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The 15 Worst Movies Ever Made

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When it comes to declaring whether a movie is “good” or “bad,” there’s no one person who can make that call. Sure, there are celebrated critics—some of whom you may always agree with—but even still, that’s just a matter of opinion. The only fair way to give a movie a general thumbs up or thumbs down is to consider a range of opinions and reviews, which is exactly what we did.

To figure out which movies both critics and audiences have deemed the worst movies ever made, we cross-referenced the lowest-rated movies on both Rotten Tomatoes and IMDb, then figured in the opinions of several critics who’ve contributed to a handful of all-time worst-ever movie lists (like this one from Empire Magazine) to calculate which films the moviegoing populace has determined to be the medium’s biggest turkeys. Here they are—in all their terrible glory.

1. BALLISTIC: ECKS VS. SEVER (2002)

Thai director Wych Kaosayananda has directed five feature films. Only once did he ever choose to use a pseudonym. That film was Ballistic: Ecks vs. Sever, the clunky action sci-fi film that starred Antonio Banderas and Lucy Liu as two former government agents each trying to get their hands on what is supposedly the world’s most dangerous weapon. But if you look at the film's credits, you’ll see that it was directed by “Kaos,” which could be a nickname—or a statement on the production itself.

In 2014, Kaosayananda admitted that the experience of making this bomb turned him off to the idea of moviemaking altogether. “For the first two years after Ballistic, I couldn't really bring myself to do movies,” the director told Film Combat Syndicate. “The experience I went through in post-production on that movie was very painful. I still did take meetings after just signing with CAA and they were doing a great job of sending me out and getting me to meet execs. I even got a couple of directing offers, but I simply didn't have an interest."

Though it’s certainly not the only film to earn a zero percent rating on the Rotten Tomatoes Tomatometer, it’s one of the few films to maintain a nothing score after more than 115 critical reviews. (Audiences were only slightly more forgiving with their 17 percent rating.) “For many viewers,” wrote AP critic Jocelyn Noveck in her review of the film, “the big question may be not whether Ecks and Sever will get together, or why they are fighting in the first place, but why am I sitting here, anyway?"

2. SUPERBABIES: BABY GENIUSES 2 (2004)

Just when we thought the ‘90s had offered up its final talking baby movie with 1993’s Look Who’s Talking Now, along came Baby Geniuses (1999). While hardly a box office behemoth with its $36 million haul, the film (which was shot for $12 million) made enough of a profit that, five years later, we got a sequel. Superbabies: Baby Geniuses 2 saw a gaggle of talking toddlers banding together to rid the world of an evildoer intent on controlling the minds of the entire human population. And it was all kind of creepy (or, according to The Wall Street Journal, “unspeakably ghastly”).

The A.V. Club’s Nathan Rabin articulated what most people were thinking when he wrote, “Why? Seriously, why? Why would anyone make a sequel to Baby Geniuses, a 1999 film whose existence, from its title on down, appeared to be a cruel joke about the gullibility of the lowest common denominator? It would be easy to say that the answer has more to do with commerce than art, but it's probably a mistake to factor art into the equation at all.”

3. UNITED PASSIONS (2015)

If Leni Riefenstahl were alive today, she probably would have been the first choice to direct United Passions, a cinematic retelling of how the Fédération Internationale de Football Association (FIFA) came to be. Unfortunately, the timing of this movie could not have been worse, or more intentional: At the same the movie was playing film festivals and art-house theaters, 16 FIFA officials were being indicted on charges of racketeering, money laundering, and wire fraud, following decades of alleged corruption wherein they used the organization to line their own pockets.

While not necessarily poorly made, the film—which stars Gérard Depardieu, Sam Neill, and Tim Roth—is propaganda at its most obvious (which isn't surprising, considering 90 percent of its production budget came directly from FIFA). Or, in the words of The Wrap’s Tim Appelo, it’s “One of those rare films so unfathomably ghastly you could write a better one while sitting through its interminable 110 minutes.”

