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Oregon State University, Wikimedia Commons // CC BY-SA 2.0
Oregon State University, Wikimedia Commons // CC BY-SA 2.0

7 Tips From a Nikon Pro for Photographing the Total Solar Eclipse

Oregon State University, Wikimedia Commons // CC BY-SA 2.0
Oregon State University, Wikimedia Commons // CC BY-SA 2.0

We bear witness each day to some small celestial wonder never again to be seen by human eyes. The rare meteor—some lost fragment of a comet gone by—coursing through the heavens as a brief and tiny luminescent slice. The pulse and cadence of a distant star's twinkle, as unique as a fingerprint's swirl or the latticework of a snowflake. Those moments and details belong to their witnesses, and to no one else. They will never be seen precisely the same way again. It happens, we watch, and we are moved in some way. We take the event with us when we are gone. It's not often that we share in these events with millions, and rarer still that we know the precise time to take a photograph that will last forever.

The eclipse on August 21 will be one such time. To help you capture the moment with your camera, Mental Floss spoke to Steve Heiner, senior technical manager with Nikon, who saw his first eclipse 38 years ago. Here is what he told us you need to know. 

1. BE IN THE RIGHT PLACE.

Witnessing the eclipse from outside the path of totality is like catching a glimpse of Disneyland from the highway. It's just not the same. Either you are there or you are not. The first step, then, in photographing a total eclipse is getting there. This is not as easy as it sounds, and this late in the game, accommodations are hard to come by—but not impossible. Such large cities along the path as Idaho Falls, St. Louis, Nashville, and Columbia are equipped to handle massive crowds from tourism and conventions. You can still find a room. Moreover, active, retired, and reserve military service members across the country have exclusive access to such major bases along the path as Whiteman Air Force Base, Fort Campbell, and Fort Jackson. So if you really want to be in the path, do not despair, but do not delay.

2. GET A FILTER.

Sure, a few fortunate photographers will walk into the path peeling protective cellophane from the virgin displays of shiny new cameras … but it is not a requirement. If you have any camera at all—including the one on your smartphone—you're practically prepared for the event already. You might want a solid, stable tripod, too, but it is not a requirement. What you will definitely need is a "full aperture solar filter" to cover your camera lens. This will protect the camera's image sensor from being damaged by sunlight during the partial phases of the eclipse. Such filters are not hard to find, though perhaps patronize a reputable retailer. (The eclipse has brought out more than a few hucksters.) Consider also procuring protective eyewear. You will be staring at the Sun, after all, and will presumably want to continue using your eyes the day after the eclipse. Get a few pairs, because according to NASA, you can use the filters from ISO-certified eclipse eyewear as a full aperature solar filter [PDF] on your smartphone. And don't forget to turn off your flash.

3. CHOOSE THE RIGHT LENS.

"If you shoot a picture that excludes everything but the Sun, then it looks like every other picture that you can pull up on the Internet, or that anyone has ever shot of a solar eclipse," Heiner tells Mental Floss. Eclipses happen several times around the world every year. There are enough pictures of a Moon-masked Sun to go around. "I've been encouraging people to try to put the eclipse in context."

To that end, rather than using a telephoto lens trained on the Sun, consider a more moderate or wide-angle lens able to capture not only the eclipse, but also some scenery around you. "As the eclipse approaches totality, turn around 180-degrees and photograph people looking through their solar glasses. It can be almost as interesting a photograph as the Sun itself," he says.

4. REMOVE YOUR FILTER AT THE RIGHT TIME.

"If you're interested in isolating the Sun in the sky and getting nothing but the actual eclipse, obviously it benefits you to be right in the path of totality," says Heiner. "You'll get that distinct corona on the outside as the event is taking place." Heiner recommends keeping the lens filter in place right up to the moment of totality. Then remove the filter from your camera and behold a shimmering, hazy halo of light that seems to reach from the black Moon's horizons. It is safe to photograph this. When the Sun again emerges from the Moon, reattach the filter.

5. CAPTURE YOUR PERSONAL ECLIPSE.

Remember that this is the photography event of the year, and battalions of professionals will be drawn to the path. You probably can't take a better shot than they can. Rather than trying to take an eclipse photograph worthy of the cover of National Geographic, set your sights lower—literally. Everyone will see the Sun, but only you will see the city, park, mountains, or canyons around you. Only you will see the children laughing at the wonder of the moment, the animals scurrying along, the jaded teenagers struck with wonder. "Look around and try to keep your own personal context in mind when you're shooting," says Heiner. "Those are the pictures that, while they can include the eclipse, will also include elements that others will not have access to. It makes the pictures more personal."

