10 Plays That Made Audiences Faint, Scream, and Riot

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Any stage adaptation of 1984 was bound to make headlines in our current political climate. But the ones following the Olivia Wilde-starring show on Broadway have nothing to do with George Orwell or the current President of the United States. They’re all about the audience members, who are apparently fainting, screaming, vomiting, and getting into fights.

The extreme reaction is understandable to anyone who has seen the play: This version of 1984 constantly keeps viewers on edge with loud blares and bright lights, toying with the audience’s own sanity through its disjointed, fragmented structure. But that’s all just a prelude to the graphic torture scene, which features torrents of blood and a face mask full of scurrying rats (or at least, some very convincing rat sound effects).

This kind of shocking, visceral theater might feel new, but it’s been around for a while. Here are 10 other plays from the past that triggered an intense audience reaction.

1. THE PLAYBOY OF THE WESTERN WORLD


By unknown (Isabella Stewart Gardner Museum Archive, Boston) -  Public Domain, Wikimedia Commons

John Millington Synge’s play provoked an extreme audience reaction—but to be fair, he must have seen it coming. Before The Playboy of the Western World even opened at the Abbey Theatre in Dublin in 1907, it was drawing ire. Synge wasn’t a popular playwright among Irish nationalists, who resented his language choice (Hiberno-English rather than pure Gaelic) as well as his themes (wives abandoning their husbands, sons killing their fathers). When the play’s premiere night arrived, that anger spilled into the actual theater. The mostly male audience members stormed the stage, outraged by the titular playboy’s weakened masculinity, as well as a group of scantily clad female cast members.

According to The Guardian, they screamed, “Kill the author!” over the actors’ dialogue. Sounds like every playwright’s worst nightmare, but Synge took a different view of the whole controversy: “It is better any day to have the row we had last night, than to have your play fizzling out in half-hearted applause,” he wrote to his fiancée and lead actress Molly Allgood the next day. “Now we’ll be talked about. We’re an event in the history of the Irish stage.”

2. DRACULA


By Work Projects Administration Poster Collection - Library of Congress, Public Domain, Wikimedia Commons

If you’re not used to Dracula, he can be quite the ghastly sight. Audiences weren’t prepared for the blood-sucking count when Hamilton Deane’s stage adaption of the Bram Stoker novel hit London’s West End in 1927. For the run, Deane added a uniformed nurse to the theater staff. She would be on hand with smelling salts to revive any theatergoers who fainted. Many saw this as a publicity stunt—and it was—but the nurse came in handy. She once helped 39 woozy audience members at a single performance. Other theaters took notice; a similar nurse assisted American audiences when the play came to New York and San Francisco.

3. SAVED

Saved is a complex play about poverty, but it’s mostly remembered for one distressing scene. In it, a group of young men throw stones at a baby in its stroller, ultimately killing the child. The audiences who first saw this scene in 1965 at the Royal Court Theatre did not react well. According to The Telegraph, several people yelled, “Revolting!” or “Dreadful!” before storming out. Those weren’t the only negative reviews.

At the time, British theater was subject to a government censor, the Lord Chamberlain. He told playwright Edward Bond to remove the offending scene, as well as other obscenities, from the play. But Bond refused, which eventually landed director William Gaskill in legal trouble. There was a trial and a judge slapped the Saved team with a £50 fine. But it was the beginning of the end for theatrical censorship in the UK, which was abolished in 1968. Saved is often credited with helping artists win that battle.

4. THE GRAND GUIGNOL

The Grand Guignol is not a play, but a theater. Le Théâtre du Grand-Guignol operated in Paris between 1897 and 1962. In that time, the theater mounted over 1000 productions that routinely made audiences collapse. It was such a famous and influential place that “The Grand Guignol” is now shorthand for theatrical horror. That’s largely thanks to Max Maurey, who served as the theater's director from 1898 to 1914 and who supposedly judged the success of his plays by how many audience members passed out. The horrors of The Grand Guignol included eye-gouging (in Crime in a Madhouse), “realistic” throat-cutting (in The Hussy), and corpses floating in acid vats (in The Corpse Merchant). No wonder Maurey kept a house doctor on hand.

