20 Facts About Your Favorite Coen Brothers Movies

Gramercy Pictures
Gramercy Pictures

Ethan Coen turns 60 years old today, if you can believe it. Since bursting onto the scene in 1984 with the cult classic Blood Simple, the younger half of (arguably) the most dynamic moviemaking sibling duo in Hollywood has helped create some of the most memorable and quirky films in cinematic history, from Raising Arizona to Fargo and The Big Lebowski to No Country For Old Men. To celebrate the monumental birthday of one of the great writer-directors of our time (though he’s mostly uncredited as a director), here are some facts about your favorite Coen brothers movies.

1. THE COENS THINK BLOOD SIMPLE IS “PRETTY DAMN BAD.”

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

2. KEVIN COSTNER AND RICHARD JENKINS AUDITIONED FOR RAISING ARIZONA.

Kevin Costner auditioned three times to play H.I., only to see Nicolas Cage snag the role. Richard Jenkins had his first of many auditions for the Coens for Raising Arizona. He also (unsuccessfully) auditioned for Miller's Crossing (1990) and Fargo (1996) before calling it quits with the Coens. In 2001, Joel and Ethan cast Jenkins in The Man Who Wasn't There, even though he had never auditioned for it.

3. THE BROTHERS TURNED DOWN BATMAN TO MAKE MILLER’S CROSSING.


20th Century Fox Home Entertainment

After Raising Arizona’s success established them as more than one-hit indie film wonders, the Coens had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

4. BARTON FINK AND W.P. MAYHEW WERE LOOSELY BASED ON CLIFFORD ODETS AND WILLIAM FAULKNER.

The Coens acknowledge that Fink and Odets had similar backgrounds, but they had different personalities: Odets was extroverted, for one thing. John Turturro, not his directors, read Odets’s 1940 journal. The Coens acknowledged that John Mahoney (Mayhew) looks a lot like the The Sound and the Fury author.

5. THE COENS' WEB OF DECEPTION IN FARGO GOES EVEN FURTHER THAN THE OPENING CREDITS. 

While the tag on the beginning of the movie reads “This is a true story. The events depicted in this film took place in Minnesota in 1987,” Fargo is, by no stretch of the imagination, a true story. During the film's press tour, the Coens admitted that while not pinpoint accurate, the story was indeed inspired by a similar crime that occurred in Minnesota, with Joel stating, “In its general structure, the film is based on a real event, but the details of the story and the characters are fictional.”

However, any and all efforts to uncover anything resembling such a crime ever occurring in Minnesota come up empty, and in an introduction to the published script, Ethan pretty much admitted as much, writing that Fargo “aims to be both homey and exotic, and pretends to be true." 

6. THEY WANTED MARLON BRANDO TO PLAY JEFFREY LEBOWSKI.

According to Alex Belth, who wrote the e-book The Dudes Abide on his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine.

The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous—albeit pitch-perfect—veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

7. JOEL COEN WOOED FRANCES MCDORMAND ON THE SET OF BLOOD SIMPLE.

Ethan Coen, Frances McDormand and Joel Coen at the Oscars
Ethan Coen, Frances McDormand, and Joel Coen celebrate their Oscar wins in 1997.
KIM KULISH/AFP/Getty Images

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

8. O BROTHER, WHERE ART THOU? WAS ORIGINALLY INSPIRED BY THE WIZARD OF OZ.

Joel Coen revealed as much at the 15th anniversary reunion. “It started as a 'three saps on the run' kind of movie, and then at a certain point we looked at each other and said, 'You know, they're trying to get home—let's just say this is The Odyssey. We were thinking of it more as The Wizard of Oz. We wanted the tag on the movie to be: 'There's No Place Like Home.’”

9. THE ACTORS IN FARGO WENT THROUGH EXTENSIVE TRAINING TO GET THEIR ACCENTS RIGHT.

Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including Frances McDormand and William H. Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According to dialect coach Larissa Kokernot, who also appeared as one of the prostitutes Gaear and Carl rendezvous with in Brainerd, the “musicality” of the Minnesota nice accent comes from a place of “wanting people to agree with each other and get along.” This homey sensibility, contrasted with the ugly crimes committed throughout the movie, is, of course, one of the major reasons why the dark comedy is such an enduring classic.

