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13 Naked Truths About The Full Monty

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20th Century Fox Home Entertainment

From Gypsy to Showgirls to Magic Mike, the silver screen has seen its fair share of strippers. Then came the guys from The Full Monty. In 1997, Peter Cattaneo's dramedy about a group of unemployed (and mostly out-of-shape) steel workers who decide their best chance at a big pay day is to take it all off for an audience of local ladies became a surprise hit around the world. It was a surprise to the cast and crew, too, who faced a number of hurdles in getting the movie made. On the 20th anniversary of its release, we're taking a look at the naked truth behind the film that brought "The Full Monty" into the general lexicon. 

1. IT GOT OFF TO A ROUGH START.

Though The Full Monty eventually became a massive hit, you wouldn’t have known it from the many roadblocks the film’s producers faced when attempting to get the project off the ground. Channel 4 Films initially showed interest in the film and invested in the script’s development. But once completed, they believed the final draft was too close to Brassed Off, another project they were interested in developing. According to then-chief executive Paul Webster, the company’s executives eventually decided to go with Brassed Off after a “beauty contest” between the two films.

“We felt that the two films served the same community and had the same concerns about unemployment and dignity,” Webster said. From a bottom-line standpoint, The Full Monty—which made about 10 times what Brassed Off did at the box office—clearly would have been the better bet. “You can only hope that you don’t make that mistake again,” Webster said.

2. THE MOVIE’S TITLE CONFUSED HOLLYWOOD EXECUTIVES.

After getting a pass from Channel 4, the film’s makers attempted to pitch The Full Monty to a number of Hollywood studios—many of whom were totally perplexed by the title. Though the movie popularized the phrase around the world, few people knew what it meant before 1997. According to the film’s screenwriter, Simon Beaufoy, several American studio executives were confused by the movie’s title and wondered why there was no character named “Monty” in the film.

3. SOME AMERICAN MOVIEGOERS HAD TROUBLE WITH THE BRITISH SLANG, TOO.

Though Beaufoy knew that The Full Monty had universal appeal, he heard from more than one American moviegoer that they couldn’t understand a lot of what was being said. “When we first showed it at the Sundance Film Festival,” Beaufoy told Metro, “there were people coming out going: ‘God, I loved that. I didn’t understand a word they were saying but I loved it!’ We scratched our heads over that but there is something about the characters and the story that is universally understood. It’s about human nature and loss: loss of job, of pride, of dignity. It did fantastically in Brazil.”

Some U.S. theaters reportedly took to distributing pamphlets before the movie that broke down some of the more confusing slang within the film.

4. NICHOLAS LYNDHURST WAS THE FIRST CHOICE TO PLAY “GAZ.”

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Nicholas Lyndhurst, who is perhaps best known for his work in Going Straight, Only Fools and Horses, and Goodnight Sweetheart, was the first choice for the role of Gaz, which eventually went to Robert Carlyle. For Lyndhurst, passing on The Full Monty was a no-brainer: "I was in rehearsal in Northampton, on a bleak day, and my agent phoned,” Lyndhurst explained. “‘Darling—availability check: British film, not much money, set in Sheffield, about male strippers…’ I said I'd pass. I don't regret it."

5. ROBERT CARLYLE HATED MAKING THE MOVIE.

Eventually, Robert Carlyle—fresh off a starring part in Trainspotting—took on the role of Gaz, though he wasn’t thrilled about it. In the 20 years since the film’s release, Carlyle has shared that he did not enjoy making the film, and was pretty certain that it was going to bomb at the box office.

“I thought it was a load of f***ing pish,” Carlyle told Graham Norton earlier this year. Needless to say, he was shocked when it went on to make more than $250 million worldwide—especially considering that it was shot on a $3.5 million budget.

