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The 15 Worst Movies Ever Made

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When it comes to declaring whether a movie is “good” or “bad,” there’s no one person who can make that call. Sure, there are celebrated critics—some of whom you may always agree with—but even still, that’s just a matter of opinion. The only fair way to give a movie a general thumbs up or thumbs down is to consider a range of opinions and reviews, which is exactly what we did.

To figure out which movies both critics and audiences have deemed the worst movies ever made, we cross-referenced the lowest-rated movies on both Rotten Tomatoes and IMDb, then figured in the opinions of several critics who’ve contributed to a handful of all-time worst-ever movie lists (like this one from Empire Magazine) to calculate which films the moviegoing populace has determined to be the medium’s biggest turkeys. Here they are—in all their terrible glory.

1. BALLISTIC: ECKS VS. SEVER (2002)

Thai director Wych Kaosayananda has directed five feature films. Only once did he ever choose to use a pseudonym. That film was Ballistic: Ecks vs. Sever, the clunky action sci-fi film that starred Antonio Banderas and Lucy Liu as two former government agents each trying to get their hands on what is supposedly the world’s most dangerous weapon. But if you look at the film's credits, you’ll see that it was directed by “Kaos,” which could be a nickname—or a statement on the production itself.

In 2014, Kaosayananda admitted that the experience of making this bomb turned him off to the idea of moviemaking altogether. “For the first two years after Ballistic, I couldn't really bring myself to do movies,” the director told Film Combat Syndicate. “The experience I went through in post-production on that movie was very painful. I still did take meetings after just signing with CAA and they were doing a great job of sending me out and getting me to meet execs. I even got a couple of directing offers, but I simply didn't have an interest."

Though it’s certainly not the only film to earn a zero percent rating on the Rotten Tomatoes Tomatometer, it’s one of the few films to maintain a nothing score after more than 115 critical reviews. (Audiences were only slightly more forgiving with their 17 percent rating.) “For many viewers,” wrote AP critic Jocelyn Noveck in her review of the film, “the big question may be not whether Ecks and Sever will get together, or why they are fighting in the first place, but why am I sitting here, anyway?"

2. SUPERBABIES: BABY GENIUSES 2 (2004)

Just when we thought the ‘90s had offered up its final talking baby movie with 1993’s Look Who’s Talking Now, along came Baby Geniuses (1999). While hardly a box office behemoth with its $36 million haul, the film (which was shot for $12 million) made enough of a profit that, five years later, we got a sequel. Superbabies: Baby Geniuses 2 saw a gaggle of talking toddlers banding together to rid the world of an evildoer intent on controlling the minds of the entire human population. And it was all kind of creepy (or, according to The Wall Street Journal, “unspeakably ghastly”).

The A.V. Club’s Nathan Rabin articulated what most people were thinking when he wrote, “Why? Seriously, why? Why would anyone make a sequel to Baby Geniuses, a 1999 film whose existence, from its title on down, appeared to be a cruel joke about the gullibility of the lowest common denominator? It would be easy to say that the answer has more to do with commerce than art, but it's probably a mistake to factor art into the equation at all.”

3. UNITED PASSIONS (2015)

If Leni Riefenstahl were alive today, she probably would have been the first choice to direct United Passions, a cinematic retelling of how the Fédération Internationale de Football Association (FIFA) came to be. Unfortunately, the timing of this movie could not have been worse, or more intentional: At the same the movie was playing film festivals and art-house theaters, 16 FIFA officials were being indicted on charges of racketeering, money laundering, and wire fraud, following decades of alleged corruption wherein they used the organization to line their own pockets.

While not necessarily poorly made, the film—which stars Gérard Depardieu, Sam Neill, and Tim Roth—is propaganda at its most obvious (which isn't surprising, considering 90 percent of its production budget came directly from FIFA). Or, in the words of The Wrap’s Tim Appelo, it’s “One of those rare films so unfathomably ghastly you could write a better one while sitting through its interminable 110 minutes.”

4. JAWS: THE REVENGE (1987)

When Jaws 2 was released three years after Steven Spielberg’s groundbreaking summer blockbuster, nobody went into the theater thinking it would be able to even come close to the original. And they were right. By the time the fourth film, Jaws: The Revenge, rolled around, even the very obviously fake-looking shark couldn’t be bothered.

