8 Musicians With Incredibly Brainy Side Gigs

Michael Loccisano/Getty Images
Michael Loccisano/Getty Images

The Pink Floyd line “we don’t need no education” might hold true for some musicians, but for others that couldn’t be further from the truth. The musicians highlighted below didn’t just swing by a university to pick up an honorary diploma only after finding musical success. Nope, they put in the long hours to earn doctoral degrees and then picked up jobs with outfits such as NASA and the U.S. Department of Defense. Because as cool as having “rock star” on your Wikipedia page is, having “rocket scientist” follow it is just that much cooler.

1. BRIAN MAY

British guitarist Brian May could have easily called it a day when Queen’s recording career came to an end following the death of Freddie Mercury in 1991. While May continues to play live with his remaining bandmates, he has also embraced his interest in astrophysics.

May had abandoned his doctoral studies at the Imperial College of London in the mid-1970s to live the rock star life, but returned to complete his PhD in 2007. Since then, May has co-authored two books on the cosmos, and in 2015 collaborated with NASA as the New Horizons space probe passed by Pluto. If that weren’t impressive enough, May can lay claim to compiling the first high-quality stereo image of the dwarf planet. Not too shabby for a guy who had already made his mark with arena rock staples like “We Will Rock You” and “Stone Cold Crazy.”

2. MILO AUKERMAN

Punk rockers the Descendents weren’t joking around when they named their first album: 1982’s Milo Goes To College. Frontman Milo Aukerman put all those punk rock lyrics about binging on coffee to serious use, earning a doctorate in biology from UC San Diego and a PhD in biochemistry from the University of Wisconsin-Madison.

For many years, Aukerman split his time, leading the Descendents while working as an adjunct professor at the University of Delaware and plant researcher with chemical company DuPont. The two chosen fields of study, punk rock and biochemistry, might not seem to have much in common, but Aukerman found many similarities. In 2011, he told The Scientist that in both fields, he was “always looking for discoveries that challenge current thinking.” Fans shouldn’t expect Aukerman to get too geeky with his lyrics though: “I will probably never ever write a song about DNA,” he said. In a 2016 interview with Spin, Aukerman shared that he's now dedicating his full-time life to music. “[Science has] gotten less and less interesting to me,” he said. “Also, working in a corporation has become a misery of sorts. As I was discovering this and realizing maybe I should just do music full-time, lo and behold, [my job] laid me off anyway.”

3. DEXTER HOLLAND


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Orange County, California punk rockers The Offspring have been regularly touring and putting out albums since the mid-1980s. What fans might be surprised to learn though is that in between writing songs like “Pretty Fly (For a White Guy),” the band's lyricist and frontman Dexter Holland was working on HIV research.

In May 2017, Holland earned his PhD in molecular biology from the University of Southern California, completing a 175-page dissertation titled Discovery of Mature MicroRNA Sequences within the Protein-Coding Regions of Global HIV-1 Genomes: Predictions of Novel Mechanisms for Viral Infection and Pathogenicity. Lengthy scientific jargon thesis titles aside, Holland told Rolling Stone his focus was on the molecular dynamics of the HIV virus. "I am interested in virology and wanted to contribute in some small way to the knowledge which has been learned about HIV and AIDS,” Holland said.

4. JEFF “SKUNK” BAXTER

People fall into side gigs like dog-walking or crafting all the time. Finding yourself unexpectedly taking on a second job as a consultant in missile defense systems, on the other hand, is a little more out of the norm. Jeff “Skunk” Baxter spent much of the 1970s and '80s playing guitar with acts like the Doobie Brothers, Steely Dan, and Elton John. Since the mid-1990s though, Baxter has had a second job working with the Congressional Advisory Board on Missile Defense and consulting for General Atomics. And he landed those gigs almost entirely out of sheer luck.

Baxter credits his natural curiosity to look at technologies and how they can be improved upon as his springboard into the field of missile defense. The guitarist would regularly pick the brain of his next door neighbor, a retired engineer who had worked on the Pentagon's Sidewinder missile program. Baxter spent the next several years doing his own research and learning everything he could about the hardware developed for missile use. He would eventually submit his own proposal on how to improve the ship-based Aegis missile system to California Republican congressman Dana Rohrabacher and the rest is history.

5. GREG GRAFFIN


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For more than three decades, Bad Religion has held a spot as one of the most respected punk bands in the genre, with vocalist Greg Graffin commanding the stage. Graffin’s politically-charged lyrics have helped the band maintain a healthy following, but music isn’t Graffin’s only passion.

Since 2008, Graffin has split his time between playing with Bad Religion and teaching evolutionary biology at several universities. Graffin earned a PhD in zoology from Cornell University and has returned to his alma mater to teach courses on the subject. The punk rocker has co-authored three books on the subject of evolution and religion and taught life science courses at the University of California Los Angeles. Like other musicians who dabble in the sciences, Graffin has found parallels in the two. “If I’m behind a lectern or onstage, I’m just trying to provoke people to use and expand their minds a little,” Graffin told the San Diego Tribune.

6. PHILIP TAYLOR KRAMER

The life of Philip Taylor Kramer was one filled with both exceptional success and horrific tragedy. Kramer first made a name for himself in the 1970s playing bass with psychedelic rock band Iron Butterfly. He went on to play with other groups into the early 1980s, but would later leave music and find success in the field of computer engineering.

The musician’s father was a professor of electrical engineering and after a career in music, Kramer co-founded a company that produced significant work in missile guidance systems as well as computerized facial reconstruction models. Tragically, Kramer’s life was mysteriously cut short in 1995 when he disappeared after making a frantic call to his wife from the Los Angeles International Airport and telling her to meet him at a hotel.

The musician/computer engineer then called the police and said he was going to kill himself before abruptly hanging up. He wasn’t heard from again until his burned-out van was discovered in the bottom of a ravine four years later. The death was ruled a probable suicide, though some of Kramer’s closest family and friends suspected foul play.

7. JOHN PERRY BARLOW


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Deadheads will probably best know the name John Perry Barlow from the liner notes of Grateful Dead albums as a co-writer on a number of classics like “Mexicali Blues” and “Cassidy.” Further exploration would reveal that there are many sides to John Perry Barlow besides Grateful Dead lyricist. Barlow can be credited as a pioneer in the digital revolution, leading the way to preserve and protect internet freedoms as a co-founder of the Electronic Frontier Foundation in 1990.

These days Barlow has shifted his focus to a new calling—pond scum. More specifically: algae. He is the vice president of Algae Systems, a company working to grow microalgae as a biofuel and convert sewage into a fertilizer.

8. TOM SCHOLZ

Rock band Boston had one of the best-selling debut albums in music history with their 1976 self-titled debut selling 17 million copies. Almost all of that success can be attributed to guitarist Tom Scholz’s background as a mechanical engineer.

Scholz had received both his bachelor's (1969) and master's degrees (1970) in mechanical engineering from the Massachusetts Institute of Technology, but he had dreams of rock n’ roll stardom. To pay the bills, Scholz took a job as a senior product design engineer at Polaroid. The young guitarist and engineer spent his paychecks and nights building his own basement recording studio and creating nearly every sound, except for the vocals and drums, of what would be Boston’s debut album. The DIY process was unheard of at the time and Epic, the band's record company, demanded that the demos be redone in a proper studio. Scholz refused to budge with nearly all of his original recordings eventually making it onto the highly-successful album.

8 Haunting Horror Movie Gimmicks

Universal Pictures Home Entertainment
Universal Pictures Home Entertainment

In the 1950s and 1960s, horror movies were making studios huge profits on shoestring budgets. But after the market hit horror overload, directors and studios had to be extra creative to get people to flock to theaters. That's when a flood of different gimmicks were introduced at movie theaters across the country to make a film stand out from the crowd. From hypnotists to life insurance policies and free vomit bags, here's a brief history of some of the most memorable horror movie gimmicks.

1. PSYCHO-RAMA // MY WORLD DIES SCREAMING (1958)

In order to truly become a classic, a horror movie can't just work on the surface; it has to get deep inside of your head. That's what Psycho-Rama tried to achieve when it was first conceived for My World Dies Screaming, later renamed Terror in the Haunted House. Psycho-Rama introduced audiences to subliminal imagery in order to let the scares sink in more than any traditional film could.

Skulls, snakes, ghoulish faces, and the word "Death" would all appear onscreen for a fraction of a second—not long enough for an audience member to consciously notice it, but it was enough to get them uneasy. Obviously Psycho-Rama didn't really catch on with the public or the film industry, but horror directors, like William Friedkin in The Exorcist, have since gone on to use this quick imagery technique to enhance their own movies.

2. FRIGHT INSURANCE // MACABRE (1958)

Director William Castle didn't make a name for himself in the film industry by directing cinematic classics; instead, he relied on shock and schlock to help fill movie theater seats. His movies were full of what audiences craved at the time: horror, gore, terror, suspense, and a heaping helping of camp. But his true genius came from marketing—and the gimmicks he brought to every movie, which have since become legendary among horrorphiles.

His most famous stunt was the life insurance policy he purchased for every member of an audience that paid to see Macabre. This was a real policy backed by Lloyd's of London, so if you died of fright in your seat, your family would receive $1000. Now who wouldn't want to roll the dice on that type of deal? Of course, the policy didn't cover anyone with a preexisting medical condition or an audience member who committed suicide during the screening. Lloyd's had to draw the line somewhere, right?

3. HYPNO-VISTA // HORRORS OF THE BLACK MUSEUM (1959)

How do you make your routine horror movie stand out from the crowd? Hypnotize your audience, of course. Thus Hypno-Vista was born. For this gimmick, James Nicholson, president of American International Pictures, suggested that a lecture by a hypnotist, Dr. Emile Franchel, should precede Horrors of the Black Museum, which had a plot focusing on a hypnotizing killer.

