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Mike Nelson, Getty Images
Mike Nelson, Getty Images

10 Internet Etiquette Tips From the 1990s

Mike Nelson, Getty Images
Mike Nelson, Getty Images

In the mid-1990s, the World Wide Web offered its users a new way to communicate. It also paved the way for a whole new era of social faux pas. Internet etiquette, or "netiquette" as it came to be known, dictated that decent manners still had a place in the digital sphere. While many of the early web tips published in books, articles, and memos still apply today, some are best left in the age of dial-up.

1. KEEP SIGNATURES SHORT.

Needlessly long email signatures were even more obnoxious in 1995 than they are today. That's because in the early days of the internet, every line of text took up precious processing time which was equivalent to money out of the pocket of the person reading it. "Remember that many people pay for connectivity by the minute, and the longer your message is, the more they pay," Sally Hambridge of Intel Corporation wrote in Request for Comments (RFC): 1855, a netiquette memo published in 1995. For web users compelled to include a signature, she suggested shaving their information down to "no longer than four lines."

2. DON'T EXPECT IMMEDIATE RESPONSES.

The internet made it possible to have a long-distance written correspondence with someone in practically real time. But even though emails could be sent in an instant, that didn't stop some people from taking their sweet time to respond. For a story published in the San Francisco Chronicle in 1996, one web user told reporter Ramon G. McLeod, "I had my own mother flame me for not answering her quickly enough ... People really expect an answer—and fast."

For someone used to talking on the phone or in person, the online waiting game could be infuriating. But most netiquette guides stated that a delayed response was no reason to be offended, especially if the two parties were living in different time zones.

3. TURN OFF CAPS LOCK.

Like using their indoor voices in the real world, polite citizens of the web know to use mixed case in typed communication. But not everyone was quick to catch on to this practice 20 years ago. (According to The New York Times, former president Bill Clinton became an early offender when he sent an email written in all caps to the prime minister of Sweden in 1994.) In his Chronicle article on netiquette, McLeod wrote that live chatting with caps lock on was like "yelling in a restaurant."

4. LIGHTEN THE MOOD WITH EMOTICONS.

Looking for a way to express playfulness or sarcasm to a web user halfway across the world? Netiquette guides from 1995 recommended using a novel invention called the "emoticon." In The Net: User Guidelines and Netiquette, author Arlene H. Rinaldi wrote, "Without face to face communications your joke may be viewed as criticism. When being humorous, use emoticons to express humor." But Hambridge warned readers to use the sideways smiley face with caution, fearing it might become the "no offense" of the internet age. "Don't assume that the inclusion of a smiley will make the recipient happy with what you say or wipe out an otherwise insulting comment," she wrote.

5. TAG SPOILERS.

On top of spam and viruses, the internet introduced a whole new type of threat to its users: spoilers. Today's bloggers know to preface spoilers with warnings (for the most part), but before this became common protocol, logging onto a film or TV message board was a risk. Netiquette experts like Chuq Von Rospach helped write spoiler tags into the internet rule book. In his online guide A Primer on How to Work With the Usenet Community, he wrote, "When you post something (like a movie review that discusses a detail of the plot) which might spoil a surprise for other people, please mark your message with a warning so that they can skip the message ... make sure the word 'spoiler' is part of the 'Subject:' line."

6. DON'T ASK STRANGERS HOW THE INTERNET WORKS.

Using the web in the 1990s meant possibly attracting unwanted attention from newbies begging you to lend your tech expertise. Hambridge did her best to discourage this: "In general, most people who use the internet don't have time to answer general questions about the internet and its workings." Instead of relying on strangers to teach them about the internet, she told readers to refer to one of the many books and manuals written just for that purpose. If web users neglected this important piece of netiquette, they risked getting called out on it. Hambridge wrote, "Asking a Newsgroup where answers are readily available elsewhere generates grumpy 'RTFM' (read the fine manual—although a more vulgar meaning of the word beginning with 'f' is usually implied) messages."

