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10 Pointed Facts About Arrow

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In 2012—more than a decade after Smallville had introduced the world to an adolescent Superman—Arrow brought a new brand of super heroics to The CW. Focusing on the adventures of Oliver Queen as the Green Arrow, the hooded vigilante from DC Comics, the show was originally conceived as a realistic superhero yarn in the same vein as 2005's Batman Begins. But since its second season in 2013, the series has changed course and expanded into the centerpiece of the network's colorful take on the DC Universe, featuring spin-offs like The Flash and Legends of Tomorrow.

Starring Stephen Amell as the emerald archer, Arrow is set to begin its sixth season this October. To get better acquainted with the story behind the Green Arrow, his ever-expanding supporting cast, and the other denizens of Star City, here are 10 facts about Arrow.

1. THE SHOW WAS INSPIRED BY THE DARK KNIGHT TRILOGY.

In the mid-2000s, the Green Arrow was languishing in Hollywood’s famed development hell along with the rest of the DC Universe, but he did come tantalizingly close to becoming a movie star. At one point, he was going to be the center of the DC movie Green Arrow: Escape From Super Max, which was to focus on a wrongfully incarcerated Oliver Queen’s struggle to break out from a prison designed to hold the world's most dangerous super villains. Though that idea never came to be, it was the success of the Caped Crusader that helped Green Arrow come to live-action.

Director Christopher Nolan’s grounded take on Batman’s origins was the perfect template for Arrow creators Greg Berlanti, Marc Guggenheim, and Andrew Kreisberg to base their show on. Both stories star spoiled rich kids who turn themselves into hardened vigilantes, and they even share a grudge against the villainous Ra’s al Ghul. The comparisons are hard to ignore.

In an interview with The Huffington Post, Kreisberg explained why Nolan’s Batman was so important to them:

“We were heavily influenced, obviously, by Chris Nolan’s take on Batman, especially the second movie, The Dark Knight. If you pull Batman out of that movie you’re essentially left with Michael Mann’s Heat. It really is just a crime thriller. Truly, the only fantastical thing in it really is Batman. That’s the way we approached this material.”

In an interview with Comic Book Resources, Guggenheim stated that the show's first two years were covering similar ground to the origin story told in Batman Begins:

"This was always sort of the trajectory we planned. This has always been the first two years of Batman Begins."

2. THE FIRST SEASON TAKES NUMEROUS CUES FROM MIKE GRELL’S GREEN ARROW COMICS.

In the comics, the Green Arrow is more of a left-wing quipster than the brooding vigilante from the show. But his dour demeanor in Arrow does have some comic book inspiration, specifically from writer and artist Mike Grell’s take on the character.

In the ‘80s, Grell did everything he could do to make Green Arrow virtually unrecognizable to comic book fans. He took away the mask, put him in a hood, moved him to Seattle, and stripped him of all his gadgets and trick arrows. Just like in the early seasons of the show, he’s not even called “Green Arrow”; instead, he’s just a vigilante who goes after a more realistic crop of criminals like drug peddlers and human traffickers.

When asked about Grell’s influence on the show, more specifically the comic miniseries Green Arrow: The Longbow Hunters, Guggenheim told Huffington Post:

“Yeah, well Longbow Hunters, it was seminal for several reasons. But what it really did was it grounded Green Arrow and Oliver Queen in a way that hadn’t been done in the comic books before. He was always with the boxing glove arrows and the Arrow Cave ... That was all well and good. But what Longbow Hunters did was it stripped Oliver Queen and the character down to his bare essence and introduced the idea of this primal hunter, and the hood [he wears]. That was sort of a seismic shift for the character that we’re working off of.”

3. OLIVER QUEEN’S MANSION HAS A SURPRISING SUPERHERO PEDIGREE.

The Queen family may live in a spacious mansion on the outskirts of Star City, but they’ve got some super-powered company in there with them. The show uses establishing shots of Hatley Castle in Victoria, British Columbia as the setting of the family’s home, and they’re far from the first comic book family to take up residence there. Most notably it’s used as Professor Xavier’s mansion in 1996’s Generation X, X2: X-Men United, X-Men: The Last Stand, and Deadpool; and for the Luthor family mansion in Smallville. It can also be seen in The Killing, The Boy, and The Descendants.