Though some (read: this author) consider it a guilty pleasure, the film is, well, pretty damn awful. Especially when you consider the plotline: that the shark is essentially a serial killer with a taste for the Brody family, and swims all the way from Amity Island to the Bahamas to finish off its last remaining members.

In 1987, Michael Caine—whose career was on a downswing—famously had to skip the Academy Awards, where he won a Best Supporting Actor Oscar for Woody Allen’s Hannah and Her Sisters, because he was on location shooting Jaws: The Revenge. When asked about his role as Hoagie in the shark drama, Caine admitted that, “I have never seen [the movie], but by all accounts it is terrible. However, I have seen the house that it built, and it is terrific.”

5. BUCKY LARSON: BORN TO BE A STAR (2011)

Adam Sandler co-wrote and produced this totally misguided “comedy” about a buck-toothed grocery bagger from Iowa who, upon discovering that his ultra-conservative parents were two of the 1970s’ biggest porn stars, decides to head to Hollywood and attempt to follow in their footsteps. There’s just one very, well, small problem: Bucky is not very well endowed. Ultimately, he manages to use this shortcoming to his advantage.

“I’m not sure how many tedious sex jokes and humorless physical gags people can take before they run out of the theater screaming, but Bucky Larson: Born to Be a Star certainly tests the limits,” wrote We Got This Covered’s Amy Curtis.

6. MAC AND ME (1988)

In the wake of the amazing success of E.T. the Extra Terrestrial, every studio in Hollywood wanted in on the alien action. The most memorable of them, for all the wrong reasons, just might be MAC and Me. It’s the story of a family of aliens who are kidnapped from their home planet and brought back to Earth to be studied. After a brazen escape attempt, the youngest alien, MAC—short for Mysterious Alien Creature—befriends a young boy named Eric. Yes, it’s as blatant a rip-off as it sounds, but with none of the sincerity of the Spielberg classic. Oh, and it’s so full of product placement that it may as well have been a commercial for McDonald’s and Coke.

“Possibly aware that they have something less than a classic on their hands,” wrote the Philadelphia Daily News, “the makers of MAC and Me have cut their losses by making the film into a kind of cinematic billboard: all space is for sale.”

7. ALONE IN THE DARK (2005) 

More than a decade before Christian Slater won a Golden Globe for his role in Mr. Robot, he starred in what might have been the very worst film of 2005. Alone in the Dark, a loose adaptation of the video game, follows a detective (Slater) with a heightened sixth sense that allows him to observe the paranormal. Frankly, the plot doesn’t really matter. All you need to know is that Tara Reid co-stars as Slater’s love interest, a curator at a natural history museum, and it was directed by Uwe Boll, the temperamental moviemaker who once challenged his harshest critics to a series of boxing matches. That list only grew with the release of this bomb, with Rue Morgue’s Jovanka Vuckovic declaring that, “How Uwe Boll manages to scrape together enough investment money to give wing to this type of overblown, amateurish gibberish is truly a mystery of the cosmos.”

8. DISASTER MOVIE (2008)

The jokes practically write themselves here. For more than 20 years, Jason Friedberg and Aaron Seltzer have made a career out of spoofing popular movies and genres. They’re the guys behind the Scary Movie franchise, and are currently at work on Star Worlds Episode XXXIVE=MC2: The Force Awakens the Last Jedi Who Went Rogue. In between, there was Disaster Movie, which is arguably their biggest disaster yet, and led critic Elizabeth Weitzman to wonder: “Why would you watch a bad movie about better movies, when you could just rent the originals instead?”

The Village Voice’s Jim Ridley had an even harsher criticism: “Rushed into production with no better drape for its threadbare gags than Cloverfield, this carpet-fouling mongrel of a movie no more deserves release than do anthrax spores.” Also: It stars Kim Kardashian.

