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Bolt Half, Kama Jania, Finland, 2015. Waterproof plastic, aluminum, PVC, Mylar.
Bolt Half, Kama Jania, Finland, 2015. Waterproof plastic, aluminum, PVC, Mylar.
Karol Pałka, Kama Jania

7 Weird, Beautiful Tents We'd Love to Take Camping

Bolt Half, Kama Jania, Finland, 2015. Waterproof plastic, aluminum, PVC, Mylar.
Bolt Half, Kama Jania, Finland, 2015. Waterproof plastic, aluminum, PVC, Mylar.
Karol Pałka, Kama Jania

When you go camping, you’re usually looking for much more than aesthetics from your tent. You want it to be easy to set up and sturdily weatherproof. Mostly, you want it to be super portable. But some tents are truly beautiful. A recently published book called Mobitecture: Architecture on the Move by Rebecca Roke (Phaidon, $25) highlights the best designs in portable architecture, tents included. Here are seven super-cool (if not entirely pragmatic) tents featured in the book.

1. BOLT HALF

Created as part of a 2015 thesis project by industrial designer Kama Jania, the Bolt Half tent (above) gives you peace of mind in a thunderstorm. It has a custom-designed locking frame with copper wiring that discharges electrical currents to the ground if the tent is struck by lightning. It’s waterproof, fits one to two people, and weighs just 2 pounds.

2. UMBRELLA HOUSE

A white structure made of umbrellas sits in a park with a single white umbrella opened in front of it.
Umbrella House, Kengo Kuma, Italy, 2008. Umbrellas, waterproof zippers, timber base.
Yoshie Nishikawa

In 2008, Japanese architect Kengo Kuma turned white umbrellas into a temporary sun or rain shelter. Kuma added zippers to connect the umbrellas, but used the trusses already built into the umbrella to support the structure. It’s a moveable pavilion meant to turn the individual protection provided by an umbrella into a group shelter.

3. HABITENT

A shiny silver tent is topped with a sweatshirt-style hood.
Habitent, Lucy Orta, UK, 1992. Aluminum-coated polyamide, polar fleece, telescopic aluminum poles, whistle, lantern, compass.
Pierre Leguillon

Mobitecture calls this one-person tent from British artist Lucy Orta a piece “somewhere between art, architecture, and social protest.” The Habitent takes a waterproof poncho, created from aluminum material similar to what’s used in emergency space blankets, and turns it into a home for the wearer.

4. THE WEDGE

A blue tent illuminated from the inside sits on the edge of a rocky beach.
The Wedge, Heimplanet, Germany, 2013. Inflatable thermoplastic urethane, high tensile polyester fabric.
Stefan Leitner

This two-man tent from the German outfitter Heimplanet is designed to minimize the time you have to spend setting up your tent. Its interconnected inflatable poles fill up with the same pump. It goes up fast, and when you’re done, you can deflate the tent and fold it back up into your pack. It is not, however, cheap: You can buy it for $600.

5. GLASTONBURY SOLAR CONCEPT TENT

A rendering shows a rounded tent with solar panels on it set up in a grassy field.
Glastonbury Solar Concept Tent, Kaleidoscope and Orange, UK, 2009. Photovoltaic fabric, solar threads, Plexiglas, plastic.
Kaleidoscope Design

Designed for the Glastonbury music festival in the UK, this tent is woven with photovoltaic threads and covered with adjustable solar panels so that it can store up power to charge festival-goers’s devices overnight. (It was designed for the cell phone provider Orange.) At night, the panels emit light to make the tent glow. It’s just a concept design, but we very much wish it was real.

6. THE CATERPILLAR

A giant inflatable arch structure sits inside a park.
Caterpillar, Lambert Kamps, The Netherlands, 2007. PVC, steel cables.
Lambert Kamps

This tent designed by Dutch artist Lambert Kamps isn’t for camping—it’s for movies. The inflatable theater can be set up in parks to house up to 30 moviegoers, with a large film screen at the end of the tube. It’s made of PVC foil and designed to remain cool and dry even in wet summer weather.

7. KAMPER KART

A brown canvas camper pops up from inside a store shopping cart.
Camper Kart, Kevin Cyr, USA, 2009. Steel shopping cart, chipboard, nylon, canvas.
Kevin Cyr

If you think tiny houses are small, check out the Kamper Kart, which takes an ordinary shopping cart and turns it into a petite mobile home. Designed by Maine-based artist Kevin Cyr, it folds and unfolds to turn a cart full of wood and canvas into a home. A crank raises the roof of the structure, and the retractable bed extends into the sleeping position.

A yellow book cover reads “Mobitecture: Architecture on the Move.”
Phaidon

You can get the book for $16 on Amazon.

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Bolt Half, Kama Jania, Finland, 2015. Waterproof plastic, aluminum, PVC, Mylar.
Ker Robertson, Getty Images
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architecture
5 Scrapped Designs for the World's Most Famous Buildings
Ker Robertson, Getty Images
Ker Robertson, Getty Images

When an architect gets commissioned to build a skyscraper or a memorial, they’re usually not the only applicant for the job. Other teams of designers submit their own ideas for how it should look, too, but these are eventually passed over in favor of the final design. This is the case for some of the world’s most recognizable landmarks—in an alternate world, the Arc de Triomphe might have been a three-story-tall elephant statue, and the Lincoln Memorial a step pyramid.

GoCompare, a comparison site for financial services, dug into these could-have-been designs for Alternate Architecture, an illustrated collection of scrapped designs for some of the most famous structures in the world, from Chicago's Tribune Tower to the Sydney Opera House.

Click through the interactive graphic below to explore rejected designs for all five landmarks.

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Bolt Half, Kama Jania, Finland, 2015. Waterproof plastic, aluminum, PVC, Mylar.
George Mayerle, U.S. National Library of Medicine // Public Domain
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Design
This 1907 Vision Test Was Designed for People of All Nationalities
George Mayerle, U.S. National Library of Medicine // Public Domain
George Mayerle, U.S. National Library of Medicine // Public Domain

At the turn of the 20th century, San Francisco was a diverse place. In fact, Angel Island Immigration Station, located on an island in the San Francisco Bay, was known as the “Ellis Island of the West,” processing some 300,000 people coming to the U.S. in the early 1900s. George Mayerle, a German optometrist working in the city at the time, encountered this diversity of languages and cultures every day in his practice. So in the 1890s, Mayerle created what was billed as “the only [eye] chart published that can be used by people of any nationality,” as The Public Domain Review alerts us.

Anticipating the difficulty immigrants, like those from China or Russia, would face when trying to read a vision test made solely with Roman letters for English-speaking readers, he designed a test that included multiple scripts. For his patients that were illiterate, he included symbols. It features two different styles of Roman scripts for English-speaking and European readers, and characters in Cyrillic, Hebrew, Japanese, and Chinese scripts as well as drawings of dogs, cats, and eyes designed to test the vision of children and others who couldn't read.

The chart, published in 1907 and measuring 22 inches by 28 inches, was double-sided, featuring black text on a white background on one side and white text on a black background on the other. According to Stephen P. Rice, an American studies professor at Ramapo College of New Jersey, there are other facets of the chart designed to test for a wide range of vision issues, including astigmatism and color vision.

As he explains in the 2012 history of the National Library of Medicine’s collections, Hidden Treasure [PDF], the worldly angle was partly a marketing strategy on Mayerle’s part. (He told fellow optometrists that the design “makes a good impression and convinces the patient of your professional expertness.”)

But that doesn’t make it a less valuable historical object. As Rice writes, “the ‘international’ chart is an artifact of an immigrant nation—produced by a German optician in a polyglot city where West met East (and which was then undergoing massive rebuilding after the 1906 earthquake)—and of a globalizing economy.”

These days, you probably won’t find a doctor who still uses Mayerle’s chart. But some century-old vision tests are still in use today. Shinobu Ishihara’s design for a visual test for colorblindness—those familiar circles filled with colored dots that form numbers in the center—were first sold internationally in 1917, and they remain the most popular way to identify deficiencies in color vision.

[h/t The Public Domain Review]

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