He recalls his own experience from an eclipse 38 years ago. "One of the most intriguing things that I remember was that, if you look around under the shade of trees, all that dappled light—which looks quite normal on any other day—will turn to tiny crescents during the eclipse. To me that sort of detail can be as interesting as the actual eclipse itself. I would encourage people not to always be looking straight up at the Sun. Look around. Notice what's going on around you, and all the excitement regarding the eclipse. I think some of those pictures will end up being the ones you really remember."

6. TRUST YOUR CAMERA.

The eclipse will be a very forgiving photography model even for rank beginners. The Sun will be reduced to a very prominent crescent shape as the Moon travels across its face. During that time, it is crucial to have a filter attached to your camera. In addition to protecting its sensor, it will ensure that pretty much the only thing illuminated in the scene is the Sun. Most camera metering systems will factor that in and take fairly decent photographs.

Heiner suggests that amateur photographers consider bracketing their photographs. This basically involves shooting multiple pictures at slightly different exposure settings. The benefit of digital cameras today is that when you shoot a picture, you can review it immediately. If you see a picture you don't like, you can make a fast adjustment to correct the flaw. (Nikon recommends choosing a single aperture and bracketing shots "over a range of shutter speeds from 1/1000 second to 1 second.")

7. BONUS TIP FOR THE ADVANCED AMATEUR: TIMELAPSE 

"Somebody at a high level might consider doing what is known as a timelapse," says Heiner, "when they can set the camera to take pictures automatically at a given interval. With the appropriate filter in place as usual, they can actually shoot photographs unattended through the whole process of the eclipse, and then actually stack them together or assemble them into a single image later, using software." (Nikon provides tutorials on how to do this, and other eclipse photography techniques.)

Regardless of how you record the eclipse, don't forget to experience it not through glass or smartphone screens, but with your own eyes, your own senses. Before hoisting your camera and snapping the Sun, take it all in. Make your memories. See a day turned to darkness, and animals scurrying home to nests and hollows. See the human response, which might perhaps be the most moving. For fleeting moments—a minute or two out of one's entire life—all heads will turn and rise in unison and cast no judgment but wonder. Here we are, on a pale blue dot, sharing in event of our star blotted from the sky. 

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Scott Butner, Flickr // CC BY-NC-ND 2.0
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Look Up! The Lyrid Meteor Shower Arrives Saturday Night
Scott Butner, Flickr // CC BY-NC-ND 2.0
Scott Butner, Flickr // CC BY-NC-ND 2.0

There is a thin line between Saturday night and Sunday morning, but this weekend, look up and you might see several of them. Between 11:59 p.m. on April 21 and dawn on Sunday, April 22, the Lyrid meteor shower will peak over the Northern Hemisphere. Make some time for the celestial show and you'll see a shooting star streaking across the night sky every few minutes. Here is everything you need to know.

WHAT IS THE LYRID METEOR SHOWER?

Every 415.5 years, the comet Thatcher circles the Sun in a highly eccentric orbit shaped almost like a cat's eye. At its farthest from the Sun, it's billions of miles from Pluto; at its nearest, it swings between the Earth and Mars. (The last time it was near the Earth was in 1861, and it won't be that close again until 2280.) That's quite a journey, and more pressingly, quite a variation in temperature. The closer it gets to the Sun, the more debris it sheds. That debris is what you're seeing when you see a meteor shower: dust-sized particles slamming into the Earth's atmosphere at tens of thousands of miles per hour. In a competition between the two, the Earth is going to win, and "shooting stars" are the result of energy released as the particles are vaporized.

The comet was spotted on April 4, 1861 by A.E. Thatcher, an amateur skywatcher in New York City, earning him kudos from the noted astronomer Sir John Herschel. Clues to the comet's discovery are in its astronomical designation, C/1861 G1. The "C" means it's a long-period comet with an orbit of more than 200 years; "G" stands for the first half of April, and the "1" indicates it was the first comet discovered in that timeframe.

Sightings of the Lyrid meteor shower—named after Lyra, the constellation it appears to originate from—are much older; the first record dates to 7th-century BCE China.

HOW CAN I SEE IT?