4. FELICITY SMOAK WAS ONLY SUPPOSED TO BE IN ONE EPISODE.


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Emily Bett Rickards’s breakout role as Felicity Smoak on the show wasn’t planned to be anything more than a one-off. Rickards told Comic Book Resources that the character was originally written to be a "'possibly recurring' role,” which she admits rarely, if ever, actually happens.

But her performance impressed everyone so much that, going into season six, she’s one of the principal members of the cast, and the character has even been reintroduced into the comic books in recent years.

5. STEPHEN AMELL REALLY PERFORMED THE “SALMON LADDER” ON HIS OWN.

Stephen Amell gets into legitimate superhero shape for the role of Oliver Queen, and a lot of the training montages you see on the show are all him. This includes that dizzying “salmon ladder” routine he does in the pilot.

“It’s one of the most talked about moments in the pilot,” Guggenheim told The Huffington Post. And for good reason: The thing looks incredibly hard—even for a superhero. Amell does the whole workout for real, foregoing a harness in order to give the camera crew the freedom to shoot him however they want.

Amell has become such a salmon ladder master that he even performed it on American Ninja Warrior without a problem (easy for us to say).

6. ORIGINALLY, NO ONE WAS SUPPOSED TO HAVE SUPER POWERS.

Arrow was originally pitched to be completely free of the super powers, magic, and mysticism that have since become a regular part of the series. Leading up to the season one premiere, the words “grounded” and “realistic” were tossed around with impunity by the cast and crew during interviews.

“We tried to make him as real as possible. The character doesn’t have any superpowers. Nobody on the show has any superpowers,” Amell told IGN in preparation of the show’s first season.

Having annual team-ups with The Flash or Constantine would have been completely unthinkable; now they’re the norm. (Whether or not that’s a good thing we’ll leave to the message board crowd.)

7. THE ARROW FOLKS NEEDED CHRISTOPHER NOLAN’S PERMISSION TO BRING THE FLASH ONTO THE SHOW.

In the wake of his tremendously successful Dark Knight trilogy, there was a thought that Christopher Nolan would be the shepherd of anything DC-related at Warner Bros. It started with helping Batman Begins writer David Goyer successfully pitch Man of Steel to the studio, and for a time it even crossed over into the TV universe.

Nolan’s influence was so all-encompassing at one point that the production team at Arrow had to get the director’s approval to introduce The Flash and his subsequent super-powered world onto the show. During a Fan Expo Canada panel in 2013, Amell said:

“I will tell you this. I know that when I found out about Barry Allen appearing on the show, one of the executive producers told me for Barry Allen to appear on the show, we had to get approval all the way up to Christopher Nolan. Because he’s Christopher Nolan, and he’s the czar of all things Warner Bros. and DC. And he likes the show and approved of Barry Allen approving. So I would say that’s a very good sign.”

8. THE SERIES IS SOAKED IN DC COMIC BOOK REFERENCES.

Though the show initially tried to downplay its comic book roots, there were—and still are—plenty of Easter eggs for longtime fans to discover. In the pilot episode, artist Mike Grell provided the police sketch for Green Arrow—then just known as “The Vigilante.” And many of the streets and locations on the show are named after comic writers and artists, including the cross streets of Infantino and Adams (for artists Carmine Infantino and Neal Adams) and “Gail Street and Simone” for Birds of Prey writer Gail Simone.

Another constant Easter egg that you’ll now never be able to unsee is how often the show uses the number “52,” such as for fictional TV stations and Quentin Lance's call sign. It might sound odd, but that’s an important number in the DC Universe, as it’s the number of different multiverses in the company—each with its own alternate, and sometimes bizarre, version of Earth.

9. WILLA HOLLAND WAS DISCOVERED BY STEVEN SPIELBERG.


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Willa Holland’s career started off about as well as anyone could ever dream: with a personal endorsement from Steven Spielberg. It all happened when Holland, who is the stepdaughter of director Brian De Palma, was over at Spielberg’s home.

Holland may have thought she was simply playing at a friend’s house while Spielberg was “filming little wedding scenes and doing home videos,” but when the famed director spoke to her parents later on, he said, “You’ve got to put her in front of a camera.”

Roles in The O.C. and Gossip Girl followed, but her big break came when she was cast as Thea Queen—Oliver’s sister—on Arrow.

10. AN ARCHERY EXPERT HELPS KEEP THE BOW ACTION AUTHENTIC.

To get the Green Arrow right, you need to start with the bow. Arrow employs an archery technician and coordinator named Patricia Gonsalves, who makes sure they get things right.