10. NICOLAS CAGE'S HAIR REACTED TO H.I.'S STRESS LEVEL IN RAISING ARIZONA.

Ethan claimed that Cage was "crazy about his Woody Woodpecker haircut. The more difficulties his character got in, the bigger the wave in his hair got. There was a strange connection between the character and his hair."

11. A PROP FROM THE HUDSUCKER PROXY INSPIRED THE MAN WHO WASN’T THERE.

Billy Bob Thornton in the Coen brothers' 'The Man Who Wasn't There' (2001)
© 2001 - USA Films

A bit of set dressing from 1994’s The Hudsucker Proxy eventually led to 2001’s The Man Who Wasn’t There. In a barbershop scene, there’s a poster hanging in the background that features a range of men’s hairstyles from the 1940s. The brothers liked the prop and kept it, and it’s what eventually served as the inspiration for The Man Who Wasn’t There.

12. GEORGE CLOONEY SIGNED ON TO O BROTHER, WHERE ART THOU? BEFORE EVEN READING THE SCRIPT.

The brothers visited George Clooney in Phoenix while he was making Three Kings (1999), wanting to work with him after seeing his performance in Out of Sight (1998). Moments after they put their script on Clooney’s hotel room table, the actor said “Great, I’m in.”

13. A SNAG IN THE MILLER’S CROSSING SCRIPT ULTIMATELY LED TO BARTON FINK.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

14. INTOLERABLE CRUELTY IS THE FIRST COEN MOVIE THAT WASN’T THE BROTHERS’ ORIGINAL IDEA.

In 1995, the Coens rewrote a script originally penned by other screenwriters, Robert Ramsey, Matthew Stone, and John Romano. They didn’t decide to direct the movie, which became Intolerable Cruelty, until 2003.

15. THE LADYKILLERS WAS WRITTEN FOR BARRY SONNENFELD TO DIRECT.

A still from the Coen Brothers' 'The Ladykillers.'
Melinda Sue Gordon, SMPSP - © 2004 - Touchstone Pictures. All rights reserved.

The Coens effortlessly jump from crime thriller to comedy without missing a beat. So when they were commissioned to write a remake of the British black comedy The Ladykillers for director Barry Sonnenfeld, it seemed to fall in line with their cinematic sensibilities. When Sonnenfeld dropped out of the project, the Coens were hired to direct the film.

16. BURN AFTER READING MARKED THE FIRST TIME SINCE MILLER’S CROSSING THAT THE COENS DIDN’T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.

Instead, eventual Academy Award-winner Emmanuel Lubezki acted as the director of photography. The Coens would work with Deakins again on every one of their films until 2013’s Inside Llewyn Davis.

17. IT TOOK SOME CONVINCING TO GET JAVIER BARDEM TO SAY “YES” TO NO COUNTRY FOR OLD MEN

Though it’s hard to imagine No Country for Old Men without Javier Bardem’s menacing—and Oscar-winning—performance as antagonist Anton Chigurh, he almost passed on the role. “It’s not something I especially like, killing people—even in movies,” Bardem said of his disdain for violence. “When the Coens called, I said, ‘Listen, I’m the wrong actor. I don’t drive, I speak bad English, and I hate violence.’ They laughed and said, ‘Maybe that’s why we called you.”’

18. PATTON OSWALT AUDITIONED FOR A SERIOUS MAN.

Patton Oswalt auditioned for the role of the obnoxious Arthur Gopnik in A Serious Man, a part that ultimately went to Richard Kind. Oswalt talked about his audition while appearing on Marc Maron’s WTF podcast, in which it was also revealed that Maron was being considered for the lead role of Larry Gopnik (the role that earned Michael Stuhlbarg his first, and so far only, Golden Globe nomination).

19. THE CAT IN INSIDE LLEWYN DAVIS WAS “A NIGHTMARE.”

A photo of Oscar Isaac in the Coen brothers' 'Inside Llewyn Davis' (2013).
© 2013 - CBS Films

Ulysses, the orange cat who practically stole Inside Llewyn Davis away from Oscar Isaac, was reportedly a bit of a diva. “The cat was a nightmare,” Ethan Coen said on the DVD commentary. “The trainer warned us and she was right. She said, uh, ‘Dogs like to please you. The cat only likes to please itself.’ A cat basically is impossible to train. We have a lot of footage of cats doing things we don't want them to do, if anyone's interested; I don't know if there's a market for that.”

20. THE COEN BROTHERS PROBABLY DON’T LOVE THE BIG LEBOWSKI AS MUCH AS YOU DO. 

We’re assuming the Coen brothers are plenty fond of The Dude; after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a rare Coen brothers interview in 2009, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

5 Clues Daenerys Targaryen Will Die in the Final Season of Game of Thrones

HBO
HBO

by Mason Segall

The final season of HBO's epic Game of Thrones is hovering on the horizon like a lazy sun and, at the end of the day, fans have only one real question about how it will end: Who will sit the Iron Throne? One of the major contenders is Daenerys of the thousand-and-one names, who not only has one of the most legitimate claims to the throne, but probably deserves it the most.

However, Game of Thrones has a habit of killing off main characters, particularly honorable ones, often in brutal and graphic ways. And unfortunately, there's already been some foreshadowing that writers will paint a target on Daenerys's back.

5. THE PROPHECIES

Carice van Houten in 'Game of Thrones'
Helen Sloan, HBO

What's a good fantasy story without a few prophecies hanging over people's heads? While the books the show is based on have a few more than usual, the main prophecy of Game of Thrones is Melisandre's rants about "the prince that was promised," basically her faith's version of a messiah.

Melisandre currently believes both Daenerys and Jon Snow somehow fulfill the prophecy, but her previous pick for the position died a grisly death, so maybe her endorsement isn't a good sign.

4. TYRION'S DEMANDS FOR A SUCCESSOR

Peter Dinklage and Emilia Clarke in a scene from 'Game of Thrones'
HBO

A particular scene in season seven saw Tyrion advising Daenerys to name a successor before she travels north to help Jon. She challenges him, "You want to know who sits on the Iron Throne after I'm dead. Is that it?" But that's exactly it. Tyrion is more than aware how mortal people are and wants to take precautions. He's seen enough monarchs die that he probably knows what warning signs to look for.

3. A FAMILY LEGACY

David Rintoul as the Mad King in 'Game of Thrones'
HBO

Daenerys is the daughter of the Mad King Aerys II, a paranoid pyromaniac of a monarch. More than once, Daenerys has been compared to her father, particularly in her more ruthless moments. Aerys was killed because of his insanity and arrogance. If Daenerys starts displaying more of his mental illness, she might follow in his footsteps to the grave.

2. HER DRAGONS AREN'T INVINCIBLE

Emilia Clarke in 'Game of Thrones'
HBO

The fall and subsequent resurrection of the dragon Viserion was one of the biggest surprises of season seven. Not only did it destroy one of Daenerys's trump cards, but it proved that her other two dragons were vulnerable as well. Since the three-headed dragon is the sigil of her house, this might be an omen that Daenerys is next on the chopping block.

1. THAT VISION

Emilia Clarke in 'Game of Thrones'
HBO

All the way back in season two, Daenerys received a vision in the House of the Undying of the great hall in King's Landing ransacked and covered in snow. Before she could even touch the iron throne, she was called away by her dragons and was confronted by her deceased husband and son. This is a clear indication that she might never sit the throne, something that would only happen if she were dead.

10 Surprising Facts About Peter Dinklage

Larry Busacca, Getty Images for Sundance Film Festival
Larry Busacca, Getty Images for Sundance Film Festival

The modern man of Game of Thrones’s ancient world, the solitary railroad enthusiast of The Station Agent, the non-elf of Elf. Peter Dinklage is one of a kind. A leading man with strength, vulnerability, and a cartoonishly thick head of hair, he’s delivered a slew of memorable roles marked by a sardonic sense of humor.

He has also survived a seven-year bloodbath in Westeros. So far. We have to wait almost a year to learn his ultimate fate on Game of Thrones, but we can get to some facts about the Emmy and Golden Globe winner right now.

1. HIS FIRST TASTE OF ACTING CAME IN FIFTH GRADE.

Like more than a few of his colleagues, Peter Dinklage caught the acting bug as an adolescent, appearing in a lead role in a performance of The Velveteen Rabbit in fifth grade. “When you get your first solo bow, that feels pretty good,” Dinklage told People. Despite its lack of rabbits, he also credited watching Sam Shepard’s True West in 1984 as a major inspiration to pursue acting as a profession.