9. SIMON SEZ (1999)

We’re really not sure who told Dennis Rodman that he should try his hand at acting, but we’re holding that person responsible for the many travesties he has brought to the screen, including 1997’s Double Team (co-starring Jean-Claude Van Damme and a pre-Comeback Mickey Rourke) and this abominable actioner, in which Rodman plays the titular Simon—an Interpol agent who is tasked with saving the world from an evil arms dealer. “If you must watch it—and I shudder to imagine the circumstances under which one must—watch it in a light mood, perhaps under the influence of something,” advised critic (and Mental Floss contributor) Eric D. Snider.

10. ED (1996)

Being a star of one of the most popular television shows ever can be a double-edged sword: Sure, it brings you fame and fortune and the opportunity to hone your skills in front of an enormous audience. But when the credits on that show roll for the final time, it can be hard to escape that character. Which is probably why Friends star Matt LeBlanc thought starring in a family movie would be a smart career move just a couple seasons into Friends’s run. But there’s a difference between starring in a kids' movie and starring opposite a monkey. Unless you’re Clint Eastwood, it rarely works out.

Such was the case with Ed, in which LeBlanc stars as a minor league baseball player who could learn a lesson or two from his new teammate—a chimpanzee named Ed. Or, in most of the scenes, a dude in a chimp suit that doesn’t even bother trying to make it look realistic. Yet it was LeBlanc who got most of the blame. Writing for The New York Times, Stephen Holden said that, “Mr. LeBlanc ... is so blank that the only impression he makes is of having teeth that are very large and unnaturally white.”

11. A THOUSAND WORDS (2012)

Eddie Murphy has been one of Hollywood’s biggest comedic movie stars. He’s also been nominated for an Oscar. In addition, he has starred in a handful of truly terrible films. Just when you thought he could sink no lower than 2007’s Norbit, along came A Thousand Words. The film sees Murphy playing a fast-talking literary agent who, after lying to a spiritual guru, becomes cursed and can only speak as many words as there are leaves left on a Bodhi tree on his property. Yes, it’s all a bit of a stretch and watching Murphy trying to find ways to express himself without using words is a gag that loses its funny pretty quickly. According to The Hollywood Reporter, “Eddie Murphy should have just said the word ‘No’ to this tired, formulaic comedy."

12. SURFER, DUDE (2008)

A few years before he surprised the world by winning a Best Actor Oscar for Dallas Buyers Club (2013), a pre-McConaissance Matthew McConaughey was better known as a mediocre actor whose good looks and slacker charm made him an alright, alright, alright choice to headline a movie—usually as some sort of laid back stoner dude who’d find a reason to be shirtless much of the time. Surfer, Dude sort of did away with any pretense of a real plot … unless you think seeing a surfer have his mellow buzz chilled by an existential crisis has the makings of something you’d want to invest 83 minutes in.

Instead, the movie served more as a starring role for McConaughey’s abs. While it seems it was meant to be a stoner comedy, it even fails at that. The Houston Chronicle’s Louis B. Hicks wrote that, “Surfer, Dude is a bizarre throwback. It feels 25-30 years out of date and seems to be meant to be watched on VHS, oops, make that DVD, while stoned."

13. IT’S PAT: THE MOVIE (1994)

With the exception of Wayne and Garth, Saturday Night Live characters have a terrible track record when it comes to making the transition from small to big screen. While Julia Sweeney’s androgynous Pat brought laughs on the sketch comedy show, the joke—is Pat a man or a woman?—is simply not enough to sustain even a meager 77-minute running time.

Not even when Pat finds love with Chris, yet another person of an indeterminate gender, which just exacerbates the tediousness of the one-joke plotline. “Ever hear the one about the pic that was too bad to be released, so it escaped?,” wrote Variety critic Joe Leydon. “Well, that old joke now has a new punch line: It's Pat, a shockingly unfunny Saturday Night Live spinoff.”

14. STOLEN (2009)

The past and present collide in Stolen (also known as Stolen Lives), a less-than-enthralling murder mystery in which a detective (Jon Hamm) searching for his missing son stumbles upon a 50-year-old murder of yet another young boy, which he desperately tries to solve as a way to help find closure in his own loss.

The story unravels in two different time periods, 1958 and 2008, and is riddled with clichés in both decades. “One poorly told story would be bad enough,” wrote critic Coley Smith, “but with Stolen we have two.” To be fair, had the film not featured an impressive cast—Jessica Chastain, Josh Lucas, Morena Baccarin, and James Van Der Beek all join Hamm in this overwrought journey—it probably would have just fallen off the radar completely. But a bad film filled with familiar faces is always going to be judged more harshly.