She works with anyone on the show who touches a bow—and there are a lot of them—and explained to Archery 360 that, “For safety reasons, the actors must have a lesson in safety before they can shoot a bow.” Usually that training lasts a couple hours, but for Amell, that meant two months of archery lessons.

In addition to hands-on work with all of the archer actors, Gonsalves also helps determine which bow fits each character best.

“I’ll get a first draft of the script for an episode and will form an idea of what bow will work for that character or episode. I’ll choose a few bows that will work for the character and then the production department makes the final choice.”

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15 Heartwarming Facts About Mister Rogers
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Though Mister Rogers' Neighborhood premiered 50 years ago, Fred Rogers remains an icon of kindness for the ages. An innovator of children’s television, his salt-of-the-earth demeanor and genuinely gentle nature taught a generation of kids the value of kindness. In celebration of the groundbreaking children's series' 50th anniversary, here are 15 things you might not have known about everyone’s favorite “neighbor.”

1. HE WAS BULLIED AS A CHILD.

According to Benjamin Wagner, who directed the 2010 documentary Mister Rogers & Me—and was, in fact, Rogers’s neighbor on Nantucket—Rogers was overweight and shy as a child, and often taunted by his classmates when he walked home from school. “I used to cry to myself when I was alone,” Rogers said. “And I would cry through my fingers and make up songs on the piano.” It was this experience that led Rogers to want to look below the surface of everyone he met to what he called the “essential invisible” within them.

2. HE WAS AN ORDAINED MINISTER.

Rogers was an ordained minister and, as such, a man of tremendous faith who preached tolerance wherever he went. When Amy Melder, a six-year-old Christian viewer, sent Rogers a drawing she made for him with a letter that promised “he was going to heaven,” Rogers wrote back to his young fan:

“You told me that you have accepted Jesus as your Savior. It means a lot to me to know that. And, I appreciated the scripture verse that you sent. I am an ordained Presbyterian minister, and I want you to know that Jesus is important to me, too. I hope that God’s love and peace come through my work on Mister Rogers’ Neighborhood.”

3. HE RESPONDED TO ALL HIS FAN MAIL.

Responding to fan mail was part of Rogers’s very regimented daily routine, which began at 5 a.m. with a prayer and included time for studying, writing, making phone calls, swimming, weighing himself, and responding to every fan who had taken the time to reach out to him.

“He respected the kids who wrote [those letters],” Heather Arnet, an assistant on Mister Rogers’ Neighborhood, told the Pittsburgh Post-Gazette in 2005. “He never thought about throwing out a drawing or letter. They were sacred."

According to Arnet, the fan mail he received wasn’t just a bunch of young kids gushing to their idol. Kids would tell Rogers about a pet or family member who died, or other issues with which they were grappling. “No child ever received a form letter from Mister Rogers," Arnet said, noting that he received between 50 and 100 letters per day.

4. ANIMALS LOVED HIM AS MUCH AS PEOPLE DID.

It wasn’t just kids and their parents who loved Mister Rogers. Koko, the Stanford-educated gorilla who understands 2000 English words and can also converse in American Sign Language, was an avid Mister Rogers’ Neighborhood watcher, too. When Rogers visited her, she immediately gave him a hug—and took his shoes off.

5. HE WAS AN ACCOMPLISHED MUSICIAN.

Though Rogers began his education in the Ivy League, at Dartmouth, he transferred to Rollins College following his freshman year in order to pursue a degree in music (he graduated Magna cum laude). In addition to being a talented piano player, he was also a wonderful songwriter and wrote all the songs for Mister Rogers' Neighborhood—plus hundreds more.

6. HIS INTEREST IN TELEVISION WAS BORN OUT OF A DISDAIN FOR THE MEDIUM.

Rogers’s decision to enter into the television world wasn’t out of a passion for the medium—far from it. "When I first saw children's television, I thought it was perfectly horrible," Rogers told Pittsburgh Magazine. "And I thought there was some way of using this fabulous medium to be of nurture to those who would watch and listen."

7. KIDS WHO WATCHED MISTER ROGERS’ NEIGHBORHOOD RETAINED MORE THAN THOSE WHO WATCHED SESAME STREET.

A Yale study pitted fans of Sesame Street against Mister Rogers’ Neighborhood watchers and found that kids who watched Mister Rogers tended to remember more of the story lines, and had a much higher “tolerance of delay,” meaning they were more patient.

8. ROGERS’S MOM KNIT ALL OF HIS SWEATERS.

If watching an episode of Mister Rogers’ Neighborhood gives you sweater envy, we’ve got bad news: You’d never be able to find his sweaters in a store. All of those comfy-looking cardigans were knitted by Fred’s mom, Nancy. In an interview with the Archive of American Television, Rogers explained how his mother would knit sweaters for all of her loved ones every year as Christmas gifts. “And so until she died, those zippered sweaters I wear on the Neighborhood were all made by my mother,” he explained.

9. HE WAS COLORBLIND.

Those brightly colored sweaters were a trademark of Mister Rogers’ Neighborhood, but the colorblind host might not have always noticed. In a 2003 article, just a few days after his passing, the Pittsburgh Post-Gazette wrote that:

Among the forgotten details about Fred Rogers is that he was so colorblind he could not distinguish between tomato soup and pea soup.

He liked both, but at lunch one day 50 years ago, he asked his television partner Josie Carey to taste it for him and tell him which it was.

Why did he need her to do this, Carey asked him. Rogers liked both, so why not just dip in?

"If it's tomato soup, I'll put sugar in it," he told her.

10. HE WORE SNEAKERS AS A PRODUCTION CONSIDERATION.

According to Wagner, Rogers’s decision to change into sneakers for each episode of Mister Rogers’ Neighborhood was about production, not comfort. “His trademark sneakers were born when he found them to be quieter than his dress shoes as he moved about the set,” wrote Wagner.

11. MICHAEL KEATON GOT HIS START ON THE SHOW.

Oscar-nominated actor Michael Keaton's first job was as a stagehand on Mister Rogers' Neighborhood, manning Picture, Picture, and appearing as Purple Panda.

12. ROGERS GAVE GEORGE ROMERO HIS FIRST PAYING GIG, TOO.

It's hard to imagine a gentle, soft-spoken, children's education advocate like Rogers sitting down to enjoy a gory, violent zombie movie like Dawn of the Dead, but it actually aligns perfectly with Rogers's brand of thoughtfulness. He checked out the horror flick to show his support for then-up-and-coming filmmaker George Romero, whose first paying job was with everyone's favorite neighbor.

“Fred was the first guy who trusted me enough to hire me to actually shoot film,” Romero said. As a young man just out of college, Romero honed his filmmaking skills making a series of short segments for Mister Rogers’ Neighborhood, creating a dozen or so titles such as “How Lightbulbs Are Made” and “Mr. Rogers Gets a Tonsillectomy.” The zombie king, who passed away in 2017, considered the latter his first big production, shot in a working hospital: “I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made. What I really mean is that I was scared sh*tless while I was trying to pull it off.”

13. ROGERS HELPED SAVE PUBLIC TELEVISION.

In 1969, Rogers—who was relatively unknown at the time—went before the Senate to plead for a $20 million grant for public broadcasting, which had been proposed by President Johnson but was in danger of being sliced in half by Richard Nixon. His passionate plea about how television had the potential to turn kids into productive citizens worked; instead of cutting the budget, funding for public TV increased from $9 million to $22 million.

14. HE ALSO SAVED THE VCR.

Years later, Rogers also managed to convince the Supreme Court that using VCRs to record TV shows at home shouldn’t be considered a form of copyright infringement (which was the argument of some in this contentious debate). Rogers argued that recording a program like his allowed working parents to sit down with their children and watch shows as a family. Again, he was convincing.

15. ONE OF HIS SWEATERS WAS DONATED TO THE SMITHSONIAN.

In 1984, Rogers donated one of his iconic sweaters to the Smithsonian’s National Museum of American History.

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15 Fun Facts About Army of Darkness
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On February 19, 1993, Army of Darkness—the third installment in Sam Raimi and Bruce Campbell's Evil Dead franchise—made its way into U.S. theaters. You probably know all about Ash’s boomstick, but on the occasion of the hilarious horror comedy's 25th anniversary, it's worth a closer look.

1. ARMY OF DARKNESS ISN'T THE ENTIRE TITLE.

The film’s title is stylized onscreen as Bruce Campbell vs. Army of Darkness. This phrasing was Sam Raimi’s homage to the defunct Hollywood tradition of putting stars’ names in movie titles (like Abbott and Costello Meet Frankenstein)—but the studio feared the long title would confuse moviegoers, so it was shortened for official purposes to just Army of Darkness.

2. EVEN THE SHORTER TITLE WASN'T RAIMI'S FIRST CHOICE.

Army of Darkness is the third installment of the Evil Dead series and the first to take place during the Middle Ages. Raimi’s original title for Army of Darkness was The Medieval Dead.

3. BRIDGET FONDA FINALLY GOT TO WORK WITH RAIMI.

Bridget Fonda makes a cameoas Ash’s girlfriend Linda during the beginning flashback sequence. She is the third actress in three films to play Linda (following actresses Betsy Baker and Denise Bixler). Fonda—a huge Evil Dead II fan—had originally auditioned to be in Raimi’s previous film, Darkman, but didn’t get the part.

4. ASH'S CAR HAD A LOT OF SCREEN EXPERIENCE.

The 1973 Oldsmobile Delta 88 allegedly appears in all of Sam Raimi’s films.

5. DARKMAN MADE ARMY OF DARKNESS POSSIBLE.

Raimi wanted to make Army of Darkness immediately following 1987’s Evil Dead II, but he struggled to find funding to finish his trilogy. The financial success of Raimi’s 1990 film, Darkman, eventually convinced Universal Studios to split the $12 million budget with executive producer Dino De Laurentiis.

6. A SUBTLE SCIENCE FICTION REFERENCE PLAYS A KEY ROLE.

The words Ash must utter to safely retrieve the Necronomicon (“Klaatu verata nikto”) are actually a variation on a phrase from the original version of The Day the Earth Stood Still. In that film, “Klaatu barada nitko” is the phrase one must say to stop the robot Gort from destroying Earth.

7. THE SKELETON DEADITES WERE AN HOMAGE.

Their design is a tribute to visual effects legend Ray Harryhausen.

8. THE STAY PUFT MARSHMALLOW MAN MAKES AN APPEARANCE.

Billy Bryan, the actor who portrays the second monster in the medieval pit, also portrayed the Stay Puft Marshmallow Man in Ghostbusters.

9. SAM RAIMI'S BROTHER WORE A LOT OF HATS.

Ted Raimi—who makes cameos in all of his brother’s films—appears as three different background characters in Army of Darkness. He is first seen as a sympathetic villager, then as a dying soldier during the final battle, and, finally, as an S-Mart employee in the last scene.

10. RAIMI HAD TO FIGHT FOR AN R-RATING.

In keeping with the gory first two films in the series, Army of Darkness received an NC-17 rating from the MPAA. It was subsequently bumped down to an R rating after the filmmakers pointed out that the ostensible gore in the film was happening to skeletons.

11. PLAYING EVIL ASH WAS TOUGH FOR CAMPBELL.

It took makeup artists three hours to get Campbell ready for shooting.

12. RAIMI STORYBOARDED EVERY SINGLE SHOT IN THE MOVIE HIMSELF.

About 25 shots in the final battle are taken from storyboards originally used in the 1948 Victor Fleming film Joan of Arc, which were brought to Raimi’s attention by visual effects supervisor William Mesa. Mesa got them from a friend, who got them from Fleming himself.

13. THERE'S AN EASTER EGG FOR TREKKIES.

Star Trek fans will recognize the location where Ash learns the “Klaatu verata nikto” incantation. The scene was shot at the iconic Vasquez Rocks in Agua Dulce, California, where the famous “Arena” episode from Star Trek was also shot. The movie also shot in the Bronson Canyon area of Griffith Park in Los Angeles that served as the Batcave for the 1960s Batman television show.

14. THE STUDIO CHANGED THE ENDING.

Bruce Campbell stars in 'Army of Darkness' (1992)
Universal Pictures

The original conclusion of the film—which Universal Studios deemed too negative—featured Ash taking too much potion to get back to the present day and waking up in a future, post-apocalyptic London. The ending can be seen on subsequent director’s cuts of home video versions of Army of Darkness.

15. EVEN AFTER YEARS OF TRYING, A SEQUEL NEVER MATERIALIZED.

Beginning in 2015, Bruce Campbell reprised his role as Ash in the Ash vs Evil Dead TV series. While fans of the Evil Dead franchise love it, Raimi spent years trying to get a sequel to Army of Darkness off the ground. On the commentary track for the first season of Ash vs. Evil Dead, Raimi even shared a few of the discarded ideas he had for the film.

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