5. DRY LAND

Ruby Rae Spiegel wrote Dry Land when she was still a student at Yale University. According to The New York Times, she was inspired by an article about DIY abortions to tell the story of Amy, a teen girl who asks her friend Ester to help her get rid of an unwanted pregnancy. Her eventual miscarriage is staged in extremely bloody fashion. Spiegel included a warning to audiences when the play was first produced on Yale’s campus in 2014, but a young woman still fainted. This reaction would follow the play as it moved to major cities. Men in London and Sydney also passed out during subsequent performances. 

6. THE ROMANS IN BRITAIN


Laurence Burns/Evening Standard/Getty Images

Like Saved, The Romans in Britain upset audiences so much that it ended up in court. This time, the controversial scene concerned a male rape. According to The Guardian, just the rehearsals of this scene caused a maintenance man to drop his paint can. But the first public preview performance in 1980 was mostly met with stunned silence, not the uproar everyone had been expecting. Then, a few prominent names made noise.

Sir Horace Cutler, a board member of the theater staging the play, loudly stormed out and complained that his wife was forced to “cover her head” during the scene. His reaction was nothing compared to crusading moralist Mary Whitehouse, who sent the police to The National Theatre three times. After the cops refused to press criminal charges, Whitehouse sued director Michael Bogdanov herself under the Sexual Offences Act. Since he had hired the actors, her lawyers reasoned, Bogdanov could be classified as a pimp. The case, unsurprisingly, fell apart mid-trial. But The Romans in Britain was not revived for nearly 30 years. Director Samuel West finally brought it back to the stage in 2006.

7. VOICES IN THE DARK

Voices in the Dark mainly takes place in a remote cabin. The lead character arrives there during a snowstorm. She also happens to have a psychopath stalking her. As you can imagine, things get scary. The thriller was so effective that it routinely had theatergoers shrieking during its original run in Seattle in 1994. “I just love to stand in the back of the theater and hear that audience scream,” playwright/director John Pielmeier told The Christian Science Monitor at the time. When the play made the leap to Broadway in 1999, it once again made headlines for its loud audience.

8. TITUS ANDRONICUS

There’s no exact date, but William Shakespeare wrote Titus Andronicus sometime between 1590 and 1593. Over four centuries later, the brutal play still has an incredible power on audiences. Case in point: the 2014 revival staged at Shakespeare’s Globe Theatre. The production was so gory, it made over 100 audience members faint or flee the theater during its run. Much of the show’s shock is written right into the original text—Shakespeare’s play contains 14 deaths along with rape and mutilation—but director Lucy Bailey apparently mounted this production with a particular aim to upset audiences. “I find it all rather wonderful,” she told The Independent. “That people can connect so much to the characters and emotion that they have such a visceral effect. I used to get disappointed if only three people passed out.”

9. BLASTED

Sarah Kane knew how to make a debut. Her first play, Blasted, premiered at The Royal Court in 1995 to horrified reviews and sensational headlines. Jack Tinker of The Daily Mail called it a “disgusting feast of filth” while Nick Curtis of The London Evening Standard described its ending as “a systematic trawl through the deepest pits of human degradation.” Although it played to packed houses, some audience members couldn’t withstand the show’s carnage, either. Lead actress Kate Ashfield recalled seeing people faint—and it’s little wonder why, considering the play features a scene in which a soldier rapes a reporter before removing his eyeballs and eating them whole.

10. CLEANSED

Sarah Kane caused controversy a second time when her play Cleansed was revived in 2016. During the first week alone, 40 people walked out and five required medical attention after fainting. What was making them ill? The play is about a sadistic doctor named Tinker who holds people in a torture den, so there’s lots of mutilation. Someone’s tongue is ripped out 20 minutes into the show. But there’s also rape, electrocution, castration, a forced gender reassignment surgery, and a fatal injection into someone’s eyeball. The revival received mixed reviews, but it was a notable achievement for the deceased playwright, who committed suicide in 1999. The revival marked the first time one of her plays was performed at the National Theatre.