15. KIRK CAMERON’S SAVING CHRISTMAS (2014)

“Do you ever feel like Christmas has been hijacked?” That’s the question that kicks off the trailer for this holiday offering from outspoken Evangelical Christian Kirk Cameron. Yes, the man formerly known as Growing Pains’s Mike Seaver apparently isn’t a fan of the inclusiveness that has led many people and businesses to exchange “Merry Christmas” for “Happy Holidays,” and this movie was his attempt to do something about it. So much so that, in the trailer alone, the filmmakers manage to compare the commercialization of Christmas to a carjacking, “but like of our religion. And guess what? Santa got in the car, kicked Jesus out, and was like, ‘Rolling, rolling, rolling’ and took it.” Cameron’s goal? For audiences to join him and his family and “put the Christ back into Christmas.” Not a lot of people were buying it, not even its intended audience.

The Chicago Sun-Times’s Bill Zwecker declared that, “This may be one of the least artful holiday films ever made. Even devout born-again Christians will find this hard to stomach.” Peter Sobczynski, writing for RogerEbert.com, was even more direct: “Perhaps the only Christmas movie I can think of, especially of the religious-themed variety, that seems to flat-out endorse materialism, greed and outright gluttony.” Within a month, the movie made headlines when it managed to become IMDb’s lowest-rated film.

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10 Things We Know About The Handmaid’s Tale Season 2
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Though Hulu has been producing original content for more than five years now, 2017 turned out to be a banner year for the streaming network with the debut of The Handmaid’s Tale on April 26, 2017. The dystopian drama, based on Margaret Atwood’s 1985 book, imagines a future in which a theocratic regime known as Gilead has taken over the United States and enslaved fertile women so that the group’s most powerful couples can procreate.

If it all sounds rather bleak, that’s because it is—but it’s also one of the most impressive new series to arrive in years (as evidenced by the slew of awards it has won, including eight Emmy and two Golden Globe Awards). Fortunately, fans left wanting more don’t have that much longer to wait, as season two will premiere on Hulu in April. In the meantime, here’s everything we know about The Handmaid’s Tale’s second season.

1. IT WILL PREMIERE WITH TWO EPISODES.

When The Handmaid’s Tale returns on April 25, 2018, Hulu will release the first two of its 13 new episodes on premiere night, then drop another new episode every Wednesday.

2. MARGARET ATWOOD WILL CONTINUE TO HELP SHAPE THE NARRATIVE.

Fans of Atwood’s novel who didn’t like that season one went beyond the original source material are in for some more disappointment in season two, as the narrative will again go beyond the scope of what Atwood covered. But creator/showrunner Bruce Miller doesn’t necessarily agree with the criticism they received in season one.

“People talk about how we're beyond the book, but we're not really," Miller told Newsweek. "The book starts, then jumps 200 years with an academic discussion at the end of it, about what's happened in those intervening 200 years. We're not going beyond the novel. We're just covering territory [Atwood] covered quickly, a bit more slowly.”

Even more importantly, Miller's got Atwood on his side. The author serves as a consulting producer on the show, and the title isn’t an honorary one. For Miller, Atwood’s input is essential to shaping the show, particularly as it veers off into new territories. And they were already thinking about season two while shooting season one. “Margaret and I had started to talk about the shape of season two halfway through the first [season],” he told Entertainment Weekly.

In fact, Miller said that when he first began working on the show, he sketched out a full 10 seasons worth of storylines. “That’s what you have to do when you’re taking on a project like this,” he said.

3. MOTHERHOOD WILL BE A CENTRAL THEME.

As with season one, motherhood is a key theme in the series. And June/Offred’s pregnancy will be one of the main plotlines. “So much of [Season 2] is about motherhood,” Elisabeth Moss said during the Television Critics Association press tour. “Bruce and I always talked about the impending birth of this child that’s growing inside her as a bit of a ticking time bomb, and the complications of that are really wonderful to explore. It’s a wonderful thing to have a baby, but she’s having it potentially in this world that she may not want to bring it into. And then, you know, if she does have the baby, the baby gets taken away from her and she can’t be its mother. So, obviously, it’s very complicated and makes for good drama. But, it’s a very big part of this season, and it gets bigger and bigger as the show goes on.”