7. KEEP FLIRTING TO A MINIMUM.

Places to find dates online appeared shortly after the web went public, but that didn't stop people from flirting on unrelated message boards and email chains. Stacy Horn, founder of the web forum Echo, explained to The New York Times in 1995 how some users abused the service's high-priority "yo" tag for this purpose:

"There's a whole etiquette of when to yo, when not to yo. A man new to Echo gets on and yos all the women. That's considered impolite. A frequent thing that men do is, 'Yo, Horn, what are you wearing?' or 'Yo, Horn, do you come here often?' ... I don't know why they think stupid, banal lines are more effective on line than off."

On top of bothering the recipient, inappropriate messages could also come back to haunt the sender if they ever got out. The Chronicle shared this tip: "If you aren't sure about the security of e-mail on either end of such tender correspondence, send a Shakespearan sonnet instead of something more steamy."

8. DON'T LOG IN DURING RUSH HOUR.

In 1995, the World Wide Web consisted of around 16 million users—measly by today's standards but enough to clog networks during peak times. To make virtual rush hour more bearable, Hambridge suggested "spreading out the system load on popular sites" by taking a break when everyone seemed to be online at once. By waiting to log on during off hours, web users could enjoy exhilarating download speeds of 56 kilobits per second.

9. LET GRAMMAR MISTAKES SLIDE.

For web browsers who shuddered at the sight of a misplaced comma or the wrong use of "your," Chuq Von Rospach had some sage advice: Get over it. He wrote in his netiquette manual:

"Every few months a plague descends on Usenet called the spelling flame. It starts out when someone posts an article correcting the spelling or grammar in some article. The immediate result seems to be for everyone on the net to turn into a sixth grade English teacher and pick apart each other's postings for a few weeks. This is not productive and tends to cause people who used to be friends to get angry with each other."

10. AVOID FLAMEWARS.

The sacred tradition of arguing with a stranger through a computer screen can be traced back to the internet's beginnings. The San Francisco Chronicle spoke with one early web user whose advice for avoiding "flames" boiled down to "don't feed the trolls":

"A couple months back, Gregori recalls, an obnoxious chatter who used the nickname 'Dummy' was barging into chat groups. He was 'just ragging on everyone, calling everyone stupid and just being generally a pain,' Gregori says. 'He was just ignored, which is the worst thing you can do to a flamer like that.'"

Feel free to apply that strategy to your modern web scuffles.

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16 Fun Facts About The Carol Burnett Show
CBS
CBS

After a short stint in the New York theater world, comedienne Carol Burnett landed a job as a regular on The Garry Moore Show in 1959. She caught the attention of CBS executives, who offered her her own series in 1967. With her husband Joe Hamilton at the helm, Burnett broke new ground as the first female host of a TV variety show. The Carol Burnett Show ran for 11 seasons and earned a handful of Emmy Awards in the process. To celebrate the legendary comedienne's 85th birthday, here are some fun facts about the show and the folks who made it so side-splittingly hilarious.

1. CAROL BURNETT’S MOTHER WANTED HER TO BE A WRITER.

As Carol Burnett painfully recalled later in life, whenever she’d expressed an interest in a career in the theater as a teen, her mother would always dissuade her and recommend that she would have better luck studying to become a writer. “You can always write, no matter what you look like,” she would add.

2. A TOTAL STRANGER HELPED TO LAUNCH BURNETT’S CAREER.

As she was nearing graduation from UCLA, Burnett and several fellow drama students were invited to a departing professor’s house to perform at his bon voyage party. She performed a scene from the musical Annie Get Your Gun and later that evening, while she was standing in the buffet line, a man she’d never seen before approached her and complimented her performance. He then inquired what she planned to do with her life. She confessed that she dreamed of going to New York one day for a career on the stage, but seeing that she barely had enough gas money to drive back to Los Angeles that evening, it would be a very long time before she’d make it to Broadway. The man told her he’d be happy to lend her $1000 to get her started, with three conditions: that she repay him without interest in five years, that she was never to reveal his identity, and that once she was successful she must pass a similar kindness along to another person in need. (After pondering the offer over the weekend and consulting her mother and grandmother—who advised her to steer clear of the strange man who was probably involved in human trafficking or something worse—she took a chance and accepted his check.)

