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15 Failed American Remakes Of Foreign TV Shows

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While American TV shows like Friends, The Nanny, and Married With Children have been exported to foreign markets, Americans have seen their fair share of poorly adapted remakes of foreign TV shows. Once in a while, there are imports—The Office, Sanford & Son, and All In The Family among them—that find their place in American pop culture, but every now and then, there are some straight up duds. Here are 15 that just didn't translate.

1. The Killing

In 2011, AMC premiered a new crime drama called The Killing. It was based on a popular TV series titled Forbrydelsen (The Crime) that first aired in Denmark in 2007. While both versions focused on the investigation of the brutal murder of a teenage girl, The Killing seemed to have plateaued in its 13-episode first season after its pilot episode, while Forbrydelsen thrived with a longer and more intricate 20-episode first season. The Killing’s season one finale was extremely disappointing and angered viewers, who didn’t return when the TV series came back for season two the next year.

The Killing was canceled after two seasons, but was later resurrected after Fox Studios, the studio behind the crime drama, made a deal with Netflix and AMC to bring the TV series back for a third season, which premieres June 2. Perhaps the third season will be the charm. 

2. Kath & Kim

Premiering in Australia in 2002, Kath & Kim was an instant success with viewers and TV critics alike. Australian writers Gina Riley and Jane Turner created Kath & Kim and also played the title roles, respectively. Although the original series ran for four seasons and spawned a TV movie and full-length feature film, its American counterpart—which starred Molly Shannon as Kath and Selma Blair as her daughter, Kim, and aired on NBC—struggled to sustain a full 22-episode season of TV. It was unceremoniously canceled after 17 episodes in 2009.

3. Spaced

Before actor Simon Pegg appeared in the movies Shaun of the Dead and Hot Fuzz, he created a very popular TV comedy in the UK with writer Jessica Stevenson and director Edgar Wright. Spaced was a surreal, pop culture-heavy comedy with rapid-fire dialogue and jokes. The original British TV series was critically acclaimed and was thought to be a good fit for American audiences.

In 2007, Fox announced that director McG would make an American version of the show with actors Josh Lawson, Sara Rue, and Will Sasso in the lead roles, but the idea was scrapped after negative reactions from the original series' creators and its fans.

4. Fawlty Towers

The creation of Monty Python alumnus John Cleese and his then-wife, writer and actor Connie Booth, Fawlty Towers is considered one of the best British TV series of all time. The comedy surrounded the staff of a fictional seaside hotel and their zany misadventures.

There were actually three attempts to remake Fawlty Towers for American TV. In 1978, a pilot starring Harvey Korman and Betty White called Chateau Snavely was in development for ABC, but never saw production because of the numerous changes to the source material.

The second starred another Golden Girl: In Amanda’s, Bea Arthur played the owner of a seaside hotel. The show ran for 10 episodes before it was canceled in 1983. The third and final remake was called Payne and starred John Larroquette. It was a mid-season replacement on CBS and only aired for a month before it was canceled in 1999.

5. Cold Feet

Airing at the tail end of 1998, the British TV comedy-drama Cold Feet—about the up-and-down relationships of three couples—was considered ahead of its time. British critics applauded the show's depiction of social issues and use of pop music, as it was relevant to its contemporary audience.

The TV series was adapted for American audiences the following year, but received low ratings after its premiere episode, despite mostly positive reviews from critics. It was canceled after airing only four episodes of its eight-episode season.

6. The I.T. Crowd

The UK’s Channel 4’s The I.T. Crowd gained a cult following in England, but failed to make it to American TV when NBC commissioned a remake in 2007. Actor Joel McHale played the awkward Roy, originally played by Chris O’Dowd, while Richard Ayoade reprised his role as Maurice Moss from the original British sitcom. A pilot was made, but NBC’s new chairman, Ben Silverman, rejected it. In 2010, the original sitcom’s creator Graham Linehan stated a new American remake was in the works, but ultimately the project was junked after negative fan reaction.

7. The Weakest Link

In 2001, after the success of ABC's primetime game show Who Wants To Be A Millionaire?, NBC tried to replicate that success with another foreign import. The Weakest Link was a similar game show that focused on a team elimination format rather than an individual one. The new version even imported the original host, Anne Robinson, to moderate the American contestants. 

At first, The Weakest Link saw strong ratings, but soon after it plummeted; American audiences seemed uninterested in the game show’s rules and the gimmicky catchphrase, “You are the weakest link—goodbye.” The show lasted just one year on NBC, with a follow up year in syndication on PAX TV and the Game Show Network.

8. The Ex List

Based on the Israeli TV series The Mythological X, The Ex List was developed for American TV by CBS in 2008. The comedy-drama followed Bella Bloom (Elizabeth Reaser), who is told by a psychic that her future husband was someone she used to date. According to the prediction, if she doesn’t find him within one year, she will remain single forever. This led Bella to explore her past relationships, hoping to find her future husband.

Although The Ex List received mostly positive reviews from critics, general audiences didn’t take to the series’ unappealing characters. It was canceled a month after its premiere.

9. Skins

The British teen drama Skins met commercial and critical success in the UK. The show followed a group of teenagers in Bristol, South West England, and depicted teen social issues including adolescent sexuality, substance abuse, and death. It was an unconventional series that changed out its main cast of characters every two years to keep the teen drama as accurate as possible. When it was adapted for American TV, it found a home on MTV.

While controversy surrounded both versions of Skins, American advertisers abandoned the teen drama because of its very candid subject matter. The U.S. version lasted just one 10-episode season, while its British counterpart enjoyed six good seasons of quality TV.

10. The Inbetweeners

While Skins was a dramatic depiction of teenage life, The Inbetweeners took a more comedic approach to the subject matter. The comedy followed a group of four awkward high school boys who weren’t cool enough for the cool kids, but not anti-social enough to be considered losers—hence the title.

The UK version spawned three highly rated seasons and spun off a successful movie adaptation. When The Inbetweeners was developed for American TV in 2012, it was picked up by MTV, but suffered the same fate as the American Skins. It was canceled after two months.

11. Sit Down, Shut Up

After the cult-classic Arrested Development was canceled in 2006, writer Mitchell Hurwitz developed a new animated TV series called Sit Down, Shut Up that was based on a short-lived Australian TV series of the same name—but while the American version was animated, the Australian version was not.

The remake reunited some of the Arrested Development cast, including Jason Bateman, Will Arnett, and Henry Winkler. Both series followed the staff and students of a dysfunctional fictional high school. The U.S. Sit Down, Shut Up only aired four episodes on Fox before it was canceled in 2009 due to very low ratings. 

12. Coupling

Created by Scottish writer Steven Moffat, Coupling was a big success in the UK from its premiere in 2000 until its cancelation in 2004. It followed a group of friends consisting of three men and three women, and even drew comparisons to popular American TV shows like Friends and Seinfeld.

When the TV series was imported to the U.S. in 2003, it failed to connect with American audiences, who didn’t appreciate the word-for-word translation of the original pilot episode. (By the time the show premiered, the British version had already gained cult status after it aired on PBS and BBC America.)

NBC canceled Coupling after five episodes. Former President and CEO of NBCUniversal Jeff Zucker later said that it “just sucked.”

13. Life On Mars

The science fiction TV series Life On Mars was also a police procedural that followed a modern day police detective who fell into a coma after a terrible car accident. When he woke up, he found himself in 1973 instead of his own time. The show was such a hit in the UK that it spawned a successful spinoff series, Ashes To Ashes.

When it was developed for American TV, critics gave the cop drama glowing reviews for its vision and premise. Then, the show took a two-month hiatus, and after it returned, it could no longer sustain the interest of American audiences. To add insult to injury, the American version’s season one finale was one of the most perplexing finales in TV history: It revealed that the detective was actually on the first manned mission to Mars, and that both the 1973 and 2008 "realities" he experienced were created by the ship's computer while he was asleep. Fans across the board were furious.

14. Free Agents

Although the original British version of Free Agents was short-lived, the U.S. remake’s life span was much shorter. The series was a black romantic comedy that followed two co-workers dealing with a harsh breakup. The UK's version was raunchy and explicit, but the US remake had to tone down its language and subject matter to placate American censors and networks. It was canceled after airing four episodes in 2011. The remaining episodes were released on Hulu.com a few months later.

15. Football Wives

The American show Football Wives was based on the very popular British TV drama Footballers’ Wives, which followed the fictional Premier League football club Earls Park F.C., its players, and their wives. The American remake changed the sport from soccer to American football as the series followed the fictional NFL team the Orlando Stingrays.

While Football Wives had an all-star cast, including Lucy Lawless, Gabrielle Union, and James Van Der Beek, ABC did not pick up the TV drama after its pilot episode tested poorly with audiences in 2007.

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20 Things You Might Not Know About Mr. Show
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You never need an excuse to look back at Mr. Show with Bob and David, but given that today is co-creator Bob Odenkirk's 55th birthday, now seems to be as good a time as any.

1. BOB ODENKIRK AND DAVID CROSS’S FIRST MEETING DID NOT GO VERY WELL.

Following four years of writing on Saturday Night Live, Odenkirk was in Los Angeles in 1992 as a writer for the Chris Elliott Fox cult classic Get a Life. David Cross was a comedian in L.A. after performing for years in Boston. One boring afternoon, Cross asked friend and fellow stand-up Janeane Garofalo if she knew anybody that played basketball. The two went to Odenkirk’s house, and Garofalo introduced David to Bob and then asked if he wanted to play basketball. He said no.

2. ODENKIRK AND CROSS FIRST WORKED TOGETHER ON THE BEN STILLER SHOW.

Despite their inauspicious beginning, the two ended up having numerous fruitful collaborations, starting with their work on The Ben Stiller Show. Odenkirk was a writer/performer on the short-lived but Emmy award-winning sketch show with Garofalo, Stiller, and Andy Dick. Cross was brought in in the middle of the show’s 13-episode run as a writer.

3. THE CO-STARS FIRST PERFORMED ON STAGE TOGETHER AS "THE THREE GOOFBALLZ."

Odenkirk and Cross performed sketch comedy together at the Diamond Club in Los Angeles, with a third improviser that, the joke went, would either be deceased or out elsewhere getting high.

4. "THE THREE GOOFBALLZ' WAS ALMOST THE TITLE OF MR. SHOW

Odenkirk also pitched the title Grand National Championships, but David Cross was never a fan of it.

5. JACK BLACK, SARAH SILVERMAN, AND OTHER FUTURE STARS APPEARED ON THE SHOW BEFORE THEY WERE FAMOUS.

Black was in four episodes of Mr. Show, starring in the classic Jesus Christ Superstar parody “Jeepers Creepers.” Silverman was a performer in 10 episodes. Mary Lynn Rajskub, best known as Chloe on 24, was a featured actress in the first two years. Tom Kenny, the voice of SpongeBob SquarePants, was a series regular for a majority of the run. Scott Adsit, a.k.a. 30 Rock’s Pete Hornberger, was in six episodes.

6. PATTON OSWALT WARMED UP THE MR. SHOW CROWD.

In addition to performing stand-up before tapings and keeping the studio audience interested in between scenes, Oswalt played Famous Mortimer in the episode “Operation: Hell on Earth” (but was credited as “Patton Oswald.”)

7. HOMELESS PEOPLE WERE NOT KIND TO THE ORIGINAL SETS.

Because the pilot episode was shot at a “down and dirty,” small Central Hollywood club, the sets had to be placed outside, where homeless people defecated on them.

8. YOU MIGHT ALSO RECOGNIZE SOME OF THE WRITING STAFF.

Dino Stamatopoulos was already on the original writing staff of Late Night with Conan O’Brien and had written for David Letterman before writing for Cross and Odenkirk. He would later create three shows and play Starburns on Community. Writer/performer Scott Aukerman co-created and executive produces Between Two Ferns, and created and stars on Comedy Bang! Bang!. Writer/performer Paul F. Tompkins hosted VH-1’s Best Week Ever! and currently hosts the satirical debate show No, You Shut Up!, where he moderates discussions by a panel full of puppets. Bob Odenkirk’s brother Bill has written ten episodes of The Simpsons.

9. THE DIRECTORS OF LITTLE MISS SUNSHINE LEARNED HOW TO DIRECT COMEDY FROM MR. SHOW.

Valerie Faris and Jonathan Dayton were known for directing music videos like The Smashing Pumpkins’ “Tonight, Tonight” and Jane’s Addiction’s “Been Caught Stealing,” and decided to direct two Mr. Show episodes to expand their filming vocabulary. The husband and wife team were behind the camera for the classic sketch “Monk Academy.”

10. ONE SKETCH WAS INFLUENCED BY LOUIS C.K.

One of the first sketches in the show’s history involved Odenkirk playing a priest forced to do rather unpleasant and un-priestly things. The idea sprang from a conversation David Cross had with fellow young Boston comic Louis C.K., where Louis talked about annoying people that try to claim a prize on a bet that their friends never agreed to in the first place.

11. HBO ONLY CENSORED THE SHOW ONCE.

Throughout four years and 30 episodes, the lone note Odenkirk and Cross got from HBO was to get rid of a line where one character tells another to have sex with a baby. Odenkirk admitted that being told to edit it out “wasn’t too much to ask.”