6. IT ALMOST WENT STRAIGHT TO VIDEO.

With so little confidence in the project coming from various angles, and a first cut that was reportedly pretty unimpressive, 20th Century Fox thought that cutting their losses and releasing the film straight to video might be the best option. “It was a tough shoot,” Carlyle said. “It was so horrible that when the people [at] Fox Searchlight, who'd commissioned it, saw the first cut they said ‘straight to video.'" But thanks to the persistence of producer Uberto Pasolini, who pleaded for the chance to let the team take one more pass at an edit, they were able to recut the film. In 1998, The Full Monty earned four Oscar nominations, including a Best Picture nod for Pasolini. (Anne Dudley took home the Academy Award for Best Music.)

7. THE “HOT STUFF” SCENE WAS ALMOST CUT.

One of the film’s most memorable scenes is when the guys are in line and Donna Summer’s “Hot Stuff” comes on the radio overhead. Without even thinking about it, they all quietly break into their choreographed moves to the song. According to a variety of sources, this scene came very close to ending up on the cutting room floor for being “too unrealistic."

8. YES, THE ACTORS REALLY DID TAKE IT ALL OFF.

Reluctant to put his cast through the torture of stripping down to nothing for take after take to shoot the film’s climactic striptease scene, Cattaneo promised his actors that it would be a one-take deal—an assurance that was ultimately what persuaded many of them to sign on for the film in the first place. And he delivered.

"We took two days to do the final scene with 50 extras," Cattaneo told the Chicago Tribune. "We rehearsed and rehearsed the last shot, but there was only one take. The cast agreed on that."

9. ALCOHOL PLAYED A ROLE.

In order to help calm pre-stripping nerves on the set, Cattaneo decided that a little liquid courage might help in eliciting the most natural performances from his actors—so he made sure there was plenty of booze lying around. “They were half full of whiskey at that point [of shooting the final scene],” Cattaneo told the Chicago Tribune. “That was the only way to get through it."

10. THE FILM ENDED UP BEING TOO SHORT.

After all the nips and tucks that were made to the earlier versions of the film, by the time the filmmakers had a cut that was working it ended up being too short. So, several months after filming had wrapped, the cast had to reassemble to shoot some additional footage. There was just one problem: Carlyle was already working on another movie and couldn’t make it back for the shoot, which is why you don't see him taking part in the above exercise montage.

11. IT WAS ADAPTED INTO A TONY AWARD-NOMINATED BROADWAY SHOW.

Like so many other successful films, The Full Monty made the jump from screen to stage in 2000. The play, which co-starred Patrick Wilson, opened at New York City’s Eugene O’Neill Theater on October 26, 2000, where it ran for 770 performances. In 2001, it received 10 Tony Award nominations.

12. MANY PEOPLE BELIEVE THAT PRINCESS DIANA’S DEATH CONTRIBUTED TO THE MOVIE’S SUCCESS.

The Full Monty hit UK theaters on August 29, 1997, just two days before Princess Diana’s death. While the nation mourned the untimely passing of The People’s Princess, some box office analysts believed that the need to escape the sadness that engulfed the country actually contributed to the film’s success.

On September 16, The Los Angeles Times reported on the film’s unexpected global success, writing that, “In Britain it has already taken in about $13 million, topping the box office for three straight weeks, including the weekend of Princess Diana's funeral.” When writing about the stage version of the show in 2015, The Reviews Hub wrote that, “When the movie The Full Monty opened in 1997 on the same weekend as the death of Princess Diana, it was suggested that its success was down to the public needing something to cheer them up at such a tragic time.”

In what might be considered a sort of bookend to that belief, director Peter Cattaneo’s newest project—which will debut later this year—is a television movie called Diana and I, which examines the lives of four individuals in the week following the Princess’s death.

13. PRINCE CHARLES WAS A FAN, TOO.

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In November 1998, on the eve of his 50th birthday, Prince Charles attended a Full Monty party where he and Hugo Speer, who starred in the original film, reenacted the "Hot Stuff" dance routine. Onlookers were impressed with the Prince's moves. "I've even been given a bit of choreography on how to do things in the queue," Charles admitted. "I liked the film so much, I've seen it twice."

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Keep Tabs on 100 Classic Films With This Scratch-Off Poster
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Pop Chart Lab

Do you get a weird kind of buzz from scratching off the silver foil coating on instant lotto tickets? Do you like watching movies? Then Pop Chart Lab has something for you. The company is set to release a 100 Essential Films Scratch-Off Chart, an 18-inch by 24-inch wall hanging that lets you keep track of which classic films you’ve seen and which are still in the queue.

A look at a scratch-off poster featuring 100 classic films

The curated films are arranged in chronological order, from the works of Buster Keaton all the way to 2017’s Get Out. The silver foil obscures a portion of the artwork, which reveals more iconography from the movie when etched away with a coin. The $35 poster is due to begin shipping in September; you can purchase your copy now.

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11 Super Great Facts About Superbad
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Columbia/TriStar

On the surface, Greg Mottola’s Superbad is the ultimate bromance: it tells the simple story of three dorky high school seniors (Michael Cera, Jonah Hill, and Christopher Mintz-Plasse) on a quest to bring alcohol to a party, just to impress some pretty girls. But beneath the dick jokes and teenage hormones, it’s about the anxiety of leaving for college and growing apart, emotions that producer Judd Apatow and writers Seth Rogen and Evan Goldberg channeled into the hit comedy. On the 10th anniversary of its release, the film still holds up and its themes still ring true. Here are 11 things you might not know about the already-classic coming-of-age flick.

1. SETH ROGEN AND EVAN GOLDBERG WROTE THE FILM WHEN THEY WERE TEENAGERS.

It’s no secret that Seth Rogen wrote Jonah Hill’s character as an exaggerated version of his younger self. In an interview with Indie London, Rogen disclosed just how far back the story goes: “Evan Goldberg [and I] started writing it in high school when we were 14 years old and a lot of that stuff [in the movie] actually happened. The relationship between us is totally fabricated for the movie. We did split up eventually, but we don’t give a sh*t … we don’t love each other … The whole fake ID concept happened. Fogell is actually our other best friend and all the names in the movie are people who went to high school [with us].”

2. DIRECTOR GREG MOTTOLA LET THE CAMERA RUN FOR HOURS, EVEN IN BETWEEN TAKES.

When you’ve got Jonah Hill, Michael Cera, and Christopher Mintz-Plasse in an Apatow movie, you know you’ve got to let them play. Which is exactly what Greg Mottola did. “We shot high def, which was the greatest thing ever,” Jonah Hill told About.com. “I literally thought it was the greatest thing. You could just shoot all day. It was so awesome. Like any idea, anything you wanted to try, it wasn’t a waste of money or like time to shoot it. Even if it was crazy like so much stuff in the movie. And I think Greg took a lot of stuff that were like in-between takes and stuff or like reactions or things of us hanging out because they could just keep shooting what they could use in the movie."

3. EVAN GOLDBERG’S BROTHER DREW THE PENISES YOU SEE IN THE FILM.

While only a few censor-friendly organs were shown in a scene in which Seth (Hill) explains to Evan (Cera) his childhood fascination with drawing penises, Evan Goldberg’s brother David actually drew more than 1,000 options from which to choose. “They were hilarious," Hill told About.com. "I think as much credit goes to [David] for how he executed. It’s so funny that he’s a lawyer.” As for the idea to put the joke in the movie in the first place, Rogen swears that that part is not autobigraphical. “That came from nowhere," says Rogen. "I don’t know what it is. I wrote that.”

Superfans of the movie (who don’t already know this) can actually purchase the penis illustrations as movie memorabilia. It exists as a book.

4. PRODUCER JUDD APATOW TAPPED INTO SETH AND EVAN’S FRIENDSHIP TO ADD DRAMA TO THE PLOT.

Rogen and Goldberg grew up together, though they didn’t experience any separation anxiety when they went their separate ways for college. However, for the sake of storytelling, Apatow decided to ramp up the tension. “Maybe Judd got the idea kind of because I was at McGill University in Montreal, Seth was here, and we were growing apart," Goldberg told Reelz. "When in reality I’d be like, ‘All right, see ya later’ and then wouldn’t see Seth for a year and I’d be like, ‘What’s up?’ If [Seth] was like, ‘Yo, I can’t see you for 10 years, but then after that let’s go get a beer,’ I’d be like, ‘Okay.’ With Judd, the idea was developed and he had the idea about college the next year.”

5. MCLOVIN’S MOM HAD TO BE ON SET FOR HIS SEX SCENE.

Columbia/TriStar

Talk about awkward! Christopher Mintz-Plasse was only 17 years old when he shot the film, which required him to have parental supervision during his love scene with Nicola (Aviva Baumann). “It was real awkward but it worked out OK because when I watched the movie with her the sex scene wasn't awkward because she'd been right there when it happened," Mintz-Plasse told The Guardian. "Afterwards we didn't talk about it; we still don't speak about that moment.”

6. ACCORDING TO MICHAEL CERA AND JONAH HILL, THE REAL FOGELL IS MORE LIKE THE EVAN OF THE GROUP.

“It was more like Seth and Fogell making fun of Evan," Hill told Rotten Tomatoes. "Which Evan refuses to admit. But you could tell right away that that was the circumstance. When Evan showed him the movie, they were watching it and like 20 minutes into it or something, Fogell just went, ‘F*ck you dude.’”

However, Michael Cera’s bizarre story about the real Sam Fogell showed inklings of McLovin. “We've heard an awesome story where [Fogell] ... was gonna kill somebody one night,” said Cera. “He got in a bar fight and he went home basically to grab his sword, and he was looking for the guy.”

7. MICHAEL CERA SPENT AN HOUR IMPROVISING DANCE MOVES, WHICH IS WHAT YOU SEE IN THE OPENING CREDITS.

“It was Evan’s idea. For the DVD menu,” Michael Cera told Collider. “If it’s like a Blu-ray disc, they can have menus that long. It would be an hour of me dancing without looping. So the people would be like, ‘Oh, how long does this go on for?’ They would wait for it to loop and it never would.” It wasn’t until post-production when they had the idea to add the footage to the opening credits. “I think it was an editor’s assistant [who] made that intro of me dancing with like a silhouette,” Cera continued. “Then they recorded Jonah dancing because they liked it and decided to use it at the beginning of the movie.”

8. JASON SEGEL READ FOR THE PART OF EVAN.

“The first time I read the script was when we were doing Undeclared and we did a table read and we did it with Jason Segel and Seth reading the leads,” Apatow shares in the film’s DVD commentary. “It went well. It had a lot of heart at that period.” Added Rogen: “It took years to get the dick-to-heart ratio.” Eventually, the actors aged out of the roles, including Freaks and Geeks alum Martin Starr, who read Fogell's part.

9. SETH ROGEN’S ASSISTANT, MATTHEW BASS, PLAYS THE VAGTASTIC VOYAGER.

Columbia/TriStar

When Evan recounts his wild night out to Becca, the film cuts to the trio watching X-rated clips of the Vagtastic Voyager. As it turns out, he’s actually Matt Bass, an actor who was also formerly Rogen’s assistant. In the film’s DVD commentary, Goldberg calls Bass "the greatest Canadian to ever live.”

10. CHRISTOPHER MINTZ-PLASSE’S FIRST SCENE EVER—IN HIS ENTIRE ACTING CAREER—WAS HIS CHARACTER’S INTRO IN HOME ECONOMICS CLASS.

While discussing the scene in the DVD commentary, Mintz-Plasse admitted to being completely terrified filming his first professional movie ever. However, Goldberg reassured Mintz-Plasse, saying, “We read so many non-actors, so many people who had never done anything professionally before, and none of them could hide their fear. That’s why none of them got the job.”

11. JAY BARUCHEL IS RESPONSIBLE FOR GETTING MICHAEL CERA HIS SUPERBAD AUDITION.

“[Jay and I] were working on Fanboys and I said, ‘I think you might like Superbad,’ and literally the first thing he said is, ‘You gotta have Michael Cera come in. He’s f*cking amazing, that guy,” Rogen recalls in the DVD commentary. “I was like, ‘Who the f*ck is that?’” That recommendation led to Michael Cera’s mom getting a hold of the script, which she ended up pushing Michael to consider. Be sure to thank Jay and Michael’s mom for making Superbad the classic that it is.

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