4. THE RESISTANCE IS COMING.

Just because June is pregnant, don’t expect her to sit on the sidelines as the resistance to Gilead continues. “There is more than one way to resist," Moss said. “There is resistance within [June], and that is a big part of this season.”

5. WE’LL GET TO SEE THE COLONIES.

A scene from 'The Handmaid's Tale'
Hulu

Miller, understandably, isn’t eager to share too many details about the new season. “I’m not being cagey!” he swore to Entertainment Weekly. “I just want the viewers to experience it for themselves!” What he did confirm is that the new season will bring us to the colonies—reportedly in episode two—and show what life is like for those who have been sent there.

It will also delve further into what life is like for the refugees who managed to escape Gilead, like Luke and Moira.

6. MARISA TOMEI WILL APPEAR IN AN EPISODE.

Though she won’t be a regular cast member, Miller recently announced that Oscar winner Marisa Tomei will make a guest appearance in the new season’s second episode. Yes, the one that will show us the Colonies. In fact, that’s where we’ll meet her; Tomei is playing the wife of a Commander.

7. WE’LL LEARN MORE ABOUT THE ORIGINS OF GILEAD.

As a group shrouded in secrecy, we still don’t know much about how and where Gilead began. That will change a bit in season two. When discussing some of the questions viewers will have answered, executive producer Warren Littlefield promised that, "How did Gilead come about? How did this happen?” would be two of them. “We get to follow the historical creation of this world,” he said.

8. THERE WILL BE AT LEAST ONE HANDMAID FUNERAL.

A scene from 'The Handmaid's Tale'
Hulu

While Miller wouldn’t talk about who the handmaids are mourning in a teaser shot from season two that shows a handmaid’s funeral, he was excited to talk about creating the look for the scene. “Everything from the design of their costumes to the way they look is so chilling,” Miller told Entertainment Weekly. “These scenes that are so beautiful, while set in such a terrible place, provide the kind of contrast that makes me happy.”

9. ELISABETH MOSS SAYS THE TONE WILL BE DARKER.

Like season one, Miller says that The Handmaid’s Tale's second season will again balance its darker, dystopian themes with glimpses of hopefulness. “I think the first season had very difficult things, and very hopeful things, and I think this season is exactly the same way,” he told the Los Angeles Times. “There come some surprising moments of real hope and victory, and strength, that come from surprising places.”

Moss, however, has a different opinion. “It's a dark season,” she told reporters at TCA. “I would say arguably it's darker than Season 1—if that's possible.”

10. IT WILL ALSO BE BLOODIER.

A scene from 'The Handmaid's Tale'
Hulu

When pressed about how the teaser images for the new season seemed to feature a lot of blood, Miller conceded: “Oh gosh, yeah. There may be a little more blood this season.”

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6 Surprising Facts About Nintendo's Animal Crossing

by Ryan Lambie

Animal Crossing is one of the most unusual series of games Nintendo has ever produced. Casting you as a newcomer in a woodland town populated by garrulous and sometimes eccentric creatures, Animal Crossing is about conversation, friendship, and collecting things rather than competition or shooting enemies. It’s a formula that has grown over successive generations, with the 3DS version now one of the most popular games available for that system—which is all the more impressive, given the game’s obscure origins almost 15 years ago. Here are a few things you might not have known about the video game.

1. ITS INSPIRATION CAME FROM AN UNLIKELY PLACE.

By the late 1990s, Katsuya Eguchi had already worked on some of Nintendo’s greatest games. He’d designed the levels for the classic Super Mario Bros 3. He was the director of Star Fox (or Star Wing, as it was known in the UK), and the designer behind the adorable Yoshi’s Story. But Animal Crossing was inspired by Eguchi’s experiences from his earlier days, when he was a 21-year-old graduate who’d taken the decisive step of moving from Chiba Prefecture, Japan, where he’d grown up and studied, to Nintendo’s headquarters in Kyoto.