12. THEY ONLY RECEIVED ONE VIEWER COMPLAINT.

The only angry letter that Odenkirk and Cross were ever made aware of was from a military veteran who was offended by the sketch in “Who Let You In?” where Cross’s performance artist character attempts to defecate on the American flag. The two stars actually called the viewer and discovered that he didn’t watch the entire sketch, and therefore never realized that Cross’ character was never able to actually go through with it.

13. ONE SKETCH WAS CUT FROM THE SHOW SIX TIMES AND NEVER MADE IT TO AIR.

A sketch called “Party Car,” a joke on old, low-quality shows filled with '70s celebrities was cut from half a dozen scripts and never filmed. It would have featured Nipsey Russell, Zsa Zsa Gabor, (or reasonable facsimiles), and a baby in a balloon-filled car.

14. BOB ODENKIRK GOT IN TROUBLE FOR USING A PICTURE OF HIS DEAD GRANDFATHER.

Because the sketch “Old Man In House” needed a photo of an old man, and the elderly gentleman was not the butt of the joke, Odenkirk thought it would be fine. Instead, some Odenkirks were “very upset.”

15. CROSS WAS PAYING OFF HIS STUDENT LOAN DEBTS THROUGHOUT MOST OF THE SERIES.

David Cross and Amber Tamblyn
Frazer Harrison/Getty Images

Despite executive producing and co-creating a series on television, Cross had trouble paying off his student loan debts from his time at Emerson College. Figuring that the person calling from the bill collection agency wouldn’t believe that he couldn’t pay if he knew his job status, Cross pretended that he worked at Mr. Show as a messenger.

16. ONE PERSON WAS GIVEN A "SPECIAL THANKS" IN THE CLOSING CREDITS OF EVERY EPISODE AS A JOKE.

As Cross once explained, Rick Dees was thanked in the credits of the pilot episode, even though he was “certainly nobody we would ever thank, or be in a position to thank.” Some personalities that were thanked for no discernable reason were Greg Maddux, Rodion Romanovich Raskolnikov, Gabe Kaplan, and Howard Zinn.

17. HBO CHANGED THE TIME SLOT FOR ITS FINAL SEASON, AND IT WAS "DEMORALIZING."

After airing Fridays at midnight for the first three seasons, HBO moved the show to Mondays at the same time, confusing some loyal viewers, and the ratings decreased as a result. Bob Odenkirk told a reporter that, after 30 episodes, HBO was still treating the cast and crew as “second-class citizens,” and that they were “demoralized” by the slot shift.

18. BOB AND DAVID TOLD A STUDIO AUDIENCE THAT THEY HAD JUST WITNESSED THE FINAL EPISODE, AND THEY WEREN'T JOKING.

“Patriotism, Pepper, and Professionalism,” the 40th and final episode of Mr. Show, was taped on November 21, 1998. After the final sketch was filmed, Odenkirk and Cross made their announcement, although the show’s cancellation wasn’t made official for another few months.

19. THERE WAS A MR. SHOW MOVIE THAT WENT STRAIGHT TO VIDEO.

Run Ronnie Run focused on David Cross’s redneck criminal character Ronnie Dobbs. It was filmed in 2001, but never made it to theaters. Bob Odenkirk admitted that the movie wasn’t perfect, but he blamed the poor quality on director Troy Miller, for not allowing himself and Cross to edit the movie.

20. THE TWO HAVE REUNITED A FEW OTHER TIMES.

David Cross and Bob Odenkirk star in 'W/ Bob and David'
Saeed Adyani/Netflix

In 2002, Bob, David, and Mr. Show writer/performers Brian Posehn, John Ennis, and Stephanie Courtney (Flo in the Progressive commercials) toured the country to perform some of the show’s sketches and material from their unproduced screenplay Mr. Show: Hooray For America! The next year, Odenkirk guest starred as Dr. Phil Gunty on a season one episode of Arrested Development, alongside Cross’ character Tobias Fünke.

In 2012, Odenkirk, Cross, and Posehn went on a six-city tour to promote their book filled with more unproduced material. Bob and David appeared briefly together the next year on an episode of Aukerman’s Comedy Bang! Bang! In 2015, 20 years after Mr. Show's debut, Netflix premiered W/ Bob and David, a five-episode sketch comedy show created by and starring the duo.

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30 Memorable Quotes from Carrie Fisher
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Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

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