4. JAWS: THE REVENGE (1987)

When Jaws 2 was released three years after Steven Spielberg’s groundbreaking summer blockbuster, nobody went into the theater thinking it would be able to even come close to the original. And they were right. By the time the fourth film, Jaws: The Revenge, rolled around, even the very obviously fake-looking shark couldn’t be bothered.

Though some (read: this author) consider it a guilty pleasure, the film is, well, pretty damn awful. Especially when you consider the plotline: that the shark is essentially a serial killer with a taste for the Brody family, and swims all the way from Amity Island to the Bahamas to finish off its last remaining members.

In 1987, Michael Caine—whose career was on a downswing—famously had to skip the Academy Awards, where he won a Best Supporting Actor Oscar for Woody Allen’s Hannah and Her Sisters, because he was on location shooting Jaws: The Revenge. When asked about his role as Hoagie in the shark drama, Caine admitted that, “I have never seen [the movie], but by all accounts it is terrible. However, I have seen the house that it built, and it is terrific.”

5. BUCKY LARSON: BORN TO BE A STAR (2011)

Adam Sandler co-wrote and produced this totally misguided “comedy” about a buck-toothed grocery bagger from Iowa who, upon discovering that his ultra-conservative parents were two of the 1970s’ biggest porn stars, decides to head to Hollywood and attempt to follow in their footsteps. There’s just one very, well, small problem: Bucky is not very well endowed. Ultimately, he manages to use this shortcoming to his advantage.

“I’m not sure how many tedious sex jokes and humorless physical gags people can take before they run out of the theater screaming, but Bucky Larson: Born to Be a Star certainly tests the limits,” wrote We Got This Covered’s Amy Curtis.

6. MAC AND ME (1988)

In the wake of the amazing success of E.T. the Extra Terrestrial, every studio in Hollywood wanted in on the alien action. The most memorable of them, for all the wrong reasons, just might be MAC and Me. It’s the story of a family of aliens who are kidnapped from their home planet and brought back to Earth to be studied. After a brazen escape attempt, the youngest alien, MAC—short for Mysterious Alien Creature—befriends a young boy named Eric. Yes, it’s as blatant a rip-off as it sounds, but with none of the sincerity of the Spielberg classic. Oh, and it’s so full of product placement that it may as well have been a commercial for McDonald’s and Coke.

“Possibly aware that they have something less than a classic on their hands,” wrote the Philadelphia Daily News, “the makers of MAC and Me have cut their losses by making the film into a kind of cinematic billboard: all space is for sale.”

7. ALONE IN THE DARK (2005) 

More than a decade before Christian Slater won a Golden Globe for his role in Mr. Robot, he starred in what might have been the very worst film of 2005. Alone in the Dark, a loose adaptation of the video game, follows a detective (Slater) with a heightened sixth sense that allows him to observe the paranormal. Frankly, the plot doesn’t really matter. All you need to know is that Tara Reid co-stars as Slater’s love interest, a curator at a natural history museum, and it was directed by Uwe Boll, the temperamental moviemaker who once challenged his harshest critics to a series of boxing matches. That list only grew with the release of this bomb, with Rue Morgue’s Jovanka Vuckovic declaring that, “How Uwe Boll manages to scrape together enough investment money to give wing to this type of overblown, amateurish gibberish is truly a mystery of the cosmos.”

8. DISASTER MOVIE (2008)

The jokes practically write themselves here. For more than 20 years, Jason Friedberg and Aaron Seltzer have made a career out of spoofing popular movies and genres. They’re the guys behind the Scary Movie franchise, and are currently at work on Star Worlds Episode XXXIVE=MC2: The Force Awakens the Last Jedi Who Went Rogue. In between, there was Disaster Movie, which is arguably their biggest disaster yet, and led critic Elizabeth Weitzman to wonder: “Why would you watch a bad movie about better movies, when you could just rent the originals instead?”

The Village Voice’s Jim Ridley had an even harsher criticism: “Rushed into production with no better drape for its threadbare gags than Cloverfield, this carpet-fouling mongrel of a movie no more deserves release than do anthrax spores.” Also: It stars Kim Kardashian.

9. SIMON SEZ (1999)

We’re really not sure who told Dennis Rodman that he should try his hand at acting, but we’re holding that person responsible for the many travesties he has brought to the screen, including 1997’s Double Team (co-starring Jean-Claude Van Damme and a pre-Comeback Mickey Rourke) and this abominable actioner, in which Rodman plays the titular Simon—an Interpol agent who is tasked with saving the world from an evil arms dealer. “If you must watch it—and I shudder to imagine the circumstances under which one must—watch it in a light mood, perhaps under the influence of something,” advised critic (and Mental Floss contributor) Eric D. Snider.

10. ED (1996)

Being a star of one of the most popular television shows ever can be a double-edged sword: Sure, it brings you fame and fortune and the opportunity to hone your skills in front of an enormous audience. But when the credits on that show roll for the final time, it can be hard to escape that character. Which is probably why Friends star Matt LeBlanc thought starring in a family movie would be a smart career move just a couple seasons into Friends’s run. But there’s a difference between starring in a kids' movie and starring opposite a monkey. Unless you’re Clint Eastwood, it rarely works out.

Such was the case with Ed, in which LeBlanc stars as a minor league baseball player who could learn a lesson or two from his new teammate—a chimpanzee named Ed. Or, in most of the scenes, a dude in a chimp suit that doesn’t even bother trying to make it look realistic. Yet it was LeBlanc who got most of the blame. Writing for The New York Times, Stephen Holden said that, “Mr. LeBlanc ... is so blank that the only impression he makes is of having teeth that are very large and unnaturally white.”

11. A THOUSAND WORDS (2012)

Eddie Murphy has been one of Hollywood’s biggest comedic movie stars. He’s also been nominated for an Oscar. In addition, he has starred in a handful of truly terrible films. Just when you thought he could sink no lower than 2007’s Norbit, along came A Thousand Words. The film sees Murphy playing a fast-talking literary agent who, after lying to a spiritual guru, becomes cursed and can only speak as many words as there are leaves left on a Bodhi tree on his property. Yes, it’s all a bit of a stretch and watching Murphy trying to find ways to express himself without using words is a gag that loses its funny pretty quickly. According to The Hollywood Reporter, “Eddie Murphy should have just said the word ‘No’ to this tired, formulaic comedy."

12. SURFER, DUDE (2008)

A few years before he surprised the world by winning a Best Actor Oscar for Dallas Buyers Club (2013), a pre-McConaissance Matthew McConaughey was better known as a mediocre actor whose good looks and slacker charm made him an alright, alright, alright choice to headline a movie—usually as some sort of laid back stoner dude who’d find a reason to be shirtless much of the time. Surfer, Dude sort of did away with any pretense of a real plot … unless you think seeing a surfer have his mellow buzz chilled by an existential crisis has the makings of something you’d want to invest 83 minutes in.

Instead, the movie served more as a starring role for McConaughey’s abs. While it seems it was meant to be a stoner comedy, it even fails at that. The Houston Chronicle’s Louis B. Hicks wrote that, “Surfer, Dude is a bizarre throwback. It feels 25-30 years out of date and seems to be meant to be watched on VHS, oops, make that DVD, while stoned."

13. IT’S PAT: THE MOVIE (1994)

With the exception of Wayne and Garth, Saturday Night Live characters have a terrible track record when it comes to making the transition from small to big screen. While Julia Sweeney’s androgynous Pat brought laughs on the sketch comedy show, the joke—is Pat a man or a woman?—is simply not enough to sustain even a meager 77-minute running time.

Not even when Pat finds love with Chris, yet another person of an indeterminate gender, which just exacerbates the tediousness of the one-joke plotline. “Ever hear the one about the pic that was too bad to be released, so it escaped?,” wrote Variety critic Joe Leydon. “Well, that old joke now has a new punch line: It's Pat, a shockingly unfunny Saturday Night Live spinoff.”