Eguchi wanted to recreate the feeling of being alone in a new town, away from friends and family. “I wondered for a long time if there would be a way to recreate that feeling, and that was the impetus behind Animal Crossing,” Eguchi told Edge magazine in 2008. Receiving letters from your mother, getting a job (from the game’s resident raccoon capitalist, Tom Nook), and gradually filling your empty house with furniture and collectibles all sprang from Eguchi’s memories of first moving to Kyoto.

2. IT WAS ORIGINALLY DEVELOPED FOR THE N64.

Although Animal Crossing would eventually become best known as a GameCube title—to the point where many assume that this is where the series began—the game actually appeared first on the N64. First developed for the ill-fated 64DD add-on, Animal Crossing (or Doubutsu no Mori, which translates to Animal Forest) was ultimately released as a standard cartridge. But by the time Animal Crossing emerged in Japan in 2001, the N64 was already nearing the end of its lifespan, and was never localized for a worldwide release.

3. TRANSLATING THE GAME FOR AN INTERNATIONAL AUDIENCE WAS A DIFFICULT TASK.

The GameCube version of Animal Crossing was released in Japan in December 2001, about eight months after the N64 edition. Thanks to the added capacity of the console’s discs, they could include characters like Tortimer or Blathers that weren’t in the N64 iteration, and Animal Crossing soon became a hit with Japanese critics and players alike.

Porting Animal Crossing for an international audience would prove to be a considerable task, however, with the game’s reams of dialogue and cultural references all requiring careful translation. But the effort that writers Nate Bihldorff and Rich Amtower put into the English-language version would soon pay off; Nintendo’s bosses in Japan were so impressed with the additional festivals and sheer personality present in the western version of Animal Crossing that they decided to have that version of the game translated back into Japanese. This new version of the game, called Doubutsu no Mori e+, was released in 2003.

4. K.K. SLIDER IS BASED ON ON THE GAME'S COMPOSER.

One of Animal Crossing’s most recognizable and popular characters is K.K. Slider, the laidback canine musician. He’s said to be based, both in looks and name, on Kazumi Totaka, the prolific composer and voice actor who co-wrote Animal Crossing’s music. In the Japanese version of Animal Crossing, K.K. Slider is called Totakeke—a play on the real musician’s name. K.K. Slider’s almost as prolific as Totaka, too: Animal Crossing: New Leaf on the Nintendo 3DS contains a total of 91 tracks performed by the character.

5. ONE CHARACTER HAS BEEN KNOWN TO MAKE PLAYERS CRY.

A more controversial character than K.K. Slider, Mr. Resetti is an angry mole created to remind players to save the game before switching off their console. And the more often players forget to save their game, the angrier Mr. Resetti gets. Mr. Resetti’s anger apparently disturbed some younger players, though, as Animal Crossing: New Leaf’s project leader Aya Kyogoku revealed in an interview with Nintendo's former president, the late Satoru Iwata.

“We really weren't sure about Mr. Resetti, as he really divides people," Kyogoku said. “Some people love him, of course, but there are others who don't like being shouted at in his rough accent.”

“It seems like younger female players, in particular, are scared,” Iwata agreed. “I've heard that some of them have even cried.”

To avoid the tears, Mr. Resetti plays a less prominent role in Animal Crossing: New Leaf, and only appears if the player first builds a Reset Surveillance Centre. Divisive though he is, Mr. Resetti’s been designed and written with as much care as any of the other characters in Animal Crossing; his first name’s Sonny, he has a brother called Don and a cousin called Vinnie, and he prefers his coffee black with no sugar.

6. THE SERIES IS STILL EVOLVING.

Since its first appearance in 2001, the quirky and disarming Animal Crossing has grown to encompass toys, a movie, and no fewer than four main games (or five if you count the version released for the N64 as a separate entry). All told, the Animal Crossing games have sold more than 30 million copies, and the series is still growing. In late 2017, the mobile title Animal Crossing: Pocket Camp was released for iOS and Android. It's a big step for the franchise, as Nintendo is famously selective about which of its series get a mobile makeover. A game once inspired by the loneliness of moving to a new town has now become one of Nintendo’s most successful and beloved franchises.

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