CLOSE
Jim Forest, Flickr Creative Commons // CC BY-NC-ND 2.0
Jim Forest, Flickr Creative Commons // CC BY-NC-ND 2.0

Scientists Devise Clever Way to Test Old Manuscripts’ DNA

Jim Forest, Flickr Creative Commons // CC BY-NC-ND 2.0
Jim Forest, Flickr Creative Commons // CC BY-NC-ND 2.0

When encountering an obstacle, some people stop and give up, some force their way through, and others find another way around. That's what scientists in the United Kingdom have done with a delicate manuscript from the Dark Ages. Barred from taking parchment samples, the resourceful researchers instead analyzed the eraser crumbs left behind after archivists cleaned the paper. They describe their findings in an article on the prepress server bioRxiv.

Co-author and archaeologist Matthew Collins of the University of York did not start out a manuscript man. Collins had been trying to extract DNA from animal bones unearthed at a Viking settlement to learn more about the culture's use of livestock. But the bones had decayed too far to offer much in the way of genetic material. "You can imagine the frustration," Collins said in an interview with The Atlantic.

Then he realized that animal remains can be more than just bones. There are skins, too—and those, at least, we've taken some pains to preserve. At least the ones we've written on.

"You look at [archive] shelves," Collins said, "and every one of them has a skin of an animal with a date written on it."

Collins's excitement at discovering this untapped bounty of data was soon tempered when he and his collaborator, biochemist Sarah Fiddyment, learned that sampling the manuscripts was completely off-limits.

But they weren't about to give up that easily. Fiddyment spent weeks following the conservators as they worked with the fragile animal-skin paper, learning their process and watching for possible openings. Finally, she saw it: eraser crumbs.

Conservators routinely use PVC erasers to lift stains, grime, and damage from historic documents. The friction created by gently rubbing the eraser against the paper creates an electric charge that pulls in molecules of dirt and oil. And probably other things, too, Fiddyment thought.

Fiddyment, Collins, and their colleagues began collecting eraser crumbs from manuscript conservators around the world. They analyzed each document's chemical makeup and were even able to compare proteins to identify the livestock species responsible for the skin.

The next step was to look at the DNA itself. The researchers turned to the York Gospels, a leatherbound Bible with pages dating back to the year 990. By collecting another tiny pile of eraser crumbs from cleanup of eight pages, they were able to collect enough of a sample to run thorough DNA tests.

Those pages had quite a lot to say about their creation and history. The tests revealed 1000-year-old genetic material from the cows and sheep that gave the book its parchment pages. Remarkably, the DNA was so intact that the scientists could identify the cows' ancestry (something close to our modern-day Norwegian reds and Holsteins) and sex (mostly female).

The pages also contained human DNA and even bacteria, most likely from the hands and saliva of the people who made, wrote, and used the book.

Speaking to The Atlantic, parchment expert Bruce Holsinger of the University of Virginia called the findings "an exciting breakthrough."

[h/t The Atlantic]

nextArticle.image_alt|e
iStock
arrow
music
Stradivarius Violins Get Their Distinctive Sound By Mimicking the Human Voice
iStock
iStock

Italian violinist Francesco Geminiani once wrote that a violin's tone should "rival the most perfect human voice." Nearly three centuries later, scientists have confirmed that some of the world's oldest violins do in fact mimic aspects of the human singing voice, a finding which scientists believe proves "the characteristic brilliance of Stradivari violins."

Using speech analysis software, scientists in Taiwan compared the sound produced by 15 antique instruments with recordings of 16 male and female vocalists singing English vowel sounds, The Guardian reports. They discovered that violins made by Andrea Amati and Antonio Stradivari, the pioneers of the instrument, produce similar "formant features" as the singers. The resonance frequencies were similar between Amati violins and bass and baritone singers, while the higher-frequency tones produced by Stradivari instruments were comparable to tenors and contraltos.

Andrea Amati, born in 1505, was the first known violin maker. His design was improved over 100 years later by Antonio Stradivari, whose instruments now sell for several million dollars. "Some Stradivari violins clearly possess female singing qualities, which may contribute to their perceived sweetness and brilliance," Hwan-Ching Tai, an author of the study, told The Guardian.

Their findings were published in the journal Proceedings of the National Academy of Sciences of the United States of America. A 2013 study by Dr. Joseph Nagyvary, a professor emeritus at Texas A&M University, also pointed to a link between the sounds produced by 250-year-old violins and those of a female soprano singer.

According to Vox, a blind test revealed that professional violinists couldn't reliably tell the difference between old violins like "Strads" and modern ones, with most even expressing a preference for the newer instruments. However, the value of these antique instruments can be chalked up to their rarity and history, and many violinists still swear by their exceptional quality.

[h/t The Guardian]

nextArticle.image_alt|e
Phil Walter, Getty Images
arrow
science
How Michael Jackson's Dancing Defied the Laws of Biomechanics
Phil Walter, Getty Images
Phil Walter, Getty Images

From the time he debuted the moonwalk on broadcast television in 1983, Michael Jackson transcended the label of "dancer." His moves seemed to defy gravity as well as the normal limits of human flexibility and endurance.

Now we have some scientific evidence for that. Three neurosurgeons from the Postgraduate Institute of Medical Education and Research in Chandigarh, India, recently published a short paper in the Journal of Neurosurgery: Spine that examines just how remarkable one of Jackson's signature moves really was.

In the 1988 video for "Smooth Criminal" and subsequent live performances, Jackson is seen taking a break from his constant motion to stand in place and lean 45 degrees forward. Both he and his dancers keep their backs straight. Biomechanically, it's not really possible for a human to do. And even though he had a little help, the neurosurgeons found it to be a pretty impressive feat.

An illustration of Michael Jackson's 'Smooth Criminal' dance move.
Courtesy of 'Journal of Neurosurgery: Spine.' Copyright Manjul Tripathi, MCh.

Study co-author Manjul Tripathi told CNN that humans can't lean forward much more than 25 or 30 degrees before they risk landing on their faces. (He knows, because he tried it.) Normally, bending involves using the hip as a fulcrum, and erector spinae muscles to support our trunk. When Jackson leaned over, he transferred the fulcrum to the ankle, with the calf and Achilles tendon under strain. Since that part of the body is not equipped to support leaning that far forward without bending, the "Smooth Criminal" move was really a biomechanical illusion. The act was made possible by Jackson's patented shoe, which had a "catch" built under the heel that allowed him to grasp a protruding support on the stage. Secured to the floor, he was able to achieve a 45-degree lean without falling over.

But the neurosurgeons are quick to point out that the shoes are only part of the equation. To achieve the full 45-degree lean, Jackson would have had to have significant core strength as well as a strong Achilles tendon. An average person equipped with the shoe would be unable to do the move.

How does this apply to spinal biomechanics research? The authors point out that many dancers inspired by Jackson are continuing to push the limits of what's possible, leading to injury. In one 2010 paper, researchers surveyed 312 hip-hop dancers and found that 232 of them—almost 75 percent of the cohort—reported a total of 738 injuries over a six-month period. That prevalence could mean neurosurgeons are facing increasingly complex or unique spinal issues. The surgeons hope that awareness of potential risks could help mitigate problems down the road.

[h/t CNN]

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios