CLOSE
Alex Wong/Getty Images
Alex Wong/Getty Images

The Library of Congress Wants Your Help Identifying World War I-Era Political Cartoons

Alex Wong/Getty Images
Alex Wong/Getty Images

The U.S. government’s official library wants your help. And it involves cartoons.

The Library of Congress just debuted its new digital innovation lab, an initiative that aims to improve upon its massive archives and use them in creative ways. Its first project is Beyond Words, a digitization effort designed to make the research library’s historical newspaper collection more search-friendly. It aims to classify and tag historical images from World War I-era newspapers, identifying political cartoons, comics, illustrations, and photos within old news archives. The images come from newspapers included in Chronicling America, the library’s existing newspaper digitization project.

The tasks involved in Beyond Words are simple, even if you know nothing about the illustrations involved going into it. The Library of Congress just needs people to help mark all the illustrations and cartoons in the scanned newspaper pages, a task that only involves drawing boxes to differentiate the image from the articles around it.

Then there’s transcription, involving typing in the title of the image, the caption, the author, and whether it’s an editorial cartoon, an illustration, a photo, a map, or a comic. The library also needs people to verify the work of others, since it’s a crowd-sourced effort—you just need to make sure the images have been transcribed consistently and accurately.

A pop-up window below an early 20th century newspaper illustration prompts the user to pick the most accurate caption.

Screenshot via labs.loc.gov

The data will eventually be available for download by researchers, and you can explore the already-transcribed images on the Beyond Words site. Everything is in the public domain, so you can remix and use it however you want.

With the new labs.loc.gov, “we are inviting explorers to help crack open digital discoveries and share the collections in new and innovative ways,” Carla Hayden, the library’s head, said in a press release.

Other government archives regularly look to ordinary people to help with the monstrous task of digitizing and categorizing their collections. The National Archives and Records Administration, for instance, has recently crowd-sourced data entry and transcription for vintage photos of life on Native American reservations and declassified government documents to help make their collections more accessible online.

Want to contribute to the Library of Congress’s latest effort? Visit labs.loc.gov.

nextArticle.image_alt|e
iStock
arrow
Art
The Simple Optical Illusion That Makes an Image Look Like It's Drawing Itself
iStock
iStock

Artist James Nolan Gandy invents robot arms that sketch intricate mathematical shapes with pen and paper. When viewed in real time, the effect is impressive. But it becomes even more so when the videos are sped up in a timelapse. If you look closely in the video below, the illustration appears to materialize faster than the robot can put the design to paper. Gizmodo recently explained how the illusion works to make it look like parts of the sketch are forming before the machine has time to draw them.

The optical illusion isn’t an example of tricky image editing: It’s the result of something called the wagon wheel effect. You can observe this in a car wheel accelerating down the highway or in propeller blades lifting up a helicopter. If an object makes enough rotations per second, it can appear to slow down, move backwards, or even stand still.

This is especially apparent on film. Every “moving image” we see on a screen is an illusion caused by the brain filling in the gaps between a sequence of still images. In the case of the timelapse video below, the camera captured the right amount of images, in the right order, to depict the pen as moving more slowly than it did in real life. But unlike the pen, the drawing formed throughout the video isn't subject to the wagon-wheel effect, so it still appears to move at full speed. This difference makes it look like the sketch is drawing itself, no pen required.

Gandy frequently shares behind-the-scenes videos of his mechanical art on his Instagram page. You can check out some of his non-timelapse clips like the one below to better understand how his machines work, then visit his website to browse and purchase the art made by his 'bots.

And if you think his stuff is impressive, make sure to explore some of the incredible art robots have made in the past.

[h/t Gizmodo]

nextArticle.image_alt|e
Tessa Angus
arrow
Art
Surprising Sculptures Made From Fallen Feathers
Kate MccGwire, Orchis, 2012
Kate MccGwire, Orchis, 2012
Tessa Angus

Kate MccGwire is a British sculptor with an unusual medium: feathers. Her surreal, undulating works often take the form of installations—the feathers spilling out of a drain, a stove, a crypt wall—or stand-alone sculptures in which antique bell jars, cabinets, or trunks contain otherworldly shapes.

MccGwire developed her obsession with feathers after moving to a studio barge on the Thames in 2006, as she explains in a video from Crane.tv recently spotlighted by Boing Boing. The barge was near a large shed full of feral pigeons, whose feathers she would spot on her way to work. "I started picking them up and laying them out, collecting them," she remembers. "And after about two weeks I had like 300 feathers." At the time, concerns about bird flu were rife, which made the feathers seem "dangerous as well as beautiful."

When not supplied by her own next-door menagerie, the feathers for her artwork come from a network of racing pigeon societies all over the UK, who send her envelopes full every time the birds molt. Farmers and gamekeepers also send her fallen feathers from birds such as magpies, pheasants, and roosters.

The cultural associations around birds are a big part of what inspires MccGwire. “The dove is the symbol of peace, purity, and fertility," she told ArtNews in 2013, "but it’s exactly the same species as a pigeon—which everyone regards as being dirty, foul, a pest.”

The same duality is present in her own work, which she frequently shares on her Instagram account. “I want to seduce by what I do—but revolt in equal measure. It’s really important to me that you’ve got that rejection of things you think you know for sure.”

You can see some pictures of MccGwire's work, and watch the video from Crane.tv, below.

Kate MccGwire's installation "Evacuate"
Evacuate, 2010
J Wilde

Kate MccGwire's sculpture "Convolous"
Convolous, 2015
JP Bland

Kate MccGwire's installation "Gyre"
Gyre, 2012
Tessa Angus

Kate MccGwire's sculpture "Gag"
Gag, 2009
JP Bland

Kate MccGwire's sculpture "Writhe"
Writhe, 2010
Tessa Angus

Kate MccGwire's sculpture "Quell"
Quell, 2011
Tessa Angus

Kate MccGwire's sculpture "Taunt"
Taunt, 2012
Tessa Angus

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios