently popular form, picking up steam in the 1960s. As with any folk tale, its exact form changes depending on the teller: sometimes the main character is an old lady, other times it’s a young girl.

You’ll probably hear these stories in the context of happening to a “friend of a friend,” making you more likely to believe the tale. It practically happened to someone you know! Kind of! The setting, too, is probably somewhere nearby. It might be in your neighborhood, or down by the local railroad tracks.

Thrillist spoke to Dr. Joseph Stubbersfield, a researcher in the UK who studies urban legends, who says the kind of stories that spread widely contain both social information and emotional resonance. Meaning they contain a message—you never know who’s lurking in your house—and are evocative.

If something is super scary or gross, you want to share it. Stories tend to warn against something: A study of English-language urban legends circulating online found that most warned listeners about the hazards of life (poisonous plants, dangerous animals, dangerous humans) rather than any kind of opportunities. We like to warn each other of the dangers that could be lurking around every corner, which makes sense considering our proven propensity to focus on and learn from negative information. And yes, that means telling each other to watch out for who’s licking our hands in the middle of the night.

Just something to keep in mind as you eagerly await Jezebel’s annual scary story contest.

[h/t Thrillist]

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Courtesy Chronicle Books
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Inside This Pop-Up Book Are a Planetarium, a Speaker, a Decoder Ring, and More
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Courtesy Chronicle Books

Designer Kelli Anderson's new book is for more than just reading. This Book Is a Planetarium is really a collection of paper gadgets. With each thick, card stock page you turn, another surprise pops out.

"This book concisely explains—and actively demonstrates with six functional pop-up paper contraptions—the science at play in our everyday world," the book's back cover explains. It turns out, there's a whole lot you can do with a few pieces of paper and a little bit of imagination.

A book is open to reveal a spiralgraph inside.
Courtesy Chronicle Books

There's the eponymous planetarium, a paper dome that you can use with your cell phone's flashlight to project constellations onto the ceiling. There's a conical speaker, which you can use to amplify a smaller music player. There's a spiralgraph you can use to make geometric designs. There's a basic cipher you can use to encode and decode secret messages, and on its reverse side, a calendar. There's a stringed musical instrument you can play on. All are miniature, functional machines that can expand your perceptions of what a simple piece of paper can become.

The cover of This Book Is a Planetarium
Courtesy Chronicle Books

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