3. VICKI LAWRENCE CAUGHT BURNETT’S ATTENTION BY WRITING HER A FAN LETTER.


CBS Television - eBay, Public Domain, Wikimedia Commons

When Vicki Lawrence cut her hair in a short “pixie” cut as a high school senior, many of her classmates commented on her resemblance to Carol Burnett. Lawrence’s somewhat overbearing stage mother encouraged her to write Burnett a letter, which she did, enclosing a photo and a newspaper article that mentioned her upcoming appearance in the Inglewood, California Miss Fireball Contest. To her surprise, a seven-months-pregnant Burnett showed up at the pageant to cheer her on. When Burnett had her baby, Lawrence took some flowers to the hospital, thinking she’d just drop them off. But when the nurse on duty saw her, she immediately mistook her for Burnett’s real-life half-sister Chrissie and exclaimed, “Wait until you see the baby!” and ushered her into Carol’s room.

4. LAWRENCE ENDED UP PLAYING BURNETT’S SISTER ON THE SHOW.

When they were casting The Carol Burnett Show, the star remembered the teen and hired her despite her lack of experience. At first her only role was in the recurring “Carol and Sis” sketch, in which Lawrence played “Chrissie,” Burnett’s younger sister. Lawrence recalled in her 1995 autobiography that Burnett was very nurturing to all her co-stars, making sure everyone got their share of the best jokes, but it was Harvey Korman who took her under his wing in the beginning and taught her about timing, dialects, and working with props.

5. THE Q&A AT THE BEGINNING WAS BURNETT’S HUSBAND’S IDEA.


By CBS Television - eBay, Public Domain, Wikimedia Commons

Joe Hamilton was not only Carol Burnett’s husband, he was also the show’s executive producer. It was traditional at the time (and still is, in some cases) to have a stand-up comic step onstage before a show to tell some jokes and “warm up” the audience. Hamilton was wary of going that route, however; as Burnett later recalled, “He worried, ‘What if the guy is funnier than the rest of you?’” He thought it would be a good ice-breaker if Burnett herself went out front before the proceedings to welcome the audience and answer a couple of questions. Over the next 11 seasons, the question that she was asked the most was “Can you do your Tarzan yell?”

6. BURNETT ONCE USED HER TARZAN YELL AS A FORM OF IDENTIFICATION.

While shopping for nylon stockings at New York City’s Bergdorf Goodman one day, the saleswoman recognized Burnett and asked for her autograph for her grandchildren. When it came time to check out, Burnett realized that she didn’t have her credit card or driver’s license in her wallet. She inquired if she could write a check. “I’ll have to see some ID,” replied the woman who’d requested an autograph just moments before. The floor manager intervened and told Burnett that she’d accept her check if Burnett would do her Tarzan yell. Burnett complied, prompting a security guard to kick open a nearby door, burst in and point his gun at her.

7. LYLE WAGONNER WAS THE FIRST CENTERFOLD IN PLAYGIRL MAGAZINE.

Joe Hamilton was looking for a handsome, “Rock Hudson-type” when casting the announcer for his wife’s show. Former encyclopedia salesman Lyle Waggoner landed the job not only due to his devastating good looks, but also because he had a good sense of humor about how pretty he was. He was even good-natured about the teasing he got from his castmates after posing for the centerfold of Playgirl magazine’s premiere issue in 1973.

8. HARVEY KORMAN WAS THE FIRST CAST MEMBER HIRED.

The producers wanted a “Harvey Korman-type” for Burnett’s second banana, but didn’t bother to actually ask Korman if he was interested in the job because he was already a regular on The Danny Kaye Show, and most likely he wouldn’t leave a steady job for an unproven new show. Burnett herself spotted Korman in the CBS parking lot one day and “practically threw him over the hood of a car” begging him to join her show. Unbeknownst to her, Kaye’s show was about to get the axe after a four-year run, so Korman cheerfully accepted her offer shortly after that first meeting.

9. TIM CONWAY RARELY FOLLOWED HIS SCRIPT.

Conway had been a frequent guest star on the show, and when Lyle Waggoner decided to leave the show in 1974 (he felt that he was being “underused”), Conway was hired to replace him the following year. Conway was legendary for veering off-script and ad-libbing for lengthy stretches, to the amusement of some of his co-stars (Korman) and annoyance of others (Lawrence, who sometimes resented Conway’s disruptions and spotlight-hogging). Lawrence finally slipped her own ad-lib in on one memorable occasion, as Conway rambled on and on about an elephant during a “Family” sketch. Her NSFW remark brought the rest of the cast to their knees and was said to be Dick Clark’s favorite all-time outtake on his Bloopers and Practical Jokes TV show.

10. MRS. WIGGINS WAS ORIGINALLY WRITTEN AS AN ELDERLY WOMAN.

Conway created the Mr. Tudball/Mrs. Wiggins characters and wrote (or ad-libbed) many of their sketches. His original concept had Mrs. Wiggins being ancient, slow, and forgetful. But costume designer Bob Mackie decided that Burnett had played too many “old lady” characters on the show and designed a very voluptuous look for her instead. He explained at the time that he had certain “ditzy” CBS secretaries in mind when he stitched the curvy costume together.

11. THE SHOW THAT BECAME MAMA’S FAMILY STARTED OUT AS A MUCH DARKER ONE-OFF SKETCH.

A sketch called “The Reunion,” which originally aired in March of 1974, featured the characters that eventually became known as “The Family.” In this initial installment, Roddy McDowall played Phillip Harper, the successful younger brother of Eunice, returning home for a visit after winning a Pulitzer Prize. The family members were far crankier and more argumentative (and perhaps more representative of actual family life as they talked over one another and changed topics as soon as a thought occurred to them) than the cartoonish characters they eventually came to be on the syndicated series Mama’s Family. The piece proved to be so popular that 30 more “Family” sketches appeared over the next four seasons, with such guest stars as Alan Alda and Betty White turning up as members of the extended Harper family.

12. IT WAS BURNETT’S IDEA TO MAKE EUNICE AND HER FAMILY SOUTHERN.

The creators of "The Family" sketch were The Carol Burnett Show staff writers Jenna McMahon and Dick Clair. McMahon hailed from Kansas City, Missouri, and envisioned the Harpers to be of typical Midwestern stock, but as Burnett read the initial script she heard her own Texan and Arkansan family members speaking. She started speaking the lines with a pronounced Southern drawl, and Vicki Lawrence soon followed suit.

13. DICK VAN DYKE WAS A REGULAR FOR A SHORT TIME.

Harvey Korman left The Carol Burnett Show at the end of season 10 to star in his own sitcom on ABC.  (The Harvey Korman Show was cancelled after five episodes.) Dick Van Dyke was brought in as a replacement, but he was never a very good fit. As Burnett commented after the fact, “When Harvey put on a wig and a dress, he became a woman; when Dick Van Dyke did it, he was Dick Van Dyke in a wig and a dress.” Van Dyke wasn’t overjoyed with the job, either; he lived in Arizona at the time and the monthly 4000-mile commute was exhausting. He was released from his contract in November 1977.

14. BURNETT’S “WENT WITH THE WIND” CURTAIN ROD DRESS WAS BOB MACKIE’S BRAINSTORM.

Burnett’s Gone with the Wind parody has made many “funniest shows of all time” lists over the years, and one of the defining moments of the sketch was when Carol (as "Starlett O’Hara”) descends the stairs at Tara wearing the green velvet drapes with the curtain rod still in them and admits, “I saw it in a window and I couldn’t resist.” The original script called for Burnett to have the curtains tossed haphazardly over her shoulders, but Mackie decided that it would be funnier to create an actual dress and leave the hanger intact across her shoulders. He is slightly bitter all these years later that of all his magnificent creations, that “joke” dress has become his signature piece; of all the memorable glamorous gowns he’s created for celebrities over the decades, that curtain rod dress is the one that hangs in the Smithsonian.