2. HE REFUSED TO PLAY STEREOTYPICAL ROLES—EVEN WHEN MONEY WAS TIGHT.

When Dinklage was surviving the salad days in a New York City apartment filled with rats, he had offers to play elves and leprechauns, but he turned down those paychecks out of principle. It created a short-term setback (at least when it came to paying rent), but his tenacity eventually paid off with roles like the one in Elf that challenged clichés. He was even careful when Game of Thrones came calling, recognizing the way dwarves normally look in fantasy projects. “[Tyrion Lannister’s] somebody who turned that on its head,” he told The New York Times. “No beard, no pointy shoes, a romantic, real human being."

3. HE WAS IN A PUNK-FUNK-RAP BAND.

What does that genre blend sound like? Hard to say, but the band was called Whizzy, and they played CBGB, where Dinklage got the notable scar along the side of his face. "I was jumping around onstage and got accidentally kneed in the temple," he told Playboy. "I was like Sid Vicious, just bleeding all over the stage. Blood was going everywhere. I just grabbed a dirty bar napkin and dabbed my head and went on with the show. We didn’t care much about personal safety."

4. HIS MOM TOLD HIM HE WAS GOING TO LOSE THE GOLDEN GLOBE TO GUY PEARCE.

Peter Dinklage in 'Game of Thrones'
HBO

Before Dinklage won the Golden Globe for Game of Thrones in 2012, he spoke with his mom back in New Jersey, who told him, “Have fun, but have you seen Mildred Pierce? Guy Pearce is so good. He’s gonna win.” He wryly noted how moms keep us all humble.

5. HE’S AN OUTSPOKEN VEGETARIAN.

Dinklage has been a vegetarian since childhood, and he has used his fame as a platform to speak out on animal rights issues. That includes telling Game of Thrones fans to stop adopting Huskies after the breed’s popularity (and abandonment rate) shot through the roof thanks to the show’s dire wolves.

6. HE STARRED IN THE SAME MOVIE TWICE.

In Death at a Funeral, Dinklage played Peter, the American man who surprises a family by showing up at the patriarch’s funeral claiming to be the old man’s lover. Directed by Frank Oz with a stellar British ensemble, the movie was popular enough to warrant an American remake, and Dinklage returned to play the same role with a completely different cast and Neil LaBute as director.

7. HE SAW A STRANGER DIE.

One morning in Los Angeles, Dinklage was walking down Melrose Avenue when he met eyes with a man on a motorcycle who pulled out into traffic, got hit by a car, and died. “It was in the morning, so there was no one around, you know?” he told Esquire. “It was empty, so there was this quiet moment where it was like I was the only person in the world who knew this guy was dead."

8. THE SWORD FIGHTS ON GAME OF THRONES DON’T MAKE HIM FEEL COOL.

Smiting foes on the field of battle would be enough to make a lot of actors feel powerful, but not Dinklage. “The fight scenes are all a big lie,” he told Playboy. “The whole time you’re trying not to get hit in the eye with a sword, and you wish you had on a welding helmet.” To drive the point home, he explained one shot where he cuts a knight’s leg off involved him swinging a blunt sword at a 70-year-old amputee.

9. HE GREW UP NEXT TO BRUCE SPRINGSTEEN’S MANAGER.

Dinklage's family’s next-door neighbor in Brookside, New Jersey, was The Boss’s manager, which meant Springsteen regularly played guitar just one house down. Dinklage’s parents also heard Springsteen play at a wedding in a surfboard factory but complained that he was “too loud.”

10. HE READS THE GAME OF THRONES SCRIPTS IN A SPECIAL WAY.

Actors Emilia Clarke, Sean Bean, and Peter Dinklage speak during the 'Game of Thrones' panel at the HBO portion of the 2011 Winter TCA press tour held at the Langham Hotel on January 7, 2011 in Pasadena, California
Frederick M. Brown, Getty Images

Specifically, he reads them backwards. “The first thing I really do when I get the scripts is I go to the last page of the last episode and then look backward until I find my name to see if I survive,” he told Entertainment Weekly.

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