14. STOLEN (2009)

The past and present collide in Stolen (also known as Stolen Lives), a less-than-enthralling murder mystery in which a detective (Jon Hamm) searching for his missing son stumbles upon a 50-year-old murder of yet another young boy, which he desperately tries to solve as a way to help find closure in his own loss.

The story unravels in two different time periods, 1958 and 2008, and is riddled with clichés in both decades. “One poorly told story would be bad enough,” wrote critic Coley Smith, “but with Stolen we have two.” To be fair, had the film not featured an impressive cast—Jessica Chastain, Josh Lucas, Morena Baccarin, and James Van Der Beek all join Hamm in this overwrought journey—it probably would have just fallen off the radar completely. But a bad film filled with familiar faces is always going to be judged more harshly.

15. KIRK CAMERON’S SAVING CHRISTMAS (2014)

“Do you ever feel like Christmas has been hijacked?” That’s the question that kicks off the trailer for this holiday offering from outspoken Evangelical Christian Kirk Cameron. Yes, the man formerly known as Growing Pains’s Mike Seaver apparently isn’t a fan of the inclusiveness that has led many people and businesses to exchange “Merry Christmas” for “Happy Holidays,” and this movie was his attempt to do something about it. So much so that, in the trailer alone, the filmmakers manage to compare the commercialization of Christmas to a carjacking, “but like of our religion. And guess what? Santa got in the car, kicked Jesus out, and was like, ‘Rolling, rolling, rolling’ and took it.” Cameron’s goal? For audiences to join him and his family and “put the Christ back into Christmas.” Not a lot of people were buying it, not even its intended audience.

The Chicago Sun-Times’s Bill Zwecker declared that, “This may be one of the least artful holiday films ever made. Even devout born-again Christians will find this hard to stomach.” Peter Sobczynski, writing for RogerEbert.com, was even more direct: “Perhaps the only Christmas movie I can think of, especially of the religious-themed variety, that seems to flat-out endorse materialism, greed and outright gluttony.” Within a month, the movie made headlines when it managed to become IMDb’s lowest-rated film.

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5 Things We Know About Stranger Things Season 2
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Stranger Things seemed to come out of nowhere to become one of television's standout new series in 2016. Netflix's sometimes scary, sometimes funny, and always exciting homage to '80s pop culture was a binge-worthy phenomenon when it debuted in July 2016. Of course, the streaming giant wasn't going to wait long to bring more Stranger Things to audiences, and a second season was announced a little over a month after its debut—and Netflix just announced that we'll be getting it a few days earlier than expected. Here are five key things we know about the show's sophomore season, which kicks off on October 27.

1. WE'LL BE GETTING EVEN MORE EPISODES.

The first season of Stranger Things consisted of eight hour-long episodes, which proved to be a solid length for the story Matt and Ross Duffer wanted to tell. While season two won't increase in length dramatically, we will be getting at least one extra hour when the show returns in 2017 with nine episodes. Not much is known about any of these episodes, but we do know the titles:

"Madmax"
"The Boy Who Came Back To Life"
"The Pumpkin Patch"
"The Palace"
"The Storm"
"The Pollywog"
"The Secret Cabin"
"The Brain"
"The Lost Brother"

There's a lot of speculation about what each title means and, as usual with Stranger Things, there's probably a reason for each one.

2. THE KIDS ARE RETURNING (INCLUDING ELEVEN).

Stranger Things fans should gear up for plenty of new developments in season two, but that doesn't mean your favorite characters aren't returning. A November 4 photo sent out by the show's Twitter account revealed most of the kids from the first season will be back in 2017, including the enigmatic Eleven, played by Millie Bobby Brown (the #elevenisback hashtag used by series regular Finn Wolfhard should really drive the point home):

3. THE SHOW'S 1984 SETTING WILL LEAD TO A DARKER TONE.

A year will have passed between the first and second seasons of the show, allowing the Duffer brothers to catch up with a familiar cast of characters that has matured since we last saw them. With the story taking place in 1984, the brothers are looking at the pop culture zeitgeist at the time for inspiration—most notably the darker tone of blockbusters like Gremlins and Indiana Jones and the Temple of Doom.

"I actually really love Temple of Doom, I love that it gets a little darker and weirder from Raiders, I like that it feels very different than Raiders did," Matt Duffer told IGN. "Even though it was probably slammed at the time—obviously now people look back on it fondly, but it messed up a lot of kids, and I love that about that film—that it really traumatized some children. Not saying that we want to traumatize children, just that we want to get a little darker and weirder."

4. IT'S NOT SO MUCH A CONTINUATION AS IT IS A SEQUEL.

When you watch something like The Americans season two, it's almost impossible to catch on unless you've seen the previous episodes. Stranger Things season two will differ from the modern TV approach by being more of a sequel than a continuation of the first year. That means a more self-contained plot that doesn't leave viewers hanging at the end of nine episodes.

"There are lingering questions, but the idea with Season 2 is there's a new tension and the goal is can the characters resolve that tension by the end," Ross Duffer told IGN. "So it's going to be its own sort of complete little movie, very much in the way that Season 1 is."

Don't worry about the two seasons of Stranger Things being too similar or too different from the original, though, because when speaking with Entertainment Weekly about the influences on the show, Matt Duffer said, "I guess a lot of this is James Cameron. But he’s brilliant. And I think one of the reasons his sequels are as successful as they are is he makes them feel very different without losing what we loved about the original. So I think we kinda looked to him and what he does and tried to capture a little bit of the magic of his work.”

5. THE PREMIERE WILL TRAVEL OUTSIDE OF HAWKINS.

Everything about the new Stranger Things episodes will be kept secret until they finally debut later this year, but we do know one thing about the premiere: It won't take place entirely in the familiar town of Hawkins, Indiana. “We will venture a little bit outside of Hawkins,” Matt Duffer told Entertainment Weekly. “I will say the opening scene [of the premiere] does not take place in Hawkins.”

So, should we take "a little bit outside" as literally as it sounds? You certainly can, but in that same interview, the brothers also said they're both eager to explore the Upside Down, the alternate dimension from the first season. Whether the season kicks off just a few miles away, or a few worlds away, you'll get your answer when Stranger Things's second season debuts next month.

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Everything That’s Leaving Netflix in October
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Netflix subscribers are already counting down the days until the premiere of the new season of Stranger Things. But, as always, in order to make room for the near-90 new titles making their way to the streaming site, some of your favorite titles—including all of 30 Rock, The Wonder Years, and Malcolm in the Middle—must go. Here’s everything that’s leaving Netflix in October ... binge ‘em while you can!

October 1

30 Rock (Seasons 1-7)

A Love in Times of Selfies

Across the Universe

Barton Fink

Bella

Big Daddy

Carousel

Cradle 2 the Grave

Crafting a Nation

Curious George: A Halloween Boo Fest

Daddy’s Little Girls

Dark Was the Night

David Attenborough’s Rise of the Animals: Triumph of the Vertebrates (Season 1)

Day of the Kamikaze

Death Beach

Dowry Law

Dr. Dolittle: Tail to the Chief

Friday Night Lights (Seasons 1-5)

Happy Feet

Heaven Knows, Mr. Allison

Hellboy

Kagemusha

Laura

Love Actually

Malcolm in the Middle (Seasons 1-7)

Max Dugan Returns

Millennium 

Million Dollar Baby

Mortal Combat

Mr. 3000

Mulholland Dr.

My Father the Hero

My Name Is Earl (Seasons 1-4)

One Tree Hill (Seasons 1-9)

Patton

Picture This

Prison Break (Seasons 1-4)

The Bernie Mac Show (Seasons 1-5)

The Shining

The Wonder Years (Seasons 1-6)

Titanic

October 19

The Cleveland Show (Seasons 1-4)

October 21

Bones (Seasons 5-11)

October 27

Lie to Me (Seasons 2-3)

Louie (Seasons 1-5)

Hot Transylvania 2

October 29

Family Guy (Seasons 9-14)

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