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Suspicious Minds: The Bizarre, 40-Year History of Elvis Presley Sightings

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On August 16, 1977, something momentous happened in Memphis, Tennessee. It was either the death of Elvis Presley at the age of 42, as more than 80 percent of Americans believe, or the start of the most spectacular disappearing act in the history of mankind.

This week, as fans mark the 40th anniversary of the King of Rock ‘n’ Roll’s (alleged) passing, those who believe that Presley is still alive will have a golden opportunity to make their case. Or, rather, cases. “Elvis is alive” theories are as varied as they are plentiful, and they’ve been circulating since just after his death. He’s left the realm of popular entertainers and joined the ranks of Bigfoot, the Loch Ness Monster, and to some, Jesus. What follows is a brief history of why some people refuse to let this American icon rest in peace.

THE FIRST SIGHTING

On the afternoon of August 16, 1977, a man bearing a striking resemblance to Elvis is said to have purchased a one-way ticket from Memphis International Airport to Buenos Aires. He supposedly gave the name Jon Burrows, a pseudonym Elvis used when checking into hotels. Patrick Lacy, author of the book Elvis Decoded, claims to have debunked this popular and wholly unsubstantiated story by interviewing airport officials and determining that international flights weren’t available from Memphis in 1977. There’s also the question of why the most famous man on the planet would risk going into a public place in his hometown in order to book airfare for the purpose of faking his own death. Maybe Elvis figured his acting skills would help him avoid suspicion.

THE FUNERAL


Ollie Atkins, Chief White House Photographer. The National Archives, Public Domain, Wikimedia Commons

A great deal of “Elvis is alive” intrigue centers on August 18, 1977, the day of Presley's funeral. Footage of the service shows pallbearers struggling to lift a 900-pound copper coffin. The King had packed on a few pounds in his later years, but there’s no way he was pushing a half-ton. One explanation: The casket was outfitted with a cooling system—the kind you’d use to keep a wax dummy of a beloved celebrity from melting on a hot summer day. Sound crazy? Presley’s cousin Gene Smith thought the body looked a little strange. “His nose looked kinda puggy-looking, and his right sideburn was sticking straight out—it looked about an inch,” Smith said in the 1991 special The Elvis Files. “And his hairline looked like a hairpiece or something was glued on.” Smith was also troubled by the smoothness of Presley’s typically calloused hands and the sweat on his brow.

Attentive fans were further spooked when they saw the King’s headstone. The inscription reads “Elvis Aaron Presley,” even though he’d been given the middle name “Aron,” possibly in memory of his stillborn twin brother, Jesse Garon. The theory here is that Elvis used the incorrect spelling to signal fans that he was still alive. Another one of Elvis’s cousins, Billy Smith, claimed the singer simply preferred the more common double-A spelling, as legal documents bearing Presley’s signature attest.

THE DEATH ITSELF

Traditionally, you can’t have a funeral without a death, and what killed the King is another major source of controversy. The medical examiner’s official cause of death was “hypertensive heart disease associated with atherosclerotic heart disease.” Elvis weighed at least 250 pounds in his final days, and one Baptist Memorial Hospital staffer told Rolling Stone, he had “the arteries of an 80-year-old man.” So a massive heart attack isn’t exactly far-fetched. But toxicologists found more than 10 drugs in Presley’s system, fueling speculation that “polypharmacy” played a role in his death.

The general confusion surrounding these and other jargony cause-of-death explanations has undoubtedly helped to foster conspiracy theories. So have issues concerning official paperwork. Elvis’s death certificate will remain under wraps until 2027, 50 years after his passing. While this may seem like further proof of a cover-up, it’s actually a matter of Tennessee law. As for Presley’s autopsy report: It’s a private family document unlikely to ever see the light of day.

THE POOL HOUSE PHOTO

The second major Elvis sighting came in the form of a photo snapped on December 31, 1977. While visiting Graceland with his family, a man named Mike Joseph took some random pictures of Presley’s pool house. A few years later, while studying them with a magnifying glass, Joseph spotted a shadowy Elvis-like figure sitting in the doorway. Experts at Kodak verified that nothing had been doctored, so it seems someone was peering out the window. In an interview with Larry King, Elvis’s good buddy Joe Esposito suggested it was another Presley associate, Al Strada, in the photo. That explanation was good enough for Joseph, but not everyone is satisfied.

A similar case of mistaken identity led to some excitement a few years later, when sports agent Larry Kolb was captured looking uncannily Elvis-like alongside his client (and Elvis’s pal) Muhammad Ali and Jesse Jackson in a 1984 newspaper photo. Kolb came forward with an original color version of the image proving that it was him—not Elvis—in the shot, but that’s hardly laid the matter to rest. Asked in an interview to identify the man in the background, Ali reportedly said, “That’s my friend Elvis.”

THE KING OF KALAMAZOO

In the late ‘80s, the epicenter of the “Elvis lives” universe shifted to Kalamazoo, Michigan, a city Elvis played four months before his death. In 1988, a woman named Louise Welling from nearby Vicksburg claimed she had seen Presley standing in line at the local Felpausch supermarket. He was rocking a white jumpsuit, naturally, and purchasing an electrical fuse. Welling’s daughter later spied him scarfing Whoppers at Burger King. "What gives this account eerie credibility,” expert David Adler told the Los Angeles Times in an interview promoting his Presley-themed cookbook, “is that Burger King was by far Elvis's favorite fast food chain.”

BACK ON THE BIG SCREEN?

The Kalamazoo hullabaloo spawned a rash of late-’80s Elvis sightings, many of which involved the King doing un-regal things, like pumping gas or buying junk food. These were consistent with the notion that he’d faked his own death to escape the public eye (or the mafia, as one theory holds) and return to his humble roots. But Elvis loved movies—he starred in 31—and Christmas, so it almost makes sense that he would risk blowing his cover by appearing in the 1990 holiday comedy Home Alone.

Believers of this bizarre theory contend that a 55-year-old Presley turned up in the background of the scene where Catherine O’Hara’s character is stuck at the Scranton airport while trying to get home to her son. There’s a bearded guy behind her who looks a little like Elvis in Charro! (1969) and cocks his head in a manner that conspiracy theorists swear is identical to Presley’s onstage mannerisms. Curiously, director Chris Columbus went into Home Alone having just made Heartbreak Hotel, a 1988 flop about some kids who try to kidnap Elvis. Columbus and Home Alone star Macaulay Culkin laugh about the theory in the DVD commentary, but the identity of the extra remains unknown. Even if the real bearded man were to come forward, it probably wouldn’t kill the story.

GROUNDSKEEPER PRESLEY

In the summer of 2016, video of a Graceland groundskeeper purported to be Elvis got the internet all shook up. In the clip, a gray-haired dude in a baseball cap and Elvis Week T-shirt fusses with some wire and holds up two fingers—apparently some type of numerological clue—as he walks past the camera.

The video has been viewed more than 2 million times on YouTube—far more than the one where a clever Elvis fan debunks the whole thing by chatting with the actual Graceland employee, an affable gentleman named Bill Barmer. “I’m not really 81,” says Barmer, who then compares himself to a Pokémon Go character.

THE FUTURE

“Elvis is alive” theories can’t go on forever. The man would now be 82, and the oldest person on record only lived to 122. That means we've got maybe another 40 years of stories about the King chilling in Argentina or sipping coffee at Tim Hortons or doing whatever you do as an elderly man who’s been in hiding since the Carter Administration. Unless it turns out Elvis is immortal.


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In an interview accompanying The Beatles Anthology DVD, George Harrison likens a brief 1972 encounter with Elvis at Madison Square Garden to “meeting Vishnu or Krishna or something.” His hair was black, his skin was tan, and his aura left the Beatle feeling like “a snooty little nobody.” Harrison may have been hinting at something Mojo Nixon and Skid Roper said rather deftly with their 1987 single “Elvis Is Everywhere.” Alive or dead, Presley is one pop culture deity we’ll never stop worshipping.

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15 Surprising Facts About Scarface
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Say hello to our little list. Here are a few facts to break out at your next screening of Scarface, Brian De Palma’s gangsters-and-cocaine classic, which arrived in theaters on this day in 1983.

1. IT WASN'T THE FIRST SCARFACE.

Brian De Palma's Scarface is a loose remake of the 1932 movie of the same name, which is also about the rise and fall of an American immigrant gangster. The producer of the 1983 version, Martin Bregman, saw the original on late night TV and thought the idea could be modernized—though it still pays respect to the original film. De Palma's flick is dedicated to the original film’s director, Howard Hawks, and screenwriter, Ben Hecht.

2. IT COULD HAVE BEEN A SIDNEY LUMET FILM.

At one point in the film's production, Sidney Lumet—the socially conscious director of such classics as Dog Day Afternoon and 12 Angry Men—was brought on as its director. "Sidney Lumet came up with the idea of what's happening today in Miami, and it inspired Bregman," Pacino told Empire Magazine. "He and Oliver Stone got together and produced a script that had a lot of energy and was very well written. Oliver Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly."

3. OLIVER STONE WASN'T INTERESTED IN WRITING THE SCRIPT, UNTIL LUMET GOT INVOLVED.


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Producer Bregman offered relative newcomer Oliver Stone a chance to overhaul the screenplay, but Stone—who was still reeling from the box office disappointment of his film, The Hand—wasn't interested. "I didn’t like the original movie that much," Stone told Creative Screenwriting. "It didn’t really hit me at all and I had no desire to make another Italian gangster picture because so many had been done so well, there would be no point to it. The origin of it, according to Marty Bregman, [was that] Al had seen the '30s version on television, he loved it and expressed to Marty as his long time mentor/partner that he’d like to do a role like that. So Marty presented it to me and I had no interest in doing a period piece."

But when Bregman contacted Stone again about the project later, his opinion changed. "Sidney Lumet had stepped into the deal," Stone said. "Sidney had a great idea to take the 1930s American prohibition gangster movie and make it into a modern immigrant gangster movie dealing with the same problems that we had then, that we’re prohibiting drugs instead of alcohol. There’s a prohibition against drugs that’s created the same criminal class as (prohibition of alcohol) created the Mafia. It was a remarkable idea."

4. UNFORTUNATELY, ACCORDING TO STONE, LUMET HATED HIS SCRIPT.

While the chance to work with Lumet was part of what lured Stone to the project, it was his script that ultimately led to the director's departure from the film. According to Stone: "Sidney Lumet hated my script. I don’t know if he’d say that in public himself, I sound like a petulant screenwriter saying that, I’d rather not say that word. Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al."

5. STONE HAD FIRSTHAND EXPERIENCE WITH THE SUBJECT MATTER.

In order to create the most accurate picture possible, Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug.

"I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober."

6. BRIAN DE PALMA DIDN'T WANT TO AUDITION MICHELLE PFEIFFER.


Universal Home Video

De Palma was hesitant to audition the relatively untested Pfeiffer because at the time she was best known for the box office bomb Grease 2. Glenn Close, Geena Davis, Carrie Fisher, Kelly McGillis, Sharon Stone and Sigourney Weaver were all considered for the role of Elvira, but Bregman pushed for Pfeiffer to audition and she got the part.

7. YES, THERE IS A LOT OF SWEARING.

According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. In 2014, Martin Scorsese more than doubled that with a record-setting 506 F-bombs thrown in The Wolf of Wall Street.

8. TONY MONTANA WAS NAMED FOR A FOOTBALL STAR.

Stone, who was a San Francisco 49ers fan, named the character of Tony Montana after Joe Montana, his favorite football player.

9. TONY IS ONLY REFERRED TO AS "SCARFACE" ONCE, AND IT'S IN SPANISH.

Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to Tony as “cara cicatriz,” meaning “scar face” in Spanish.

That chainsaw scene, by the way, was based on a real incident. To research the movie, Stone embedded himself with Miami law enforcement and based the infamous chainsaw sequence on a gangland story he heard from the Miami-Dade County police.

10. VERY LITTLE OF THE FILM WAS ACTUALLY SHOT IN MIAMI.

The film was originally going to be shot entirely on location in Miami, but protests by the local Cuban-American community forced the movie to leave Miami two weeks into production. Besides footage from those two weeks, the rest of the movie was shot in Los Angeles, New York, and Santa Barbara.

11. ALL THAT "COCAINE" LED TO PROBLEMS WITH PACINO'S NASAL PASSAGES.

Though there has long been a myth that Pacino snorted real cocaine on camera for Scarface, the "cocaine" used in the movie was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But just because it wasn't real doesn't mean that it didn't create problems for Pacino's nasal passages. "For years after, I have had things up in there," Pacino said in 2015. "I don't know what happened to my nose, but it's changed."

12. PACINO'S NOSE WASN'T HIS ONLY BODY PART TO SUFFER DAMAGE.

Still of Al Pacino as Tony Montana in 'Scarface' (1983)
Universal Home Video

In the film's very bloody conclusion, Montana famously asks the assailants who've invaded his home to "say hello to my little friend," which happens to be a very large gun. That gun took a beating from all the blanks it had to fire, so much so that Pacino ended up burning his hand on its barrel. "My hand stuck to that sucker," he said. Ultimately, the actor—and his bandaged hands—had to sit out some of the action in the last few weeks of production.

13. STEVEN SPIELBERG DIRECTED A SINGLE SHOT.

De Palma and Spielberg had been friends since the two began making studio movies in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house.

14. SOME COOL TECHNOLOGY WENT INTO THE GUN MUZZLE FLASHES.

In order to heighten the severity of the gunfire, De Palma and the special effects coordinators created a mechanism to synchronize the gunfire with the open shutter on the movie camera to show the huge muzzle flash coming from the guns in the final shootout.

15. SADDAM HUSSEIN WAS A FAN OF THE FILM.

The trust fund the former Iraqi dictator set up to launder money was called “Montana Management,” a nod to the company Tony uses to launder money in the movie.

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30 Cold, Hard Facts About Die Hard
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What do you get when you mix one part action movie with one part holiday flick and add in a dash of sweaty tank top? Die Hard, John McTiernan’s genre-bending Christmas action masterpiece for the ages, which sees a badass NYPD cop take on a skyscraper full of bad guys in the midst of an office holiday party. Here are 30 things you might not know about the movie.

1. IT’S GOT A LITERARY BACKGROUND.

Think some action-loving Hollywood scribe came up with the concept for Die Hard? Think again. The movie is based on Roderick Thorp’s 1979 crime novel Nothing Lasts Forever, which is a sequel to his 1966 novel, The Detective. In 2013, Thorp’s long out-of-print book was resurrected to coincide with the film’s 25th anniversary.

2. IT WAS INSPIRED BY THE TOWERING INFERNO.

The idea for Nothing Lasts Forever was inspired John Guillermin’s 1974 disaster flick The Towering Inferno. After seeing the film, Thorp had a dream about a man being chased through a skyscraper by a group of men with guns. He eventually turned that snippet of an idea into a sequel to The Detective.

3. FRANK SINATRA GOT FIRST DIBS ON PLAYING THE ROLE OF JOHN MCCLANE.


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Because he had starred in the big-screen adaptation of The Detective, Frank Sinatra had to be offered the role in its sequel. At the age of 73, he smartly turned it down.

4. BRUCE WILLIS’S BIG-SCREEN DEBUT WAS WITH FRANK SINATRA.

In 1980, Willis made his film debut (albeit uncredited) in the crime thriller The First Deadly Sin. He has no name and if you blink you’ll miss him, but the role simply required that Willis entered a diner as Sinatra’s character left it. Maybe it was kismet?

5. CLINT EASTWOOD PLANNED TO TAKE A STAB AT THE PART.

Originally, it was Clint Eastwood who owned the movie rights to Nothing Lasts Forever, which he had planned to star in in the early 1980s. That obviously never happened.

6. IT WAS NEVER SUPPOSED TO BE A SEQUEL TO COMMANDO.

This is one of the most popular internet stories about Die Hard. But according to Stephen de Souza, the screenwriter of both Die Hard and Commando, while there was a sequel to Commando planned, the only similarity with Die Hard is that they both took place in buildings. According to de Souza, Escape Plan is the closest to his original Commando 2 idea and Die Hard was never supposed to be anything but Die Hard.

7. BRUCE WILLIS WASN’T EVEN THE STUDIO’S THIRD CHOICE FOR THE ROLE.

If Die Hard was to be a success, the studio knew they needed a bona fide action star in the part, so they set about offering it to a seemingly never-ending list of A-listers of the time. Rumor has it that Sylvester Stallone, Harrison Ford, Robert De Niro, Charles Bronson, Nick Nolte, Mel Gibson, Richard Gere, Don Johnson, Burt Reynolds, and Richard Dean Anderson (yes, MacGyver!) were all considered for the role of John McClane. And all declined it.

8. BRUCE WILLIS WAS CONSIDERED A COMEDIC ACTOR AT THE TIME.

Die Hard’s producers had nothing against Bruce Willis, of course. He just wasn’t an immediate choice for the role because, up until that point, he was known solely as a comedic actor, not an action star. Following the success of the film, the action genre really became Willis’s bread and butter, and although he has two Emmys for his comedy work, it has remained as such to this day.

9. BRUCE WILLIS WAS BARELY EVEN SEEN ON THE MOVIE’S POSTERS.

Bruce Willis stars as John McClane in 'Die Hard.'
Twentieth Century Fox

Because the studio’s marketing gurus were unconvinced that audiences would pay to see an action movie starring the funny guy from Moonlighting, the original batch of posters for the film centered on Nakatomi Plaza instead of Willis’s mug. As the film gained steam, the marketing materials were altered, and Willis was more prominent in the promos.

10. WILLIS WAS PAID $5 MILLION TO MAKE THE MOVIE.

Even with all the uncertainly surrounding whether he could pull the film off, Willis was paid $5 million to make Die Hard, which was considered a rather hefty sum at the time—a figure reserved for only the top tier of Hollywood talents.

11. WILLIS SUGGESTED THAT BONNIE BEDELIA PLAY HIS WIFE.

Though we suspect that she wasn’t paid $5 million for the gig.

12. BRUCE WILLIS WAS ABLE TO SAY YES THANKS TO A WELL-TIMED PREGNANCY.

The first few times Bruce Willis was asked to star in the movie, he had to say no because of his commitments to Moonlighting. Then costar Cybill Shepard announced that she was pregnant. Because her pregnancy wouldn’t work within the show, producer Glenn Caron gave everyone 11 weeks off, allowing Willis to say yes.

13. SAM NEILL WAS ORIGINALLY APPROACHED FOR THE PART OF HANS GRUBER.

But Neill ended up turning the film down. Then, in the spring of 1987, the casting director saw Alan Rickman playing the dastardly Valmont in a stage production of Dangerous Liaisons and knew they had found their Hans.

14. DIE HARD WAS ALAN RICKMAN’S FEATURE FILM DEBUT.

Though Rickman may have played the part of Hans as cool as the other side of the pillow, it was actually his first role in a feature film.

15. JOHN MCTIERNAN TURNED THE MOVIE DOWN, TOO.

And not just once, but on a few different occasions. His reason was that the material just seemed too dark and cynical for him. “The original screenplay was a grim terrorist movie,” McTiernan told Empire magazine in 2014. “On my second week working on it, I said, 'Guys, there's no part of terrorism that's fun. Robbers are fun bad guys. Let's make this a date movie.’ And they had the courage to do it.”

16. MCTIERNAN SEES IT AS A SHAKESPEAREAN TALE.

In the original script, the action in Die Hard takes place over a three-day span, but McTiernan—inspired by Shakespeare’s A Midsummer Night’s Dream—insisted that it be condensed into a single evening.

17. NAKATOMI PLAZA IS ACTUALLY FOX PLAZA.


Yes, the corporate headquarters of 20th Century Fox—the very studio making the movie—proved to be the perfect location for the movie’s much-needed Nakatomi Plaza. And as it was still under construction, there wasn’t a whole lot they needed to do to the space to make it movie-ready. The studio charged itself rent to use its own space.

18. THE ROOM WHERE THE HOSTAGES ARE BEING HELD IS LITERALLY SUPPOSED TO BE FRANK LLOYD WRIGHT'S FALLINGWATER.

"In this period, Japanese corporations were buying America," production designer Jackson De Govia said in the Die Hard DVD audio commentary. "We posited that ... Nakatami Corporation bought Fallingwater, disassembled it, and reassembled it in the atrium, like a trophy."

19. THAT PANORAMIC VIEW OF THE CITY BELOW? IT’S NOT REAL.

A 380-foot-long background painting provided the illusion of a breathtaking city view in the movie. And it was a state-of-the-art one, too, with animated lights, moving traffic, and the ability to change from night to day. The painting is still the property of the studio and has been used in other productions since.

20. THE FILM’S SUCCESS SPAWNED A BONA FIDE FRANCHISE.

In addition to its four sequels, Die Hard has spawned video games and comic books, too.

21. JOHN MCCLANE’S TUMBLE DOWN A VENTILATION SHAFT WAS AN ACCIDENT.

Or maybe “error” would be a better word. But in the scene in which McClane jumps into an elevator shaft, his stunt man was supposed to grab onto the first vent. But he missed. By a lot. Which made the footage even more exciting to watch, so editor Frank J. Urioste kept it in the final cut.

22. ALAN RICKMAN’S DEATH SCENE WAS ALSO PRETTY SCARY.

At least it was for Rickman. In order to make it look as if he was falling off a building, Rickman was supposed to drop 20 feet onto an air bag while holding onto a stunt man. But in order to get a genuinely terrified reaction out of him, they dropped him on the count of two—not three, as was planned.

23. BRUCE WILLIS SUFFERED PERMANENT HEARING LOSS.


Twentieth Century Fox

In order to get the hyper-realism that director John McTiernan was looking for, the blanks used in the guns in the movie were modified to be extra loud. In one scene, Willis shoots a terrorist through a table, which put the action star in extremely close proximity to the gun—and caused permanent hearing loss. He referenced the injury in a 2007 interview with The Guardian. When they asked Willis his most unappealing habit, he replied that, “Due to an accident on the first Die Hard, I suffer two-thirds partial hearing loss in my left ear and have a tendency to say, ‘Whaaa?’”

24. ALAN RICKMAN WASN’T FOND OF THE NOISE EITHER.

Whenever he had to shoot a gun in the film, Rickman couldn’t help but flinch. Which forced McTiernan to have to cut away from him so that his reactions were not caught on film.

25. GRUBER’S AMERICAN ACCENT POSED NOTHING BUT PROBLEMS.

The scene in which Rickman, as Gruber, slips into an American accent and pretends to be yet another hostage who got away was insisted on by screenwriter Steven de Souza, who wanted them in a room together to duke it out. But McTiernan was never happy with Rickman’s American accent, saying, “I still hear Alan Rickman’s English accent. I was never quite happy with the way he opened his mouth [in that scene] ... I shot it three times trying to get him to sound more stridently American ... it’s odd for someone who has such enormous verbal skills; he just had terrible trouble getting an American accent.”

26. HANS GRUBER’S GERMAN IS MOSTLY GIBBERISH.

And the bulk of his German cohorts were not German either. Bruce Willis, on the other hand, was actually born in West Germany to an American father and a German mother.

27. BRUCE WILLIS HAS FOUR FEET.

As Willis spends much of the movie in his bare feet running through broken glass, he was given a pair of rubber feet to wear as a safety precaution. Which is great and all, but if you look closely in certain scenes, you can actually see the fake appendages.

28. YOU CAN SEE—BUT NOT TOUCH—JOHN MCCLANE’S SWEATY TANK TOP.


Getty Images

In 2007, Willis donated the blood-soaked tank top he wore in Die Hard to the National Museum of American History at the Smithsonian.

29. “YIPPEE-KI-YAY” STOLE THE MOVIE.

It was a simple line: “Yippee-ki-yay, motherf*cker!” But it became the film’s defining moment, and the unofficial catchphrase that has been used in all four Die Hard sequels as well.

30. CREDIT FOR THE LINE IS OWED TO WILLIS.

In a 2013 interview with Ryan Seacrest, Bruce Willis admitted that “Yippee-ki-yay, motherf*cker!” was really just a joke. “It was a throwaway,” said Willis. “I was just trying to crack up the crew and I never thought it was going to be allowed to stay in the film."

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