15. CONWAY’S FAMOUS “DENTIST” SKIT WAS BASED ON AN ACTUAL INCIDENT.

When Conway was in the Army having some work done on his teeth, the dentist accidentally injected his own thumb with Novocain. Conway exaggerated the experience to hilarious effect in a classic skit that left Harvey Korman struggling to contain his laughter. During a 2013 interview, Conway told Conan O’Brien that Korman actually wet himself from laughing so hard.

16. THERE WAS ONLY ONE CELEBRITY GUEST THAT BURNETT WAS NEVER ABLE TO BOOK.

Over the 11 seasons the show ran, a veritable “Who’s Who” of the entertainment industry did a guest turn, from Steve Martin to Julie Andrews to then-governor Ronald Reagan to Robin Williams to Ethel Merman. The only guest who Burnett dearly wanted to have but never did get was Bette Davis. Davis was willing to appear but demanded more money that the show had budgeted. Joe Hamilton advised his wife that if they gave in to Davis’s demand, it would set an unpleasant precedent.

Additional Sources:
Vicki!: The True-Life Adventures of Miss Fireball, by Vicki Lawrence
This Time Together, by Carol Burnett
Let’s Bump Up the Lights (The Carol Burnett Show DVD extra)

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14 Wild Facts About Double Dare
Nickelodeon
Nickelodeon

Some game shows will reward you with cars and cash prizes for being smart and intuitive. Nickelodeon’s Double Dare, which ran from 1986 to 1993 and taped more than 500 episodes, gave its kid contestants bicycles or boom boxes in exchange for fetching giant balls of snot from oversized noses.

To celebrate Double Dare's return—Nickelodeon just announced that it has ordered 40 more episodes of the gross game show—we thought we’d drop some facts on the show’s history, the comedian originally set to host, and how one kid wound up snapping a bone in half on the perpetually hazardous course.

1. IT WAS INSPIRED BY MOUSE TRAP.

While kicking around ideas for a kid-oriented game show, Nickelodeon executive—and Double Dare co-creator—Geoffrey Darby recalled that a staffer brought up the classic board game Mouse Trap, which invited players to lure a (fake) mouse into a custom-built holding pen. Darby picked up on the thread, pitching the series as a Rube Goldberg machine that used people instead of balls.

2. DANA CARVEY WAS OFFERED THE HOSTING GIG.

Before settling on onetime magician Marc Summers, Double Dare looked at hundreds of host candidates. Soupy Sales, a comedian who had a popular kids’ show in the 1950s, was considered; so was Dana Carvey, who was reportedly offered the job on the same day he was invited to join Saturday Night Live. He opted for the sketch show, leaving the slot open for Summers.

3. THE VERY FIRST OBSTACLE COURSE WAS A DISASTER.

For the uninitiated, Double Dare typically pitted two teams against one another in a series of increasingly difficult—and disgusting—challenges, culminating with a run through a slime- and cream-covered obstacle course. When the show taped its first episode in September 1986, producers directed the contestants to find a flag hidden in a giant bag of feathers. Unfortunately, no one had bothered to hide the flag. On take two, the contestant was so rough with the feathers they didn’t see the flag had been gently placed within easy view. On the third take, a cameraman fell into the frame. They got it on the fourth try.

4. THE SET HAD ITS OWN SEWAGE SYSTEM.


Nickelodeon

Although Double Dare began on a studio set at a Philadelphia television station, it eventually moved to Nickelodeon’s home base in Orlando, Florida. The stage—which was usually filled with tourists visiting Universal Studios Orlando—was built specifically to accommodate the overflow of disgusting waste material created by the production. A sewage system allowed crew members to mop the glop off the floor and directly into grates. The “clean team” went through between 600 and 1000 towels per taping to erase any residual signs of slime.