For 13 minutes, Dr. Franchel talked to the audience about the science behind hypnotism, before attempting to hypnotize them himself in order to feel more immersed in the story. Nowadays it comes off as overlong and dry, but it was a gimmick that got people into theaters back in 1959. Plus, writer Herman Cohen said that eventually the lecture had to be removed whenever the movie re-aired on TV because it did, in fact, hypnotize some people.

4. NO LATE ADMISSION // PSYCHO (1960)

Though this isn't the most gimmickiest of gimmicks, Alfred Hitchcock's insistence that no audience member be admitted into Psycho once the movie started got a lot of publicity at the time. The Master of Suspense's reasoning is less about drumming up publicity and more about audience satisfaction, though. Because Janet Leigh gets killed so early into the movie, he didn't want people to miss her part and feel misled by the movie's marketing.

This publicity tactic wasn't completely novel, though, as the groundbreaking French horror movie Les Diaboliques (1955) had a similar policy in place. This was at a time when people would simply stroll into movie screenings whenever they wanted, so to see a director—especially one so masterful at the art of publicity—who was adamant about showing up on time was a great way to pique some interest.

5. FRIGHT BREAK // HOMICIDAL (1961)

Another classic William Castle gimmick was the "fright break" he offered to audience members during his 1961 movie, Homicidal. Here, a timer would appear on the screen just as the film was hurtling toward its gruesome climax. Frightened audience members had 45 seconds to leave the theater and still get a full refund on their ticket. There was a catch, though.

Frightened audience members who decided to take the easy way out were shamed into the "coward's corner," which was a yellow cardboard booth supervised by some poor sap theater employee. Then, they were forced to sign a paper reading "I'm a bona-fide coward," before getting their money back. Obviously, at the risk of such humiliation, most people decided to just grit their teeth and experience the horror on the screen instead.

6. THE PUNISHMENT POLL // MR. SARDONICUS (1961)

The most interactive of William Castle's schlocky horror gimmicks put the fate of the film itself into the hands of the audience. Dubbed the "punishment poll," Castle devised a way to let viewers vote on the fate of the characters in the movie Mr. Sardonicus. Upon entering the theater, people were given a card with a picture of a thumb on it that would glow when a special light was placed on it. "Thumbs up" meant that Mr. Sardonicus would be given mercy, and "thumbs down" meant … well, you get the idea.

Apparently audiences never gave ol' Sardonicus the thumbs up, despite Castle's claims that the happier ending was filmed and ready to go. However, no alternative ending has ever surfaced, leaving many to doubt his claims. Chances are, there was only one way out for Mr. Sardonicus.

7. FREE VOMIT BAGS // MARK OF THE DEVIL (1970)

Horror fans are mostly masochists at heart. They don't want to be entertained—they want to be terrified. So when the folks behind 1970's Mark of the Devil gave out free vomit bags to the audience due to the film's grotesque nature, how could any self-respecting horror fan not be intrigued? It wasn't just the bags that the studio was advertising; it also claimed the film was rated V, for violence—and maybe some vomit?

8. DUO-VISION // WICKED, WICKED (1973)

Duo-Vision was hyped as the new storytelling technique in cinema—offering two times the terror for the price of one ticket. Of course Duo-Vision is just fancy marketing lingo for split-screen, meaning audiences see a film from two completely different perspectives side-by-side. In the 1973 horror film Wicked, Wicked, that meant watching the movie from the points of view of both the killer and his victims.

Seems like a perfect concept for the horror genre, right? Well, Duo-Vision wasn't just employed during the movie's most horrific moments; it was used for the movie's entire 95-minute runtime. The technique had been used sparingly in other films—most notably in Brian De Palma's much better film Sisters (1973)—but it had never been implemented to this extent. A little bit of Duo-Vision apparently goes a long way, because it fell out of favor soon after.

John Carpenter May Be Planning a They Live Sequel

Universal Studios Home Video
Universal Studios Home Video

John Carpenter is one of the horror genre's biggest names. The man behind the original Halloween, The Fog, Escape from New York, and The Thing, ​Carpenter has had a long enough career to see many of his most popular creations be remade, including this year's new Halloween film, which features some of the original actors returning to their iconic roles to continue a decades-long story.

But in a recent interview with ​Den of Geek, when Carpenter was questioned about whether his cult classic They Live might he ripe for revisiting, Carpenter teased: "Well, I’m not gonna tell you about that, because it might be closer to reality than you think."

​They Live, which came out in 1988, featured the late professional wrestler 'Rowdy' Roddy Piper in his signature role as a man who finds a pair of sunglasses that allow him to see the true state of the world and uncover an alien invasion. Like so many of Carpenter's other films, it has continued to amass a cult following in the decades since its release—especially among those viewers who understood and appreciated its underlying political metaphor.

Today's highly divisive political climate makes it a perfect time for a sequel/reboot/reimagining of They Live, and it sounds as if Carpenter might agree.

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