5 Actors Who Could Play the Next Batman

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by Natalie Zamora

Ben Affleck's casting as the Caped Crusader wasn't exactly met with a lot of excitement. While many DC fans were (and still are) happy with the casting, many definitely weren't, and even took it upon themselves to think of who could replace him. Now, with Affleck's role in Matt Reeves's upcoming The Batman completely unknown, it's worth looking at who has been actually rumored to take his place.

5. JAKE GYLLENHAAL

Jake Gyllenhaal attends the 2018 Toronto International Film Festival - 'The Sisters Brothers' premiere at Princess of Wales Theatre on September 8, 2018
Emma McIntyre, Getty Images

As early as November 2017, Academy Award nominee Jake Gyllenhaal has been rumored to be playing the next Batman. Reportedly, Gyllenhaal had a meeting with Matt Reeves, something reporter Rob Keyes tweeted out at the time. When asked about the possibility, the actor shot it down, saying, "Wow, that’s a very difficult question. The answer to that question is no."

4. RYAN GOSLING

Ryan Gosling attends the 'First Man' press conference during 2018 Toronto International Film Festival at TIFF Bell Lightbox on September 11, 2018
Emma McIntyre, Getty Images

Another acclaimed actor, Academy Award nominee Ryan Gosling has also been rumored to take on the role of Bruce Wayne for some time. When recently asked at the Toronto International Film Festival if he would consider, Gosling simply said, "I don't know," before joking that if his First Man and La La Land director Damien Chazelle made it, he'd be in.

3. JOSH BROLIN

Josh Brolin attends the 'Sicario Day Of The Soldado' Photo Call at Four Seasons Hotel Los Angeles at Beverly Hills on June 14, 2018 in Los Angeles, California
Matt Winkelmeyer, Getty Images

Although Josh Brolin now plays two major Marvel characters, Cable and Thanos, he once confirmed he was in the running for Ben Affleck's role in 2016. Ultimately, Brolin backed out after he had disagreements with Zack Snyder on how the character should be played. Ever since Affleck's departure from directing The Batman, Brolin has been rumored to take the role.

2. MATTHEW GOODE

Actor Matthew Goode attends the 'The Imitation Game' New York Premiere at Ziegfeld Theater in 2014
Slaven Vlasic, Getty Images for The Weinstein Company

Like Brolin, Matthew Goode was also one of the actors in the running to play Batman before Ben Affleck was cast. He was also reportedly considered for the roles of both Superman and Lex Luthor. Clearly, Goode would be welcomed into the DCEU. Now would be the perfect time.

1. JON HAMM

Jon Hamm attends the Premiere Of Warner Bros. Pictures And New Line Cinema's 'Tag' at Regency Village Theatre on June 7, 2018 in Westwood, California
Jerritt Clark, Getty Images

Ever since Jon Hamm played the dark and brooding role of Don Draper on Mad Men, fans have been rallying for him to play Batman. Though rumors have been circulating for years, Hamm just recently revealed that he has never had a conversation about the possibility. However, he did say he would be interested, if the script was good.

New James Bond Director Revealed

ANTHONY HARVEY, AFP/Getty Images
ANTHONY HARVEY, AFP/Getty Images

by

A month after Danny Boyle dropped out of directing the next Bond film, reportedly throwing the production into chaos, MGM has named his replacement: Cary Joji Fukunaga, a versatile filmmaker best known as the director of 2009 movieSin Nombre, 2015 filmBeasts of No Nation, and the popular television show True Detective, will be taking over as the director of the 25th installment of ​the Bond franchise.

Boyle, director of Trainspotting (1996) and Slumdog Millionaire(2008), was brought on to direct the next ​James Bond movie after Sam Mendes—who had previously directed the 2012 and 2015 Bond films Skyfall and Spectre—elected not to return. In August, Boyle left the project, citing creative differences.

Now, Fukunaga will be directing Daniel Craig as he reluctantly returns to the titular role of the iconic British spy. (Craig had previously criticized the role after the filming of Spectre, saying that Bond was "actually a misogynist.") Other returning stars include Ben Whishaw as Q, Naomie Harris as Moneypenny, and Rory Kinnear as Tanner.

Filming for the project, currently under the working title Bond 25, will begin in March of 2019, with an expected release date of Valentine's Day 2020. Craig has announced it will be his last time playing the character.

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