5. THE STAGE WAS A TOTAL SLIPPING HAZARD.

No matter how much the crew steam-cleaned, vacuumed, or mopped, the bathroom-like tile of the stage floor maintained its essential sheen of foot-slipping gloss. The crew eventually grew accustomed to sliding across the set in tiny shuffle steps, similar to how you’d navigate a frozen-over driveway.  

6. THERE WAS ONE GRUESOME INJURY.

Despite a space that would never pass OSHA standards, surprisingly few participants were ever actually harmed during taping of Double Dare—with one exception. During one obstacle, a child running across the floor slipped, braced himself, and snapped his arm so severely the bone poked through the skin. Summers would later recall that the kid had lied on his application and may have had a preexisting health condition that made his bones more brittle. Because he wanted to appear on the show so badly, he didn’t mention it.

7. “GAK” WAS A SLANG TERM FOR HEROIN—AND SLIME.

It was inevitable that Double Dare would spawn a series of tie-in products, including board games and apparel. The show also helped licensees create GAK, a rubbery, goopy substance meant to mimic the slime seen on the series. The name came from crew members who worked on the show as a kind of homage to the street term for heroin, a factoid that went over most parents' heads.

8. THEY USED A THREE-TRIES RULE FOR NEW CHALLENGES.


Nickelodeon

After designing a new obstacle, producers would invite kids from the Philadelphia area on non-shoot days to give it a shot. If a child couldn’t get through it in three tries, the idea would be scrapped.

9. IT USED TONS OF FOOD.

In 1987, The New York Times convinced a show staffer to tabulate the gross amount of food material used during a typical taping of the show. Their tally: 50 gallons of whipped cream, 30 gallons of slime, dozens of eggs, and 100 cubic feet of popcorn. To offset concerns over food waste, the production used as much post-dated canned material or other past-due goods as they could.

10. PEOPLE WENT BONKERS OVER THE SHOW.

While kids were delighted to have a game show that rewarded sloppiness, they weren’t the only ones watching. After just nine months on the air, Double Dare fan clubs popped up at Cornell and Ohio State University; the production received more than 10,000 letters every month, with a portion coming from parents griping that they had to postpone dinner because their kids insisted on viewing the messy show precisely at 5:30 p.m.

11. SUMMERS HAS HOSTED BOOTLEG VERSIONS.

 With Nickelodeon wary of producing a full-blown revival of the series—the Summers-less Double Dare 2000 was not fondly received—the host has taken to emceeing unlicensed versions of the show for locally organized events. Every year, Summers hosts Dunkel Dare, a beer-themed challenge attraction that takes place during Philadelphia’s Beer Week.

12. SUMMERS WAS BELOVED BY SOME MOMS.


Nickelodeon

For years, Summers and Double Dare toured the country, doing live shows for crowds who were eager to try out the obstacles but couldn’t get to Orlando. After the live show, Summers would typically meet with fans to sign autographs. “There were all the mothers who would hand me their telephone numbers during the meet-and-greet after the show and tell me to call them when their husbands weren’t home,” he told People. “There was all sorts of nutty stuff going on.”

13. THEY DIDN’T ENDORSE JUST ANYTHING.

As alien a concept as it may seem today, Nickelodeon didn’t want to slap the Double Dare brand on anything that came along. The show turned down $1 million offered by watchmaker Casio to be the “official” time clock of the series; according to Summers, the network also refused another $1 million to license a Double Dare cereal.

14. THEY DID OFFER A CAR—ONCE.

With a tight budget, the original Double Dare generally kept the threshold for prizes low. In 1987, producers awarded a miniature automobile to a winning team strictly for their own amusement. Said executive producer Geoffrey Darby: “We wanted to be able to hear a kid scream, ‘It’s a new car!’”

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