Saturday night marks a first quarter Moon (visually half the Moon), which by midnight will have set below the horizon, so it won't wash out the night sky. That's great news—you can expect to see 20 meteors per hour. You're going to need to get away from local light pollution and find truly dark skies, and to completely avoid smartphones, flashlights, car headlights, or dome lights. The goal is to let your eyes adjust totally to the darkness: Find your viewing area, lay out your blanket, lay down, look up, and wait. In an hour, you'll be able to see the night sky with great—and if you've never done this before, surprising—clarity. Don't touch the smartphone or you'll undo all your hard ocular work.

Where is the nearest dark sky to where you live? You can find out on the Dark Site Finder map. And because the shower peaks on a Saturday night, your local astronomy club is very likely going to have an event to celebrate the Lyrids. Looking for a local club? Sky & Telescope has you covered.

WHAT ELSE IS GOING ON UP THERE?

You don't need a telescope to see a meteor shower, but if you bring one, aim it south to find Jupiter. It's the bright, unblinking spot in the sky. With a telescope, you should be able to make out its stripes. Those five stars surrounding it are the constellation Libra. You'll notice also four tiny points of light nearby. Those are the Galilean moons: Io, Europa, Ganymede, and Callisto. When Galileo discovered those moons in 1610, he was able to prove the Copernican model of heliocentricity: that the Earth goes around the Sun.

THERE'S BAD WEATHER HERE! WHAT DO I DO?

First: Don't panic. The shower peaks on the early morning of the 22nd. But it doesn't end that day. You can try again on the 23rd and 24th, though the numbers of meteors will likely diminish. The Lyrids will be back next year, and the year after, and so on. But if you are eager for another show, on May 6, the Eta Aquariids will be at their strongest. The night sky always delivers.

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11 Things You Might Not Know About Neil Armstrong
NASA/Hulton Archive/Getty Images
NASA/Hulton Archive/Getty Images

No matter where private or government space travel may take us in the future, NASA astronaut Neil Armstrong (1930-2012) will forever have a place as the first human to ever set foot on solid ground outside of our atmosphere. Taking “one small step” onto the moon on July 20, 1969, he inspired generations of ambitious people to reach for the stars in their own lives. Take a look at some facts about that famous quote, how a door hinge changed his life, and why he once went after Hallmark over a Christmas ornament.

1. HE KNEW HOW TO FLY BEFORE HE GOT A DRIVER’S LICENSE.

Neil Armstrong poses for a portrait 10 years before the 1969 Apollo mission
NASA/Hulton Archive/Getty Images

Born August 5, 1930 in Wapakoneta, Ohio, Armstrong became preoccupied with aviation early on. At around age 6, his father took him on a ride in a Ford Trimotor airplane, one of the most popular airplanes in the world. By age 15, he had accumulated enough flying lessons to command a cockpit, reportedly before he ever earned his driver’s license. During the Korean War, Armstrong flew 78 combat missions before moving on to the National Advisory Committee for Aeronautics (NACA), the precursor to NASA.

2. HIS FAMOUS QUOTE GETS MISINTERPRETED.

When Armstrong and Buzz Aldrin touched down on the moon, hundreds of millions of television viewers were riveted. Armstrong could be heard saying, “That’s one small step for man, one giant leap for mankind.” But that’s not exactly what he said. According to the astronaut, he was fairly sure he stated, “That’s one small step for a man, one giant leap for mankind.” The “a” may have broken up on transmission or it may have been obscured as a result of his speaking patterns. (According to First Man: The Life of Neil A. Armstrong, Armstrong said, “I’m not particularly articulate. Perhaps it was a suppressed sound that didn’t get picked up by the voice mike. As I have listened to it, it doesn’t sound like there was time for the word to be there. On the other hand, I think that reasonable people will realize that I didn’t intentionally make an inane statement, and certainly the ‘a’ was intended, because that’s the only way the statement makes any sense. So I would hope that history would grant me leeway for dropping the syllable and understand that it was certainly intended, even if it wasn’t said—although it actually might have been.”) Armstrong claimed the statement was spontaneous, but his brother and others have claimed he had written it down prior to the mission.

3. WE DON’T HAVE A REALLY GOOD PICTURE OF HIM ON THE MOON.

Buzz Aldrin is seen walking on the moon
NASA/Hulton Archive/Getty Images

One of the most celebrated human achievements of the 20th century came at a time when video and still cameras were readily available—yet there are precious few images of Armstrong actually walking on the surface of the moon. (One of the most iconic shots, above, is Aldrin; Armstrong only appears as a reflection in his helmet.) The reason, according to Armstrong, is that he really didn’t care and didn’t think to ask Aldrin to snap some photos. “I don't think Buzz had any reason to take my picture, and it never occurred to me that he should,” Armstrong told his biographer, James R. Hansen. “I have always said that Buzz was the far more photogenic of the crew."

4. A DOOR HINGE MAY HAVE MADE ALL THE DIFFERENCE.

Theories abound as to why it was Armstrong and not Buzz Aldrin who first set foot on the moon. (On the Gemini missions, the co-pilot did the spacewalks, while the commander stayed in the craft. For Apollo 11, Armstrong was the commander.) The answer may have been the simple logistics of getting out of their lunar module. The exit had a right hinge that opened inwardly, with the man sitting on the left (Armstrong) having the most unobstructed path to the outside. Aldrin would have essentially had to climb over Armstrong to get out first.

5. HE WAS MORE CONCERNED ABOUT LANDING ON THE MOON THAN HE WAS WALKING ON IT.

The lunar module that took NASA astronauts to the moon
NASA/Hulton Archive/Getty Images

The romantic notion of a human stepping foot on space soil captured imaginations, but for Armstrong, it was getting there in one piece that was the real accomplishment. The lunar module Armstrong controlled had to be brought down on the moon’s surface from 50,000 feet up, avoiding rocks, craters, and other obstacles as it jockeyed into a position for landing. Because there is no air resistance, nothing could slow their descent, and they used thrusters to guide the craft down. That meant there was only enough fuel to attempt it once. The “business” of getting down the ladder was, in Armstrong’s view, less significant.

6. HE WAS CARRYING A BAG WORTH $1.8 MILLION.

When Armstrong surveyed the surface of the moon, he collected a bag of dust for NASA scientists to examine. Apollo moon samples are illegal to buy or sell, but that apparently wasn't the case with the “lunar collection bag” Armstrong used to hold the samples. In 2015, the bag was purchased by Chicago resident Nancy Lee Carlson from a government auction site for $995. But its sale was, apparently, an accident: When Carlson sent the bag to NASA to confirm its authenticity, NASA said it was their property and refused to send it back—so Carlson took the agency to court. A judge ruled it belonged to Carlson, and in 2017, she sold the bag for a whopping $1.8 million at a Sotheby’s auction.

7. HE HAD TO SPEND THREE WEEKS IN QUARANTINE.

Richard Nixon greets the returning Apollo 11 astronauts
NASA/Hulton Archive/Getty Images

When Armstrong, Aldrin, and Michael Collins (who remained behind in the command module while the other two touched down on the moon) returned to Earth and were fetched by the USS Hornet, they got a king’s welcome. The only asterisk: They had to bask in their newfound fame from inside a sealed chamber. All three men were quarantined for three weeks in the event they had picked up any strange space virus. When President Richard Nixon visited, he greeted them through the chamber’s glass window.

8. HIS APOLLO SPACE SUIT WAS MADE BY PLAYTEX.

Yes, the undergarment people. In the early 1960s, NASA doled out contract work for their space suits to government suppliers, but it was Playtex (or more properly the International Latex Corporation) and their understanding of fabrics and seams that led to NASA awarding them responsibility for the Apollo mission suits. Their A7L suit was what Armstrong wore to insulate himself against the harsh void of space when he made his famous touchdown. The astronaut called it “reliable” and even “cuddly.”

9. HE BECAME A UNIVERSITY PROFESSOR.

Newil Armstrong sits behind a desk in 1970
AFP/Getty Images

Following his retirement from NASA in 1971, Armstrong was reticent to remain in the public eye. Demands for his time were everywhere, and he had little ambition to become a walking oral history of his singular achievement. Instead, he accepted a job as a professor of engineering at the University of Cincinnati and remained on the faculty for eight years.

10. HE ONCE SUED HALLMARK.

Hallmark was forced to defend itself when Armstrong took issue with the company using his name and likeness without permission for a 1994 Christmas ornament. The bulb depicted Armstrong and came with a sound chip that said phrases like, “The Eagle has landed.” The two parties came to an undisclosed but “substantial” settlement in 1995, which was, according to First Man, donated to Purdue University (minus legal fees).

11. HE ENDORSED CHRYSLERS.

Armstrong’s preference to lead a private life continued over the decades, but he did make one notable exception. For a 1979 Super Bowl commercial spot, Armstrong agreed to appear on camera endorsing Chrysler automobiles. Armstrong said he did it because he wanted the struggling U.S. car maker to improve their sales and continue contributing to the domestic economy. The ads never mentioned Armstrong was an astronaut.

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